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Assorted pictures and prints, to include topographical engravings and Suffolk interest, portrait mezzotint, three J. Gould and H.C. Richter botanical studies etc

Daphne Reynolds (1918-2012) - The Spotted Scarf, mezzotint, signed, titled and numbered 5/40 in pencil to the margin, 28 x 15cm

After George Harvey, engraved by W H Simmons, "The Bowlers", black and white mezzotint, published by L Brall & Sons, 1866, 37 x 74cm, mounted but unframed

After T N Sartorious, engraved by W Ward, "Pointers", coloured mezzotint, published by James Linnell, 1806, 35 x 42cm, mounted but unframed

After Sir Joshua Reynolds Mezzotint of Samuel Foote, engraved by J Blackmore, published 1771, 47cm x 34cm

Richard Earlom after Anthony Van Dyck (1599-1641) Mezzotint of Charles I, pub'd by John Boydell, 62cm x 45cm

D Boone, engraving of Gluttony, 20 x 16cm, a stipple engraving of Handel, after an engraving by Jacobus Houbraken, 20 x 16cm; together with an engraving after Cipriani, a stipple engraving after G F Harlow titled 'Congratulation', 28.5 x 28.5cm and a coloured mezzotint of William Pitt the Younger, 35.5 x 28cm (5)

* Bromley (Frederick). Caxton Shewing the first Specimen of his Printing to King Edward the Fourth at the Almonry Westminster, Henry Graves & Compy. 1858, large uncoloured mixed-method engraving after D. Maclise, some spotting and staining, laid on later card, 640 x 970 mm, together with Ridgway (W.). Light and Darkness, Art Union, 1869, uncoloured mixed-method engraving after George Smith, occasional marginal closed tears, 635 x 610 mm, with Hulland (W. T.). The Roll Call, Fine Art Society, Nov. 1st 1882, uncoloured mixed-method engraving after Miss Elizabeth Thompson, a long marginal closed tear just affecting image, some spotting, laid on card, 510 x 835 mm, plus Josey (Richard). Balaclava, Fine Art Society, 1st October 1890, uncoloured engraving after Miss Elizabeth Thompson, some spotting and staining, laid on later card, 510 x 830 mm, and Lucas (David). The Young Waltonians, circa 1840, uncoloured mezzotint after John Constable. several marginal closed tears, some dust soiling, 395 x 475 mm, together with Bromley (Frederick). [Peninsular Heroes], circa 1850, uncoloured mixed-method engraving on India wove after J. P. Knight, proof before title, stained and spotted with several marginal closed tears, laid on later linen, 650 x 950, with Lewis (Charles G.). [The Waterloo Heroes at Apsley House], circa 1850, uncoloured mixed-method engraving on India wove after J. P. Knight, proof before title, stained and spotted with several marginal closed tears, laid on later linen, 635 x 960 mm, plus Zobel (G.). Laying down the Law, L. Braill & Sons, circa 1870, uncoloured mixed-method engraving after Sir Edwin Landseer, some dust soiling, laid on later card, 500 x 510 mm, with another fourteen large 19th-century engravings of genre scenes, classical, military, historical and sentimental subjects, various sizes and conditionQty: (21)

* Pound (D. J.). Venus, A. H. Payne, Leipzig & Dresden, circa 1850, uncoloured mixed-method engraving on wove after Titian, water-stained, some creasing but confined to margins, 475 x 600 mm, together with Morghen (Raphael). Les Trois Ages, Paris, circa 1810, uncoloured engraving on wove after Francois Gérard, some spotting but largely confined to the margins, 535 x 610 mm, with Martin (John, after). The Plains of Heaven [and] The Great Day of his Wrath, F. Sala & Co., Unter den Linden, Berlin, circa 1845, pair of lithographs with contemporary hand colouring, titles repeated in German, toned overall, some marginal fraying and closed tears, each approximately 525 x 640 mm, plus Philips (G. H.). The Opening of the Sixth Seal, Booker & Harrison, 1844, uncoloured mezzotint on wove after F. Danby, toned overall, some marginal fraying, some water-staining, 570 x 730 mm, with another eight engravings of portraits, scenes from plays, genre and classical scenes, all large format but various sizes and conditionQty: (13)

