Thomas Frye (1710-1762), LIFE-SIZED HEAD: MAN FACING TOWARDS LEFT, HIS HAND ON HIS CHIN Mezzotint, signed with monogram in plate l.r., inscribed in margin 'Thos. Frye, Pictor, Invt. and Sculpt., Hatton Garden 1760', plate 49.5 x 35cm CONDITION REPORT: Crease horizontally across centre. Not viewed out of frame. No other major faults visible.
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An 18th century map of Somerset incorporating the coats of arms of the Duke of Somerset and the Earl of Bath, etc, inscribed "Milliar Anglica", 43 x 55 cm in double sided glazed black and gilt frame together with a 19th century crystolean of a young woman seated at a water fountain, 14 x 10 cm in white and gilt frame with red velvet mount, together with an early 20th century coloured mezzotint "The Chairing of the Member" showing an election scene, after Hogarth
Louis Hague HPRI, Belgian/British 1806-1885- "Tomb of St James, Valley of Jehosaphat" after David Roberts RA, publ by F G Moon, 20 Threadneedle St, July 1st 1841; hand-coloured lithograph, 31x24.5cm: After Thomas Gainsborough FRSA, British 1727-1788- Woodland scene with cattle and a bridge; mezzotint, 14.2x18.3cm: After Louis de Chatillion, French 1639-1734- "Plante Chinoife: Aubepine"; hand-coloured engraving, 40x29.5cm: Charlin, French, 19th century- "Rosa Longifolia, Rossier á Feuilles de Pêcher", after Pierre-Joseph Redouté; stipple engraving printed in colours with hand-colouring, 35.5x27xm: Bessin, French, 19th century- "Rosa Villosa Terebenthina, Rosier Velu á Odeur de Térébenthine", after Pierre-Joseph Redouté; stipple engraving printed in colours with hand-colouring, 35.5x27cm, (5)
Richard Spare, British b.1951- "Four Trunks"; etching with aquatint printed in colours, signed, titled and numbered 4/150 in pencil, 20x25cm: David Meldrum, British, late 20th century- "Summer Table"; lithograph printed in colours, signed, titled, and numbered 29/75 in pencil, 76x56cm: together with four etchings with aquatints printed in colours by the same hand, entitled "Chickens", "Blue Jay with Flowers", "Quayside" and "Decoy Duck", ea. signed, titled and numbered in pencil, ea. embossed with blind stamp, various sizes: Martin Leman, British b.1934- "Flowers In My Cabin"; etching with aquatint printed in colours, signed, titled, dated `76 and inscribed `A/P` in pencil, 27x24.5cm: together with two further etching with aquatints by the same hand entitled "What a Difference a Snake Makes" and "Red Shoes", one mezzotint printed in colours by the same hand entitled "Panda" and three lithographs printed in colours by the same hand entitled "Hill Street Blues", "Rosie" and "Good Companions", all by the same hand, ea. signed, titled, dated and inscribed in pencil, various sizes, (13), (unframed), (may be subject to Droit de Suite)
After Jean-Baptiste Guth, French act. 1883-1921- The Crown Prince of Germany, publ by Vanity Fair, Vincent Brooks Day & Son Ltd Lith; chromolithograph, 36.5x23.5cm: A M Huffam, British act 1828-1832- Portrait of a lady, after T Harper, publ by S S Folker Brighton J Brooker 5 Southampton Row London Nov 1829; hand-coloured mezzotint, 18x14.5cm: Henry Dawe, British 1790-1848- "The Shipwrecked Mariner", after Henry Tomson RA, publ by W F Taylor Windsor 1849; mezzotint, 45x32cm: James Scott, British b.1809- c.1889- "Horace Townsend, Late rector of Carrigaline, Co Cork", after James Mahony; mezzotint, 50.2x39cm: Henry Dawe, British 1790-1848- "The Merry Thought", after Michael William Sharp, publ November 1 1824 by W J White 14 Brownlow Street Holborn London; mezzotint, 31.5x24cm., (5), Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd
