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Sir Hubert Von Herkomer RA, ROI, RBA, RWS, RI, 1849-1914- Portrait of a gentleman seated full-length in an interior; mezzotint, bears pencil inscriptions, 52x39cm: together with other 18/19th century engravings and lithographs after various hands to include Ernest Meissonier 1815-1891, George Cruickshank I 1792-1878 and others, (a lot)

After Charles Philips 1708-1747- "Her Royal Highness, Augusta princess of Wales"; published by Thomas Bowles, London, 1737, mezzotint, 36x25cm: Jean Jacques De Boissier 1736-1810- "The Village square"; etching, initialed and dated 1774: together with other 19/20th century etchings and lithographs after various hands to include Ernest Meissonier 1815-1891- "The Dispute"; etching, with remarque, bears signature in pencil,Tatton Winter 1855-1928, etching and Charles E Peers 1875-1944, lithographs, (8) (part unframed)

After John Bromley 1795-1839- "The Trial of William Lord Russell, 1683"; published 1830, mezzotint, after George Hayter 1792-1871, 53x68cm: After A C Michael, early 20th century- "The Tale of a Glorious End"; published by the London Illustrated News , 1914, photogravure, 45x64cm, (2)

Laurie & Whittle (publishers). 'An Allegorical Reprefentation of his Majesty King George the Third. Wherein he is Seated on the Throne, attended by Wisdom, Justice, & Liberty, also Science, Navigation & Commerse, laying at his Feet a Map of the West India Islands', published 1st Sepr 1794 by Rt Laurie & Js Whittle, No53, Fleet Street, London, hand coloured mezzotint, 14 x 9.75in (35 x 25cm) and the companion, Queen Charlotte. (2)

Clifford R James Highland chieftain and The McNab Coloured mezzotint (2)

An oval watercolour portrait of a young lady, 16 x 13in., together with a Victorian primitive portrait of a lady, 5 x 4in., and a mezzotint portrait 'Miss Cocker' after Lawrence, all framed

JAMES DUFFIELD HARDING, 1797 - 1863, ATTRIB. LUCERNE, WATERCOLOUR, 30 X 45 CM; DIEPPE, WATERCOLOUR, SIGNED, 32 X 49 CM; FIVE PRINTS, ENTRANCE TO PISA, NEAR CLIFTON, LITHOGRAPH, 1805, A SEATED WRITER, METSU. MEZZOTINT AFTER KNELLER, THE DUKE OF GLOUCESTER

SEVEN MARINE PRINTS to comprise an aquatint of the Battle of Algesiras by Robert Dodd; an aquatint of an engagement at Cape Barfleur by J. W. Edy after T. Elliot, 1794; two further aquatints of the same subject by J. Wells after Lt Mackellar; a mezzotint portrait of Sir James Saumarez, Admiral of The Blue, by W. Say after T. Phillips; and six small engravings relating to the Battle of Algeziras, The largest 44.5 x 71.5cm. (7) Provenance: By descent in the family of Sir James Saumarez

Late C18th mezzotint entitled 'Poor Jack', in glazed frame; together with fifteen other framed amd glazed prints (16).

G MAILE AFTER RUBENS - 'Helena, the second wife of Rubens', mezzotint in colours, published circa. 1817 by R Ackermann, 17 1/2" x 12 1/2"

William Hogarth 1697-1764- "The Times", published Sep 7th 1762, plate 1; engraving, 29x38cm: Claude du Bosc, early 18th century- "Les Patins", after Jean Antonie Watteau, publ Charles Street, Covent Garden; engraving: together with eleven other 18/19th century mezzotint and engravings, mainly related to trade and industries by and after various hands to include examples after Peter Paul Rubens, John Bacon RA and two engraved copper printing plates after George Stephenson, mid 20th century, entitled "A Cobblers Work" and "A Cobblers Rest", (15)

Nash, Treadway Russell Collections for the history of Worcestershire. London, Oxford & Worcester: T. Payne, J. Robson [&c.], 1781-82, 2 volumes, folio, folding map, titles with engraved vignette, 2 dedication leaves, 13 facsimile leaves of Domesday book and 75 engraved plates and portraits, a few mezzotint, 26 pedigrees, mostly double-page or folding, a few illustrations, nineteenth century maroon morocco gilt, g.e.