Reynolds (Sir Joshua). Engravings from the Works of Sir Joshua Reynolds, 3 volumes, London: Hodgson & Graves, [1834-38], 3 mezzotint titles and 300 full-page mezzotint engravings by Samuel William Reynolds after Joshua Reynolds, tissue-guard to each plate, some light scattered spotting, generally to margins, all edges gilt, contemporary red crushed half morocco, spines elaborately gilt-decorated, with morocco title and volume labels, a little rubbed and scuffed to joints and edges, folioQty: (3)

Wright (George Newenham). The Shores and Islands of the Mediterranean, London: Fisher, Son & Co., circa 1842, additional engraved title (dampstained), folding map and 63 plates, dampstained mostly at head throughout volume, all edges gilt, contemporary gilt decorated red morocco, joints rubbed, 4to, together with: Finden (Edward Francis), Finden's Illustrations of the Life and Works of Lord Byron. With original and selected information on the subjects of the engravings by W. Brockedon, 3 volumes, London: John Murray, 1833-34, additional engraved titles, frontispieces and numerous plates, occasional spotting, all edges gilt, contemporary diced calf, gilt decorated spines with roan labels, volume 1 rebacked with preserving original spine, volumes 2 & 3 with joints split, worn, 8vo, Claude (Lorrain), Beauties of Claude Lorraine, consisting of Twenty-Four Landscapes, selected from the Liber Veritatis; and engraved on steel by eminent engravers, from a brilliant copy in the possession of His Grace The Duke of Bedford, London: W. B. Cooke, 1825, mezzotint portrait of the artist by W. Ward after a drawing by J. Jackson, additional printed title/frontispiece (with contemporary inscription), engraved title, 24 sepia engraved plates by T. Lupton, G. H. Every and others, plate list at rear, contemporary quarter maroon morocco, cloth sides to boards damp-soiled, slim folio Nolan (Edward H.), The Illustrated History of the War against Russia, 2 volumes, London: James S. Virtue, [1856], additional engraved title, frontispieces, double-page map and numerous plates, scattered spotting, occasional spotting, contemporary half calf, large 8vo, and one other, A Survey of the Fauna of Iraq. Mammals, Birds, Reptiles, etc., made by members of the Mesopotamia Expeditionary Force "D" 1915-1919, Bombay: Bombay Natural History Society, [1919], monochrome plates, original cloth, joints and spine torn, 8voQty: (8)

Pieter Schenk (1660-1711), dt. Stecher und Kartograf aus Wuppertal, später tätig in Amsterdam. Seltenes schabkunstblatt ''Odoratus balsamicus'' mit Sinnspruch am unteren Rand, 25 x 19 cm, hinter Glas u. Pp. ger. 35 x 29 cmPieter Schenk (1660-1711), German engraver and cartographer from Wuppertal, later active in Amsterdam. Rare mezzotint sheet ''Odoratus balsamicus'' with aphorism in the lower margin, 25 x 19 cm, framed behind glass and passepartout 35 x 29 cm

Fritz Bauer (*1937), ''Die große Daphne'', erotisches Schabkunstblatt, u. re. handsign. u. dat. (19)76, betitelt u. als e.a. bez., 35 x 30 cm, hinter Glas ger. 56 x 42 cmFritz Bauer (*1937), ''Die große Daphne'', erotic mezzotint sheet, lower right signed and dated (19)76, titled and inscribed as e.a., 35 x 30 cm, framed behind glass 56 x 42 cm

E. Jowett, 'Portrait of Elizabeth Farren', Mezzotint, pencil signed, in gilt frame having ribbon cresting 34.5 x 21.5cm. E.M Hester 'Lady Langham' Mezzotint signed. 'The Milkmaid' engraving signed L Dupont. (3)

Prime Minister to King George the Second, in the Blue Damask Bed Chamber at Houghton, after Jean-Baptiste Vanloo (1684-1745), engraved by James Watson (Irish 1740-1790), published January 1st, 1788 by John and Josiah Boydell, Cheapside, London, mezzotint, together with The Quarterings and Coat of Arms of the Right Honourable George Walpole, Earl of Orford (1730-1791), engravings.50cm x 35cm (19.75in x 13.75in) and 41cm x 23cm (16.25in x 9in)Qty: 3Condition report: The prints are in good, original condition. The paper has browned in some areas and there is some foxing across the prints. The prints are all elaborately framed and glazed. The frames have some knocks and losses.

