We found 6626 price guide item(s) matching your search

John Cother Webb (1855-1927) - The Embarkation of the Queen of Sheeba at the Port of Africa after Claude Gelee, mezzotint, 37 x 49 cm to/w The Grand Canal after Turner, both pencil signed to lower right margin (2)

N.J. Stark, oil on canvas, Still life of fruit, signed, 27 x 37cm and Dunkerton after Barney, colour mezzotint, 'The Little Red Riding Hood', 47 x 38cm and John Smith, pair of oils on board, Still lifes of fruit, 11 x 16cm, two small landscapes by Denis Blow and two colour prints

Sorting the Catch, mezzotint signed in pencil by Harry Goffey pub. The Academy of Art, Birmingham and at Sunrise, coloured mezzotint indistinctly signed and numbered max 26cm x 41.5cm (2)

The Contemplative Charmer. Lettered with title and: "Printed for & Sold by Carington Bowles, at his Map & Print Warehouse, No.69 in St. Pauls Church Yard, London. Published as the Act directs 6th Jany. 1780", coloured mezzotint in verre eglomise frame, 35x25.5cm, together with The Studious Beauty also published by Carrington Bowles in 1778; after Paul Potter. Rural Felicity engraved by J. Hendly (1836)Provenance: from the estate of Elizabeth Pepys-Cockerell, whose husband John was a descendant of the diarist Samuel Pepys. His ancestors had a long association with Sezincote in Gloucestershire

Richard Houston (1743-1822) After Johann Zoffany (1733-1810)'James Sayer - Aged 13 Years' Mezzotint, on laid paperCirca 177251.5 x 36cm

A GEORGE III MEZZOTINT-UNDER-GLASS OF THE RT HONBLE FRANCES LADY BYRON, BY JOHN FABER (1695-1756) AFTER WILLIAM HOGARTH, 1730, LATE 18TH C, hand coloured, 48.5 x 34.5cm, ebonised frame++Good overall condition, glass undamaged, frame slightly chipped

* Admiral Horatio Nelson. Turner (Charles), circa 1802, uncoloured mezzotint after Sir John Hoppner, proof before title and letters, good margins, slight spotting and staining, verre églomisé glass, framed (Qty: 1)

* Ward (William). The Durham White Ox, George Garrard, 1813, uncoloured mezzotint after G. Garrard, very slight staining to title, one repaired marginal closed tear, thread margins, 505 x 606 mm, mounted, framed and glazed in a near contemporary burr maple moulding (Qty: 1)Rothamsted collection, number 30

* Ward (William). A View of the East-End of the Brewery Chiswell Street, G. Garrard, Jany. 1st. 1792. uncoloured mezzotint printed in sepia after G. Garrard,460 x 560 mm, mounted, framed and glazed in a gilt gesso moulding (Qty: 1)A view of the famous Whitbread Brewery. In the foreground is a carthorse being backed into a dray. The site, at 52 Chiswell Street, was the first purpose-built mass-production brewery in Britain. After two centuries brewing on the site ceased in 1976, after which the building became a conference and events venue, named 'The Brewery'. A scarce print and unusually printed in sepia.

* Ward (William). The unrivalled Lincolnshire heifer, fed by Thos. Willoughby of Orby near Burgh and now his property, published Thomas Willoughby June 12th, 1813, mezzotint, printed in colours and finished by hand after Thomas Weaver, some restoration to lower left corner, 505 x 610 m, framed and glazed (Qty: 1)Rothamsted collection, number 12.

