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A collection of four engravings, including, Boëtius Adamsz Bolswert, portrait of Elizabeth I, engraving, 1615, 38 x 26cm; George Vertue after Thomas Gibson, Portrait of the Earl of Orford, engraving, 1716, 38 x 28cm; John Faber the Elder, a portrait of Edward II, mezzotint, 25.5 x 20cm and an engraving of nude reclining surrounded by cherubs playing, 41 x 30.5cm (4)

Elizabeth Gulland (1857 - 1934), signed 19th century mezzotint 'The Honourable Mrs Spiers', signed by artist and label verso. H.88 W.68cm

AFTER JOHAN ZOFFANY, R.A. COLONEL MORDAUNT'S COCK MATCH mezzotint with later hand colouring, caption beneath the image reading: 'At Lucknow in the Province of Oude, in the year 1786, at which were present several High and Distinguished Personages; J. Zoffany pinxt.; R Earlom sculp. London', mounted and framed, main image: 39 x 57cm

HOGARTH, WilliamThe Works, from the original plates restored by James Heath, (the text) by John Nash, large folio (603 x 700mm), London: (Baldwin and Cradock), n.d. mezzotint and line engravings, frontispiece and the 115 plates (some double-page) as called for, half red morocco over marbled boards, spine profusely gilt in compartments, somewhat worn, upper cover and spine sprung, internally very good

A pair of carved gilt wood Florentine frames, of oval form with pierced shell and acanthus leaf border around a beaded rim, each containing a mezzotint of a wedding scene, the apertures 50cm x 66.5cm, the frames 65.5cm x 82cm overall (2) (at fault)

David Lucas after John Constable, mezzotint, View on the River Stour, published 1838, image 15 x 19cm

David Lucas after John Constable, mezzotint, A lock on the Stour, published 1831, image 14 x 17cm

David Lucas after John Constable, mezzotint, Porch of the Church, East Bergholt, 1855, image 18 x 15cmThe image itself is in fairly good condition, although signs of foxing top right corner. There is noticeable foxing to the margins and a crease/fold along the top, about an inch down from the top. Most of these defects would be hidden by a mount.

David Lucas after John Constable, mezzotint, Yarmouth, Norfolk, published 1832, image 14 x 22cm

David Lucas after John Constable, mezzotint, View on the Orwell, circa 1855, plate 14 x 17cm

AFTER THOMAS SERRES, EARLY 19TH CENTURY A frigate lying at anchor, reefing its sailWatercolour3¼ x 4in. (8 x 10cm.); together with wax profiles of Nelson, Ducan and Howe; a small oil on board of Nelson's final departure; and a mezzotint by Laurie & Whittle Portraits of Five Noble Admirals published 1799(6)

After Sir Thomas Lawrence''Countess Blessington'' a coloured mezzotint, signed in pencil Ellen Jowett, another of ''Miss Crocer'' and various other portraits (6)

A collection of 7 pictures to include: oil portrait of a girl, damaged;The Hunting Stud print; After George Morland, The Fern Gatherers, mezzotint; poster for the V &A 'The Garden' exhibition; Three watercolours of houses, largest 77 x 56.5cm (7)Provenance:Collection of Mike Handford, 'Hillsleigh', Burford, Oxfordshire

Atelier de Rembrandt Harmensz. van Rijn (Leyde 1606-1669 Amsterdam)Portrait de Saskia van Uylenburgh, trois-quart, en FloraStudio of Rembrandt Harmensz. van Rijn (Leiden 1606-1669 Amsterdam)Portrait de Saskia van Uylenburgh, three-quarter-length, as Flora oil on canvas121.1 x 95.4cm (47 11/16 x 37 9/16in).unframedFootnotes:Provenance:Possibly, Collection of Mrs Ellice, Invergarry;Possibly, Collection of Mr Russell Ellice;Possibly, Sale, London, 19 June 1942;Possibly, Collection of Mrs W. Hannah, by who offered;Possibly, Sale, London, 17 October 1951, lot 20 (£1400 to Mr Rozendaal);Possibly, With D. Cevat, London (see literature for all above);Private Collection, Spain, since 1993Literature:Possibly, E. van de Wetering, J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel et al A Corpus of Rembrandt Paintings 1635-1642, vol. III, cat. no. A112 copy 2, pp. 156-8, ill, figs. 7 and 8The present work is derived from Rembrandt's original work, from circa 1635, now in The National Gallery, London (see: acc.no. NG4930). There are notable differences to the veil, the absence of a plant lower right and ivy entwinned staff, which is vertical in the present work and tilted to the left in Rembrandt's original. The placement of the staff makes it likely that William Pether's mezzotint was made after the present painting (see literature).For further information on this lot please visit Bonhams.com

