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David Lucas (1802-1881) British after John Constable (1776-1837) British. "Summer Evening", Mezzotint, Unframed 5.5" x 8.5".

*British aristocracy. Tompson (Richard), The Duke and Dutchess of Lauderdale, circa 1690, uncoloured mezzotint on wove after Peter Lely, small margins, 335 x 400 mm, together with Smith (John. R.), His Grace the Duke of Devonshire, John Boydell, 1776, uncoloured mezzotint on laid after Sir Joshua Reynolds, with margins, 375 x 275 mm, with the ink collector's stamp of Queen Victoria below image, with Hardy (Thomas), His Grace John Frederick Sackville, Duke of Dorset..., published for John Bridgman, 1799, uncoloured mezzotint on wove after Sir Joshua Reynolds, large margins, 360 x 255 mm, plus Williams (R.), William Duke of Bedford..., J. Smith, 1700, uncoloured mezzotint on laid after F. Lutterell, trimmed to plate mark, 360 x 255 mm, mounted, and Houston (Richard), The Right Honble. Richd. Grenville, Temple Earl Temple, Viscount and Baron Cobham..., published Richard Houston, circa 1770, uncoloured mezzotint on laid after Wm. Hoare, small margins, 395 x 280 mm, mounted, with Faber (John), Francis Godolphin, Earl of Godolphin, &c., circa 1730, uncoloured mezzotint on laid after Godfrey Kneller, backed with later paper, with margins, 350 x 250 mm, plus Smith (John), The Rt. Honble. John Lord Sommers, 1713, uncoloured mezzotint after J. Richardson, laid on later paper, trimmed to plate mark, 345 x 255 mm, tipped on to a card backing mount, and Faber (John), John Vaughan, Earl of Carberry, 1733, uncoloured mezzotint on laid after Godfrey Kneller, good margins, 355 x 250 mm, together with Beckett (Isaac), John Duke of Lauderdale, Marquis of March, Earle of Lauderdale..., circa 1680, uncoloured mezzotint on laid after J. Roiley, with margins, 340 x 250 mm, with Faber (John), Thomas Holles Pelham Duke of Newcastle [and] Henry Clinton Earl of Lincoln &cc., 1733, uncoloured double portrait mezzotint on laid after Godfrey Kneller, thread margins, central fold, 355 x 505 mm, with three others similar (13)

*Children. Turner (C.), George Viscount Malden & Lady Eliz. Capel, published C. Turner, 1817, uncoloured full length mezzotint on laid after Sir Joshua Reynolds, with margins, 555 x 405 mm, together with Dixon (J.), [Misses Crewe], John Boydell, 1782, uncoloured mezzotint on laid after Joshua Reynolds, thread margins, repaired closed tear at base, proof before title but with letters, 500 x 355 mm, with Smith (John), The Rt. Honoble. James Earl of Salisbury &c., circa 1700, uncoloured mezzotint on laid after Godfrey Kneller, good margins, 345 x 245 mm, plus Smith (John), The Lord Euston, 1695, uncoloured mezzotint on laid after Godfrey Kneller, small margins, 340 x 255 mm (4)

*Civil Engineers. Reynolds (S. W.), This plate presented to Beeston Long Esqre. by the Directors of the London Dock Company as a testimony of their regard and esteem for his indefatigable zeal and attention to the affairs of the Company as their Chairman, published by the engraver, June 19th 1817, uncoloured full length mezzotint on laid after William Owen, good margins, slight dust soiling to borders, 660 x 390 mm, together with Watson (Thomas), John Paterson Esquire. MDCCLXXVII. His life was gentle as the elements so mix'd in him that nature might stand up and say to all the world 'This was a man', uncoloured half length mezzotint on laid after Sir Joshua Reynolds, backed with later paper, 380 x 280 mm (2)