Basnage (Jacques). Histoire du Vieux et du Nouveau Testament; representée en tailles douces; dessignées & faites par Mr. Romein de Hoogue, 1st edition, Amsterdam, Jacques Lindenberg, 1704, two parts in one, additional engraved title to each part, printed titles with large engraved vignette to each, fine mezzotint portrait of the author (by J. Gole after Holzhalb), 5 double-page engraved maps, folding description of the Temple of Solomon, with large engraved view at head, and engraved double-page bird's-eye view of the Temple of Solomon, 140 half-page engraved illustrations by Romeyne de Hooghe, mostly 2 to a page, generally strong impressions in clean condition, closed tear and one or two minor repairs to folding description of the Temple of Solomon and closed tear to foot of centrefold of bird's-eye view of the Temple of Solomon (without loss), marbled edges, contemporary calf-backed marbled boards, with 19th century bookplate of William McKechnie M.D. to front pastedown, some wear, with upper cover detached, and spine deficient, folio (Qty: 1)Cohen-de Ricci 491. Sander 140.

After S.W Reynolds "Simon Bolivar", Libertador, mezzotint, 59cm x 40.5cm. Provenance; property from the late Sir David TangThis lot has been imported from outside the UK for sale under the temporary admission scheme. Additionally Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer's premium but will not be shown separately on the invoice.

After GEORGE MORLAND, The Cottager's Wealth, mezzotint, framed and glazed

PAIR MEZZOTINT ENGRAVINGS BY A GALAIN BOATS AT LOW WATER AFTER THE ORIGNAL BY WILLIAM VAN DE VELDT LIMITED EDITION OF 375 APPROX 35 X 28

Francis Blomefield and Charles Parkin: 'An Essay Towards a Topographical History of the County of Norfolk, Containing a Description of the Towns, Villages, and Hamlets, with the Foundations of Monasteries, Churches, Chapels, Chantries and other Religious Buildings', London, W Bulmer for William Miller, 1805-1810, 11 volumes, mezzotint portrait frontis + 3 folding engraved maps/plans + 33 engraved plates (mainly folding) + 14 pedigrees on 15 folding sheets as called for, quarto, contemporary calf gilt worn, rebacked (not recent). Francis Blomefield (1705-1752) was an English Antiquary who was born in Fersfield village, South Norfolk, and educated at Diss and Thetford Grammar Schools before graduating from Caius College, Cambridge, BA 1727 & MA 1728. His detailed research from source materials culminated in this comprehensive history of the county of Norfolk, widely considered to be detailed, reliable and comparable with the best county histories of the period (11)

Joseph Pratt (engraver) - Early 20th Century mezzotint - A period landscape with figure on horseback and hunting dogs, signed in pencil, 35cm x 90cm, framed and glazed Condition:

AFTER SIR LESLIE WARD, THE HATTER - VANITY FAIR mezzotint, signed "Spy" 35cm x 20cm Mounted, framed and under glass, and another print (2)

DR. SAMUEL JOHNSON - MEZZOTINT PORTRAIT showing him reading 'Paradise Lost', 57 x 49 cm Condition Report:Damage with loss and bottom and left hand side, small losses on other edges, small scratches on surface

AFTER SIR JOSHUA REYNOLDS - PORTRAIT OF THE RIGHT HON. JOHN DUNNING engraved by F. Bartolozzi, c.1790 together with a mezzotint 'Lady Caroline Howard' engraved by V. Green c.1778 (2)

AFTER SIR JOSHUA REYNOLDS - MEZZOTINT OF MRS BLAKE, by J. Dixon c.1771

R. ACKERMANN - HANDCOLOURED MEZZOTINT TITLED 'COWSLIP', engraved by I. R. Smith & published 1802, laid on board

AFTER G. MORLAND - A MEZZOTINT TITLED 'THE HORSE FEEDER' engraved by J. R. Smith c.1799 together with a lithograph of a horse in a stable dated 1860 A/F, HOWITT - A COLOURED STIPPLE ENGRAVING entitled "Horses Frightened By Lightening", published by R. J. Hixon at his Cheap Print Warehouse, 44o. Strand A/F and KARL DU JARDIN - FOUR ETCHINGS A/F, c.1870, unframed, approx. 18 x 22 cm (4)

