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H. MACBETH RAEBURN, 'The McNab', signed in pencil, mezzotint, 62cm x 38cm.

'Whitby, Yorkshire', mezzotint, by William Daniell, coloured by hand.

A ruined abbey, mezzotint, signed proof by Leonard R. Squirrell, 1935.

A 19th century giltwood pier mirror, the inverted breakfront moulded cornice above a mezzotint under glass, depicting a country house, above a later rectangular plate, flanked by fluted pilasters, 20.75 x 14in (52.7 x 35.6cm)

A 19th century giltwood pier mirror, the inverted breakfront moulded cornice above a mezzotint under glass, depicting a country house in a river landscape, above a later plate flanked by fluted pilasters, 21 x 13.75in (53.3 x 35cm.)

After Thomas Gainsborough (1727-1788), Lady in a white dress, an Edwardian coloured mezzotint, published by Vertu & Co., London, circa 1908, indistinctly signed in pencil to the margin by the engraver, 20ins by 12ins

Faber after Du Pan, The Children of their Royal Highnesses Frederick Augusta, Prince and Princess of Wales, coloured mezzotint, S. 37 x 52cm; and Petit after Boilly, La Lecon d'union Conjugal and another engraving

Prints & engravings, 18th/19th century, including a mezzotint of Henry Danvers by Val Green after Van Dyke (approx. 540 x 360 mm), a stipple engraving entitled 'Roman Charity' dated 1792 by Benedetti after Cigniani, and others incl. Poussin, Morland, natural history, genre scenes, maps, etc., various sizes (approx. 300).

Sydney E Wilson after Walton. Colour mezzotint. 'Mrs Curtis'. Pencil signed by mezzotinter. 36.3cm x 42.8cm; Sydney E Wilson after Rev W M Peks, RA. Colour mezzotint. 'Beaming Eyes'. Pencil signed by mezzotinter. 44.5cm x 42.7cm. Each F&G. (2).

CAPTAIN WILLIAM BAILLIE (1723-1810, Irish) after Wyck and Netscher 'Mr Le Duc de Monmouth', mezzotint engraving, 14" x 16 1/2"; with five portrait engravings. (6)

S.W.REYNOLDS after DIETRICH,' The Entombment of Christ', mezzotint, handcoloured, 19 1/2" x 26 1/2".

W. WARD after HOPPNER, 'Salad Girl', mezzotint in colours, 12 1/2" x 9 1/2"; and one other. (2)

Late 18th/early 19th Century sepia mezzotint - Six classical figures in deep mourning, 10ins x 12.5ins, in gilt leaf open work frame

JOHN FABER after JOHN VANDERBANK, 'Michael Rysbrack, sculptor', mezzotint engraving, circa 1734, 14" x 9 3/4".

GABRIEL BODENEHR (engraver) (1664-1758), 'Carolus VII', mezzotint engraving, 16" x 10 3/4".

AN 18TH CENTURY MEZZOTINT ENGRAVING, 'Petrus Lelly Eques Pictor Caroli II di Magna Brittania', (Sir Peter Lely), sold by I.Smith at Ye Lyon and Crown in Russell Street, Covent Garden, 13 1/4" x 9 3/4".

I. SMITH after SIR GODFREY KNELLER, 'Mrs Carter', mezzotint, 30 3/4" x 9 3/4" and other portrait engravings 17th and 18th century, to include Murillo, Richard I, Paul I Emperor of Russia, Henricas Arundelliae after Van Dyck, Lucia Countess of Carlisle, Rachael Countess of Middlesex etc. (28)

Claude (Le Lorrain). Liber Veritatis, pub J. & J. Boydell, 1802-03, forty sepia etched and mezzotint plts. by Richard Earlom, after Claude (paper watermarked S Lay 1798), without title page or letterpress, contemp. half olive-green morocco gilt, rubbed and scuffed to joints and extrems., oblong folio (1)

