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THREE 20TH CENTURY PRINTS including an etching of Arran by D. Y. Cameron, a mezzotint of Newport-Pagnel by T. Tagg and a Diana woodcut print by Alfred Hull All mounted, framed and under glass

E. Milner, after Sir Thomas Lawrence, 'Lady Castlereach', signed in pencil, mezzotint, 45 x 38 cm CONDITION REPORT: Framed and glazed

EDWARD BOUVERIE HOYTON Santa Elalia del Rio, Ibiza Coloured mezzotint engraving Signed, inscribed and dated 1961 Plate size 28 x 40cm

Niels Lund, etching/mezzotint, river rapids, signed in pencil, p 6.5" x 8.75", framed.

*Birche (Henry). Labourers [and] Game Keepers, published B.B. Evans, 1790, pair of uncoloured mezzotint engravings after George Stubbs, titles in open letters, trimmed to plate mark on one margin, laid on later card, slight staining, each approximately 435 x 660 mm, framed and glazed Christopher Lennox-Boyd, Rob Dixon, Tim Clayton. George Stubbs, The Complete Engraved Works. Nos. 87 & 88 state 2. (2)

*Prints & engravings. A mixed collection of approximately 500 prints and engravings, mostly 18th - 20th century, including approximately forty-five mezzotint portraits by J.R. Smith, several duplicates, various sizes and condition, together with etchings, lithographs and engravings of British & foreign topographical views, portraits, genre, marine, classical, historical scenes and a small collection of pith paintings, including examples by Paton, Atkinson, Radclyffe, Hogarth and Redman, various sizes and conditon From the collection of the late Christopher Lennox-Boyd. (approx.500)

*Prints & ephemera. A mixed collection of prints and epehmera, 18th - 20th century, including mezzotint and stipple engraved portraits, large engravings of churches and cathedrals by J.Kip and J.Harris with other topographical engravings, menus, Acts of Parliament and facsimile atlases and maps, various sizes and condition (approx.80)

*Mezzotint drolls. Spring Summer [and] Autumn Winter, published P.Barnaschina, 1799, pair of allegorical mezzotints with contemporary hand colouring, trimmed to image, each approximately 245 x 345 mm, mounted, framed and glazed (2)

*Cormack (Mrs Minnie). Lord Nelson, published Paul & Dominic Colnaghi & Co., 1894, uncoloured mezzotint on India wove after John Hoppner, printseller's blindstamp in margin to lower right, slight dust soiling and spotting to margins, 690 x 490 mm (1)

*Mezzotint portraits. A collection of ten engravings, mostly 18th century, including, Daws (P.), The Letter Woman, published Robt. Sayer, circa 1780, uncoloured mezzotint after H.Morland, 350 x 250 mm, framed and glazed, together with, Smith (John), Mr Grinlin Gibbons, circa 1780, uncoloured mezzotint after G.Kneller, trimmed to plate mark, slight spotting, laid on later card, 345 x 260 mm, framed and glazed, with, Faber (John), Charles Newby Esq., 1744, uncoloured mezzotint after Charles Philips, laid on later card, 350 x 250 mm, framed and glazed, plus, Williams (R.), Mr Grevil Verney, circa 1790, uncoloured mezzotint after M.Dahall, laid on later card, 345 x 250 mm, framed and glazed, and, Bleeck (Pieter van),Rembrant Van Ryn, 1747, uncoloured mezzotint after Rembrandt Van Ryn, trimmed to image, 345 x 245 mm, framed and glazed, with another five similar, all framed and glazed, various sizes and condition (10)

*Italy. Chapuy (Jean-Baptiste), Eruption du Mont Etna de 1766, published Paris, circa 1770, mezzotint on laid after Alexandre Anna, contemporary hand colouring, slight creasing, one repaired hole to image, occasional repaired marginal closed tears, slight spotting and staining largely confined to margins, 720 x 510 mm (1)

*Prints & engravings. A mixed collection of approximately sixty prints and engravings, 18th - 20th century, including mezzotint portraits, marine, classical, topography, 'Hogarth' and genre scenes, various sizes and condition (approx.60)

An Early 20th Century Mezzotint after JMW Turner by John Cother Webb, Sun Rising Through Vagour, signed in pencil by Webb lower right with blindstamp lower left. Well Framed.

An Early 20th Century Coloured Mezzotint by John Cother Webb, Depicting a Continental Scene, signed in pencil with blindstamp. Well Framed.

An Early 20th Century Mezzotint after JMW Turner by John Cother Webb, Decline of Carthage, signed in pencil by Webb lower right with blindstamp lower left. Well Framed.

