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BURLINGTON FINE ARTS CLUB Exhibition of English Mezzotint Portraits pub 1902, folio, and two others (3)

An early 20th century coloured mezzotint of George Romney`s portrait of Lady Hamilton with inscribed inscription "Engraved in pure mezzotint and printed in colour at one printing without retouching. A Page."

JAMES WARD, AFTER JOHN HOPPNER, R A - LADY HAMILTON AS HEBE, MEZZOTINT PRINTED IN COLOUR IN VERRE ÉGLOMISÉ MOUNT AND WILLIAM MONK, R E VIEW OF IRONBRIDGE SHROPSHIRE, ETCHING (2)

VALENTINE GREEN - Black Heath Golfer, mezzotint, 18" x 13", together with a fine silk work picture of ladies jousting, signed D A Perrez, 7" x 13" (2)

* After John Linnell OWS, British 1792-1882- Sheep grazing in Windsor Forest; etching, signed and dated 1818 within the plate, 14x23cm: Gladys Minola Brodribb, British exh 1927-1940- Hay making view from within a barn; etching, signed in pencil, 12.5x17.5cm: Sir Frank Short RA PRE, British 1857-1945- A woodland pond; mezzotint, signed and dedicated to Francis Bate and dated 1908 in pencil, 28x38cm., (3) (unframed)

LADIES OF THE 18TH CENTURY mezzotint prints (4) 50cm x 40cm

GWENDOLEN CREW VIEW OF THE LAKE watercolour, signed 24.5cm x 34cm and a mezzotint depicting `A Labour of Love, from an original painting by Maude Goodman` (2)

BENJAMIN GREEN AFTER GEORGE STUBBS - `Brood Mares`, printed for R. Sayer and J. Bennett, mezzotint, hand coloured, 16" x 21 1/2" and one further mezzotint engraving - `The Hunt`, 17" x 21 1/4" (2). Note: Although unexamined out of frame both works appeared to be trimmed and probably laid down. Prov: The Park Galleries label verso.

After Alfred Edward Chalon - Half Length Portrait of a Musician, coloured mezzotint by C. Turner, within a verre églomisé mount and Hogarth style frame, together with two further prints.

After John Raphael Smith - `Lord Viscount Milton`, monochrome mezzotint by William Ward, published by Smith 1808, within a verre églomisé mount and Hogarth style frame.

Engraved mezzotint portrait of Sir Winston Churchill from the painting by Sir Oswald Birley 1946 published by The Times Publishing signed Laurence Jossett - 64x47cm

HENRY MACBETH RAEBURN. Portrait of Sir John and Lady Clerk of Penicuik, colour mezzotint, pencil signed in lower margin, Pl. 18 1/2 x 26 in

A print, Coronation of Queen Victoria state procession 28th June 1838, in gilt frame, a 19th Century portrait photograph of a woman, in gilt frame, a mezzotint of a cleric, in strip frame and two hand-coloured firescreen panels, in gilt frames

After SIR JOHN EVERETT MILLAIS The Huguenot. Mezzotint. Engraved by T.O. Barlow. From an edition of 950. 74 x 51cm.

LANDSEER after GIBBON The friend in suspense. Mezzotint. Landseer signature. 44 x 56cm.

HENRY MACBETH-RAEBURN after Reynolds. A portrait of Lieutenant-Colonel Banastre Tarleton. Mezzotint. Signed in pencil. 70 x 42cm.

After George Romney, mezzotint, portrait of Emma Hamilton holding Spaniel, engraved by Sydney Wilson, label verso inscribed Artists Proof engraving `Lady Hamilton as Nature, 37 x 29cm.

Henry Macbeth-Raeburn The McNab mezzotint printed in colours, signed in pencil lower left, 1918 by John Dewar, 650 x 385mm. (25 1/2 x 15 1/8 in).

Henry Macbeth-Raeburn Alastair MacDonnell of Glengarry mezzotint printed in colours, signed in pencil lower left, 1922 by H.C. Dickins, 660 x 400mm. (26 x 15 3/4 in). Condition report: Slight browning and marginal spotting.