A folio of 18th century and later pictures and prints, including John Faber the Younger (1695-1756), after Francis Kyte (act. 1710-1744), portrait of William Caslon, the typefounder, [London]: 1740, mezzotint engraving, 34.5cm x 25cm, (1); English School (late 18th/early 19h century), portrait of a gentleman, bust-length, circle, pencil and crayon on paper, 24cm diam, (1); pencil sketches and caricatures; 19th century landscapes, lithographs; etc., [qty]

After Rembrandt van Rijn (1606-1669): The Baptism of the Eunuch, signed and dated 1641 within the plate but later, etching, 19cm x 22cm, (1); Lieven Willemsz. van Coppenol, Writing-Master, monogrammed and inscribed margin, 19th century drypoint etching, 30cm x 21.5cm, (1); Man in Oriental Costume, 16.5cm x 13.5cm, (1); C. Phillips (fl. 1750-87, engraver), Rembrandt's Sister, [London: n.d., c. 1770], pink mezzotint engraving, 19.5cm x 16cm, (1); Pieter de Bailliu (1613-1660, engraver) S. Anastasius, later strike, no watermarks, 30.5cm x 24cm, (1); A.L. Stein (18th century, engraver), Portrait of a Young Man, Leipzig?: 1769, dated within the plate, drypoint etching, 34cm x 27cm, (1); etc, [8]

William Say (1768 ? 1834), after Sir Joshua Reynolds PRA FRS FRSA (1723-1792), one of the Society of Dilettanti pair, [London: n.d., early 19th century, 1812/1816?], mezzotint, 59cm x 42.5cm, mounted, [1]

HERBERT THOMAS DICKSEE, RE (1862-1942), AGAINST THE WIND AND OPEN SKY, MEZZOTINT, PUBLISHED BY FROST AND REED 1900, SIGNED BY THE ARTIST IN PENCIL, MOUNTED TO PLATE MARK, BLINDSTAMPED 28 X 57.5CM In apparently good condition in modern Hogarth frame

A PAIR OF GEORGE III MEZZOTINT PRINTS titled ‘Jemmy’s Farewell’ and ‘Jemmy’s return’ 30cm diameter - in glazed moulded gilt frames.

A 19TH CENTURY MEZZOTINT OF PETITE LAITIERE ANGLAISE GRAVURE JAMES NORTHCOTE BONNEFOY CHEREAU 1787 30cm across.

NO RESERVE St Paul's.- Dayes (Edward) The Royal Procession [of King George III] in St. Pauls on St. George's Day, 1789, etching and engraving by James Neagle, on laid paper without visible watermark, platemark 480 x 700 mm (18 7/8 x 27 1/2 in), sheet 520 x 740 mm (20 1/2 x 29 1/8 in), small loss restored in margin at centre right, spotting and browning, minor nicks to extremities, unframed, 1793; together with a group of 14 portraits, including mezzotint portraits, a portrait of the blind German-born Indonesian-based botanist Georg Eberhard Rumphius (1627-1702), four portraits of Russian interest, one lettered in Cyrillic, another of Alexis Michailovich, Tsar of Russia, and others similar, engravings, mezzotints, various sizes, all unframed, 18th and 19th century (15)

A Gaymard, After William Ward R A, Lovely Brunette, mezzotint, 23cm x 18cm; others IG Wood, Penydarran Iron Works, Etching, 20cm x 33cm; Copper Works, with part of Morris Town, published 1811, 22cm x 53cm (3)

A 19th Century Arthur B. Brook colour mezzotint, framed

Pair of oval portrait mezzotint prints of ladies, in rosewood frames with gilt slip, Arthur Ackermann associated gallery labels to the rear (54cm x 61cm including frame)

