We found 6624 price guide item(s) matching your search

AFTER T WEAVER, ANTIQUE BLACK AND WHITE MEZZOTINT, Shepherd and Sheep, Holkham 1818 (cut down), 19” x 15”

AFTER J OPIE, ENGRAVED BY S W REYNOLDS, ANTIQUE BLACK AND WHITE MEZZOTINT, “Thomas William Coke Esq” (Member for the County of Norfolk), 25” x 17”

ANTIQUE HAND COLOURED MEZZOTINT, “Debden”, 8” x 11”

LEONARD RUSSELL SQUIRRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE MEZZOTINT, “Pass of Glencoe – Scotland”, 9” x 14”.

SIR FRANK SHORT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE MEZZOTINT, “Headlights over the Hill”, 6” x 7 ½”.

JOHN CORTHER WEBB, A girl looking out to sea with distant boats, Mezzotint, impressed mark Peter S. Davis, Birmingham, signed in pencil, 40cm x 62cm in walnut finished glazed frame

John Young, `The Happy Cottages or The Sweets of Industry`, mezzotint, and a 19th century firescreen embroidery, in carved frame with beadwork angel, and two hunting prints

AFTER JOSHUA REYNOLDS "The Rt Hon George Lord Anson, Baron of Soberton", a black and white mezzotint by J McArdell, a pair of coloured engravings "Archimede" and "Galilei", AFTER JOSHUA REYNOLDS "The Fortune Teller", and 19th CENTURY SCHOOL "Portrait study of a gentleman", head and shoulders, black and white engraving, indistinctly inscribed (5)

John Smith c.1652-1742- "The Right Honorable Charles Mountague", after Godfrey Kneller; mezzotint, 34.5x24.5cm: George Baxter 1804-1867- Classical figures in a wooded valley; baxter print in colours, dated Feb 25th 1856 within the plate, 36.5x27.5cm: together with a quantity of 18th/19th century and later engravings and prints, (a lot)

Frans de Neve 1606-1681- Man resting in the woodlands with his dog, publ in Rome by Giovanni Giacomo de Rossi, 19x25.8cm: James Bretherton c.1750-c.1790- "Fought all his battles o`er again and thrice he slew the slain", after Mr Bunbury, publ. 1 Jan 1782; engraving, 27.8x25.2cm: William Hogarth 1697-1764- "The South Sea Scheme"; engraving, 26x33.2cm: Luke Sullivan 1705-1771- "And as he reasoned of righteousness, temperance and judgment to come, Felix trembled", after William Hogarth; engraving, 41.5x50.7cm: William I Ward 1766-1826- "A Visit to the Child at Nurse", after George Morland, publ J R Smith; mezzotint in colours, 40x49cm: Thomas Cook 1744-1818- "Hudibras encounters the Skimmington", after William Hogarth, publ G I Robinson, February 1st 1802; engraving, 29.2x51.4cm: together with a quantity of 18th & 19th century and later etching, engravings and prints, by and after various hands, (a lot) (unframed)

Hyppolite Garnier 1802-1855- "Lola Montez, Comtesse de Landsfeld", after Jules Laure; mezzotint printed in colours with hand colouring, 50x34.3cm: together with three other portraits of ladies by the same hand, "La Reine de La Danse", "Ne M`oubliez Pas!" and one untitled, in matching frames, (4)

A dry point engraving of a man in renaissance costume possibly Dante monogrammed JCL 1815, a mezzotint of a girl with a dog after Gainsborough, a French print of a soldier by Felix Oudart and two prints of Manchester scenes by Tom Dodson.

A county map of Gloucestershire, coloured engraving, AFTER CHARLES KNIGHT "The mischievous boy", sepia engraving, IN THE MANNER OF BARTOLOZZI "Four cherubs seated beside a basket of flowers", mezzotint, a similar study of a lady with a basket of fruit, and a coloured duck shooting print

A Venetian scene, oil on panel, roundel, and a Bartolozzi mezzotint

L.F.Abbott - - Mezzotint - To the Society of Golfers at Blackheath 28" x 20"

William Ward After George Morland, The Fruits of Early Industry and Oeconemy; The Effects of Extravagance and Idolness (slightly dust striped), coloured mezzotint published 1794 by T Simpson, London, 64 x 48cm (plate) (a pair)