*Dickinson (William). Lady Charles Spencer, published Wm. Dickinson, 1776, uncoloured mezzotint after Sir Joshua Reynolds, some overall toning, 510 x 355 mm, mounted, framed and glazed, together with McArdell (James), [Nancy Ann Day], circa 1770, uncoloured mezzotint after Joshua Reynolds, proof before title, 325 x 225 mm, mounted, framed and glazed, with [Smith (J. R.),] [Frances Ingram, circa 1790], uncoloured mezzotint on india after Joshua Reynolds, proof before title and letters, 380 x 285 mm, mounted, framed and glazed, plus Fisher (Edward), Kitty Fisher, circa 1780, uncoloured mezzotint, title and letters added in pencil only, thread margins, 355 x 255 mm, mounted, framed and glazed, and McArdell (James), Lady Fortescue, 1757, uncoloured mezzotint after Joshua Reynolds, trimmed to image, slight toning, 350 x 250 mm, mounted, framed and glazed (5)

*Green (Valentine, 1739-1813). Pamela and Phyloclea. "Here nor Treason is hid vailed in Innocence, Nor Envie's Snakie Eye findes any Harbour here." Sydney's Arcadia, published W. Shropshire, 1777, uncoloured mezzotint after Peter Lely, with margins, 255 x 190 mm, framed and glazed in a 19th century black and gilt decorated moulding A fine dark impression. (1)

*Green (Valentine, 1739-1813). Mr. Robert Drummond & Mr. Thomas Drummond, Sons of the Archbishop of York, 1768, uncoloured full length mezzotint after B. West, trimmed to image, creased horizontally across the image, 610 x 380 mm, mounted, framed and glazed, together with His Grace The Duke of Bedford with his brothers Lord John Russell, Lord Willm. Russell & Miss Vernon, Wm. Shropshire, 1778, uncoloured full length mezzotint after Sir Joshua Reynolds, trimmed to image, 500 x 425 mm, mounted, framed and glazed, with His Excellency Francis James Jackson. His Majesty's Ambassador to the Ottoman Porte, circa 1790, uncoloured mezzotint after L. F. Abbott, trimmed to image, 480 x 355 mm, mounted, framed and glazed (3)

*Jukes (Francis). Malmsbury Abbey, plate II, 1789, aquatint after T. Hanks with contemporary hand colouring, title and description below image repeated in French, trimmed to plate mark, repaired marginal closed tears, very slight spotting, 365 x 460 mm, mounted, together with Pocock (Rose), Porters Lodge leading from Horningsham [and] the Grand Entrance Hall, published G. Davey in 'The Longleat Views', Bristol, circa 1840, two hand coloured lithographs, occasional marginal repaired closed tears, each approximately 360 x 435 mm, mounted, with a double page view of Bath Abbey Church and a single page view of Bath originally published in 'The Illustrated London News', and a lithograph of Saint Marys Redcliffe Bristol after Charles Wickes with closed tear affecting image, 510 x 265 mm, plus Buck (S. & N.), The North View of Bradenstoke Priory in the County of Wilts, 1732, uncoloured engraved prospect, 200 x 375 mm, mounted, and a damaged mezzotint droll of the death of General Wolfe at Quebec, plus an H. Bunbury caricature of 'A Band of Savoyards', trimmed to image and laid on later paper, 350 x 455 mm (9)

*Martin (John, 1789-1854). The Death of the First Born, 1836, mezzotint with contemporary hand colouring, proof before letters but after title, print mounted on a wooden stretcher and backed with later card, slight overall toning, framed and glazed in a 19th century birds-eye maple frame One of the most powerful of Martin's later engraved designs, The Death of the First Born depicts the arrival of Moses and Aaron in the royal palace of the Pharaohs of Egypt after the tenth and last plague had passed over the country. This plague had caused the first-born of each and every family, excepting the families of the Israelites, to die. The heir and hope of Egypt is laid out under white covers, awaiting embalming. His mother clings to his dead body, covering her face in her grief. Grouped around them are other members of the royal family. Pharaoh recoils from the approaching figure of the prophet, his gesture leaving little doubt as to whom he blames for the disaster. (1)