Young (John). A Catalogue of the Collection of Pictures, of the Most Noble the Marquess of Stafford, at Cleveland House, London, Containing an Etching of Every Picture, and Accompanied with Historical and Biographical Notices, 2 vols., 1825, mezzotint port. frontis. to vol. 1, 102 eng. plts., a.e.g., contemp. gilt dec. calf, rubbed to joints., 4to, together Smith (John), A Catalogue Raisonne of the Works of the Most Eminent Dutch, Flemish, and French Painters..., 9 vols. (inc. Supplement vol.), b & w plts., orig. cloth, spines faded, 8vo, plus Christ (Johann Friedrich), Dictionnaire des Monogrammes, Chiffres, Lettres Initiales, logogryphes, Rebus &c. Sous Lesquels les plus Celebres Peintres, Graveurs & Dessinateurs ont Dessine leurs Noms. Traduit de l'allemand... par M**. de l'Acad. Imp. & de la Soc. Roy. de Londres, Paris, 1750,numerous woodcut monograms to fore-edge margins, contemp. mottled sheep, gilt dec. spine, slightly rubbed to joints and extrems., 8vo (12)

Antoine Benoist and D. M. Muller Jnr.- 'Of His Britannick Majesty's Palace of White Hall, The Westminster Side'., publ. Dec. 6th, 1741; engraving, 61x94cm: William Woollett- 'Autumn', after George Smith and 'Les Agrements de l'Ete', after Jean Pillement; engravings: together with a pair of oval engravings by Giovani Folo, and a mezzotint after Reynolds 'Georgiana, Dutofdevs(6)

A GROUP OF SEVEN PRINTS to comprise engravings after Claude (by J. Volpato, J. Peake, W. Byrne) and Swanevelt (by W. Woollett & B. T. Pouncy); mezzotint portraits after J. S. Copley (by R. Dunkarton), Reynolds (by J. Watson) and Lawrence (by C. Turner), various sizes (7) ++ Mixed condition; foxing and staining.

JOHN HOPPNER, RA (1758-1810) PORTRAIT OF THE RT. REV. BEILBY PORTEUS, DD, BISHOP OF LONDON Seated half length, wearing a black coat and hat, blue jacket, oil on canvas 74 x 61cm. ++ Relined; craquelure consistent with age, carved gilt wood frame. Engraved: in mezzotint by S. W. Reynolds, a copy of which accompanies this lot. There is a further small engraving of Porteus (artist unknown) in the lot.

After George Morland. 'The Barn Door.' A mezzotint, published April 9, 1792 by T Simpson, St Pauls Church Yard, 18 x 21.75in (45.7 x 55. 2cm.)

RICHARD EARLOM after QUINTIN MATSIS,'The Misers', mezzotint, published circa 1770 by John Boydell, Cheapside, London, 20" x 14".

A 19TH CENTURY MEZZOTINT ENGRAVING OF THE DUKE OF YORK, 23" x 15" and a map of Spain and Portugal engraved by Sidney Hall. (2).

After Sir Thomas Lawrence - 'The Countess of Blessington' half-length seated portrait, mezzotint, signed in pencil to the margin, 36cm x 28cm

A colour mezzotint, The Picnic Party, After PATER by ARTHUR J. COX, signed in the margin, 36cm x 50cm.

John Constantine Stadler (fl. late 18th/early 19th Century) after J. Farrington - Four coloured aquatints - Views of Blenheim, Bisham Abbey, Cliefden, and Hedsor Lodge looking towards Maidenhead, each 8. 25ins x 12.5ins, published June 1st 1793, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, and No. 90 Cheapside, framed and glazed, and one other coloured mezzotint after John Jones (circa 1745-1797) - "Black Monday or the Departure for School", 18ins x 23. 75ins, in painted frame and glazed

Coloured mezzotint, portrait of "Miss Pollak", after Hoppner by J. Pratt c.1900, 19 1/2ins x 15ins

Coloured mezzotint "The Hon. Mrs. Tickell", after Geo. Romney engraved by Thomas Appleton, in contemporary rococo gilt frame