Thomas Hamilton Crawford (b. 1860) Portrait of a Lady, with a landscape beyond mezzotint, 1923, on wove paper, published in London, signed in pencil, with margins; Ellen Jowett (bn. 1874), 'Mother, Daughter, Son', signed in pencil to margin, mezzotint, 38cm x 47.5cm; etc, (6).

After Sir John Hoppner R.A.,1758-1810, Admiral Lord Nelson, mezzotint, engraved by C. Turner, framed, sheet size 63cm x 42cm, frame size 79 x 57cm; together with a chromolithograph by Thomas Goldsworth Dutton, after Oswald Walters Brierly, The Naval Review at Spithead, No. 2, framed and glazed, sheet size 42 x 88.5cm, frame size 48 x 95cm (2) 

LARGE ARTS & CRAFTS COPPER PICTURE FRAME & PRINT AFTER WILLIAM HENRY MARGETSON 'CASTLES OF SAND'. A large hand beaten copper frame with fish motif to each corner, and with raised lettering 'Castles of Sand'. With a mezzotint in sepia of Castles of Sand by William Henry Margetson (1861-1940), and printed by John Cuther Webb, signed by both in pencil in the margin. Frame 89cms by 79cms, Print 73cms by 63cms *The original oil painting was exhibited at the Royal Academy in 1898. *CR Frame and print both seem in generally good order, frame has the odd small dent but nothing major.

British School - 'Gretna Green, or the Red-Hot Marriage', 18th century mezzotint with hand-colouring, possibly published by Carington Bowles, Christie's stencil verso, 35cm x 25cm, within a Hogarth style frame, together with another 18th century mezzotint, 'Reynard's Last Shift'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

J. Cordwell - 'The West or Garden Front of the Pavilion at Brighton, Marine Palace of his Majesty George the IVth', mezzotint, published 1824, 27.5cm x 34.5cm, within an ebonized and gilt raked knull frame. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Charles Corbutt [Richard Purcell], after William Hoare - 'The Right Hon. William Pitt, Earl of Chatham.', 18th century mezzotint with later hand-colouring, 35.5cm x 26cm, within a stained wood frame, together with another mezzotint by John Dixon, The Right Hon. William Beckford Esq, Lord Mayor & Member of Parliament for the City of London. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Richard Earlom, after Michael Vincent Brandoin - 'The inside of the Pantheon in Oxford Road', 18th century mezzotint, 44.5cm x 54cm, within a French Empire style ebonized and gilt frame. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Robert Field, after George Romney - 'Charles, Duke of Richmond', late 18th/early 19th century mezzotint, 25cm x 19cm, within a gilt composition frame, together with a 19th century stipple engraving, 'Le Duc de Wellington' (Duke of Wellington).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Richard Houston, after Rembrandt van Rijn - The Philosopher in Contemplation, 18th century mezzotint, 20cm x 26.5cm, within a gilt composition frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Richard Earlom, after Johan Joseph Zoffany - 'Their most Sacred Majesties George III and Queen Charlotte', 18th century mezzotint with later hand-colouring, 52cm x 60cm, within a gilt composition frame. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