JOHN COTHER WEBB SIGNED MEZZOTINT DEPICTING THE DEATH OF NELSON with blind stamp together with two maritime engravings 'The Fishery' by William Woollett after Richard Wright c.1768 A/F and 'A Sea Port' by P. C. Canot after Claude de Lorrain c.1775 (3)

A 19TH CENTURY PRINT OF A LADY READING, engraved by W. Carlos after W. Bromley together with a mezzotint of Helena Forman Wife of Rubens and another of three girls (3)

Arthur Suker (1857-1902) River landscape with stone bridge, signed watercolour, 33.5cm by 22.5cm; together with After Morland 'A Visit to the Boarding School', mezzotint by W.Ward (2)

Smith (John Raphael, 1752-1812) Lt. Col. Tarleton, after Joshua Reynolds, mezzotint on laid paper, a good impression with wide margins, platemark 395 x 640 mm. (15 1/2 x 25 1/4 in), under glass, framed, published by the engraver, 1782Literature:Chaloner Smith 161Provenance:Hon. Christopher Lennox-Boyd;Shapero Rare Books, London;Private collection, London

NO RESERVE Dickinson (William, 1752-1812) The Right Honble Lord Robert Manners, after Joshua Reynolds, mezzotint on laid paper, a good impression with wide margins, platemark 385 x 640 mm. (15 1/4 x 25 1/4 in), under glass, framed, published by the engraver, 1783; together with three other portraits, including a trimmed copy of William Barnard's Sir Horatio Nelson, Martindale's The Late Sir James Fergusson, and Nanteuil's Portrait of French magistrate Jacques le Coigneux, engravings and mezzotint, various sizes, all under glass, framed, 18th and 19th century (4).Literature:(Manners) Chaloner Smith 16Provenance:(Manners) Hon. Christopher Lennox-Boyd;Shapero Rare Books, London;Private collection, London

NO RESERVE Smith (John Raphael, 1752-1812) His Most Serene Highness Louis Philippe Joseph, Duke of Orleans, after Joshua Reynolds, mezzotint on laid paper, a good impression with wide margins, platemark 450 x 650 mm. (17 3/4 x 25 1/2 in), under glass, framed, 1786Literature:Chaloner Smith 125Provenance:Hon. Christopher Lennox-Boyd;Shapero Rare Books, London;Private collection, London

NO RESERVE Ward (James, 1769-1859) The Right Honble Adam Duncan, after John Hoppner, mezzotint on laid paper, a good impression with wide margins, platemark 450 x 650 mm. (17 3/4 x 25 1/2 in), under glass, framed, published by Boydell, 1798Literature:Chaloner Smith 15Provenance:Hon. Christopher Lennox-Boyd;Shapero Rare Books, London;Private collection, London

Hunting.- Wolstenholme the Elder (After Dean) [Fox Hunting] Plates I-IV, the set of four, aquatints with etching and engraving by Richard Reeve, each sheet approx. 490 x 615 mm. (19 1/4 x 24 1/4 in), some careful restoration, under glass in uniform frames by Bourlet, published by Reeve, 1806; together with 'Coursing in Sussex', a mezzotint after James Ward, framed (5).

H Scott. Ackerman portrait mezzotint, signed, watermarked, c1902, 42cm x 37cm.

After Webster & Haghe. Newstead Abbey The Seat of The Late Lord Byron, coloured mezzotint plate, 20cm x 28cm.