CAMDEN (WILLIAM)Britain, or a Chorographicall Description of the Most Flourishing Kingdomes, England, Scotland, and Ireland, and the Islands Adioyning, Out of the Depths of Antiquitie... Translated Newly into English by Philemon Holland, additional engraved pictorial title (cut down and mounted), woodcut ornament and arms on letterpress title, 50 engraved maps (of 57, all but one double-page, 3 shaved just within one vertical margin, 2 repaired at fold with small loss, one with small hole in cartouche, one loose), 5 additional folding engraved maps from Speed's Sudbury and Humble edition supplied in place of missing maps, 10 full-page engraved illustrations (8 of coins), woodcut illustrations in the text, ink annotations in several hands in some margins, small marginal repairs to opening few leaves and final 4 leaves of index, twentieth century half morocco, upper cover detached [Chubb XIX; ESTC S107167; Skelton 6], folio (330 x 215mm.), George Bishop, 1610Footnotes:This copy has Speed's maps of Scotland, Ireland, Warwickshire, Herefordshire and Montgomery from the Humble and Sudbury edition inserted in place of the missing Bishop maps. The volume is lacking the Heptarchy and Shropshire maps.Provenance: Charles Brooke Bird (1856-1916, mezzotint engraver and etcher), gift inscription from his father Charles William Bird on the occasion of his twenty-first birthday; by descent to the present owner.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Thomas Tompion portraitThomas Tompion Automatopaeus Mezzotint by John Smith after Godfrey Kneller, 1697, half length with three quarter turn holding a watch movement in his left hand, within a patterned oval border, titled below.(unframed)Dimensions. Height: 34cms/13.5ins Width: 25cms/10ins. (1)Footnotes:Similar examples were sold in these rooms:Fine Clocks, 6 July 2016, lot 106; Fine Clocks, 16 December 2015, lot 159; Fine Clocks, 20 June 2012, lot 75.Godfrey Kneller (1646-1723) was the foremost portrait painter in England and court painter for Charles II to George II.John Smith (1652-1743) was a popular and independent print maker who worked closely with Kneller.For further information on this lot please visit Bonhams.com

Christopher Richard Wynne Nevinson A.R.A (1889-1946)Banking at 4,000 Feet (Black 20) Lithograph, 1917, on laid paper, signed, dated and numbered 65 in pencil, from the edition of 200, published by the Stationery Office, London, as part of the series Britain's Efforts and Ideals: Making Aircraft, with wide margins, in good condition, framedImage 402 x 315mm. (16 x 12 3/8in.);Sheet 510 x 398mm. (20 1/8 x 15 5/8in.)Footnotes:Christopher Richard Wynne Nevinson was one of the great printmakers of the early twentieth century and was held in high esteem as a chronicler of modern warfare and creator of modern urban landscapes. His mastery of techniques such as drypoint, etching, lithography and mezzotint, combined with an acute eye for detail and feeling for composition, enabled him to produce images which displayed great technical skill, whilst evoking a strong sense of place and emotion. His prints were often produced in conjunction with his paintings, allowing him to depict the subject from a different perspective. This collection is a cross-section spanning his printmaking career, from dramatic images produced to promote the war effort, to the quiet simplicity of his etchings of the rural British landscape and urban views of Paris, London and New York. Nevinson became an official war artist in 1917 and was commissioned by the Ministry of Information to create six lithographs on the theme of Building Aircraft to be included in the propaganda series The Great War: Britain's Efforts and Ideals. In Banking at 4,000 feet, Nevinson uses variations in tone and steep diagonals to convey the drama and exhilaration of flight and invites the viewer to share the experience of being in the air by placing them in the cockpit.For further information on this lot please visit Bonhams.com

Christopher Richard Wynne Nevinson A.R.A (1889-1946)The Roof Garden (Black 57) Mezzotint, 1919, on F.J. Head & Co. laid paper, a fine, richly inked impression with good contrasts, signed in pencil, from the edition of 50, the full sheet, in good conditionPlate 212 x 117mm. (8 3/8 x 4 5/8in.); Sheet 289 x 233mm. (11 3/8 x 9 1/8in.) Footnotes:A visit to the Waldorf Astoria inspired this mezzotint of a dancer. Richly inked, with great contrast, it is highly evocative of the jazz era.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