British School, late 19th/early 20th century- Two girls by a fireplace and A girl with a cat in a mountain landscape during a storm; hand-coloured mezzotint engravings printed in colours, a pair, in matching glazed parcel gilt and ebonised frames, both bear labels for Fred B Daniell & Son, 32 Cranbourne Street Leicester Square London WC2 attached to the reverse, 53x41cm., ea., (2) Provenance: from the collection of the Estate of the Hon Christopher Lennox-Boyd
Carrington Bowles, No 69 St Paul`s Church Yard, London, Publ., 9 November 1785- "A Journeyman Parson going on Duty"; hand-coloured mezzotint engraving, in a glazed rosewood veneered frame, 15x12cm: George Maile, British/French 1800-1840- "Amour, The Beloved", after Edouard Louis Dubufe; mezzotint, 14x1cm., (2) Provenance: from the collection of the Estate of the Hon Christopher Lennox-Boyd
Bernard Lens II, British 1659-1725- "The Adoration of Christ by the Wise Men" after Paulo Veronese; mezzotint, 23.5x33.8cm, Note: see The British Museum registration number: 2010.7081.170 for example of the same: British School, 18th century- "Richard Dickson" publ by John Bowles, Mercers Hall, Cheapside, London; mezzotint, 20x15cm: together with a quantity of prints by and after various hands, various techniques, various sizes, (unframed), (alot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd
After Joshua Reynolds - Childhood, Portrait of Lady Gertrude Fitzpatrick, monochrome mezzotint by George Zobel, proof before letters on India paper mounted, signed by the engraver in pencil, approx 68.5cm x 54.5cm, within a Hogarth style frame, together with a mezzotint by Samuel Cousins after Reynolds.
British School, early 19th century- "George IVth, King of Great Britain Ireland, born Aug 12th 1762, proclaimed King Jan 31st 1820"; hand-coloured mezzotint engraving, 11.5x16.5cm: After John Collett, British c.1725-1780- "An Officer in the Light Infantry driven by his Lady to Cox-Heath", publ 9 Nov 1778 by Carrington Bowles, No 69 St Paul`s Church Yard, London; hand-coloured mezzotint engraving, 16x12.5cm: Bowles & Carver, No 69 St Paul`s Church Yard, London, Publ., early 19th century- "500£ a Year Will Do, for Me and For You"; hand-coloured mezzotint engraving, 16x11cm: Bowles & Carver, No 69 St Paul`s Church Yard, London, Publ., early 19th century- "What a Glorious Speech!"; hand-coloured mezzotint, 15.3x11cm., (4) Provenance: from the collection of the Estate of the Hon Christopher Lennox-Boyd
British School, late 18th/early 19th century- "Faith"; hand-coloured mezzotint engraving, oval verre eglomise mount with oval aperture, in a gilt metal mounted frame, 13x10cm: J Hinton, 44 Well St., Publ 9 November 1807- "Autumn"; hand-coloured etching, 16x11cm: British School, late 18th/early 19th century- Europe; hand-coloured mezzotint engraving, 16x12.3cm: Carrington Bowles, No 69 St Paul`s Church Yard, London, Publ 2 January 1792- "The Blacksmith Turned Tooth Drawer"; hand-coloured mezzotint engraving, 15.5x12cm: Carrington Bowles, No 69 St Paul`s Church Yard, London, Publ 1 May 1793- "The Discord of Matrimony"; hand-coloured mezzotint engraving, 15x11cm: Robert Sayer, Fleet Street, late 18th/early 19th century- "Too Young to Fly"; hand-coloured mezzotint engraving, 15.5x11.5cm: P Stampa, London, Publ July 24 1800- "Archduke Charles of Austria"; hand-coloured mezzotint engraving, 18x12.3cm., (7) Provenance: from the collection of the Estate of the Hon Christopher Lennox-Boyd
John Fairburn, No 146 Minories, London, Publ., 16 May 1795- "The First Interview of the Prince and Princess of Wales at St James`s Palace on the 5th April 1795"; mezzotint engraving, 18x13cm: John Fairburn, No 146 Minories, London, Publ 16th Nov 1797- "Charity"; mezzotint engraving, 17.5x12.5cm: Valentine Bernarda and Cermentati, London and at North Row, Boston, Publ July 25 1803- "The Lass of Richmond Hill"; hand-coloured mezzotint, in a glazed mahogany frame, 21.5x15.5cm., (3) Provenance: from the collection of the Estate of the Hon Christopher Lennox-Boyd