*Politicians. Reynolds (S. W.), John Polexsen Bastard and Edmund Bastard Esqrs., Members of Parliament, published S. W. Reynolds, June 12th 1795, uncoloured double portrait mezzotint on laid after J. Northcote, small margins, 405 x 405 mm, together with Houston (Richard), The Right Honble. Henry Pelham. First Lord Commissioner of ye Treaury, Chancellor and Under-Treasurer of the Exchquer, one of His Majesty's most Honble. Privy Council and one of the Lords of the Regency. To be had at Mr. Russells's Toyshop Charing Cross and of Mr. Hoare at Bath, 1752, uncoloured half length mezzotint on laid after William Hoare, small margins, 395 x 280 mm, with Dickinson (William), The Right Honble. John Wilkes Esq. Lord Mayor of the City of London, published Mrs. Sledges, 1774, uncoloured half length mezzotint on laid after K. E. Pine, thread margins, 325 x 230 mm, and Smith (John), Mitford Crowe Esq., circa 1720, uncoloured mezzotint on laid after T, Murray, large margins, 355 x 255 mm, mounted, (Crowe was Governor of Barbados), with Smith (John), Anthony Henley Esq. circa 1720, uncoloured mezzotint on laid after Godfrey Kneller, thread margins, 350 x 250 mm, and Smith (John), The Right Honble. John Egerton Earl of Bridgwater, Viscount Brackley & Baron of Ellesmere, first Commissioner for executing ye office of Lord High Admiral of England, Lord Lieutenant of the County of Buckingham..., 1700, uncoloured mezzotint on laid after Godfrey Kneller, with margins, 345 x 245 mm (6)

*Portraits. Smith (J.), Mr. Grinlin Gibbons, circa 1710, uncoloured mezzotint on laid after Godfrey Kneller, with margins, 340 x 260 mm, together with Faber (John),Edmunous Halleus, Astronomus Regis et Geomestric Professor Savilianus, sold by Faber, 1722, uncoloured mezzotint on laid after T, Murray, with margins, 350 x 255 mm, with Green (Valentine), John D'Oyly Esq, circa 1800, uncoloured mezzotint on laid after L. F. Abbott, small margins, 515 x 380 mm, plus Meyer (Henry), Ralph Clayton Serjeant at Law, 1814, uncoloured mezzotint on laid after L. F. Abbott, with margins, 350 x 250 mm, and Smith (John), W, Wycherley, 1703, uncoloured mezzotint on laid after P. Lely, thread margins, 265 x 190 mm, together with Williams( J.), Untitled portrait of Prince Charles Edward Stuart in disguise as a woman in an lace cap and dress, circa 1745, uncoloured mezzotint, trimmed to image and laid on later card, six lines of verse below image, 325 x 225 mm, with Kyte (Francis), Mr. John Sturgess, 1733, uncoloured mezzotint on laid after J. Vanderbank, small margins, 345 x 250 mm, plus McArdell (James), Untitled portrait of a lady, 1753, uncoloured portrait bust of a lady in a lace cap, laid on card, 325 x 225 mm (On the Strawberry Hill impression Walpole wrote 'Mrs. Gumledon, a Finland lady'. Pencil annotations on the wrapper, mount and recto of impressions in the British Museum identify the sitter as Lady Mackintosh), and Smith (J.), Jacobus secundus dei gratia Angliae, Scotiae, Franciae et Hiberniae Rex &c., circa 1680, uncoloured oval mezzotint on laid after N. de Largillierre, trimmed to image, one repaired closed tear, repairs to right hand margin, 340 x 245 mm, with Haid (Johann Elias), D. Benjamin Franklin..., 1778, uncoloured mezzotint on laid, large margins, 220 x 140 mm, mounted (10)

*Ward (William). A Visit to the child at Nurse, published J. R. Smith, 1788, uncoloured mezzotint after George Morland, scratch letter proof, small ink collector's stamp (WSB) to lower left below image, 450 x 555 mm, mounted, framed and glazed A good dark impression. (1)

