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18TH CENTURY BLACK AND WHITE MEZZOTINT, "Mary Lady Boynton", 23" x 15" (A/F); and LATE 19TH CENTURY COLOURED STIPPLE ENGRAVING, Portrait of a Society Lady, 21" x 18" (2)

WILLIAM HENDERSON (ENGRAVER), SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE MEZZOTINT, PUBLISHED 1902, Portrait of Mother and Child by a Monument, 21" x 13"; J B VANLOO, ENGRAVED BY B BARON, ANTIQUE BLACK AND WHITE ENGRAVING, CIRCA 1756, "Her Royal Highness Augusta Princess Dowager of Wales ......", laid-down, 19" x 16"; and AFTER SIR J REYNOLDS, ENGRAVED BY S COUSINS, UNDATED BLACK AND WHITE MEZZOTINT, Portrait of a Society Lady in Parkland Setting, 21" x 15" (3)

AFTER J HUDSON, ENGRAVED BY A MILLER, BLACK AND WHITE MEZZOTINT, PUBLISHED 1754, Sir Peter Warren, Vice Admiral of the Red Squadron ......, 11" x 8"

19th CENTURY ENGLISH SCHOOL, BLACK AND WHITE MEZZOTINT, Portrait of Young Girl Seated in Landscape (trimmed to margins, laid-down), 17" x 13"

AFTER CHARLES LEES, ENGRAVED BY HENRY QUILLEY, BLACK AND WHITE MEZZOTINT, PUBLISHED BY ALEXANDER HILL, "The Right Reverend David Low ------", 11" x 9"; and AFTER JOHN SIMPSON, ENGRAVED BY BENJAMIN P GIBBON, BLACK AND WHITE MEZZOTINT, Dated 1839, "His Grace, Arthur Duke of Wellington", 16" x 13" (2)

AFTER GEORGE CARTER, ENGRAVED BY VALENTINE GREEN, BLACK AND WHITE MEZZOTINT, Published 1776, "The Wounded Hussar", 18" x 14"

AFTER J VAN HUYSUM, COLOURED MEZZOTINT, Circa 1778, "A Flower Piece", 19" x 15"

AFTER N DANCE, ENGRAVED BY E DICKER, 18TH CENTURY BLACK AND WHITE MEZZOTINT (BEFORE LETTERS), "Richard Jenner - Bishop of Peterborough" 1757, 13" x 11"; and AFTER SIR THOMAS LAWRENCE, ENGRAVED BY S COUSINS, BLACK AND WHITE MEZZOTINT, Published 1842, "The Most Honourable Richard Marquess Wellesley -------", 11" x 9" (2)

AFTER THOMAS GAINSBOROUGH, ENGRAVED BY RICHARD EARLOM, BLACK AND WHITE MEZZOTINT, Published 1783 by J Boydell, "Girl and Pigs", 14 ½" x 18 ½"; and one other; and AFTER GEORGE MORLAND, ENGRAVED BY WILLIAM WARD, BLACK AND WHITE MEZZOTINT, Published 1791 by Thomas Simpson, "Travellers", 17" x 21" (3)

AFTER JOHN CONSTABLE, ENGRAVED BY DAVID LUCAS, BLACK AND WHITE MEZZOTINT (BEFORE LETTERS), "The Rainbow, Salisbury", 22" x 27"

MID-19TH CENTURY BLACK AND WHITE MEZZOTINT, The Young Queen Victoria with Albert receiving a Gift from Duke of Wellington, 16" x 19"

SIR FRANK SHORT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE WORKING PROOF MEZZOTINT, The Rescue, 17" x 23"

After George Romney - "Lady Hamilton at her spinning wheel", a coloured mezzotint by E M Hester, in gilt frame.

After Sir Joshua Reynolds - 'Mr Tomkins' (Half Length Portrait of the Artist and Engraver standing in an Interior holding a Quill Pen and a Piece of Paper), early 19th Century mezzotint by Charles Turner, approx 37.5cm x 31.5cm, within a gilt composition frame.

SAMUEL WILLIAM REYNOLDS AFTER J. NORTHCOTE - The death of Alexander Hood (1758-98), mezzotint engraving in colours, 21" x 25"; and three further stipple engravings, two engraved by W. Bond after Smirke or Singleton 'The Castle of O.... Panto' and 'The Mysteries of .....'; and F. Bartolozzi after Revd Peters 'The Triumph of Virtue' (4).