John Bowles (publisher) - 'Charlotte, Queen of Great Britain &c, &c', late 18th century mezzotint, 36.5cm x 26cm, within an ebonized and gilt frame, together with an etching by Richard Dighton, 'The Father of the Corporation of Oxford Omnibus Carus'. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Sir Frank Short RA RE - 'Huntsmen in a Wood' projected for Liber Studiorum, early state mezzotint and etching after a sepia watercolour by J M W Turner RA, 11896, 17 x 23 cm

William Ward (British 1766-1826) after Henry Barnard Chalon (British 1771-1849): 'The Raby Pack' - The Earl of Darlington's Foxhounds in their Kennels, mezzotint engraving laid onto canvas pub.1814, 48cm x 60cm

Architecture.- Wren (Christopher) Parentalia: or, memoirs of the family of the Wrens...chiefly of Sir Christopher Wren, ... Compiled, by his son Christopher, first edition, title printed in red and black, list of subscribers, mezzotint portrait frontispiece of Sir Christopher Wren by John Faber, engraved dedication f., 3 portraits, and 7 plates, offsetting, some mostly marginal water-staining to preliminaries (just encroaching within platemark of portrait), some spotting or mostly light foxing or staining, lightly browned in places, blind-stamped and gilt panelled russia by C. Kalthoeber, London, rebacked, preserving original little chipped backstrip in compartments, rubbed, g.e., [Harris 949], folio, Printed for T. Osborn; and R. Dodsley, 1750.⁂ One of the earliest biographies of architect, astronomer and inventor Sir Christopher Wren, to whom the work is chiefly devoted. The work list his many inventions before 1660: 'devices for surveying, musical and acoustical instruments, developments in fishing, underwater construction and submarine navigation, and experiments in printmaking; he experimented with, but did not invent, the mezzotint technique, which Prince Rupert demonstrated to the Royal Society in 1661.' (DNB).Provenance: Walter Charles, Lord Northbourne (armorial bookplate to front pastedown).

A framed and glazed vintage mezzotint of a rural scene by Francees M Brown. Signed to bottom right. Frame size approx. 26 x 33.5cm.

Mezzotint engraving cathedral interior, gilt framed together with a further smaller example (2)

After John Cother Webb (1855-1927) coloured mezzotint engraving, returning home in stormy seas, bearing GCZD blind stamp lower left, signed in pencil to margin lower right, published by J Powell & Co 1921, within a card mount and gilt enriched ebonised frame, under glass 38cm x 51cm & 62cm x 73cm

After C Romney, 'Lady Hamilton as Sensibility', colour mezzotint in a verre eglomise plate, 30.5x23.5cm510407-7

A late 18th/early 19th century hand coloured mezzotint portrait of George III, another of Queen Charlotte 34.5cm x 24cm; other early portraits; a silhouette portrait of Richard Baddily c.1817 15cm x 10.5cm and two classical scene mezzotints in circular frames

A late 18th/early 19th century coloured mezzotint after Bunbury “Billiards” 29cm x 38.5cm; an early monochrome print “Thunder” an English setter in birds eye maple frame together with a selection of other late 18th/early 19th century prints

* Glass Paintings. Portrait of a Girl with an Auricula, circa 1790, mezzotint with contemporary hand-colouring, trimmed to image, 355 x 255 mm, framed and glazed, together with Reynolds (Joshua). [The Countess of Rutland], circa 1800, mezzotint with contemporary hand-colouring, trimmed to image, 605 x 385 mm, framed and glazedQTY: (2)

* Charles I. Strange (Robert). Carolo I mo. Magnae Britanniae Regi &c...., 1782[, uncoloured full-length engraving after A. Van Dyke, trimmed to plate mark and laid on 19th-century paper, margins toned, 620 x 465 mm, together with Henrietta Maria Magnae Britanniae Regina Comitantibus Carolo Principe..., 1784, uncoloured full-length engraving after A. Van Dyke, trimmed to plate mark and laid on 19th-century paper, toned overall, slight water staining to the lower margin, 625 x 470 mm, with Smith (John Raphael). His Royal Highness George Prince of Wales, circa 1789, uncoloured full-length mezzotint after Thomas Gainsborough, 655 x 455 mm, mounted, framed and glazedQTY: (3)

* Sayer (R. & Bennett J. publishers). A Young Wanton, June 1st 1777, mezzotint droll with bright contemporary hand-colouring, four lines of prose from Proverbs VI: verses 25-6 below the image, slight toning to the margins, 355 x 255 mmQTY: (1)NOTE:A moral satire on prostitution.

