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* Ward (James, 1769-1859). Studies from Nature, pub. May 1st. 1807, mezzotint on laid by and after James Ward, good margins, 380 x 500mm, together with another impression of the same image but later state, together with Whessell (John), [Studies of Lions], pub. T.Simpson Jan 1st. 1795, three soft ground etchings on wove after James Ward, marginal fraying and creasing, several marginal closed tears, dust soiling, each approx. 325 x 450mm (5) £100-150

* Ward (William A.R.A 1766-1826). The Love sick Maid or the Doctor puzzled, “She never told her love”, pub. R.Lambe, Sep. 25th 1809, fine mezzotint on wove after J.Opie, printed in colours, trimmed inside plate mark, backed with archival tissue, 730 x 510mm, together with, A Visit to the Grandfather, pub J.R.Smith January 12th. 1788, mezzotint on laid after J.R.Smith, printed in colours, good margins, 550 x 400mm. The second print is the fifth state after the plate was re-ground. (2)

* Ward (William A.R.A 1766-1826). A Carriers Stable, pub. T.Simpson, July 1st. 1794 [but later impression], mezzotint on wove after George Morland, printed in colours with additional hand colouring, laid on archival tissue, small margins, 485 x 610mm, together with, Earlom (Richard), The Child Restored to his Family by the Newfoundland Dog, Plate 2., pub. Rob. Laurie & James Whittle, June 24th 1803, mezzotint on wove after Frederick Eckstein, printed in colours with additional hand colouring, margins restored on verso, 485 x 605mm, with Young (John), The Little Volunteer, pub. Jan. 1st. 1800 [but later impression], mezzotint on wove after R.M.Paye, printed in colour with additional hand colouring, trimmed to plate mark, 580 x 430mm (3)

* Ward (William A.R.A 1766-1826). The Sisters, pub. Messrs Wards & Co. April 21st. 1800, mezzotint on wove after J.Hoppner, good margins, near contemp. ink manuscript annotation below lower margin, 585 x 460mm. An example of Ward’s famous mezzotint of the daughters of Sir Thomas Frankland Bart. This the fifth and final state. (1)

* Watson (James). George the Third, King of Great Britain &c. &c. &c. n.d. c.1780, mezzotint on laid after A.Ramsay, 330 x 220mm, togther with Green (Valentine), The Hon. Sir Rich.d. Perrot Bart., pub. N.Green, July 23rd. 1770, mezzotint on laid by and after Valentine Green, 330 x 225mm, with, Bock (G.), John Wilkes Esqr. n.d. c.1780, mezzotint on laid, trimmed to image with loss of publication line, 355 x 255mm, with, Beckett (Isaac), Petrus Lellij Eques Pictor Caroli 2.di Magnae Britanniae Franciae & Hiberniae Regis, n.d., c.1780, mezzotint on laid after Sir Peter Lely, thread margins, 340 x 250mm. The last item is the third state of four. The final state was published by John Boydell & Co. in ‘Illustrious Heads’ in 1811. (4)

* Willson (James). The Greenland Whale Fishery, n.d. c.1750, mezzotint on laid after Van Meulen, good margins, early colouring, 255 x 350mm. Scarce. (1)

* Young (John). The Gipsy Fortune Teller, 1786, mezzotint on laid after William Beechy, small margins, margins strengthened on verso, 635 x 435mm, together with, The Setting Sun, pub, J.Young, Jan 21st. 1790, mezzotint on laid after J.Hoppner, small margins, 430 x 560mm (2)

* Earlom (Richard, 1743-1822). Tulips, pub. Dr. Thornton, c. 1880 edition, mezzotint after P. Reinagle, printed in colours and finished by hand, 480 x 355mm, framed and glazed. State 2. ‘Tulips’ is one of the finest and most sort after plates from Thornton’s ‘Temple of Flora’. (1)

* Turner (Charles, 1773-1857). To Sir Clifford Constable Bart. of Tixall in the County of Stafford, This print of two Durham Oxen is with permission humbly dedicated by his very Obliged and Obedient Servant Benjamin A. Bond, 3rd. May 1827, uncoloured mezzotint after Thomas Weaver, trimmed to image at upper margin, slight marginal abrasion just affecting image, small repaired tear to image, 550 x 710mm, framed and glazed in fine 19th century maple frame (1)

AFTER E WARDELL "Figures with horse and cart on wooded path", coloured mezzotint and another similar