Thomas Weaver. Portraits of robert & Charles Collings Esqrs. mezzotint, 20.25in (51.4cm) x 18.75in (47.6cm). Published September 1831 by John Thompson, Smeaton,Yorkshire. some surface cracks. Framed and glazed.

James Ward. Poultry Market. mezzotint in colours, 15.25in (38.7cm) x 20.25in (51.4cm). Engraved by James ward. Framed and glazed.

ENGRAVED BY T GREEN, 18TH CENTURY BLACK AND WHITE MEZZOTINT, “Her Royal Highness – The Duchess of Cumberland”, 22” x 15” (A/F)

AFTER PESNE, ENGRAVED BY R HOUSTON, BLACK AND WHITE MEZZOTINT, Published 1756, “Frederic III – Roi De Brusse ------“, 12” x 10”, and AFTER WILLIAM HOGARTH, ENGRAVED BY J McARDELL, ANTIQUE BLACK AND WHITE MEZZOTINT, “Mr Line”, 11” x 9” (2)

18TH CENTURY, (PRINTED FOR AND SOLD BY CARINGTON BOWLES), BLACK AND WHITE MEZZOTINT, Published 1784, “The First Interview, or Happiness Sacrifised to Riches”, (see information verso), 13” x 10”

18TH CENTURY, (PRINTED FOR AND SOLD BY CARINGTON BOWLES), HAND COLOURED MEZZOTINT, Published circa 1780/90, “The Lass With a Delicate Air”, (see information verso), 13” x 10”

AFTER HENRY RAEBURN, ENGRAVED BY I JONES, ANTIQUE BLACK AND WHITE PROOF MEZZOTINT, “The Right Honourable Robert Dundas of Arniston – Lord Advocate of Scotland -----“, 17” x 14”, in rosewood veneered frame

AFTER FRANCIS WHEATLEY, ENGRAVED BY J WALKER, BLACK AND WHITE MEZZOTINT, Dated 1783, “Barnard Turner Esq – Alderman & Sheriff of London -------“, 22” x 15”

AFTER SIR WILLIAM BEECHEY, ENGRAVED BY C TURNER, BLACK AND WHITE MEZZOTINT, Published 1818, “The Right Honourable Edward Lord Viscount Exmouth”, 22” x 16”

EARLY 19TH CENTURY, BLACK AND WHITE MEZZOTINT, Full Length Portrait of a Naval Officer holding a Telescope, Coastal View Beyond, 29” x 19”

AFTER J HOPPNER, ENGRAVED BY C TURNER, BLACK AND WHITE MEZZOTINT, “His Grace the Duke of Rutland”, 23” x 14”

AFTER SIR JOSHUA REYNOLDS, ENGRAVED BY C TURNER, BLACK AND WHITE MEZZOTINT, Published 1807, “The Most Noble George Marquis Townshend -----“, 24” x 14”

AFTER ROBERT KER PORTER, ENGRAVED BY W SAY, BLACK AND WHITE MEZZOTINT, Published 1802, “Sir Sidney Smith”, 23” x 16”

AFTER REMBRANDT, ENGRAVED BY R HOUSTON, BLACK AND WHITE MEZZOTINT, Published 1761, “J Six, Burgomaster of Amsterdam”, 12” x 10”

AFTER NICHOLAS LANCRET, ENGRAVED BY J SIMON, BLACK AND WHITE MEZZOTINT, circa 1740, “Noon”, (see details verso), 9” x 13”

AFTER A W DEVIS, ENGRAVED BY J G MURRAY, BLACK AND WHITE MEZZOTINT, Published 1833, ------ Magna Carta ------, 22” x 33” (A/F)