*Writers & Artists. Watson (James), James Beattie L. L. D., published John Boydell, 1775, uncoloured mezzotint on laid after Joshua Reynolds, small margins, 355 x 410 mm, together with Turner (Charles), Henry Harington M. D., published T. Beach, 1799, uncoloured mezzotint on laid after Thomas Beach, small margins, 510 x 355 mm, with Ward (James), Joseph Wright Esqr. published Messrs. Colnaghi & Co., 1807, uncoloured half length mezzotint on laid after James Cade, large margins, slight spotting to borders, 385 x 280 mm, plus Dickinson (William), Soame Jenyns Esq. 1776, uncoloured half length mezzotint on laid after Sir Joshua Reynolds, with margins, 355 x 255 mm, and Faber (John), William Congreve Esq., 1733, uncoloured half length mezzotint on laid after G. Kneller, thread margins, 350 x 250 mm, together with Watson (James), John Hawkesworth L. L. D., published James Watson, 1773, uncoloured half length mezzotint on laid after Sir Joshua Reynolds, thread margins, 370 x 275 mm,, with Houston (Richard), Samuel Buck [and] Nathaniel Buck, 1774, uncoloured mezzotint double portrait on laid after J. Highmore, 230 x 325 mm, plus Smith (John), Mr Will. Richards, circa 1730, uncoloured mezzotint after Godfrey Kneller, thread margins, 235 x 190 mm, and Place (Francis), Richard Thompson, circa 1720, uncoloured mezzotint on laid after G. Soust, thread margins, 265 x 210 mm, with Smith (J.), Mr. Steele, circa 1720, half length mezzotint on laid after Godfrey Kneller, small margins, 360 x 255 mm Each print is supplied with a printed biography. (10)

Walter Alfred Cox (1862-1908) Mezzotint Portrait of a Mannerist Soldier

An early 19th century English coloured mezzotint of shipwrecked sailors on the African Coast, 44 x 65cm

John Faber Jnr after David Morier - Study of John Pixley from Ipswich in Suffolk, uncoloured mezzotint, dated 1749, 35 x 25cm; and one other example bearing K. Sächsisches Kupferstichkabinett, Duplum veräußert" stamp (Saxony copperplate cabinet, duplicate sold) (2)Note: John Pixley (active 1740-1749), was a smuggler who agreed to become an officer in the Custom Service and hunt down fellow smugglers following his arrest, so as to avoid the death penalty.

A mezzotint of Lady Caroline Montagu as Winter - 45 x 34cm

Pair of oak framed engraved portraits, Mezzotint of Rev. Wesley, 1825, and an engraving of Wesley by Cochran after William Gush (2)

Samuel Cousins: a black and white mezzotint, scene from A Midsummer Night's Dream, a WWI black and white print, two modern oils, landscapes by Hazel Williams, and a maple picture frame

William Barnard after L F Abbott late 18th Century-Sir Horatio Nelson, Rear Admiral of The Blue,:-mezzotint engraving, sight size 66 x 43cm, together with one other Nelson engraving. [2]

Josset after Beechey, mezzotint, portrait of a Vice Admiral Viscount Nelson, 48 x 35cm and 2 other prints - 'A gloomy day' and 'A Diplomatist' (3)

Lewis, John. The History and Antiquities as well Ecclesiastical as Civil, of the Isle of Tenet, in Kent, 2 parts in one volume, second edition, mezzotint portrait frontispiece, 25 engraved plates and plans, some folding, some staining, particularly to title, frontispiece torn, but repaired, contemporary calf, extremities rubbed, joints cracked, 4to, London: Printed for the Author, 1736

AN ANTIQUE MEZZOTINT DEPICTING A CAVALRY OFFICER AND HIS HORSE, framed and glazed, 70 x 40 cm

A Lawrence Josset limited edition Mezzotint Engraving 'Flowers' after Fantin Latour, original labels

A 19th century mezzotint interior scene; and a portrait stipple engraving (2)