Drake (Francis). Eboracum: or the History and Antiquities of the City of York, from its Original to the Present Times. Together with the History of the Cathedral Church, and the Lives of the Archbishops of that See, 2 parts in one, 1736, mezzotint port. frontis. (lined to verso), ink library stamp to title, hand-col. eng. armorial to dedication, sixty eng. plts. and maps (complete, inc. some double-page and hand-col.), numerous eng. illustrations to text (inc. few hand-col.), list of subscribers present, contemp. diced calf, elaborated gilt dec. spine, upper board near detached, folio. Armorial bookplate of Sir Robert D’Arcy Hildyard Bar. Upcott pp.1357-1364. (1)

AFTER HENRY MACBEATH RAEBURN R.A (1860-1947) THE MAC NAB mezzotint, signed in pencil, bears Vicars Brothers, London retail label 65cm high, 40cm wide

AFTER GEORGE P. JAMES, children dancing, mezzotint engraving, signed in pencil, 14" 14.25", and after Sydney Wilson, two portraits, mezzotint engravings. (3).

SUSAN E JAMESON (bn 1944). Coloured mezzotint, "Dusk", titled, signed and dated `78, numbered 74/90, 25cm x 30cm, framed; GLYNN THOMAS (bn 1946, coloured etching, "Yellow Iris", titled, signed and numbered 67/200, 38cm x 25cm, framed. (2).

WILLIAM WARD, ARA (1766-1826) AFTER HENRY BERNARD CHALON (1770-1849) THUNDER AN OLD ENGLISH SETTER BRED BY PETER HALLIDAY ESQR AT CARLTON-LE-MORLAND IN LINCOLNSHIRE mezzotint, printed in colour, 42.5 x 53.5cm Provenance: With Frank T Sabin, London.++In fine ready to hang condition. Cleaned and mounted to just within the plate mark; unexamined out of the frame, as supplied to the present owner by Sabin.

Blome (Richard) Musick engraving with the rudiments of music with an oval panel, surrounded by a wide range of instruments above musicians playing the violin and organ § Baillie (William) Mezzotint after Molinaer depicting an interior with a lutenist and fiddler, 1774 § Aveline (A.) Le Musicien Flamand, engraving after Teniers depicting a lutenist § The Harmonious Family, engraved caricature depicting eleven instrumentalists and singers, Bowles and Carver; and four other prints depicting musicians, framed and glazed, various sizes(8)

De Negen-Zang Godinnen engraving depicting a consort with harp, lute, viol and other instruments, Amsterdam, A. Olofsen; a small engraving of a lady harpist and two admirers, in contemporary brass frame; a mezzotint portrait after Reynolds of Miss Fordyce playing the English guitar, John Bowles, [c.1750]; The Patent Dital-Harp, aquatint by J. Minasi and Stadler after Burney depicting a young woman playing the instrument, 1819; Music for the Million no.4: A Grand Instrument a Little Out of Tune, humorous lithograph coloured by hand depicting a woman and piano-tuner beside a badly damaged instrument, Dean & Co., [c.1830], all framed and glazed, and seven other prints depicting musicians, all but three framed, various sizes(11)

Percy Foster. Portrait of a Cow, Bracelet by Thomas Landseer, mezzotint, 460 x 555mm., marginal repairs, M.Bell, Richmond Yorkshire, 19th century

`Francis Danby. The Passage of the Red Sea mezzotint by G.H. Phillips, on wove paper watermarked 1828, 595 x 830mm., trimmed just within the platemark at sides, and upper platemark shaved, all well outside the image, Colnaghi, 1829.

`Francis Danby. The Passage of the Red Sea mezzotint by G.H. Phillips, on wove paper, 600 x 775mm., marginal skinning, Colnaghi, 1830.

John Martin. The Deluge mezzotint, 595 x 810mm., marginal tears and repairs, [C.W.78], by the artist, 1828 or later § Jean Pierre Marie Jazet. Le Festin de Balthazar, after John Martin, aquatint, roughly trimmed on lower platemark with additonal small loss, marginal spotting and dampstaining, c.1830(2)

Martin (John) [Paradise Lost] 1825 24 fine mezzotint plates, one of 50 sets of impressions between the proof and print stage, with some lettering and other letters supplied in manuscript, 2 plates re-margined, 1 trimmed and mounted on later paper, some foxing or spotting to margins, bound in contemporary red half straight-grain morocco, gilt, rubbed, folio, 1825-27.

JOHN MARTIN Mezzotint, Classical view of The Underworld Circa. 1827, unsigned, i 6" x 8.5", framed.