After John Nost Sartorius (1759-1828), the racehorse Champion, mezzotint, Published Jany 1,1802 by Laurie & Whittle, No.53 Fleet Street, London, 27 x 36cm, together with two others similar Skylark by Highflyer and Buzzard by Woodpecker, 27 x 36cm. (3)

SAMUEL WILLIAM REYNOLDS (1773-1835), AFTER JAMES NORTHCOTE, R.A. LION AND SNAKE coloured mezzotint(49cm x 69cm (19.2in x 27in))Footnote: Provenance: Sotheby's, Sale of the Contents of Tyninghame House, East Lothian, 1987

A 19th century mezzotint of a young woman in ornate oval giltwood frame, 23x19.5cm; together with a print depicting a New Testament scene, 23x16cm

A black and white mezzotint of Notre Dame by Leonard R Squarrel (?), signed and dated in pencil, 30x43cm

Vezir Azem Türckischer Gros Vezier.Vezir Azem Türckischer Gros Vezier. Fast Dreiviert Vezir Azem Türckischer Gros Vezier. Vezir Azem Türckischer Gros Vezier. Fast Dreiviertelfigur vor Draperie und kl. Reiterschlachtszene im Hintergrund, Schabkunst von Johann Jakob Haid, um 1740. Plattengröße ca. 39,5 x 26 cm. - Rand stockfl., guter Abdruck. - Selten. Dabei: Mahomet V Türkischer Kaiser ... Schabkunst von J.J.Haid um 1740. Fol. - Unten knapp bis Darstellung beschnitten. - Turkish vizier. Mezzotint engraving by Johann Jakob Haid. Edges foxing, good print. Rare. With: Mahomet V Turkish emporer. Mezzotint engraving by Haid. Tightly trimmed.

Six mixed pictures to include a Mezzotint depicting Charles James Fox, 12 x 10cm, framed

WILLIAM WARD AFTER WILLIAM OWEN - THE BLIND BEGGER OF BEDNALL, MEZZOTINT  MOUNTED TO WITHIN PLATEMARK, 55 X 47CM AND ANOTHER CONTEMPORARY MEZZOTINT IN MATCHING EBONISED AND GILT FRAMES Both conserved and remounted in recent years

After E Milner, Lady Petre, coloured mezzotint, 48cm x 33cm; another; C T Garland, A Christmas Greeting, coloured print, 53cm x 49cm etc (4)

A Gaymard, After William Ward R A, Lovely Brunette, mezzotint, 23cm x 18cm; others IG Wood, Penydarran Iron Works, Etching, 20cm x 33cm; Copper Works, with part of Morris Town, published 1811, 22cm x 53cm (3)

Susan Jameson (born 1944), a mezzotint artist proof "Cumbrian Winter". Image size 43.5 cm x 41 cm, framed, signed and dated 1982.

Mollie Bullick, a mezzotint "Sand and Stone" 5/35. 30 cm x 30 cm, framed, signed and dated 1983.

After Sartorius, colour mezzotint, Lurcher, plate 25 x 35cm, glazed frame

Smith after Kneller, mezzotint, Portrait of the Honourable Lady Elizabeth Cromwell, 42 x 26cm

Arthur B Brook (British 1867-1933): 'Sisters', limited edition mezzotint with blind stamp signed in pencil pub. Frost and Reed 1917, 40cm x 38cm - Condition Report

H.Scott Bridgewater after J.C.Corot : 'Souvenir De Northfontaine' & 'The Bent Tree', two mezzotint engravings signed in pencil pub. 1927, 40cm x 51cm & 37cm x 44cm (2) - Condition Report

Carl Loedel (Lödel) Carl Loedel (Lödel) (1825 Göttingen - 1868 Colditz) "Einzug der Studenten in Göttingen am 1ten May 1848". Originaltitel Stich u. Mezzotinto/Papier. Sign. u. bez. "zu haben bei Loedel in Göttingen". Historisch bedeutendes, seltenes Zeitdokument der Revolution 1848 mit Darstellung des festlichen Einzuges auf den Marktplatz mit Zuschauern und Bürgerwehr vor dem Rathaus. Loedel war ein Sohn des Göttinger Malers und Universitätskupferstechers Heinrich Loedel (1798 - 1861), dessen Wohn- und Geschäftshaus am rechten Bildrand dargestellt ist. Blatt ca. 32,5 cm x 39,5 cm. Rahmen. Rare engraving and mezzotint depicting a scene in Göttingen during the revolution in May 1848.