Faber, Jr. (John) The Kit-Cat Club done from the Original Paintings of Sr. Godfrey Kneller, first edition, engraved throughout with mezzotint allegorical title by Faber after Gravelot, engraved dedication and 47 magnificent mezzotint portraits (one double-page depicting two figures) by John Faber after Kneller, without the 10pp. text sometimes bound in, one plate with short tear to outer margin repaired, book-labels of Stanley William Sykes and J.O.Edwards, nineteenth century panelled calf, gilt, by Root & Son, rebacked preserving old gilt spine, rubbed, spine ends & bands and corners a little worn, J.Tonson, 1735 § [Caulfield (James)] Memoirs of the Celebrated Persons composing the Kit-Cat Club; with a Prefatory Account of the Origin of the Association, first edition, 48 engraved plates after Kneller, errata slip at end, plates foxed, modern half calf, spine gilt, uncut, spine a little faded, 1821, folio (2)⁂ The Kit-Cat Club was a late 17th and 18th century political and literary club including the most powerful Whig politicians of the day. It met at a London tavern run by Christopher Cat, by which it got its name. The original portraits by Kneller are in the National Portrait Gallery.

Milton (John) The Paradise Lost, 2 vol., Imperial Quarto Edition, half-titles, 24 mezzotint plates with etching by John Martin, sheets c.375 x 270mm (14 3/4 x 10 3/4in.), some foxing, mainly to text, spotting to some plates, mostly marginal but affecting a few images, light offsetting from plates, contemporary half straight-grain morocco, spines gilt, t.e.g., rubbed, spines a little faded, large 4to, Septimus Prowett, 1827.

Mixed pictures to include a 19th century Mezzotint by F Miller

A 19th century embroidery of a girl, together with an After Kauffman mezzotint, and three other engravings

Pictures and Prints - English School, a pair, Lady On Beach, Lady In Meadow, sepia prints, 19th century gesso and gilt wood shaped circular framed; John Smith, Portrait of a Lady, mezzotint, oval framed; etc (6)

AN EDWARDIAN GOUACHE of a mountainous scene, a mezzotint of a farmyard, a mid-20th century gouache still life and a watercolour of a stream (4)

Henry Greenhead, Mezzotint, Portrait of Emma Hart after George Romney, signed in pencil and with blind stamp, 53.5cm x 48.5cm, Framed and glazed, Emma Hart became Emma Hamilton, mistress to Lord Nelson, With another Greenhead print, also signed (2)

Collection of fifteen mezzotint portraits, engraved by Thomas Appleton, Henry T Greenhead and others similar, many signed in pencil by the artist. Rich impressions. Unmounted/unframed. (15)

Norman Hirst, mill scene with boys fishing from a jetty, monotone mezzotint, signed in pencil, blind stamped, published by Vicars Brothers, Bond Street, London 1926, 24cm by 31cm

Lawrence (Sir Thomas). Engravings from the Choicest Works of Sir Thomas Lawrence, P.R.A., collator Henry Graves & Co., [circa 1840], engraved title with mezzotint vignette portrait, lacking printed title (?), engraved list of works, 53 mezzotint plates after Sir Thomas Lawrence, some spotting, mainly to margins, all edges gilt, contemporary elaborately gilt-decorated red full morocco, rubbed and scuffed, large folio, together with Wey (Francis), Rome, new edition, revised and abridged, Chapman & Hall, 1875, numerous wood engraved illustrations, textblock loosened, original green publisher's cloth gilt, rubbed and some fraying to extremities, joints loosened, large 4to, plus Baldry (A.L.), Hubert Von Herkomer R.A., A Study and a Biography, George Bell & Sons, 1901, monochrome plates, top edge gilt, remainder rough-trimmed, original blue cloth gilt, rubbed and some marks, large 4to, and other miscellaneous art reference, history, etc., including Dessins de Hans Holbein le Jeune, volumes II, III, IV, VI & VII, Yaakov Boussidan, Jerusalem, Names in Praise, tranlsated by Mollie Wilson-Milesi, 1996, limited edition of 126 copies, etc., 19th & 20th century publications, including large format (8 cartons)