After John Hopkins Grand Review on Heath Common near Wakefield of the Gentlemen Volunteers Mezzotint engraved by J. C. Stadler 59.5 x 88.5cm; 23½ x 34¾in ++Trimmed, some tears, creases and repairs throughout

After Lemuel Francis Abbott The Right Honorable Lord Nelson, K.B. Mezzotint, published 1798 by B. B. Evans, London 51 x 35.5cm; 20 x 14in (plate size) With a mezzotint of naval victors after Valentine Green and 3 others (5) ++1. Two tears, blemishes and discolouration to margins and title; 2-5. Various

After George Morland Breaking the ice; Milk maid & cow herd Two, mezzotints by J.R. Smith, London, October 20, 1801 44.5 x 55cm; 17½ x 21½in With a mezzotint of The Sower after Richard Westall, 1801 and a stipple engraving of Haymakers after Fincham (4) ++1 & 2. Paper rippled, some discolouration and light foxing, one with small patches of bloom; 3 & 4. As seen.

George Henry Phillips (fl. mid 19th Century) - Coloured mezzotint after William Drummond and Charles J. Basebe - “The Cricket Match between Sussex and Kent at Brighton”, 23.5ins x 35.75ins, published 1st May 1849 by E. Gambart & Co, 84 Berners Street, Oxford Street, London, and W.H. Mason’s Repository of Arts, Kings Road, Brighton (with slight tear to top margin and mount obscuring damage to lower margin), in walnut moulded frame and glazed

J.M.W. TURNER. mezzotint "Falmouth." engr Lupton, f + g, 8" x 10", Gambart 1856 vg; plus 7 other f + g Cornish prints. BOX.

After George Moreland, mezzotint engraving, by W. Ward, `The Farmers stable, pub. 1792, 45 x 61cm.

* Circle of Jan Verbeeck, act.1569-1619- Tavern Scene; mezzotint with extensive rocker work, initialed VB within the plate, trimmed, surface marks, stain mark to the centre, hinged mounted, 17x20cm: Circle of Gerrit Dow 1613-1675- A Philosopher in his Study; proof, etching, fairly good impression, bears later inscription verso, trimmed into the plate mark, various thin spots, minor scattered staining, and others, (3) (unframed)

WILLIAM SAY AFTER H. THOMSON - `Love Sheltered`, mezzotint engraving, hand coloured, 23" x 16".

ELIZABETH MILNER AFTER GAINSBOROUGH - "The Duke of Sussex", mezzotint, pub. c. 1923, pencil signed in the margin, 15" x 11 1/2". The work is taken from the original housed in the Royal Collection, Windsor

Twelve framed pictures and prints to include mezzotint of a huntsman clearing a wooden fence, a framed and glazed print after Munnings and others, various.

A Black Enamelled Brass "The Magnapole" Pocket Compass, by Short & Mason Ltd., London, in a stitched leather case; a Pith Helmet "The Conforma", labelled George Spencer, Portsmouth; Ward after Stothard - "Sailors in Port", coloured mezzotint engraving; two pairs of binoculars and a small quantity of military books (6)

Richard Houston after Rembrandt, Self Portrait, mezzotint, 30cm x 25cm (11.75" x 9.75")

after J F Abbot, Portrait of Nelson, mezzotint, 53cm x 37cm (20.75" x 14.5")

Sydney Wilson, After George Romney, `Mrs Lee Acton`, signed, colour mezzotint, (20" x 12"), and a companion mezzotint, (2).

Mezzotint of George III, from a miniature by William Grimaldi after the oil portrait by Sir William Beechy, engraved by R.M. Meadows and published 1804 by W. Grimaldi, London. 21.5 x 19.5 cm

Curtis (Edward S.) `Yokuts Basketry Designs` from plate 502 sepia photogravure 315 x 420mm. mounted framed and glazed Cambridge Mass. 1924 § Bowles (John) The Rev. Doctor Jonathan Swift Dean of St.Patrick`s Dublin mezzotint portrait 360 x 255mm. 1744 § Cox (W.A. engraver after Sir Henry Raeburn) John Taylor golfer full length portrait mounted framed and glazed n.p. n.d.; and 2 others v.s.(5)

A group of four, including a colour mezzotint after Jean-Marc Nattier, a pair of colour mezzotints of Allegorical scenes signed E. Stamp, and a reproduction print of Napoleon on Horseback after David.(4)

Sir Frank Short NEA RA RE RI HRMS (1857-1945), "Headlights over the Hill", signed in pencil in the margin, with a letter from the artist dated 1927 on verso, mezzotint, plate size 15 x 20cm.; 6 x 8in.

Early nineteenth century mezzotint in glazed frame - British War ships at sea, 37 cm x 56 cm

2 x pictures Ltd edition Mezzotint P Meredith Hunters moon & L Norsworthy Moonrise, Sunrise.