After Henry Fuseli RA, Beatrice Listening to Hero and Ursula, mezzotint (trimmed), 47.5 x 43cm (visible); with Sydney Wilson, Miss Murrary After Lawrence, coloured mezzotint, signed, 42 x 30cm(visible); William Baillie After G Dou, Interior Scene, mezzotint, 1774, 32 x 25.5cm(image); and one other, Portrait After Reynolds (4)

A Collection of Mezzotint Portraits, including works after Hudson Pickering Cotes, Pyle and Reynolds, mostly 35 x 25cm (approx) (some staining and damage) (7)

King George V and Queen Mary, A Pair of Mezzotint Portraits by W Llewellyn and A. Cope, 1913, signed in pencil, Published by David Doig, 72 x 45.5cm (image)

Frank Paton (1855-1909) Holland-Russia; Italy; Switzerland; Germany; England; France the indiginous dogs of the above countries Pug; Borzoi; Whppiet; St Bernard; Dascund; Bulldog; Poodle signed and dated 1885 watercolour heightened with white 8.75 x 28.75cm, the image surrounded by a mount with pen and ink vignettes relating to the watercolour Frank Paton: Born in 1855 in Stepney, London, his father was a maritime pilot. Believed to have travelled and lived in Australia 1875-1878. He showed a great talent for drawing at a very early age although he received no formal art training. On returning to England he painted and had accepted a small oil of two chicks and a frog by the Royal Academy. This was bought by the young dealer, Edward Leggatt, who was already running a successful print and art dealership in Fenchurch Street. The painting was engraved in mezzotint by J B Pratt in 1880, its commercial success cementing a lifelong association with Leggatts who became the main publisher of Paton’s work. In 1881 the artist married Mary Edwards and they lived in rural communities in Kent and Essex along with their seven children. He divided his time between London and home, accepting commissions for animal portraits. He exhibited at the Royal Academy between 1878-1890. Paton is best known for his series of etched Christmas cards published annually by Edward Leggatt from 1890 until Paton’s death in 1909. They were intended to be a cut above the average Christmas card and sold for half a guinea each. Their format became formulaic; a central figure reflecting the title was complemented by a series of often humorous sketches around the border. A number of the prints would be sent from the printers to be signed in pencil by Paton. He died of heart failure at the age of 53-his last Christmas card was called ‘The End of The Day’.

After Sir Henry Raeburn - `Mrs Scott Moncrieff`, early 20th Century colour mezzotint by E. Gullaud, within a gilt frame, together with a colour print after George Romney.

After Edmonstone - `Robert Burns And His Highland Mary`, monochrome mezzotint, within an oak frame, together with four further prints.

Mezzotint of a large landscape with man on horse (signed in pencil Frank Short)

AFTER HANS HOLBEIN (1497-1543) PORTRAIT OF THE HUMANIST, DESIDERIUS ERASMUS (c.1466-1536) Quarter length, wearing a hat and cloak, within a painted oval, oil on canvas laid on panel; in an Italian carved giltwood frame profusely carved with flowers and foliage 58 x 46.5cm. * Probably derived from Wallerant Vaillant`s mezzotint of c.1650-1675 which depicts the sitter in a similar pose in reverse. ++ The panel is split at the back; scattered retouching; needs a clean; farme with minor losses

AFTER GEORGE MORLAND "The Last Litter", coloured mezzotint, "Stable interior with lads and three horses", coloured mezzotint, and "Morning-or the Higlers preparing for market", and "The door of the Village Inn" (4)

Henry Macbeth-Raeburn RA RE (1860-1947), after Sir William Beechey The Oddie Children mezzotint printed in colours, published in a limited edition of 100 by Basil Dighton, signed in pencil by artist and publisher, numbered 66 49.5 x 48 cm (19 1/2 x 19 in) together with a portrait engraving of Sir Francis Freeling, Bart, and an aquatint by Basire after Agostino Carracci

Richard Earlom (1743-1822), after Johann Zoffany RA `Mr King and Mrs Baddeley in the Characters of Lord Ogleby and Miss Fanny Sterling` mezzotint, published 1772 by Robert Sayer 42 x 55 cm (16 1/2 x 21 1/2 in) together with a mezzotint of Charles James Fox by John Jones after Sir Joshua Reynolds