After Reynolds. The Sower, mezzotint, 44cm x 51cm, and a further mezzotint. (2)

Joseph B Pratt (1854-1910) after Rosa Bonheur (French, 1822-1899) HEAD OF A TERRIER DOG Signed in pencil by both artists, published by L H Lefèvre, 1894, mezzotint engraving 45.5 x 38cm

Joseph B Pratt (1854-1910) after Frank Paton (1856-1909) 'ECLIPSE', A PRIZE COLLIE Signed in pencil by both artists, published by E E Leggatt, 1888, mezzotint engraving 71 x 57cm

Herbert Thomas Dicksee RE (1862-1942) A POLAR NIGHT Signed artist's proof, mezzotint engraving, with PSA blind stamp, published by Frost & Reed, 1912, limited edition of 300 Pl. 42 x 68cm

EAST INDIA COMPANY SHIP WRECKS comprising The Loss of the Kent aquatint painted and engraved by William Daniel – 15 x 22in. (38 x 56cm.); together with a commemorative bronze medal by Thomas Halliday in protective case; and an assorted collection of prints and engravings of East India Company wrecked ships including Isis (1842), Essex two of set of four (1782), Nuestra Senora (1746), and two later reprints after Dodd; mezzotint of L.F. Timmin, captain of the Royal George (1804); and a small reverse glass silhouette of the survey ship H.M.S. Protector (1805/1817) (13)

Large framed coloured engraving ' Field of Cressy ', a signed mezzotint of a woman and two children after Morland, six engravings, views of London in two frames, two other framed engravings

Welsh Interest: A quantity of antiquarian prints of various Wales related topographical & portrait subjects to include good quality 19th century lithographic & engraved examples inc. a portrait mezzotint of Welsh landowner Sir Watkin Williams Wynn, 5th Baronet, after John Jackson, 1840, 43 x 34 cm

A Small framed 1908 pencil signed Mezzotint by famous London engraver F.G Stevenson published in London 1908 by Harry C Dickens

SIDNEY ERNEST WILSON (b. 1869) AFTER GEORGE MORLAND (1763-1804) 'Morning, or the Benevo-lent Sportsman', signed by Wilson in pencil to the margin, mezzotint, the image 39.5cm x 51.5cm; and the companion image 'Evening, or the Sportsman's Return' (2)

John Cother WEBB (1855-1927) mezzotint view of Venice, signed in pencil lower right, 14" x 18.5" image size

Sharon Aivaliotis (b1951), 'Oranges' limited edition mezzotint 9/75, signed and dated 1998 in pencil .

Henry Scott Bridgwater b.1864 Mezzotint after the original by John Hoppner entitled 'The Frankland Sisters' signed in the margin and bearing OZO Printsellers Association blind-stamp, approx 53 x 64 cms, framed and glazed together with four 19th Century Prints. The first depicting a family harvesting entitled "August", the second depicting the hops harvest entitled "September", third depicting girls feeding chickens entitled "March", lastly hay-raking, all approx 24 x 29 cms in oval mounts, glazed and framed, with verse for each season to verso, published by Leighton Bros Drury Lane London. 

Property of a gentleman - Frank Sternberg (b.1858) - PORTRAIT OF A LADY - mezzotint, 20.75 by 17ins. (52.7 by 43.2cms.) (P), in glazed frame - signed in the margin lower right; together with a Victorian mahogany swing-frame toilet mirror with two-drawer base (2) (see illustration).

A group of 19th century plaster cameos set in 3 cabinet frames; a pair of 19th century colour mezzotint prints, 8.5" x 7", gilt framed

Herbert Stodart after Baxter 'The Lovely Brunette' a mezzotint, pencil signed and numbered 1 29 x 25cm together with another mezzotint by Fred Millar each in verre eglomise frame

VICTORIAN MEZZOTINT, ‘MILKING TIME’ in oak frame, and a NAÏVE PAINTING ON GLASS, river landscape, (2)

Assorted topographical engravings, the Duchess of Leeds and Lady Anne pair of portrait mezzotints, one other mezzotint, and an after Antoine Watteau reproduction print (8)

PRINCE RUPERT OF THE RHINE (1619-1682) PIECE SIGNED RUPERT 4.5 x 8.4cm, loosely laid down on an old laid paper leafTHE nephew of Charles I, Prince Rupert was one of the most dazzling figures of the 17th century. An accomplished admiral and soldier, he was later an important figure in the history of printmaking (the mezzotint) and science.