* Jones (John). The Right Honourable Charles James Fox, J. Jones, Novr. 1st. 1789, uncoloured mezzotint after Sir Joshua Reynolds, some water staining, 'drum mounted' on later card, split along the plate mark on the right-hand vertical margin, 530 x 380 mm, together with Smith (J. R.). Lt. Col. Tarleton, Oct. 11th. 1782, uncoloured mezzotint after Sir Joshua Reynolds, trimmed to image and laid on later stiff paper, 'drum mounted', 640 x 395 mm, with Corbutt (Charles). Strive not tragedy nor Comedy to Engross a Garrick, who to your Noblest Characters does Equal Honour..., Robert Sayer and Carington Bowles, circa 1780, uncoloured mezzotint after Joshua Reynolds, slight staining, 355 x 405 mm, framed and glazed, plus a partially excised scrap album containing caricatures after Tregear, Cruikshank and others, pencil drawings, watercolours, topographical lithographs and engravings and scraps, rear hinge and joint weak and cracked, upper board detached, heavily worn and frayed, 4toQTY: (4)

Strang (William). Death and the Ploughman's Wife, A Ballad, London: Lawrence & Bullen, 1894, half-title, mounted mezzotint title, 11 further mounted mezzotint plates, both titles & plates signed by Strang to lower left margin in pencil, occasional light dust-soiling, original dark green quarter morocco gilt, a few light marks, folio, 102 of 110 copies, together with:The Earth Fiend, A Ballad Made, London: Elkin Matthews, 1892, double-signed by William Strang & Frederick Goulding to half-title verso, mounted mezzotint title, 10 further mounted mezzotint plates, both titles & plates signed by Strang & Goulding in pencil to lower margins, original brown quarter morocco gilt, lightly rubbed, folio, 7 of 55 copiesQTY: (2)

* Dawe (Philip, attrib.). A Hint to the Husbands, or the Dresser properly Dressed, R. Sayer and J. Bennett, 25th Jany. 1777, mezzotint droll with bright contemporary hand-colouring, slight staining, 350 x 250 mm, together with Carington Bowles (publisher). Slight of hand by a Monkey - or a Lady's head Unloaded, 25th October 1776, mezzotint with bright contemporary hand colouring, slight toning to the margins, 350 x 255 mmQTY: (2)NOTE:The first print shows a lady sits at her dressing table, whilst attended by a handsome young hairdresser, who is arranging her elaborate coiffure. The lady turns around towards her husband who has entered the room threatening the hairdresser with a whip. A smiling maidservant stands at the door making the sign of the cuckold over the husband's head. The second image is a satire on fashion: a monkey on a wall snatches a huge wig from the head of a female macaroni, revealing her to be almost bald, to the delight of a passing butcher's boy and a man picking pears who looks over the wall.

* Pether (William). [A Farrier's Shop] December 1st. 1771, uncoloured mezzotint after Joseph Wright of Derby, proof before title, but lettered with artists' names and date of publication, drum mounted onto later card, 505 x 355 mmQTY: (1)NOTE:Benedict Nicholson. Joseph Wright of Derby, plate 102.