Henry Macbeth-Raeburn George Gordon, 5th Duke of Gordon mezzotint printed in colours, signed in pencil lower left, 1929 by Henry Graves & Co, 640 x 455mm. (25 1/4 x 18 in).

Henry Macbeth-Raeburn Sir John Sinclair mezzotint printed in colours, signed in pencil lower left, 1921 by H.C. Dickins, 660 x 405mm. (26 x 16 in).

Portrait of a deceased nobleman lying in state bust-length in high collar with ornate decoration, the head shaved but unwigged, monochrome gouache, on Whatman paper watermarked 1794, possibly preparatory for a mezzotint with pin pricks to the corners, 34.5 x 32cm (13 1/2 x 12 1/2 in); with 2 other watercolour portraits of youths by another, more amateur, hand, all unframed (3) *** The facial characteristics of this middle aged male of noble birth, depicted lying in state, could conceivably suggest it is Prince Henry Duke of Cumberland and Strathearn, brother of George III, who had died at the age of 45 in 1790.

A mixed group of old master prints with The quill-cutter, after Dou, mezzotint, by Captain William Baillie, Romani Pontificis publica et solennes actiones, engraving, published by Giovanni Giacomo de` Rossi, 17th century, and others after Barlow, Strutt, Parmigianino, Veronese, Sadeler, with woodcut and engraved book illustrations, v.s., 18th and 19th century, all unframed (c.50). Condition report: Occassional browning and spotting, with minor tears.

Captain William Baillie Parish Orphans mezzotint, proof before letters, after Antoine Le Nain, c.1771, 355 x 250cm (14 x 9 3/4 in) § Hamlet Winstanley. The angel expelling Adam and Eve from the Garden of Eden, etching, on watermarked laid paper, full margins, after Guido Reni, c.1728, 310 x 335mm (12 1/4 x 13 1/4 in); with St Bartholomew flayed alive, after José de Ribera, c.1729, 370 x 250mm (14 1/2 x 9 3/4 in) § Henry Winstanley of Littlebury. A Generall Prosepct of the Royall Pallace of Audley End in the County of Essex, c.1686 or later, etching, 165 x 265mm (6 1/2 x 10 1/4 in), all unframed (4) Condition report: Slight durface dirt, with some spotting and folds to the Prospect of the Royal Palace of Audley etching.

Robert Cribb (Publisher) The Highland Piper coloured mezzotint, after Henry Singleton, c.1799 or later, c.500 x 350mm (19 3/4 x 13 3/4 in) § John Jones, Ballard Singers, coloured mezzotint, after John Rising, c.1798 or later, 510 x 350mm (20 x 13 3/4 in), both uniformly framed and glazed; with 3 Indian tiger hunting engravings, hand-coloured, each c.285 x 435mm (11 1/4 x 17 1/4 in) (5) Condition report: Mezzotints are both laid down onto card support, faded, with browning, spotting, surface loss and dirt.

Richard Earlom The Rt. Hon. Thomas Elder mezzotint, after Henry Raeburn, 1788-1798, 515 x 360mm (20 1/4 x 14 in); with a mezzotint portrait of Francis Horner, and 2 other engraved portraits of Francis Jeffrey and Henry Burrell, v.s., all unframed (4)

Valentine Green The Right Honble Lady Betty Delme` a seated portrait, with her two children and dog, after Sir Joshua Reynolds, mezzotint, 1779, by Green, 640 x 390mm. (25 1/4 x 15 3/8 in); with Mrs Carnae, a standing portrait, also after Reynolds, mezzotint by John Smith, 1778, by Hannah Humphrey, 635 x 390mm. (25 x 15 3/8 in) (2) Condition report: The former trimmed to platemark, a few short marginal tears, the latter with some faint marginal spotting. Both under glass and unexamined out of frame.