"Avanzo della Casa di Cola di Rienzo", mezzotint, framed

portrait of William Wallace, mezzotint, framed together with another mezzotint

* Thorburn (Archibald). Pheasants breaking cover, Lawrence & Bullen, 1903, uncoloured photogravure, India on laid, signed in pencil by artist to lower left corner, blind stamp to lower left, some spotting, 440 x 630 mm, together with another twelve A. Thorburn prints and gravures, a few signed, various sizes and condition, together with another approximately 100 prints, engravings and lithographs, including examples by or after Cecil Aldin, Michael Lyne and Frank Paton, several reproduction Edward Lear/JohnGould bird prints, a John Speed of Monmouth (but heavily repaired), mezzotint portraits, pair of Currier & Ives humorous driving lithographs, with others of domestic animals, horses and genre, various sizes and condition, all framed and glazed (Qty: approx. 115)

Turner (J.M.W.) The Harbours of England, engraved by Thomas Lupton, with illustrative text by J. Ruskin, E. Gambart & Co., 1856, 12 mezzotint plates, some light spotting and water stains to margins, all edges gilt, original blue cloth gilt, a little rubbed with stains to lower cover, folio, together with Lake Scenery of England, by J.B. Pyne, Day & Son, [1859], lithograph title and 24 tinted lithograph plates, some spotting, previous owner inscription, hinges reinforced, top edge gilt, original cloth gilt, edges rubbed with one or two small bumps, small folio, plus other topographical plate books including Picturesque Bath by C. M. K. Stothert, 1881, Twelve Sketches of Scenery and Antiquities on the line of the Great North of Scotland Railway, by George Reid, 1883, Magna Britannia, volume I, Part II (Berkshire), 1813, Cowper, illustrated by a series of views, in or near the park of Weston-Underwood, Bucks., 1803, The First Series of the Mountain, River, Lake, and Landscape Scenery of Great Britain, by Llewellynn Jewitt, 3 volumes only (of 4?), D. Banks, Leeds, circa 1870, 45 colour lithograph plates, gutta percha perished and contents loose in volumes I & II, some light spotting, original cloth gilt, spine ends torn, 4to, etc. (Qty: 13)

Richard Smythe signed Edwardian mezzotint and arthur Hogg signed mezzotint - both after Gainsborough

George III miniature of a gentleman in livery, painted on ivory inscribed and dated 1790, watercolour miniature of a young woman, famed mezzotint and a silhouette of Red Riding Hood, (4)PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping..

Leonard Russel Squirrell, mezzotint depicting a Gorge near Needham Market with cattle and windmill in background, 23cm x 31cm

AFTER SIR HENRY RAEBURN Boy with rabbit, mezzotint, 37 x 28cm Condition Report: Available upon request

NO RESERVE Evelyn (John) Sculptura; or, the History and Art of Chalcography, and Engraving in Copper, second edition, engraved portrait, plate and folding mezzotint, portrait a little spotted and offset onto title, mezzotint with marginal soiling, contemporary calf, worn, spine ends chipped, J.Payne, 1755. ⁂ Originally published in 1662 this was the first book in English to describe the process of mezzotint engraving and to include a mezzotint print, 'The Executioner' by Prince Rupert of the Rhine after Ribera. Mezzotint was invented by Ludwig von Siegen in the 1640s and the process was developed and brought to England by Prince Rupert, whom Evelyn credited with the invention. This edition includes 'The Little Executioner', a greatly reduced copy of Rupert's version.

Oxford coffee house keeper.- Mr Brodeau of Oxford, proof before letters, mezzotint, three-quarter length, by G. Roth [William Roth], very small marginal stain in 1 corner, 195 x 155mm., [c. 1768-70]; and 2 other engravings, v.s., v.d. (3).