* Dawe (Philip). The Enraged Macaroni, John Bowles, July 13th 1773, mezzotint droll with bright contempoary hand colouring, four lines of verse below the image, slight marginal fraying and chipping, 350 x 250 mm, together with Sayer (R. & Bennett J.). An Exhibition of Wild Beasts, or the Macaroni in Distress, 10th October 1774, mezzotint droll with bright contemporary hand-colouring, 355 x 255 mmQTY: (2)

* Morris (John). Horatio Gates Esqr. Major General of the American Forces, 2nd Jany. 1778, mezzotint with bright contemporary hand-colouring, some water staining to the title area, 355 x 250 mmQTY: (1)NOTE:Horatio Lloyd Gates (July 26, 1727 – April 10, 1806) was a British-born American army officer who served as a general in the Continental Army during the early years of the Revolutionary War. He took credit for the American victory in the Battles of Saratoga (1777) – a matter of contemporary and historical controversy – and was blamed for the defeat at the Battle of Camden in 1780. Gates has been described as "one of the Revolution's most controversial military figures" because of his role in the Conway Cabal, which attempted to discredit and replace General George Washington; the battle at Saratoga; and his actions during and after his defeat at Camden

* Dighton (Robert). A Journeyman Parson going on Duty, Carington Bowles, 9th Nov. 1785, uncoloured mezzotint, two small closed tears professionally repaired on the verso, 345 x 255 mm, together with Sayer (Robert, publisher). Cottage Beauty, 17th April 1788, uncoloured mezzotint, some staining, slight surface abrasion, tipped onto later card, 350 x 250 mm, with Fairburn (John, publisher). The Shepherds Holiday, Oct. 24th 1794, uncoloured mezzotint with four lines of verse below the image, thread margins, small areas of marginal loss in the title area, restored and repaired on verso, 355 x 245 mm, plus Spooner (Charles). The Bridegrooms Gift, John Bowles & Son, circa 1790, uncoloured mezzotint with four lines of verse below the image, trimmed to the image, some strengthening to the verso, 340 x 250 mmQTY: (4)

* Green (Valentine). Arthur Wentworth of Bulmer near Castle Howard, Yorkshire, Aged 75, Earth Stopper to Charles, late Earl of Carlisle..., August 1767, uncoloured mezzotint after N. Drake, laid on later stiff paper, 280 x 360 mm, together with Lawrie (Robert). The Jealous Maids, Robert Sayer, 2nd March 1772, uncoloured mezzotint droll after John Collett, good margins, 250 x 335 mmQTY: (2)

Burke (Edmund). Reflections on the Revolution in France, and on the proceedings in certain societies in London, 12th edition, London: J. Dodsley, 1793, interspersed with blank leaves with contemporary annotations by William W. White dated 24 April 1797, modern half morocco, 8vo, together with:Burke (Edmund), Speech of Edmund Burke ... a plan for the better security of the independence of Parliament, and the economical reformation of the civil and other establishments, Dublin: Printed by R. Marchbank, for the Company of Booksellers, 1780, some damp staining to margins, toning and light dust-soiling, modern wrappers, 8vo,Burke (Edmund), A Letter from the Rt. Honourable Edmund Burke to His Grace the Duke of Portland ... containing fifty-four articles of impeachment against the Rt. Hon. C. J. Fox..., London: Printed for the Editor, and sold by J. Owen, 1797, half-title, upper margin of title with signature J. Vivian 1797, modern cloth, slim 8vo,M'Cormick (Charles), Memoirs of the Right Honourable Edmund Burke..., 2nd edition, London: Lee and Hurst, 1798, mezzotint portrait frontispiece, some light scattered spotting, contemporary calf, joints split and upper board loose, worn, 4to, plus two others relatedQTY: (6)

* Baillie (Captain William). The Piping Boy, 1st. May 1771, uncoloured mezzotint after Nathaniel Hone, good margins, slight mount staining, 330 x 230 mm, together with Parr (Remi). Spark a famous hunter which was presented to the Prince of Wales..., [and] Goliah a Horse belonging to his Grace the Duke of Bolton..., John Bowles, July 4th 1743, two uncoloured etchings after James Seymour, each laid on later paper, each approximately 185 x 200 mm, with Bartolozzi (Francisco). A St. James's Beauty, circa 1785, uncoloured stipple engravings printed in sepia, trimmed to plate mark and window-mounted on later paper, 190 x 130 mm, plus Bowles & Carver (publisher). The Deep-One's Rib, circa 1780, uncoloured mezzotint on laid, 150 x 110 mm, and Cooper (E.). Hersilia in oram Deam, circa 1760, uncoloured mezzotint on laid, after B. Lens, tipped onto later paper, 145 x 175 mm, with another four stipple and mezzotint engravings by or after Gaugain, Bartolozzi, Corbut and Wall, various sizes and conditionQTY: (10)