J.S. PAUL AFTER J. REYNOLDS - 'The Right Honourable Georgiana Lady Viscountess Spencer and her daughter The Honourable Miss Georgiana Spencer', mezzotint, c.1771, 19 1/2" x 13 1/2"; and one further of the Right Honourable Elizabeth Lady Melbourne, both unframed (2).

After David Roberts Shrine of The Holy Sepulchre Mezzotint, 48x31.5cm.

An 18th Century hand-coloured mezzotint, "Queen Charlotte", in Hogarth frame

After Philippe Mercier, Rural Life, plate 1, mezzotint by Richard Purcell (C. Corbutt), 35.5cm x 25cm. together with 'The Strolling Bagpiper'. (2)

A group of five, including a mezzotint with hand colouring after Richard Cosway of The Rt Hon Lady CHristine Reede Gingkel; a watercolour of a family spinning on a veranda, an etching if a log cart, a watercolour study of 18th century children and a stipple engraving 'Fanchon dans son Enfance' after Massot. (5)

A group of six, including a colour mezzotint after George Morland, a group of thre colour stipple engravings of classical subjects, including 'The Union Wreath' by I W Tomkins, an engraving after Fragonard and a silkwork picture of a country lady. (6)

A VICTORIAN VERRE EGLOMISE AND GILT WOOD RECTANGULAR FRAME containing coloured mezzotint of a bacchanalian girl, 8" x 7".

Dunkarton after Dance mezzotint John Ellicott FRS, Clockmaker to His Majesty 15 x 11in.

A pair of 18th Century coloured engravings by Johann Christian Leopold - Portraits of George II and Elisabeth Christina, each 11.5ins x 7ins, and one other mezzotint after William Ward - "Louisa" - Oval portrait of a young woman, 8ins x 6.75ins, all in gilt moulded frames and glazed

AFTER WILSON BY WALKER, Gudgeon Fishing or He's fairly hook'd, mezzotint, c. 1773, trimmed to image possibly, 25cms x 36cms, The Flushing of the Woodcock, mezzotint, pub Sayer , c. 1790 trimmed to image possibly

Thomas Douglas Guest (British, 1781-1845) Portrait of Tom Belcher, the Pugilist oil on canvas 75 x 70cm A mezzotint of the painting was made by C Turner, And published by Belcher himself in 1811 Literature: A Friendly Kind of Fight, 1999, illustrated on the front cover "The most scientific pugilist that ever entered A ring, only wanting strength to be, I won't say what. He Appears to walk before me now, As he did that evening, with his white hat, white great coat, thin genteel figure, springy step, And keen, determined eye" George Borrow, Lavengro Tom Belcher (1783-1854) was the younger of two Bristolian brothers who enjoyed great fame At the height of bare fist fighting's popularity. His three fights Against Sam Elias 'Dutch Sam' were Among the classics of the day, And he twice beat the Irishman Dan Dogherty, the second meeting Arranged by Lord Byron, champion of the fistic Arts. In 1814, Belcher became landlord of the Castle Tavern in Holborn, the most famous pugilistic pub of the day, And unofficial Headquarters of the ring. In 1820, he published The Art of Boxing, one of the earliest books on the sport. He was Also one of the 18 pugilists employed As 'security' At the coronation of George IV. He retired from the Castle Tavern in 1828, And Pierce Egan noted that the lucky Tom Belcher now passes his days in A very handsome cottage on Finchley Common, living At his ease like A man of fortune, with his dog And his gun, to traverse the fields when he feels inclined for A day's shooting. In 1842, After 14 years Absence from the ring, Belcher took part in A sparring match with Dick Curtis. Pugilistica wrote that the beauty of his position, And quickness And neatness of his stops And hits, reminded us of what was indeed the palmy days of the Ring. Belcher died from Apoplexy At his house in Trafalgar Square, Park Road, Peckham in December 1854. Guest entered the Royal Academy Schools in 1802 At the Age of 21, And was gold medallist in 1805. He made his name As A painter of historical And classical subjects

An 18th Century hand coloured mezzotint, "The Good Girl - Who can find a Virtuous Woman? For her Price is far above Rubies", depicting a lady holding a book and seated on a couch, 35 x 25cm, in 19th Century rosewood frame.