*Actors. Jones (John), Miss Kemble, published J. Jones, 1784, uncoloured half length mezzotint after Sir Joshua Reynolds, 380 x 280 mm, mounted, framed and glazed, together with McArdell (James), Mrs. Moffington, circa 1760, uncoloured half length mezzotint after A. Pond, 310 x 225 mm, mounted, framed and glazed, with Green (Valentine), Eleanor Gwynn, W. Shropshire, 1777, uncoloured mezzotint on laid after Sir. Peter Lely, very large margins, 250 x 190 mm, plus Lupton (T.), Fawcett & Kemble in the characters of Captn. Copp & the King in the Petit Comedy of Charles the 2nd. or the Merry Monarch, T. Lupton, 1826, uncoloured full length mezzotint on laid after G. Clint, good margins, some spotting and dust soiling, some creasing, occasional closed marginal tears, some repaired, 510 x 350 mm, with another copy with thread margins, and Ward (J.), Wm. Henry West Betty Aetatis suae 13, M. Betty, 1805, uncoloured half length mezzotint on laid after J. Northcote, good margins, slight marginal spotting and dust soiling, 380 x 275 mm (6)

*Bowles (Carington, publisher). The Double Attack, or French Politeness not a Match for English Assurance, circa 1780, uncoloured mezzotint droll, torn with slight loss to margins not affecting image, 350 x 250 mm, together with Lawrie (Robert), The Jealous Maids, Robert Sayer, circa 1790, uncoloured mezzotint, four lines of humorous verse below image, trimmed to plate mark, 255 x 335 mm, with The Prudent Mother, circa 1780, unattributed uncoloured mezzotint, thread margins, 220 x 320 mm, with another five mezzotint and line engravings, including examples by Simon, Bartolozzi, Heath and McArdell, various sizes and condtion (8)

*Caricatures. A mixed collection of approximately seventy-five cartoons and caricatures, mostly 19th century, etched, lithographic and engraved caricatures, including examples by Hogarth, Heath, Doyle, Cruikshank, Woodward, mezzotint drolls and Bunbury, many with some damage, various sizes and condition (approx.75)

*Fisher (Edward. 1730-85). Elizabeth a Keppel, comitis Albermarliae filia regiis nuptus adsuit, 1761, uncoloured full length mezzotint after Joshua Reynolds, 600 x 370 mm, mounted, framed and glazed (1)

*Houston (Richard 1721-1775). I saw a Smith stand with his hammer thus, the whilst his iron did on th' anvil cool, with open mouth swallowing a Taylor's news, Act IV in the Histl. play of King John, Robt. Sayer, 1771, uncoloured full length mezzotint after Edward Penny, 600 x 450 mm, mounted, framed and glazed (1)

*Jones (John). [William Thomas Lewis, 1792,] uncoloured full length mezzotint after M. Shee, good margins, proof before title, 600 x 380 mm, mounted, framed and glazed William Lewis was born in Ormskirk in 1748, but was educated in Ireland in Armagh. He went on to the stage at an early age appearing in both Dublin and Edinburgh before making his debut at Covent Garden in 1773. He died in Chesea in 1811. This image shows him as the Marquis in 'Midnight Hour'. The original portrait is in the National Gallery. (1)

*Military. McArdell (James), The Honble. Robert Monckton, Brigadier General; Governor of Anapolis, Lieut. Govr. of Nova Scotia; and Colonel of His Majesty's 17th Regt. of Foot, circa 1780, uncoloured mezzotint on laid after T. Hudson, good margins, occasional repaired marginal closed tears, 400 x 280 mm, together with Jones (John), The Right Honorable Lord Viscount Milton. Colonel of the Dorset Volunteer Rangers, Thos. Beach, 1795, uncoloured mezzotint after T. Beach, trimmed to image, laid on later paper, 500 x 350 mm, with McArdell (James), [Lord George Sackville, circa 1780], uncoloured mezzotint, proof before letters and title, thread margins, 400 x 280 mm, plus Smith (J.), Charles Napier Esq, circa 1740, uncoloured mezzotint on laid after J. Sommer, thread margins, backed with archival paper, 345 x 255 mm, and Simon (John), His Excellency Henry Earl of Galway &c. General Commander in Chief of all Her Majesty's Forces that are to act in conjunction with the Portuguese in Spain, published E. Cooper, circa 1750, uncoloured oval mezzotint on laid after Philip de Graves, trimmed to just inside plate mark, 350 x 255 mm, with one other similar (6)