AFTER SIR THOMAS LAWRENCE, ENGRAVED BY G CLINT, BLACK AND WHITE MEZZOTINT, Two Young Suited Boys in Interior, 23” x 14”

AFTER SIR JOSHUA REYNOLDS, ENGRAVED BY J WATSON, BLACK AND WHITE PROOF MEZZOTINT, “Barbara, Countess of Coventry”, (see information verso), 18” x 14”

EARLY 19TH CENTURY ENGLISH SCHOOL, BLACK AND WHITE MEZZOTINT, Portrait of a Gent Wearing The Order of the Bath, 25” x 17”, and AFTER EDWARD CHALON, ENGRAVED BY S COUSINS, BLACK AND WHITE ENGRAVING, Published 1839, “Her Majesty – Queen Victoria”, 23” x 16” (2)

AFTER GEORGE MORLAND, ENGRAVED BY J R SMITH, COLOURED MEZZOTINT, Published 1799, “The Corn Bin”, 17” x 20”

AFTER THOMAS HUDSON, ENGRAVED BY J FABER, BLACK AND WHITE MEZZOTINT, Published 1745, “His Most Excellent Majesty King George II King of Great Britain ------“, 19” x 14” (no margins trimmed, laid down)

AFTER J G WOOD, ENGRAVED BY J MURPHY, BLACK AND WHITE MEZZOTINT, Published 1795, “Captain John Harvey”, (cut down, A/F), 17” x 14”

AFTER RICHARD MORTON PAYE, ENGRAVED BY W WARD, BLACK AND WHITE MEZZOTINT, Published 1785, “Children Reading the Inscription on their Mother’s Grave-Stone”, (see information verso), 17” x 20” “40-60

AFTER HUGH BARON, ENGRAVED BY B GREEN, BLACK AND WHITE MEZZOTINT, Published 1780, “Sir George Brydges Rodney, Bart – Admiral of the White -----“, 16” x 13”

AFTER W F WITHERINGTON, ENGRAVED BY G H PHILLIPS, BLACK AND WHITE MEZZOTINT, Published 1826, “Dancing Dogs”, 13” x 9”

AFTER THOMAS HUDSON, ENGRAVED BY JOHN DIXON, BLACK AND WHITE MEZZOTINT, Published 1771, “Sir William Browne – President of the Royal College of Physicians of London” (See further information Verso), 12” x 10”, AFTER C F DE BREDA, ENGRAVED BY S W REYNOLDS, BLACK AND WHITE MEZZOTINT, Published 1796, “Mary, daughter of Bernet Langton”, 9” x 8” and AFTER H SCHRIDER, BLACK AND WHITE MEZZOTINT, (before letters), “Portrait of the Countess of Ravensworth” (see further details Verso), 12” x 10”, (3)

AFTER MRS J ROBERTSON, ENGRAVED BY S COUSINS, BLACK AND WHITE MEZZOTINT, “The Right Honourable Lady Rolle”, 22” x 14” and AFTER J HOPPENER, ENGRAVED BY S W REYNOLDS, BLACK AND WHITE MEZZOTINT, Published 1803, “Her Grace the Duchess of Bedford”, 23” x 18”, (2)

AFTER FREDERICK GOODALL, ENGRAVED BY T L ATHCINSON, BLACK AND WHITE MEZZOTINT, Published 1878, “The Holy Mother”, 24” x 15”

AFTER J P KNIGHT, ENGRAVED BY C E WAGSTAFF, BLACK AND WHITE MEZZOTINT, “Richard Hotham Pigeon Esq”, 24” x 16”, BLACK AND WHITE PHOTOGRAVURE, The Marquis of Bristol, 1905, 19” x 15” and AFTER FRANCIS GRANT, ENGRAVED BY H COUSINS, BLACK AND WHITE MEZZOTINT, “George Carr Glyn Esq MP”, 25” x 15”, (3)