After George Morland - Pair; colour mezzotints, 37 x 30cm; together with after J.W. Gozzard - The Ferry Inn, mezzotint; and pair being The Cottagers Wealth and The Cottagers Favourite, Victorian mezzotints (5)

Three various Vanity Fair Spy prints; together with a continental street scene mezzotint; and a monochrome sporting print (5)

Martin, John - - John Milton. (1608 - 1674). The Paradise Lost. 2 Bde. Mit 24 Mezzotint-Radierungen von John Martin. London, Septimus Prowett, 1827. 2 Bl., 228 S. (S. 219 und S. 221 vertauscht), 2 Bl., 218 S. Folio. Dunkelbrauner Maroquin d. Zt. mit reicher Deckel- u. Rückenvergoldung in floraler Ornamentik, Steh- und Innenkantenvergoldung sowie dreiseitiger Goldschnitt. Hier die prachtvolle große Ausgabe in Folio. Exlibris von Sir Robert Peel Baronet und Ferdinand Freiherr von Stumm-Holzhausen. - Erste Ausgabe als Folio. Die Bände verbinden Miltons berühmtes Epos mit Martins phantastischen Kompositionen, die seinen Ruhm als Grafiker begründeten und eine neue Ära der Buchillustration einläuteten. Der Verleger Prowett beauftragte Martin im Jahr 1823 mit der Illustration. Noch bevor der Künstler die ersten 24 Stiche fertigstellte, orderte Prowett einen weiteren Satz von 24 kleineren Stichen. Prowett gab vier separate Editionen der Stiche in monatlichen Ausgaben zwischen 1825 und 1827 heraus. - Seiten etwas stockfleckig u. gebräunt. Ecken, Gelenke und Deckel etwas berieben. Prachtvoller und sehr dekorativer Einband in wohlerhaltenem Zustand. Here the splendid large edition in folio. Dark brown morocco with rich gilding on the cover and back in floral ornamentation. Gilding of the standing and inner edges as well as three-sided gilding. - Ex-libri of Sir Robert Peel Baronet and Ferdinand Freiherr von Stumm-Holzhausen. - The volumes combine Milton's famous epic poem with Martin's fantastic compositions, which established his fame as a graphic artist. The publisher Prowett commissioned Martin with the illustration in 1823. Even before the artist completed the first 24 engravings, Prowett ordered another set of 24 smaller engravings. Prowett published four separate editions of the engravings in monthly issues between 1825 and 1827. - Sides somewhat foxed and browned. Corners, joints and cover somewhat rubbed. Splendid and very decorative binding in good condition.

After W Sharp, engraved by J W White, "The Red Hot Politician", hand coloured mezzotint, published circa 1830, 48 x 37cm

After R B Parks, "Lady Hamilton", coloured mezzotint, published circa 1870 and signed in pencil to lower margin, 44 x 36cm, mounted but unframed

NO RESERVE Stowe.- Forster (Henry Rumsey) The Stowe Catalogue Priced and Annotated, mezzotint frontispiece of Rembrandt's 'Unmerciful Servant', title in red & black and with wood-engraved vignette, lists of subscribers & purchasers, 16 steel-engraved plates, 22pp. advertisements at end, offsetting to title, plates foxed, occasional spotting, small engraved armorial book ticket of W.B. Redfern to front pastedown (a Redfern is listed as a buyer), contemporary blind-stamped cloth, rebacked in calf, spine rather worn, but holding firm, rubbed, 4to, 1848.