After George Moorland 'Summer Amusement', engraved by Thomas Williamson, published by R. Lambe, Fleet Street, 10th Sepr 1812, a hand coloured stipple engraving together with a late 19th Century colour mezzotint of cottage scene signed in pencil A. S. Handford (2).

19TH CENTURY MEZZOTINT a portrait of a Regency woman, signed, mounted, framed and under glass; together with a print of St Paul's Cathedral (2)

After F.S. WALKER; a mezzotint "The Village Blacksmith", bearing Thomas Agnew label verso, signed in pencil and bearing blindstamp, 38 x 66cm, framed and glazed and seven further decorative prints and engravings (8).

Sir Frank Short RA, PRE, (1857-1945), 'Scene in the Campagna', (after the drawing by JMW Turner RA 1775-1851), a mezzotint printed in brown ink, 21.5 x 29cm, signed in pencil within margin, London pub. Robert Dunthorne 1st November 1886.

A rare 18th century English enamel rectangular box of Theatrical interest: probably Birmingham, with gilt-metal mounts, the cover decorated with a gentleman presenting a rose to a lady, the sides with figures in romantic landscapes, the base with birds and an overturned basket of fruit, all within rococo gilt borders, the underside of the cover with a portrait of the actress Mrs Brooks wearing a blue coat with a pink rose in her hat, 9 x 7 cm [minor cracks]. *Biography Mrs Brooks was the wife of the engraver John Brooks who was made bankrupt in 1758. To support herself and their three children, Mrs Brooks became an actress. The source of the portrait was a mezzotint by Richard Houston after Thomas Worlidge.

Mezzotint Oval gilded frame with bead borders, two children asleep, birdcage and cat, 11cm wide Oil on board Two workmen asleep, 13cm x 9cm

After Bartolozzi, 'The Three Graces', a coloured mezzotint in circular frame together with an early 19th Century silk, needlepoint floral panel in frame. (2)

A George III hand-coloured mezzotint 'May-Day Morning', published 'August 26th 1794 by John Fairburn, Map, Chart & Printseller, No. 146 Minories London.', 24.7 x 35.2cm, in a glazed gilt and ebonized frame, the verso with a trade label for 'GRUNDY & SMITH'. Provenance: The Property of the Rt. Hon. Sir Mathew Thorpe.

A set of three 18th century satirical cartoons, mezzotints, published by Carington Bowles, including 'The Pit Door', 'The Un-lucky Visit' and 'The Church Militant', together with one other mezzotint (4)

Samuel Cousins (1801-1887), mezzotint, depicting the French king Louis XVI and family in prison prior to his execution from a painting by E. M. Ward, 79 x 66cm, framed and glazed

John Cother Webb after Sir Joshua Reynolds "The Laughing Girl", colour mezzotint, image size 47 x 37cm, and another colour mezzotint, "Waking Venus" by Wallace Hester, 45 x 35cm. (2)

Two mezzotint engravings after Alice Banwell, snow blossom and winter willows with pencil signatures to mount, 24 x 30 cm

A mezzotint engraving - The Cricket Boy (Master Louis Cage, after the original by F Cotes), the mezzotint by Busier, 56 cm x 38 cm

A Mezzotint after Joseph Pratt. Lady with children. Signed in pencil to the margin. 22' x 16' C.R. All good

Sketches of Two Eminent Men, mezzotint portrait frontispiece and 2 plates, short repaired tear, modern half morocco, 1807 § Watkins (John) A Biographical Memoir of His Late Royal Highness Frederick Duke of York and Albany, 2 facsimile plates and 13 engraved plates, 1 hand-coloured, foxing, later half calf, worn, 1827 § Jerdan (William) National Portrait Gallery, 36 engraved portraits, contemporary green half calf, slightly rubbed, 1830 § Sinatra (Frank) Original signed photograph, 250 x 200mm, signed across chest, a little finger creased, small surface defect to lower edge, four pastemarks and browning to verso , 1978; and c.35 others, Memoirs and Biography, v.s. (c.40)

*George Brydges, 1st Baron Rodney. Admiral Rodney, n.p., circa 1792, folding paper fan, the leaf with a mezzotint in brown showing a full-length portrait of Rodney standing on the French and Spanish flags, between allegorical figures of Neptune and Britannia, beneath a cupid holding a wreath and supporting a scroll lettered 'Rodney', gilt edge and border of floral sprays, some toning and short edge splits, mounted on pierced ivory sticks, guard sticks carved with flowers and leaves, 23.5cm (9.25ins) Scarce. Schreiber Collection 18, p.68 (unmounted). (1)