Benjamin Green Phaeton mezzotint, after George Stubbs, 1776, published by R.Sayer & J.Bennett, London, 450 x 560mm (17 3/4 x 22 in) § William Ward. The Fruits of Early Industry & Oeconomy, mezzotint, after George Morland, 1789 or later, published by T. Simpson, 550 x 400mm (21 3/4 x 15 3/4 in); with 2 other mezzotints, including Miss Kitty Dressing, by Watson, after Wright, The Strawberry Girl, after Reynolds, with 2 engravings and 2 botanical lithographs, all unframed (8). Condition report: The Phaeton mezzotint is tipped onto paper support with several handling creases, repaired tears and surface abrasion.

After George Morland No. 5. The Farmyard mezzotint, printed with colours, 420 x 530mm, slight surface dirt, framed and glazed, J. R. Smith, 1795. Condition report: Minor surface dirt, and some browning. Framed and glazed.

Sir Joshua Reynolds Engravings from the Works of Sir Joshua Reynolds c.300 mezzotint engravings, by Samuel William Reynolds, 3 vol., Hodgson and Graves, [c. 1833-38], half morocco, marble covered boards, with fire damage to spines, worn § Dudesert. The Holy Face, engraving, after Claude Mellan, 1735, 425 x 305mm (16 3/4 x 12 in). Condition report: Occassional spotting and browning, but some sheets with severe spotting. The Dudesert has substantial surface loss and wear.

Pieter Schenck A Lady at Confession mezzotint, on laid paper, c.1675-1719, with collector`s ink stamp of Louis Deglatigny verso [Lugt 1768], 250 x 185mm (9 3/4 x 7 1/4 in), [Hollsetin 431]; Magnus Pictor Inops, mezzotint, Ludolph Smids MD inscribed at lower right, indistinct collector`s stamp verso, 240 x 180mm (9 1/2 x 7 in), [see BM 1872,1012.914 for reverse impression] § Jan van Somer. 3 drinkers, mezzotint, c.1676, with collector`s ink inscription of S.Scheikevitch of Moscow verso [Lugt 2264], 265 x 220mm (10 1/2 x 8 3/4 in); with a portrait of lady wearing a feathered hat by Carel de Moor, mezzotint, 2nd state with letters, and two others including an oriental profile portrait (6) *** Pieter Schenck`s (1660-1718) `Lady at Confession` is a pirated reverse copy of the original mezzotint by the British engraver John Smith (1652-1743); Schenck protected himself against copying by adding a Dutch Priviledge to the print. [Antony Griffiths `The Print in Stuart Britain`, BM 1998]

James Egan St. Michael`s Mount, Cornwall mezzotint, after C. Bentley, c.1853 or later, T. Boys, 590 x 705mm (23 1/4 x 27 3/4 in) § Thomas Lewis Atkinson, The Death, after Sir Francis Grant, 1874, with Printsellers` Association blindstamp, lower right, 610 x 760mm (24 x 30 in); with a reproduction of Rosenvinge`s Cunard R.M.Ss, Lusitania & Mauretania, all unframed (3) Condition report: Spotting, browning, with areas of damp-staining. The Atkinson print is rebacked with several tears.

Sir Hubert von Herkomer Ivy; Clematis half-length classical maidens crowned with wreaths, mixed-method engravings ("Herkomergravure"), [1896], [Fine Art Society], Ivy signed in the plate, upper right, each c.510 x 410mm (20 x 16 1/4 in). *** An example of the inventive printing technique explored by Sir Hubert von Herkomer, R. A. (1849-1914), usually in collaboration with Norman Hirst (1862-c.1955). This involved creating a monotype by applying ink by hand to a lithographic stone, then producing a photogravure of the result. This he dubbed a Herkomergravure. It could then be enhanced with additional mezzotint or etching to give definition to surfaces and outlines, but the overall result remains very free and spontaneous. Condition report: Both laid down onto paper support, with some surface dirt, glue and damp-stains in margins. Clematis has some exposure lines and surface abrasion and marks on picture.

John Martin The Fall of Babylon mezzotint with etching, on india laid paper, c.1831, [Campbell-Wees, 88], c. 465 x 720mm (18 1/4 x 28 1/4 in). Condition report: Slight fading to title and etched signature in lower margin.