W** Bond after S** de Kosler, The Young Shepherd, mezzotint, s.54 x 41.5cm

After Angelica Kauffman (1741-1807), Blind Man's Buff; Beauty, each mezzotint, each p. 34.5 x 31.5cm, a quantity of unframed prints and a watercolour of a river landscape

H** Macbeth-Raeburn, Colonel Alastair MacDonell; Dr Nathaniel Spens; Sir John Sinclair; The Macnab, each mezzotint, the first and third signed in pencil within the plate lower right, the second and fourth signed in pencil within the plate lower left, the first p. 65 x 40.5cm, the second p. 66 x 41cm, the third p. 66.5 x 41cm, the fourth p. 65 x 39cm

William Bond and William Bennett after P. Stephanoff, Ten studies of robes for the Coronation of King George IV, each hand coloured mezzotint, two plates s. 44 x 26cm, the remainder s. 44 x 33.5cm

C. Turner after L. J. Masquerier, Bonaparte reviening the Consular Guards, hand coloured mezzotint, s. 50 x 62.5cm, in a maple frame

PUBLISHERS:- LAURIE & WHITTLE 'Horse Portrait - Buzzard, with handler', a mezzotint, originally published 12th October 1795, size 31cm x 42cm, also another by the same publishers (12th Dec 1799) 'Diamond with the jockey up', 26cm x 36cm (2).

(*)THREE WYNDHAM FAMILY PORTRAITS being Sir William Wyndham, Bart, late 18th Century engraving, 36cm x 22cm, also The Right Hon. William Wyndham M.P., mezzotint after J. Hoppner, published 1803 by W. Say, 39cm x 29cm, another mezzotint probably of the same sitter, 58cm x 37cm three photographic prints after original oils of Sir Edward Wyndham, Sir Thomas Wyndham and Sir Francis Wyndham, 30cm x 25cm, and a set of four volumes 'The Life and Letters of George Wynham', by J. W. Mackail and Guy Wyndham (10).

AFTER JAMES WARD, RA (1769-1859) A VEGETABLE MARKET Mezzotint, by W. Ward, published by Wards, 1803, a good impression 45 x 60cm. ++ Some soiling, foxing and slight wear in margins; image good

AFTER JOHN CONSTABLE, RA (1776-1837) THE RAINBOW, SALISBURY CATHEDRAL Mezzotint, by D. Lucas, c.1837, a proof before full lettering, scratch signatures 55 x 68.5cm.; with two coloured aquatints of "Aboukir Bay" (Nelson) by J. W. Edy after T. Whitcombe, published 1799. (3)++ Constable with damage in margins, hole lower left, grazes; Whitcombes with extensive faults.

Samuel William Reynolds (1773-1835) after Sartorius - Coloured mezzotint - "Shooting" - Rural landscape showing farmer on horseback with two gun dogs and other huntsmen looking on, 17ins x 21.5ins, published July 4th 1801, by John Jeffryes, Clapham Road, in black and gilt glass and contemporary gilt moulded frame

William Green- 'Sir William Chambers, K.P.S.', after Reynolds, publ. Feb 1st, 1790 by W. Richardson; mezzotint, 47x37.5cm: Watson- 'James Paine Architect and James Paine Jnr.' after Reynolds; mezzotint: together with six other portrait prints mostly of architects, including examples by: Charles Howard Hodges, John Faber, Alexander Van Haecken, Richard Houston, and J. Smith, various sizes, (8)

AN 18TH CENTURY ENGRAVING - 'The Elevation of the west side of Exeter College Quadrangle', 17.5" x 13"; and a mezzotint after Sir Thomas Lawrence, a portrait of a mother and child. (2)

E**G**Hester after J**Sturgess, The Struggle for Victory; The Liverpool Grand National Steeplechase; The Doncaster Grand Steeplechase, each hand coloured mezzotint, the first p. 60.5 x 86.5cm, the second s. 61 x 90cm, the third s. 61 x 90cm

Edward Orme after Moffat, South East View of the New Government; View of Calcutta from Fort William, each hand coloured mezzotint, each s. 49 x 66.5cm

A shepherd and flock by a pool at evening, colour mezzotint, signed proof by Joseph Kirkpatrick.