*Richard Redgrave, (British 1804-1888), mezzotint HELP AT HAND Framed and mounted, (water damage to mounting), 17cm, x 28cm, signed bottom right 'Rich Redgrave 1869'

Fine Limited Edition [Lavery (John)] Shaw-Sparrow (Walter) John Lavery and His Work, lg. folio L. n.d. [c. 1920] Lim. Edn. No. 160 (160) L.P. 20 fine mezzotint type portrait & plts., uncut, orig. vellum backed boards. Fine Copy. (1)

After Joseph Mallord William Turner, R.A. (British, 1775-1851): Woman & Tambourine, etching & mezzotint, engraved by Charles Turner, from the Liber Studiorum, H 19 x W 27 cm. Provenance: the collection of the late Stowers Johnson, author & art collector, thence by descent to the present vendor, his son

Sir Charles Wyndham (Charles Culverwell) as David Garrick by Edward Gilbert Hester, mezzotint, published by Thomas Miller McLean, after John Pettie, hand signed in pencil, published 2 June 1890, H 53.5 x W 38 cm (see National Portrait Gallery Ref. NPG D36203); together with a selection of similar prints & engravings to include hand signed examples by Samuel E. Waller etc (9)

Henrietta Hyde, later Countess of Dalkeith, with her sister Mary, later Lady Conway By John Smith, published by Edward Cooper, after William Wissing Mezzotint plate cira 1685. Lettered; 'The Lady Henrietta and the Lady Katherine Hide Daughters to the / Right Honoble. the Earle of Rochester .' (sic) Framed and glazed. 38cm x 30cm

After JOHANN ZOFFANY; a hand-coloured mezzotint by Richard Earlom, "Colonel Mordaunt's Cock Match at Lucknow in the Province of Oude in the year 1786", published by Laurie & Whittle, London, 1794, with details of the sale of similar verso, image 39.5 x 56cm, with wide visible margin, overall 53 x 72cm, framed and glazed. The original oil painting hangs in Tate Britain, commissioned by Warren Hastings, Governor-General of Bengal. The image is an important record of British colonial life depicting a cock fight between Asaf-ud-daula, Nawab Wasir of Oudh and Colonel John Mordaunt with their entourages and friends. Zoffany has included a self portrait, pen in hand. CONDITION REPORT: As described, dates from the 18th century.

David Lucas (1802-1881) After John Constable R.A. Hampstead Heath Mezzotint 14 x 18cm; 5½ x 7¼in Provenance: Elizabeth Harvey-Lee, 1996 The estate of Peter J. Rankin ++A few stains to margins, slipped in frame

David Lucas (1802-1881) After John Constable R.A. The Glebe Farm Signed with initials in the plate Mezzotint, 1832, proof before letters 14.5 x 22.5cm; 5¾ x 8¾in (image size) Provenance: Elizabeth Harvey-Lee, 1996 The estate of Peter J. Rankin

Oil on canvas 51 x 36cm (20 x 14 in) Please note the present work is after the portrait of David Garrick, painted by Thomas Gainsborough (1727-1788) circa 1766, later engraved in mezzotint by Valentine Green (1739-1813).   Please note that this lot also includes two pen and ink manuscript letters, one signed by David Garrick.

A STIPPLE PRINT, 'Diana and Endymion', an early 20th century mezzotint and various other pictures and prints

William Ward (1766-1826) after Thomas Weaver (1774-1843) - Mezzotint - Portrait of the Blyth Comet Ox, 21.75ins x 28.75ins, published by Charles Chambers of Blyth, 30th July 1818, framed and glazed

Robert Samuel Marcuard (1751-1792) - Late 18th Century coloured mezzotint of a female figure kneeling at the feet of a man and a woman, after William Hamilton, 12ins diameter, and a similar by Thomas Burke (1749-1815) - Standing figure before two seated figures, after Angelica Kauffmann, 11.25ins diameter, both in gilt frames and glazed

W Jeans (After Feux Zien) 'Rising Sun Venice' & 'Sailing Boats' Pair of mezzotint engravings, signed in pencil lower right, artist proof stamp lower left, 27 x 38cm (2)

After Rubens ¬hillies Armatus' Engraving 45.5cm x 46; And a mezzotint portrait of a lady (2)

A selection of pictures including mezzotint of a young girl published by F.T Dennis in 1913 indistinctly signed 'G.M Heston' in pencil lower right, an original aquatint titled 'Burbage' by Willie Rawson limited edition of 275 copies, signed lower right in pencil and an etching By Fritz Krostewitz (German, 1860 -1913) After Jean-Baptiste-Camille Corot (French, 1796-1875), titled 'The Brook' published and copyright by F. Casper, Berlin 1902, signed in pencil with two birds etched into the margin under plate (3)

Framed, unsigned, 19th Century, mezzotint, courtroom scene depicting deliberating judges on the far left and solicitors seated below them addressing a full courtroom with a young woman pleading to them in front whilst being held back and a woman to the bottom left tending to an older gentleman collapsed on the floor, 54.5cm x 89cm.