J. Jones (17th century) Godfridus Schalken mezzotint, published 1694 31 x 24.5 cm (12 1/4 x 9 1/2 in) together with three other portrait engravings, one unframed

Henry Quilley (19th century), after R. Jones `Stephen Denston, Yeoman, of Stanwardine Hall` coloured mezzotint 52 x 65 cm (20 1/2 x 25 1/2 in)

William C. Giller (1805-?), after Abraham Cooper RA (1787-1868) `Daniel Haigh Esq`re` coloured mezzotint 46 x 60 cm (18 x 23 1/2 in)

Thomas Goff Lupton (1791-1873), after W. Barraud `John Warde Esq`re` coloured mezzotint, published 1830 by Messrs Moon, Boys and Graves 37 x 48 cm (14 1/2 x 19 in) together with a coloured engraving entitled `Mr Will`m Long, on "Bertha"` and a later coloured mezzotint of a sportsman with his spaniel (3)

William Ward (1766-1826), after George Morland `Juvenile Navigators` coloured mezzotint, published 1789 by J. R. Smith 44 x 55 cm (17 1/2 x 21 1/2 in)

Norman Hirst ARE (1862-?), after George Romney, A mother and her two children mezzotint, published 1914 by P & D Colnaghi, 49 x 57 cm (19 1/2 x 22 1/2 in) together with another mezzotint after Romney by Thomas G. Appleton, a Baxter print of the funeral of the Duke of Wellington and a quantity of other prints

John Jones (c. 1745-1797), after Sir Joshua Reynolds PRA The Right Honourable Charles James Fox mezzotint, published 1796 by J. Jones 51 x 36 cm (20 x 14 in) together with two coloured engravings on glass

A MEZZOTINT of a society lady, 57cm x 44cm, and ANOTHER over-painted photograph of a young girl

W. Stewart Wright, after John Hoppner, Portrait of Admiral Lord Nelson, colour mezzotint, unframed, 65cm x 44cm.

Richard Earlom, British 1743-1822- "Marriage a la Mode", after William Hogarth, plates I, III, IV, V, and VI, from the suite of six publ June 4th 1795 by J & J Boydell no 90 Cheapside & at the Shakespeare Gallery Pall Mall London; mezzotint engravings, in ebonised frames, 49x62cm., ea., (5)

Yozo Hamaguchi, Japanese 1909-2000- Lemon and Cherries; mezzotint printed in colours, signed and numbered 67/150 in pencil, 19x19cm

James Ward, British, 1769-1859- "Smugglers", after George Morland, publ Nov 1 1793 by I R Smith, King Street, Covent Garden, this a later edition; hand coloured mezzotint printed in colours, 45.5x56cm: together with another entitled "Fisherman" by and after the same hands, 45.5x56cm, in matching gilt frames, (2)

Samuel Cousins RA, British 1801-1887- "His Royal Highness Prince Albert...", after John Lucas, publ Jan 8 1845 Thomas Boys printseller to the Royal Family XI Golden Square Regent Street; mezzotint, mounted in a good 19th century gilt gesso trophy frame, 87x58cm

A mezzotint, Society of Goffers at Blackheath, 15.5 x 11in.

IN THE MANNER OF F BARTOLOZZI "Study of a young woman seated with her young child in an interior", coloured mezzotint, oval, contained within a gilt brass frame with gadrooned edge

GIUSEPPE FILIPPO LIBERATI (1735-1809) AFTER SIR JOSHUA REYNOLDS, PRA (1723-1792) [CROSSING THE BROOK] mezzotint, first or an early state, trimmed to within plate mark, laid down on a light card mount, collector`s stamp (L.2191) 48.5 x 36cm and a later engraving of the same subject, both unframed (2)

LONDON, SUBJECT. A COLLECTION OF PRINCIPALLY 18TH CENTURY ENGRAVINGS OF LONDON and related subjects including parts I-IV of J T Smith`s plates for homas Pennant`s Antiquities of London, several in original wrappers, 1791, Hogarth`s tomb, the College of Arms, London churches and antiquities, portraits, William Humphery`s [sic] mezzotint THE HUMOURS OF THE PANTHEON (faults), prints mounted on leaves excised from scrapbooks, two groups of three etchings of London by Wenceslaus Hollar (mounted) and others, sold in portfolio (approximately 900)