Hester McClintock Oil on panel Landscape with cows grazing, initialled lower right, framed Coloured mezzotint Medieval court interior with figures, circular, 32cm diameter, black and gilt framed After George Romney Engraving "Nature" and one further oil painting (4) 

William Ward (British 1766-1826) after George Morland (British 1763-1804): 'Juvenile Navigators', hand-coloured mezzotint pub. John Raphael Smith (1751-1812), London 1789, 58cm x 68cm, in original verre eglomise frame

19th century colour mezzotint - Stable scene; together with two 19th century monochrome engravings to include after Hogarth, and another after L. Fildes (4)

Botany.- Martyn (John) Historia Plantarum Rariorum, first edition, imprimatur f., title printed in red and black, engraved dedication leaf to the Royal Society, mezzotint and woodcut headpieces, engraved and woodcut initials, 50 fine mezzotint plates by Elisha Kirkall after paintings by Jacob van Huysum, R. Sartorius, and others, printed in colours and finished by hand, each plate with engrave subscriber's arms, occasional light damp-staining, occasional light finger-soiling to margins, contemporary calf, neatly rebacked and recornered, rubbed, [Great Flower Books, p.67; Henrey 3:1016; Hunt 476; Nissen BBI 1289], folio, Richard Reily, 1728 [-1787].⁂ The first botanical book to be illustrated with colour-printed plates and one of the earliest examples of colour-printing from a single plate. Martyn's work would pave the way for other great botanical works including Thornton's Temple of Flora as well as the colour-printing of Redouté and others.

An 18th century mezzotint "The Farrier Turned Tooth Drawer' printed by Bowles and Carver, 15 x 12cm

Framed antique mezzotint 'To the society of golfers at Blackheath' by Valentine Green (1739-1813) after 1790 painting by Lemuel "Francis" Abbott (1760/61–1803) - frame 54cm x 41cm ~ one of the earliest golf prints!!

Frank SHORT (1857-1945) Talland Cornwall Etching, signed 19.5x15cm together with a mezzotint Moonlit Bay signed 22.5x30cm image size

William Holman Hunt (1827-1910), 'The Shadow of Death' (1878), monochrome mezzotint engraving, with pencil artist signature to lower left corner, 72.5 cm x 57 cm, framed and glazed.

A LATE 18TH CENTURY MEZZOTINT, classical scene in a papier-mache frame, image 9cm x 7.5, and a small hand-painted MINIATURE, virgin & child, 4.5cms diameter in an ebonized frame. (2). £20-£30.

A  mezzotint "Setters" by Laurie after Sartorius in verre eglomise mount and gilt frame, 43.5cm x 55cm

A mezzotint after Morland "The Hard Bargain" in verre eglomise mount and gilt frame, 46cm x 59.5cm

A watercolour of a Japanese lake with a tree in blossom, a Mezzotint of Martello Towers near Bexhill, Sussex and a Vernon Ward print of ducks flying

NO RESERVE Politicians.- Pether (William) Bust of Charles James Fox, after Joseph Nollekens, mezzotint, 500 x 350 mm (19 3/4 x 13 3/4 in), under glass, some surface dirt and browning, framed, 1792; together with Charles Knight's 'Bust of Prime Minister William Pitt', and 'Bust of Charles James Fox', both after Joseph Nollekens, stipple engravings, each approx. 790 x 520 mm (31 x 20 1/2 in), framed, circa 1808; and with 3 mezzotint portraits, including 'Laurentius Delvaux Sculptor', 'Martin Folkes Esq.' and 'Captain Thomas Coram' after Hogarth, framed, 18th century (6)