AFTER C R LESLIE, ENGRAVED BY S W REYNOLDS, BLACK AND WHITE MEZZOTINT, Published 1847, “The Library at Holland House – Interior with Henry Richard Fox and Others”, 22” x 28”

AFTER GABRIEL STUART, EARLY 19TH CENTURY BLACK AND WHITE MEZZOTINT, “The Earl of St Vincent”, 24” x 17”, unframed

AFTER MALSIS, ENGRAVED BY R EARLOM, BLACK AND WHITE MEZZOTINT, Published 1770, “The Misers”, 18” x 14”, AFTER J A FITZGERALD, ENGRAVED BY W T DAVEY, HAND COLOURED ENGRAVING, Mother and Child, and CHROMOLITHOGRAPH, “Victoria Queen of England”, various sizes, unframed (A/F) (3)

AFTER JOHN CONSTABLE, ENGRAVED BY DAVID LUCAS, BLACK AND WHITE MEZZOTINT, Hadleigh Castle near the Nore, 6” x 9”

DAVID LUCAS, BLACK AND WHITE MEZZOTINT, “View In Devonshire”, 15” x 19”

AFTER W GOODACRE, ENGRAVED BY H DAWE, BLACK AND WHITE MEZZOTINT, Published 1837, “------ Nottingham ------ Market Place -----“, 8” x 14”

NORMAN HIRST, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE MEZZOTINT, “Othery”, See Labels Verso, 7” x 9”

AFTER GABRIEL STUART, ENGRAVED BY J R SMITH, ANTIQUE BLACK AND WHITE MEZZOTINT, The Earl of St Vincent

* Richard Earlom 1743-1822- "The Game Market"; published June 2nd 1783, by John Boydell, Cheapside, London, mezzotint, after Frans Snyders 1579-1657, a good impression with margins, minor foxing, staining and creasing, two repaired tears tears upper right and left margin, one extending just into the image, generally good condition, 42x58cm, (unframed)

* Frank McFadden, mid 19th century- "The Lock"; etching, after John Constable 1776-1837, with remarque depicting a portrait of John Constable, signed within the plate, bears faint pencil inscription and blind stamp, condition poor with various tears and defects, 67x55cm: After Sir Joshua Reynolds RA 1773-1792- "The Infant Samuel"; mezzotint, trimmed with the plate: together with a folio of other 18/19th century mezzotints, etchings and engravings, by and after various hands, condition variable, (a lot) (folio) Note: John Constable painted the Lock in 1824 and is now in the Walter Morrison Collection, Sudeley Castle.

19thC. portrait of a gentleman, mezzotint, 19½" x 14¾".

George Morland. Subject: The dairy in St. James's park, Medium: Coloured mezzotint on paper (water stained), Size: 34 x 43 cm, gilt frame.

AFTER MEISSONIER Traveller outside a tavern, coloured mezzotint by Gaynard, pub. Gainsborough Galleries circa 1922, signed in pencil to margin, with blindstamp, plate size 32 x 24 cms.

W. A. COX (eng). Interior tavern scene, with three seated figures, coloured mezzotint, signed in pencil to margin, blindstamp pub. c.1923, Gainsborough Galleries, 22 x 28 cms.

A Folio, containing assorted prints including, mezzotint portraits on silk, etching, etc.

A 19th century mezzotint engraving of children playing soldiers, 18" x 22", and a pair of 19th Century engravings, "Noon" and "Evening"

Hunt & Simpson After J F Herring Senior, Cotherstone, winner of the Derby stakes, Epsom 1843, hand coloured mezzotint, with title and inscription, plate size 18" x 21", maple frame

A coloured mezzotint early 19th century, The Banqueting House, the rear stairs entrance from Whitehall, with label verso for The Parker Gallery, London. 15 x 20.5 in (38 x 52cm). * Inigo Jones designed this building during the reign of James I circa 1619-1622.

After Sir Henry Raeburn - 'Miss Lauzun', colour mezzotint, labels verso, approx 70cm x 55cm, within a gilt composition frame with acanthus leaf and beaded mouldings.