John Martin The Fall of Nineveh mezzotint with etching, on india laid paper, c.1829, [Campbell-Wees, 82], 550 x 820mm (21 3/4 x 32 1/4 in). Condition report: Several small repaired tears, one into the image at the right hand margin. Minor handling creases.

Frank Short Diana and Endymion etching and mezzotint, after G.F.Watts, signed in pencil by the artist and engraver, c.1891, 450 x 555mm (17 3/4 x 21 3/4 in). Condition report: Slight surface dirt, minor browning. Unexamined out of frame.

Dr. Robert John Thornton (publisher) Tulips mezzotint, printed in colours and finished by hand, by Richard Earlom, after Philip Reinagle, 1798, 480 x 355mm (18 3/4 x 13 3/4 in).

Charles Maurice Detmold Tiger`s head etching with mezzotint on japan tissue, signed in pencil M.Detmold, lower right, initialled M.D., lower left in the plate, 175 x 240mm. (6 7/8 x 9 1/2 in). Condition report: Slight browning, minor cockling to corners where mounted on support, a repaired tear to upper left sheet corner, outside the plate.

After George Morland. Nurse and Children in the Fields. 20in (50.8cm) x15.5in (39.4cm). Framed and glazed. Together with a mezzotint of a small boy in fancy dress with a sword. (2).

John Northcote. The Alpine Traveller. Mezzotint in colours. 22in (55.9cm) x 17.25in (44.4cm). Engraved by T. Ward and published by John Jeffryes, Clapham Road, Aug 1st 1801. Mounted, framed and glazed.

After Stanley Berkeley - Jack Russells, a pair of mezzotint engravings by Ernest Hubbard, both signed in pencil by the artist and engraver.

After William Beechey - `His Majesty Reviewing the Third or Prince of Wales`s Regiment of Dragoon Guards`, mezzotint, approx 46cm x 56cm, within a gilt frame.

After Sir Joshua Reynolds - `Lady Betty Delme and Children`, late 19th Century monochrome mezzotint, approx 75cm x 49.5cm, within a Hogarth style frame, together with six further prints, all within Hogarth style frames.

A VICTORIAN COLOURED LITHOGRAPH OF ST PETERS CHURCH DERBY AFTER SAMUEL RAYNER, AN 18TH C MEZZOTINT OF WILLIAM CHESELDEN AFTER JOHN RICHARDSON AND ANOTHER OF GEORGE JOHN, EARL SPENCER, THE FIRST IN MAPLE FRAME

JAMES WARD AFTER JOSEPH WRIGHT OF DERBY, PORTRAIT OF JOSEPH WRIGHT ESQ THE ARTIST, MEZZOTINT 1807

Victorian coloured mezzotint depicting HMS Duke of Wellington 131 Guns in glazed maple frame, another entitled - The Schooner Yacht Wyvern RYS 205 tons and one other entitled Daphne attacking the Monster Sea Serpent, 20th September 1848 Further images and condition reports available at www.reemandansie.com

After W L Leitch, "Edinburgh Castle from Grassmarket" mezzotint, 37cm x 27cm

A 19th century mezzotint: woman and child; an Edwardian monochrome print "Innocents"; a coloured print

A 19th century oval mezzotint; a watercolour; a signed print by Edith le Breton

* Thomas Goff Lupton, British 1791-1873- "Sunrise Whiting Fishing at Margate", after Joseph Mallord William Turner RA, 1825; mezzotint, engraver`s proof before letters, bearing inscriptions in pencil in the margins. Note: An inscription, added by a later hand, reads as follows: "Sunrise Whiting Fishing at Margate. Early engraver`s proof, touched by Turner". There is another pencil inscription and small designs in the margins. (unframed)