A French cathedral city, colour etching with mezzotint, signed proof by Camille Fonce; and two signed proof etchings "St. Paul's" and a French town square, signed proof etchings by M.C. Robinson. (3).

"Christ Before Pilate", colour mezzotint, signed proof by Arthur Hogg after Gerard Honthorst; and two other engravings. (3).

A 19th Century mezzotint of a battle scene, possibly from the Peninsula War, 23 x 36inches image size, and another battle scene, AFTER MISS ELIZABETH THOMPSON, 'Quatre Bras', 14 x 30inches

L R SMITH, 'Clara', Mezzotint by the artist, Published 1803 by R Ackermann, 101 The Strand, 20 x 16inches

AFTER J R SMITH, 'Albina', Mezzotint by the artist, Published Sept 1 by A C de Poggi, St George's Row, Hyde Park, 22 x 15inches plate size, and a companion mezzotint, 'Eloise', Published Jan 1 1792, 20 x 15inches, Trimmed

AFTER SIR OSWALD BIRLEY. A mezzotint of Winston S Churchill by Lawrence Josset, 21 x 17inches

A mezzotint under glass, James VI of Scotland after Sir A Van Dyke, 11.75 x 9.25in (29.9 x 23.5cm)

Cecil Tatton Winter after Edward King - Artist's proof etching - "Clock Tower, Hampton Court", 14.5ins x 11ins, signed in pencil, and a coloured mezzotint after Boucher - Young couple and dog in woodland glade, 6.5ins x 8.75ins, both framed and glazed

George P. James- Mother and child with a spaniel, publ. by J. F. E. Grundy, 4& 5 Adam St., Strand, WC, 1913; mezzotint printed in colours, signed in pencil, 36x26cm: W. Banks & Son, Edinburgh, publ.- 'Map of the Lakes showing the relative position of the subjoined travelling sections'; engraved maps, 5 sheets in shared frame: together with three engravings after the antique by L. Prang & Co., publ.1878, and six other prints by different hands, various sizes, (11)

Charles Turner- 'Henry Brougham Esqr. M.P. & F.R.S.', after Lonsdale; mezzotint, 50.8x36.8cm: Kenneth Holmes- Italianate street scene; etching, signed and dedicated in pencil: together with a quantity of mostly 19th century prints, one in a maple veneered cushion moulded frame, various sizes, (a lot)

George Vertue- 'The Oxford Almanack for the Year of our Lord God MDCCXXIX'; engraving, 38.5x44.5cm: Thomas Goff Lupton- 'Castle on the River Coquet, River Scenery, Plate XI', after J.M.W. Turner, publ. Sept 1st 1826 by W.B. Cooke, 9 Soho Square; mezzotint: together with a mixed quantity of prints by different hand, various sizes, (a lot)

William Ward- ' No. XII. Stable Amusement', after George Moreland, publ. July 20th 1801 by I. R. Smith , King Street, Covent Garden; mezzotint, 46.2x56.2cm: together with a stipple engraving of a girl picking flowers, and a lithograph by different hands, various sizes, (3)

NOLLEKENS, JOSEPH, sculptor Sketch for a memorial, in pencil and grey wash, signed with initials. One page, 4to. With a printed ticket to a Royal Academy lecture, completed in MS. and signed by Nollekens, 30 Jan 1809 (mounted), three engraved portraits of the sculptor and three further engraved portraits of the artists Paul Snaby, Sir William Beechey and John Jackson (a mezzotint) (8)

ENGLISH SCHOOL, CIRCA 1750 PORTRAIT OF ABRAHAM LANGFORD (1711-1774), PLAYWRIGHT AND AUCTIONEER The rare mezzotint, a proof before letters, framed to image on three sides Sight 32 x 25.5cm. ++ Faint horizontal crease; needs a light clean

'The etched and engraved plates of Thomas Gainsborough R.A., executed in soft-ground and aquatint and in mezzotint', no. 25 of an edition of 75, published by Iain Bain & The John Boydell press 1971, each 25 x 34cm (11)