After F. E. Adams, "Heyday! Is this my Daughter Anne!" 18th Century hand coloured mezzotint by John Bowles, and after Grimm, "Welladay! Is this my Son Tom!", by John Dickinson, 36 x 26cm. (2)

Charles Turner after William Beechey, Portrait of Admiral Sir John Jervis, Earl of St Vincent, (1735-1823), standing before a globe, mezzotint engraving, 57 x 42cm, in giltwood frame with crown crest.

VALENTINE GREEN AFTER JOSIAH BOYDELL - 'John Boydell, Engraver', mezzotint, published c.1772, 17 3/4" x 12 1/2" and one further portrait mezzotint Mr James Gillray 141/2" x 11" (2).

JAMES McARDELL AFTER THOMAS HUDSON - 'The Honourable William Shirley Esq. Appointed Captain General and Chief etc of the Province of Massachusetts Bay in New England in 1741', mezzotint, 14" x 10".

RICHARD EARLOM AFTER BENJAMIN WILSON, Admiral Barrington, proof mezzotint, 14 1/2" x 11".

DAVID LUCAS AFTER JOHN CONSTABLE - 'The Lock', mezzotint with printed inscription, 'To The President and Members of The Royal Academy of Art', 22" x 19" and five further various engravings to include 'Bonaparte' after le - Gros; two portrait mezzotints and two racing/coaching prints (6).

J MINTON (PUBS) - 'Honorable Charles James Fox on Addressing the Electors of Westminster from the Hustings at Covent Garden', mezzotint engraving, 13 1/2" x 9 1/2".

W PETHER AFTER GEORGE GARRARD - 'The Chaff - Cutter', mezzotint, published c. January 1st 1794, 20 1/2" x 25". Thomas Agnew & Sons label verso.

WILLIAM WARD AFTER GEORGE GARRARD - A Holderness Cow, mezzotint, published c. April 1798, 19" x 24". Thomas Agnew & Sons label verso.

After Leopold Boilly, Bonaparte Premier Consul fr la Republique Francais, aquatint with hand colouring, together with a mezzotint portrait after Reynolds and a small oval pair of stipple engravings of rustic figures. (4).

A mixed folio: English School early 19th century sepia watercolour river landscape, 26 x 35cm, with old label to verso 'Carter Saloon of Arts, 238 Regent St'; Bartolozzi after Cipriani and others, 'Adam and Eve', engraving published 1794 by Darling and Thompson, full margins, 44 x 61cm overall size; G Dawe, 'Henry Vincent', aquatint with etching, published with the 'Sentinel' London Weekly Newspaper May 18, 1844, full margins, 54.5 x 39.5cm overall; four engravings after Watteau 'Le May', 'Feste Bacchique', 'La Balanceuse', and 'Partie de Chasse', the latter dated 1731, each with neat small repair and trimmed close to image, 60.5 x 36cm; Pizzi after Cignani, Sleeping Child, stipple engraving 1796, full margins, 56.5 x 37.5cm overall; W Giller after A Cooper, 'Richard Coeur de Lion and Saladin', mezzotint 1831, 39 x 46cm (trimmed to plate); Ravenet after Luca Giordano, 'Sophonisba accepting the Nuptial Present...', engraving before letters published for Boydell, some soiling, trimmed to plate, 43 x 53.5cm; and other engravings and later prints

The Diadem for 1845, Philadelphia: Carey and Hart, 4to, vignette half title, 10 mezzotint plates, aeg, red cloth gilt (corners rubbed, head and foot of spine worn, covers a little grubby)

DRAKE (Francis) Eboracum or the History and Antiquities of the City of York, London: for the author 1736, folio, mezzotint portrait added (dried adhesive to reverse), folding map and plates, Subscribers and Contents leaves misbound after p.296, otherwise internally good with light staining, full calf with gilt roll to borders and spine gilt in compartments, joints cracked and corners rubbed

John Cother Webb - 'Sun rising in a mist' - mezzotint after the original by JMW Turner, pencil signed to margin, 39 x 51 cm

A folder of coloured signed mezzotint prints (4 and an engraving)

After GEORGE MORLAND Figures by a cottage. Mezzotint. 17 x 21 1/2ins.

A pair of mezzotints. Domestic employment. Together with one other mezzotint.