Radovan Kraguly Ltd Edition Flower etching Mezzotint.

After George Moorland, A study of a cow, lithograph, published 1800, 20 x 24.5 cm to mount, together with an etching after Rembrandt, `Three Trees`, 22.5 x 29.5 cm, and a mezzotint after Cosway

WILLIAM WARD AFTER THOMAS WEAVER, PORTRAIT OF THE SHORT HORNED BULL, PATRIOT, MEZZOTINT COLOURED IN CONTEMPORARY HAND LAID DOWN AND VARNISHED, CONTEMPORARY EARLY 19TH C CAVETTO FRAME

WILLIAM PETHER AFTER JOSEPH WRIGHT OF DERBY THREE PERSONS VIEWING THE GLADIATOR BY CANDLELIGHT MEZZOTINT 1769 (FAULTS)

Early golfing colour mezzotint after Francis Abbott titled - "To the Society of Goffers at Blackheath" depicting William Innes (Capt) and his caddy - with plate mark to the border - f&g overall 22.25 x 16.50" Illus.

A framed and glazed engraving after J.W. King of Princes Street, Edinburgh together with an 18th Century mezzotint "Summer" and other framed and glazed engravings and etchings.

M THORN Colour mezzotint, Portrait of a young woman, signed in pencil, Published 1916, and a quantity of other maps and prints, various artists, (11), framed.

Bohn (Henry G. pub.). The Works of James Gillray from the Original Plates with the Addition of many Subjects not before Collected, n.d., c.1848, mezzotint portrait frontis. dec. title page, 584 b & w etchings printed back to back, occ. slight spotting, hinges weak, a.e.g., contemp. half morocco gilt, contrasting label to spine, rubbed and worn, elephant folio, together with `The Suppressed Plates’, n.d. c.1848,forty-five etched b & w caricatures, slight water staining to fore-edge not affecting image, a.e.g., contemp. half morocco gilt. rubbed and worn, slim elephant folio (2)

* Genre engravings. A mixed collection of seventeen engravings, mostly 19th century, mezzotint and line engravings, including portraits of children, sentimental subjects, religous, sporting and social, with examples by Cousins, Simmons, Lewis, Stacpoole, C.Turner and Ryall, various sizes and condition (17)

* Green (Valentine). `A Youth Rescued from a Shark’, pub. May 1st. 1779, uncoloured mezzotint engraving, trimmed to image on three margins, open letter titles, occ. closed marginal tears, laid on linen, 510 x 590mm, together with Erasistratus, the Physician discovers the love of Antiochus for Stratonice, pub. J.Boydell, May 27th 1776,uncoloured mezzotint engraving after B.West, occ. closed tears just affecting image, 500 x 650mm, with, Tobit & Fish, 1805,uncoloured mezzotint engraving, proof before title, but after letters, 405 x 530mm, together with nine other mezzotint engravings by Valentine Green, including some duplicates but different states, various sizes and condition (12)

* Haid (Johann Jakob pub.). Mr. Edn.d Bright late of Malden in Essex who died November 10 1750 aged 29 years. he weighed 43 stone....which is 609 pounds, n.d. c.1750, mezzotint on laid, pale blue wash to image, good margins, backed with archival tissue, 410 x 290mm, mounted (1)

* Martin (John, 1789-1854). The Deluge, pub. Mr. Martin, 1828, mezzotint on wove, good impression with margins, 560 x 740mm (1)

* Martin (John, 1789-1854). A collection of twenty engravings, mezzotint engravings, some duplicates, occ. spotting, mostly small format but each approx. 260 x 330mm, but various sizes and condition. The collection includes biblical scenes and plates from Milton’s `Paradise Lost’. (20)

* Martin (John, 1789-1854). A mixed collection of approx. twenty-five engravings, uncoloured mezzotint engravings by and after John Martin, occ. spotting, various sizes and condition (approx.25)

* Martin (John, 1789-1854). A collection of approx. thirty-six engravings, mezzotint engravings by and after John Martin, some duplicates, occ. spotting and toning, various condition and sizes (approx.36)

* Portraits. A mixed collection of approx. twenty-five portraits, mostly 18th & 19th century, uncoloured mezzotint engravings including examples by Faber, Girardet, Sanders, Haid, Doughty, Scott and Blotelingh, various sizes and condition (approx.25)

* Prints & engravings. A mixed collection of approx. seventy engravings and lithographs, mostly 18th & 19th century, including natural history, sporting, costume & fashion, marine, genre and mezzotint portraits, many with hand colouring, with examples by Gaugain, Smith, Beckett, Cooper and Cole, various sizes and condition (approx.70)