A finely carved pierced oval frame with cherub top holding a vacant cartouche the scrolling frame with leaves, flower heads and leafage the base with a carved armorial, with coloured mezzotint after Gainsborough, 43cm high, 26cm wide overall, late 19th / early 20th Century

After Arthur B. Brook, an artist's proof mezzotint, a lady, 42 cm x 34 cm, framed, signed, published 1926, and a mezzotint after George Romney "Mary Davenport" by E.E. Milner, signed, 43 cm x 33 cm.

P DAWS AFTER ROBERT POLLARD (1755-1838) THE VICTORY OF THE BRITISH TROOPS OVER THE FRENCH ARMY OF EGYPT ON THE 21ST MARCH 1801 mezzotint, printed in colour, published by Robert Pollard September 29th 1801, mounted to within platemark, 59 x 66cm ++General overall browning/timestains but no tears or holes and no restoration, long undisturbed in the present c1900 black and gilt frame with pierced giltmetal corner mounts

AFTER GEORGE MORLAND A BOY EMPLOYED IN BURNING THE WEEDS Mezzotint, partially printed in colour and finished by hand, by J. Ward, published by Colnaghi, Sala and Co, 1799 46.5 x 59.5cm

After John Constable, R.A. (1776-1837): Branch Hill Pond, Hampstead Heath, oil on canvas, H 102 x W 127 cm, unframed. Note: after one of John Constable's three versions of the same subject, painted in 1828, one of which is held by the V&A, one by Tate Britain, one by the Cleveland Museum of Art, & engraved as a mezzotint by David Lucas for 'English Landscape Scenery', first published in 1831

After Thomas Gainsborough, Mezzotint, 'The Cottage Girl' 55.5cm x 40cm.

An 18th Century Mezzotint Engraving by James Ward after George Morland. Fishermen on a Beach. Published 1793, 39 x 49.5cm, in eglomisé mount.

Early 19th century Gilt Framed Marine Mezzotint The Schooner Yacht Wyvern R.Y.S

*Green (Valentine, 1739-1813). The Right Honourable Alexander Lord Bridport, K:B: Admiral of the White, and Vice Admiral of England, published by L.F. Abbbott, March 16th 1796, mezzotint printed in colours, by Valentine Green after Lemuel F. Abbott, margins trimmed, plate size 50.5 x 38 cm (20 x 15 ins), antique-style gilt frame, glazed, with Parker Gallery label to verso (1)

*Earlom (Richard, 1743-1822). The Right Honorable Lord Nelson, K.B., Rear Admiral of the Blue &c., published by B.B. Evans, December 7th 1798, mezzotint printed in colours by Earlom after Lemuel F. Abbott, some minor marks, margins trimmed, plate size 51 x 35.5 cm (20 x 14 ins), antique-style gilt frame, glazed (1)

*Earlom (Richard, 1743-1822). The Right Honble. Lord Viscount Duncan &c. Admiral of the Blue, and Commander in Chief of His Majesty's Ships in the North Sea at the Defeat of the Dutch Fleet, on the 11th of October, 1797, published by J.S. Copley, March 1 1798, mezzotint printed in colours by Earlom after John Singleton Copley, margins trimmed, some toning and pale browning to edges, plate size 51 x 36 cm (20 x 14.2 ins), antique-style frame, glazed (1)

After Joseph Wright of Derby, a black and white mezzotint by William Pether, Master Aston, portrait of a young boy and dog in landscape, 20.5ins x 14.5ins

*Cock Fighting. Turner (Charles), War [and] Peace, published W.C.Lee, circa 1840, pair of mezzotint engravings after B.Marshall, contemporary hand colouring heightened with gum arabic, dust soiled and stained but largely confined to margins, each approximately 530 x 400 mm This famous pair shows a fighting cock with its feathers trimmed and spurs fitted to its legs (War) and an untrimmed bird in full feather with its natural spurs (Peace). (2)