Follower of Thomas Girtin - 'Chelsea Reach looking towards Battersea', watercolour, approx 12.5cm x 22.5cm, together with a mezzotint of related interest, framed as one.

After George Morland - 'The Rustic Hovel', early 19th Century colour mezzotint by E. Bell, together with a similar print after Morland.

After Godfrey Kneller - 'Carolus II' (Oval Portrait of the King), early 18th Century mezzotint, within a Hogarth style frame, together with a late 19th Century German sepia toned reverse print on glass, Portrait of a Lady wearing Classical Costume, within a gilt composition frame.

After SYDNEY E WILSON - Portrait of a Young Lady, coloured mezzotint pub. Vicars Bros, London 1913, blind stamp to margin and signed in pencil by the artist, and another similar, a pair, in decorative gilt frames with ribbon tie finials, 33cms x 27cms (2)

AFTER BENJAMIN MARSHALL. The Celebrated Pointer 'Sancho', coloured engraving by C. Turner, 'Published March 20th 1808 by C. Random, at his Sporting Gallery, Pall Mall', with some discolouration in plate, and creasing, staining, and other paper defects in margins, Pl. 12 1/2 x 19 in; an engraving after Benjamin Ward depicting Hamlet, Act IV scene V, and a mezzotint by Thomas G. Appleton (3)

DAPHNE REYNOLDS, : Daisies, mezzotint, No 6/40, pencil signed and dated, 10 1/2 x 8 1/2in

OLIVER HALL. 'Study in Denbighshire', signed, and inscribed on a label on the reverse, watercolour, 10 x 14 in; a watercolour portrait by Michael Reynolds ; two nineteenth century oval portraits ; and a mezzotint depicting John, Duke of Lauderdale (5)

A Coloured Mezzotint dated 1919, depicting a young girl & boy with their mother 17½ ins x 14 ins (44 cms x 36 cms). In a gilt wood frame 24½ ins x 28½ ins (62 cms x 72 cms).

Francesco Bartolozzi (1727-1815) - Mezzotint after Angelica Kauffman - "Eurydice", oval printed on silk, 10ins x 8.25ins, the borders with sequin decoration, in gilt reeded frame with ribbon surmount, and glazed, and Thomas Burke (1749-1815) - Mezzotint - "Cupid binding Anglaia with laurel", oval printed on silk, 7.25ins x 9.25ins, the silk border sequinned and embroidered in colours with silks with ribbon and bellflower swags, in Hogarth frame and glazed

AFTER WILLIAM BEECHEY, ENGRAVED BY THOMAS HARDY, BLACK AND WHITE MEZZOTINT, “Arthur Blayney Esq”, 13” x 11”; and AFTER HENRY RAEBURN, ENGRAVED BY HENRY EDWARD DAWE, BLACK AND WHITE MEZZOTINT, Published 1829, “The Right Honourable Charles Hope”, 18” x 13” (2)

AFTER MURILLO, ENGRAVED BY WILLIAM SAY, BLACK AND WHITE MEZZOTINT, “Spanish Beggar Boys”, 25” x 16”

AFTER THOMAS GAINSBOROUGH, ENGRAVED BY RICHARD EARLOM, BLACK AND WHITE MEZZOTINT, Published 1782 by J Boydell, “A Shepherd”, 14” x 11”; and AFTER ANTHONY VAN DYCK, ENGRAVED BY JOHN FABER, BLACK AND WHITE AQUATINT, “King Charles Ye First”, 12” x 10” (2)

AFTER THE REV MR PETERS, ENGRAVED BY WILLIAM WARD, BLACK AND WHITE MEZZOTINT, Published 1786, “The Gamesters”, 15” x 17”

AFTER EDWARD PENNY, RA, ENGRAVED BY VALENTINE GREEN, BLACK AND WHITE MEZZOTINT, “The Profligate Punished by Neglect and Contempt”, 23” x 16”

AFTER J REYNOLDS, ENGRAVED BY C SPOONER, ANTIQUE BLACK AND WHITE MEZZOTINT, Portrait of Lady Selina Hastings, in period carved giltwood frame, 12” x 9”

AFTER RICHARD MORTON PAYE, ENGRAVED BY WILLIAM WARD, BLACK AND WHITE MEZZOTINT, Published 1785 by John Raphael Smith, “Children Reading the Inscription on their Mother’s Gravestone”, 17” x 22”