J Hinton, 44 Well St., Publ 1 January 1806- "Ad Nelson falling into the Arms of Victory"; hand-coloured mezzotint, in a glazed mahoganny frame, 13.8x10.5cm: Carrington Bowles, No 69 St Paul`s Church Yard, London, Publ 1 May 1793- "The Harmony of Courtship" and "The Discord of Matrimony"; mezzotint engravings, a pair, in matching glazed parcel gilt moulding frames, 15x10.5cm., ea., (3) Provenance: from the collection of the Estate of the Hon Christopher Lennox-Boyd
Bernard Lens II, British 1659-1725- King William, Queen Mary, Prince George of Denmark, Prince Anne of Denmark, after Edward Cooper; mezzotint engraving, 10x16.5cm: Carrington Bowles, No 69 St Paul`s Churchyard, London, Publ., 18th century- The Na`ppy Lad or Toping Buck; mezzotint engraving, 13.2x11cm., (2) Provenance: from the collection of the Estate of the Hon Christopher Lennox-Boyd
L Joly, Editeur, 17 Quai St Michel, Paris, late 19th/early 20th century- "Paris d`Aujourhui; lithograph/map printed in colours, 42.5x57.5cm: Early 20th Century- Family in an automobile; chromolithograph, 20.5x33cm: Ferdinand Jean de la Ferté Joubert, French 1810-1884- "James Brownlow Gascoyne-Cecil, 2nd Marquess of Salisbury KG", after Eden Upton Eddis; mezzotint, 65x42cm: Abraham Rainbach, Swiss/British 1776-1843- "The Rent Day", after Sir David Wilkie RA, publ January 6th 1877 by the London Fine Art Association; engraving, in a glazed oak moulding frame, 41.5x59cm: After John Wright, British c.1770-1820- Hunting scenes, after George Morland, originally publ Nov 22 1800 by Random, Stainbank & Sayer, 17 Old Bond Street; hand-coloured crayon-manner engravings, these from a later edition, in matching glazed oak moulding frames, one lacking glass, 34.5x43cm., ea., (9) (part unframed)
After Lemuel Francis Abbott BLACKHEATH GOLFERS a mezzotint from the first edition by V. Green, published by Abbott, , London, 1790, with margins laid down onto the backboard, light staining but generally in good condition, the plate 67 by 47cm., 26 1/4 by 18 1/2in., framed & glazed Provenance: Maureen, Countess of Dufferin and Ava, Christie’s London, 25th March 1990, lot 411.
Alfred Louis Brunet-Debaines, French 1845-1939- View of a chapel; etching with drypoint, signed within the plate, 19x14.5cm: Samuel Arlent Edwards, American 1862-1935- Williamsburg NY, Pub 1900- "Mrs Robinson(Perdita)" and "Lady Sheffield", after Thomas Gainsborough FRSA; mezzotints printed in colours, both signed in pencil, 34x15cm., ea: together with one other mezzotint printed in colours by a different hand, three tondo in shared frame, 5.5cm., dia., (4)
Francesco Bartolozzi RA, Italian 1727-1815- The Madonna and Child, after Guercino; etching in sepia, in a glazed 19th century gilt composition frame, 23x17.3cm: Georg Peter Nusbiegel, German 1713-1776- "Christianvs Gottlib Schwarzivs", after Johan Justin Preissler; mezzotint, 32x21cm: Jacobus Houbraken, Dutch 1698-1780- "George Hamilton Earl of Orkney", "John Lord Somers" and "Thomas Marquis of Wharton"; engravings, 36.5x23cm., ea: together with a small further quantity of mixed prints and engravings by and after different hands, (a lot) (part unframed)
Michael Sandle, British b.1936- "Germany Calling"; etching with aquatint, signed, titled, numbered 7/55 and dated 1976 in pencil, 45x60cm: Graeme Peebles, Australian b.1955- "Marat We`re Marching On"; mezzotint, signed, titled, numbered 22/40 and dated `83 in pencil, 48x88cm, (2), (unframed), (may be subject to Droit de Suite)
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6626 item(s)/page