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After Robert Dighton Labour in vain - or Fatty in distress Mezzotint published by Carington Bowles 1783 35.5 x 25.5cm; 14 x 10in With a further mezzotint published 1786 by Robert Sayer of The Hearty Good Fellow and one after John Raphael Smith of Miss Macaroni and her Gallant 1773 (3) ++1. some stains and discolouration otherwise all reasonable condition for age
AFTER JOHN HOPPNER RA (1758-1810)Portrait of James Buller, Esq. mezzotint engraving by Samuel William Reynolds (published 1821) pl. 9 x 7 1/4in (22.8 x 18.4cm) James Buller (1766-1827) was MP for Exeter. Sold with an engraving of Warwick Castle by F. Godfrey and a small collection of portrait engravings by various engravers, sitters depicted include Richard Colt Hoare; The Hon. M. Fortescue; The Hon. Anne Fortescue; and a walnut veneered picture frame (qty)
AFTER SIR JOSHUA REYNOLDS, P.R.A. (1723-1792) Jane, Duchess of Gordon, mezzotint engraving by W. Dickinson, published by V.M. Picot, The Strand, London,1775 unframed, laid down, trimmed to plate on three sides Pl. 12 3/4 x 11in (32.5 x 27.9cm);and one unframed mezzotint after Sir Joshua Reynolds PRA, depicting Miss Bosville, engraved by James Watson; and a small selection of other unframed prints, including three 17th century Dutch engravings depicting military subjects (qty)
Art: various titles to include Russell "English Mezzotint Portraits and their States", "Catalogue of Engraved British Portraits", "The Louvre", "Gardens Old and New" ( 1 box) Please note we do not guarantee books regarding collation. Bidders must be completely satisfied with condition and collation before bidding.
After Barnaby Rudge (1841): a mezzotint titled A View of Cambridge from the Castle Hill, 30 by 42cm; After William Fleetwood Varley (1785-1858): an engraving depicting Addenbrooke's Hospital, Cambridge, 33 by 41cm: and Storer: an engraving depicting the Hall of Trinity College, Cambridge, 47 by 61cm. (3)
Milton J. : Paradise Lost. Illustrated by John Martin. Imperial qto. Full contemporary black pebble grained morocco binding, gilt ribbed spine, gilt panels on boards, gilt inner dentelles, aeg. 24 Mezzotint engraved plates with tissue guards. A significant illustrated edition of Milton, relatively scarce. CONDITION REPORT: Binding externally very sound with just minimal wear at the extremities. Hinges neatly reinforced internally. Some marginal damp stains on a few pages, o/w an attractive and sound copy of a significant illustrated edition., Publisher Charles Whittingham, 1846
F. Joubert after Thomas Mogford, circa 1850 Mr Francis Quartly of Molland, Devon- a mezzotint engraving, 59 x 46cm, together with a small group of historical portrait engravings including The Rt Hon Thomas Grenville, Hester Fortescue [wash drawing], The Hon.M.Fortescue, birds eye maple frame, etc.
A 19th century mezzotint, proof before name added, Countess Grey with Lady Louisa Grey and Lady Elizabeth Grey, after a painting by Lawrence and engraved by Samuel Cousins, 12.5 ins x 10.5 ins, in gilt frame, together with “Adoration” after Sir William Beechey 1801, 12.5 ins x 9.5 ins, framed, and “Countess of Bessborough” 1816, 8.5 ins x 4.75 ins.
CARINGTON BOWLES (1724-1793) PUBLISHER MISS WICKET AND MISS TRIGGER FROM THE ORIGINAL PICTURE BY JOHN COLLET. mezzotint, 35 x 25cm, s.37 x 27cm, maple frame ++Some ceases and marginal tears clear of the image but otherwise a pleasing impression of this attractive 18th c print. The maple frame slightly chipped
Thomas Frye (1710-1762), LIFE-SIZED HEAD: MAN FACING TOWARDS LEFT, HIS HAND ON HIS CHIN Mezzotint, signed with monogram in plate l.r., inscribed in margin 'Thos. Frye, Pictor, Invt. and Sculpt., Hatton Garden 1760', plate 49.5 x 35cm CONDITION REPORT: Crease horizontally across centre. Not viewed out of frame. No other major faults visible.
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6624 item(s)/page