Bernard Baron (1696-1762), after Sir Anthony van Dyck, Philip Herbert, 4th Earl of Pembroke and His Family, London: 1740, line engraving, mounted, 55cm x 76cm, (1); John Dixon (Irish, 1740??1811), after Sir Joshua Reynolds PRA (1723-1793), portrait, Lady Mary O'Brien, Countess of Orkney, London: Published September 29 1774, by W. Wynne Ryland, mezzotint, 52cm x 38cm, (1); Giuseppe dall' Acqua (fl. 1765-1795), after Angelica Kauffman RA (1741-1807), a pair, Winter and Pomona, 1786, engravings, 47cm x 39cm, (2); John Fisher (English, 18th century), after Francesco Bartolozzi RA (1727-1815), Sir George Saville Bart., York: 1790, engraving, mounted, 71cm x 41cm, (1); Charles Wilkin (1750-1814), after Benjamin West PRA (1738-1820), Epponina, London: May 1794, engraving, 48cm x 34.5cm, (1); Richard Wilson; Jacobus Houbraken; William Alfred Delamotte; Rembrandt; Art Union (8); Old Masters from Houghton Hall; Thomas Smith of Derby, A View of Anchor Church, 1745, (1); etc

Six assorted antique engravings, Portraits of William Pitt, Oliver Cromwell, Robert Lloyd Raymond, Prince George of Denmark, Sir George Rooke and Charles James FoxCONDITION: Fox - mezzotint with discoloured paper and fox marks, engraved by John Gillbank, 37 x 30cmRooke - mezzotint, cropped discoloured paper and other minor flaws, Williams after Dahll, 34 x 26cmPrince George of Denmark - Sheppard after White, cropped top left otherwise fair, 37 x 22cmRaymond - engraving by George Vertue, sepia stained and creased, 36 x 17cmCromwell - engraving after Verbraken, faded with fox marking, 37 x 22cmPitt - engraving, sepia stained and water damaged with tears running through it, poor condition, 39 x 31.5cm

A pair of 19th C mezzotint oval engravings, pastoral studies of children playing, in gilt wood frames (55cm x 43cm) (2)

Prints - mezzotint, The Bell, Clifford James; I Ward, Outside of a Country Ale House; The Laughing Cavalier, G. Sydney Hunt; Eva Hollyer, a pair, The Music Lesson; a pine framed wall mirror. (6)

After Gainsborough, boy with rabbit and portrait study, pair of mezzotint engravings. 37 x 28.5cm approx. Framed and glazed. (2)(B.P. 21% + VAT)

Rembrandt Harmensz. van Rijn: Der stehende Jesusknabe inmitten der Schriftgelehrten Der stehende Jesusknabe inmitten der Schriftgelehrten. Radierung. 12,6 x 21,4 cm. 1652. B. 65, White/Boon (Hollstein) 65 II (von III), Nowell-Usticke 65 II (von III), Hinterding/Rutgers (New Hollstein) 267 I (von II). Wz. Schild mit den Sieben Provinzen (vgl. Filedt Kok, 34). Vor den Überarbeitungen in Mezzotint. Ausgezeichneter und überwiegend klarer sowie kräftiger Druck mit sehr feinem Rändchen, partiell auf die Plattenkante geschnitten. Links schwache vertikale Knickspur sowie ganz vereinzelte leichte Fältchen verso, unbedeutend fleckig, weitere Gebrauchsspuren, sonst in sehr guter Erhaltung. Aus der Sammlung Friedrich Quiring (Lugt 1041c). Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Susan Jameson (British, b. 1944) Edinburgh Castle Signed, artist's proof, mezzotint, 1/10, 25cm x 22cm.  ARR Label verso: Arts in Fife Art Library

18TH CENTURY MEZZOTINT and later prints of gentlemen (3) to include J BOYDELL after Rembrandt - depicting an Eastern nobleman in turban, sculptor William Pether 1778, 47 x 34cms and W DENDY SADLER - depicting a gentleman speaker at a dining table, copyrighted 1908 by Raphael Tuck & Sons Ltd, 41 x 29.5cms and another depicting a gentleman seated at a table and preparing food, London published 1913 by L H Lefevere, signed in pencil by the artist and possibly the engraver, 40 x 31cms

After James Pollard, Cambridge Coach, engraving, 35 x 45cm, together with a pair of engravings of hunting scenes, 36 x 51cm, an engraving of the Cathedral Church of Bristol, 42 x 57cm, and a colour mezzotint after Francis Cotes of The Young Cricketer, 53 x 37cm, (5).