PETER SCHENCK (1660-1719) THE SOUTH PROSPECT OF THE CATHEDRAL CHURCH OF ST PETER IN YORK double page engraving trimmed to plate mark, laid down, 50 x 60cm, a pair of 18th c engravings of bird`s eye views of Belvoir Castle, a mezzotint of Byron by G Sidney Hunt, signed in pencil and several late 19th/early 20th c prints signed by various artists including Stanhope Alexander Forbes, Robert Walker MacBeth and Charles Napier Hemy, sold in portfolio (10) ++Some handling marks but others in generally very good condition

HENRY MACBETH-RAEBURN; An artist signed Mezzotint of a boy holding a dog, 23" (58cms) x 16" (41cms) and a Morland print "Rest from Labour".

Gustave Dore: an engraving of The Neophyte, in a Hogarth frame, measuring 58 by 72cm, as well as a black and white mezzotint after Romney of mother and children. (2)

Richard Bosman, Homeward Bound, MezzotintArtist: Richard Bosman, American (1944 - )Title: Homeward BoundYear: 1990Medium: Mezzotint, Signed and Numbered in PencilEdition: 30Image Size: 17 x 11.5 inchesSize: 25 in. x 18.5 in. (63.5 cm x 46.99 cm)

(John) His Argenis translated by Sir Robert Le Grys engraved portrait and plates a few leaves loose some leaves torn some water-staining contemporary sheep worn lacking spine [STC 1394] by Felix Kyngston for Richard Meighen and Henry Seile 1629 § More (Sir Thomas) Utopia: or the Happy Republic translated by Gilbert Burnet mezzotint portrait torn trimmed and laid down (loose) contemporary calf covers detached Glasgow R.Foulis 1743; sold not subject to return (2) (John) His Argenis translated by Sir Robert Le Grys engraved portrait and plates a few leaves loose some leaves torn some water-staining contemporary sheep worn lacking spine [STC 1394] by Felix Kyngston for Richard Meighen and Henry Seile 1629 § More (Sir Thomas) Utopia: or the Happy Republic translated by Gilbert Burnet mezzotint portrait torn trimmed and laid down (loose) contemporary calf covers detached Glasgow R.Foulis 1743; sold not subject to return (2)(2)

A mezzotint, parkland setting with musicians, signed in pencil by Cox

AFTER GEORGE ROMNEY, PORTRAIT OF LADY HAMILTON, MEZZOTINT, PRINTED C1900 AND ANOTHER SIMILAR AFTER REYNOLDS PORTRAIT OF THE DUCHESS OF RUTLAND, IN CONTEMPORARY MATCHING GILT COMPOSITION FRAMES

Angelo (Henry Charles William) A Treatise on the Utility and Advantages of Fencing;... to which is added A Dissertation on the Use of the Broad Sword...and a Biographical Sketch of Chevalier St. George 47 engraved plates after John Gwyn a mezzotint portrait of Monsieur de St. George by W. Ward after Mather Brown and 6 aquatint plates by Thomas Rowlandson some foxing and spotting to engraved plates a few minor spots to aqauatint plates later half morocco gilt slightly rubbed [Thimm pp.10-11] oblong folio George Smeeton 1817.

Carrington Bowles (Publisher), Toby Fillpot, mezzotint with hand colouring, 36cm x 24cm.; in a maple frame.

After James Seymour, The Chase, mezzotint by J Burford, 24.5cm x 35cm.; together with a colour aquatint of Rochester and Chatham after Joseph Farington.(2)

After George Romney - `Children of Earl Gower`, early 20th Century mezzotint in colours after John Raphael Smith, within a gilt composition and wood frame, together with an aquatint and an ink drawing.

An Engraved in part Mezzotint and printed in colours at one painting by Edmund Wardle

Rembrandt, A Self Portrait, mezzotint, and a Robert Morden map of Gloucestershire

Thomas G Appleton; a large mezzotint engraving of a female, signed in pencil, framed and glazed.

JOSEPH B PRATT (ENGRAVER), SIGNED IN PENCIL TO MARGIN, EARLY 20TH CENTURY BLACK AND WHITE MEZZOTINT, PUBLISHED 1905, Mother and Daughter in Landscape, 19” x 15”

AFTER J ZOFFANY, ENGRAVED BY R EARLOM, COLOURED MEZZOTINT, “The Porter and Hare”, 19” x 16” (A/F)