* Thomas Goff Lupton, British 1791-1873- "Newcastle on Tyne", after J M W Turner RA, from `Rivers of England, publ June 2nd 1823 by W B Cooke 9 Soho Square; mezzotint, 18x24cm: Charles Turner ARA, British 1773-1857- "Shields, on the River Tyne", from `Rivers of England`, after J M W Turner RA, publ June 2nd 1823 by W B Cooke 9 Soho Square; mezzotint, 18x24cm: together with a collection of mezzotints after J M W Turner RA from the same and/or related suite(s) to include: George Henry Phillips, British fl. mid 19th century "Mouth of the River Humber", George Henry Phillips, British fl. mid 19th century, "Arundel Castle on the River Arun", Samuel William Reynolds, British 1794-1872, "Dartmouth on the River Dart", John Bromley 1800-1838, "Kirkstall Abbey on the River Aire", Charles Turner ARA, British 1773-1857, "Okehampton Castle on the River Okement", Thomas Goff Lupton, British 1791-1873, "Dartmounth Castle on the River Dart", Charles Turner ARA, British 1773-1857, "Moore Park nr Watford", W Say, "Kirkstall Lock on the River Aire", Thomas Goff Lupton, British 1791-1873, "Stangate Creek on the River Medway", Charles Turner ARA, British 1773-1857, "Totnes on the River Dart", Thomas Goff Lupton, British 1791-1873, "Rochester on the River Medway", engraver`s proofs before letters, 18x24cm., approx., ea., 39x55.5cm., ea., (sheet): Thomas Goff Lupton, British 1791-1873- "Eton on the Thames", after W Collins RA, from Rivers of England, publ June 2 1823 by W B Cooke 9 Soho Square; mezzotint, 18x24cm., approx., ea., 39x55.5cm., sheet: Thomas Goff Lupton, British 1791-1873- "Plymouth", after J M W Turner RA, from `Harbours of England` publ 1877; mezzotint, engraver`s proof before letters, 19.5x27cm: James C Allen, British fl. early 19th century- "Dunwich", after J M W Turner RA; engraving, 21x31cm., (16) (unframed)

* Thomas Goff Lupton, British 1791-1873- "Ripon Minster on the Rivers Ure and Skell", 1825 after Thomas Girtin, from `The Rivers of England`, publ 1823-7; mezzotint, engraver`s proof before letters, 19x24cm., (plate), 39x56cm., (sheet): William Say, British 1768-1834- "Kirkstall Abbey on the River Aire", 1824, after Thomas Girtin; mezzotint, engraver`s proof before letters, 17x26.5cm., (plate), 39x56cm., (sheet): Thomas Goff Lupton, British 1791-1873- "York Minster on the River Foss", 1824, after Thomas Girtin; mezzotint, engraver`s proof before letters, 19x27cm., (plate)39x56cm., (sheet)., (3) (unframed)

Pair of 19th Century oval gilt framed mezzotints, figures in interior scenes together with an oval gilt frame mezzotint portrait

Monochrome mezzotint, a windmill and figures on a coastal landscape, after Reynolds (unframed)

Two 19th Century mezzotint portraits of The Honourable Theresa Parker with a mob cap, together with a sepia engraving and a photograph of a child

A J GREENHALL, SIGNED IN PENCIL TO MARGIN, COLOURED MEZZOTINT (PUBLISHED 1918 BY ALFRED BELL & CO), Figure Group before a Cottage, 17” x 22”

AFTER J REYNOLDS, ENGRAVED BY J McARDELL, ANTIQUE HAND COLOURED BLACK AND WHITE MEZZOTINT (PUBLISHED 1821 BY RICHARD H LAURIE), “The Right Honourable George Lord Anson, Baron of Soberton”, 13” x 11”; together with a Religious Print (2).

AFTER W VANDERVELD, ENGRAVED BY E KIRKAL, BLACK AND WHITE MEZZOTINT, Sea Battle, 12” x 16”.

INDISTINCTLY SIGNED IN PENCIL TO MARGIN, COLOURED MEZZOTINT (PUBLISHED BY HENRY GRAVES), “The Dance”, 11” x 12 ½”

ARTHUR HEWLETT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE MEZZOTINT (PUBLISHED 1912 BY GOODEN & FOX), Mother and Child, 16” x 12”; plus one further Engraving (2).