*Pether (William, 1731-1821). [The Alchemist in search of the Philiosopher's stone discovers phosphorus and prays for the successful conclusion of his operation as was the custom of the ancient chymical astrologers], W. Pether, Sept. 1st. 1775, uncoloured mezzotint after Joseph Wright of Derby, early state before title, laid on card, 580 x 460 mm, mounted, framed and glazed A fine rich dark impression of an early state. (1)

*Prints & maps. Ward (William), The Right Honorable Frederick Howard. Earl of Carlisle, K.T. &c. &c. &c., 1823, uncoloured full length mezzotint after Sir Joshua Reynolds, good margins, but lower margin appears to have been trimmed to the plate mark and replaced, 675 x 405 mm, framed and glazed, together with Basire (James), [Sir George Saville], circa 1800, uncoloured line engraving after Benjamin Wilson, proof before title and letters, 440 x 320 mm, mounted, framed and glazed, with three manuscript 'campaign maps' some damage, plus two framed and glazed etchings by J. Cotman of ecclesiastical buildings, and Kip (J.), Wythame in ye county of Berks, one of the seats of the Rt. Honble. Montague Earle of Abingdon..., circa 1720, uncoloured aerial prospect after L. Knyff, toned overall, 345 x 475 mm, mounted, framed and glazed, with another twelve engravings, including portraits, topographical views, a title page and classical, various sizes and condition (20)

*Reynolds (Samuel William, 1773-1835). Capt. John Sealy. From a portrait hanging in the club room of the Society of East India Commanders..., uncoloured mezzotint on laid after J. Opie, good margins, 380 x 280 mm, together with Ward (William), Admiral Sir Philip Charles Henderson Durham, Knight Grand Cross of the Most Honorable Military Order of the Bath, Knight Commander of the Most Ancient Military Order of Merit of France &c. &c. published by Graves & Co., 1837, uncoloured mezzotint after Francis Grant, trimmed to plate mark and laid on later paper, slight marginal creasing and fraying, 420 x 310 mm, with McArdell (James), Charles Saunders Esq. Vice Admiral of the Blue Squadron of His Majesty's Fleet & Lieut. General of His Majesty's Marine Forces, circa 1770, uncoloured mezzotint on laid after J. Reynolds, good margins but with some fraying and wear to borders, backed with conservation tissue, 390 x 280 mm, plus Dickinson (William), Sir George Bridges Rodney, Bart. Admiral of the White, published Dickinson & Watson, 1780, uncoloured mezzotint after Sir Joshua Reynolds, laid on later stiff paper, small margins, slight spotting, 460 x 330 mm, and Turner (Charles, attrib), [Admiral John Willet Payne, published Colhaghi & Co., 1813], uncoloured mezzotint after John Hoppner on laid, proof before letters and title, with margins, 395 x 290 mm, with Smith (J. R.), Hyde Parker Esq. Vice Admiral of the Blue. Commander of His Majesty's Ships in the North Sea on 5th August 1781, uncoloured mezzotint after J. Northcote on laid, with margins, 385 x 280 mm and Murphy (John), To the King's most excellent Majesty, this portrait of Captn. John Harvey' late of His Majesty's Ship Brunswick..., published J. G. Wood, 1795, uncoloured mezzotint on wove after J. G. Wood, slight marginal creasing, with margins, 495 x 350 mm Each of these maritime portrait engravings is supplied with a printed biography. (7)

*Stubbs (George). Phillis. A Pointer of Lord Clermonts, [Benjamin Green, 1772], uncoloured mezzotint, by Benjamin Green, thread margins, pin holes to lower corners, 'Phillis' in image centre-left, scratch letter initials 'GS & BG' to stone, closed letter title 'A Pointer of Lord Clermonts' to centre-right, and scratched letter publication line to lower right, 325 x 455 mm Christopher Lennox Boyd, Rob Dixon, Tim Clayton. George Stubbs, The Complete Engraved Works, no.34 state 2. (1)

*Theatre. Young (John), The character of Puff in the Critic as represented by Thomas King..., 1803, uncoloured full length mezzotint after J. Zoffany, 580 x 425 mm, mounted, framed and glazed, together with Lupton (Thomas), The Portraits of Madame Vestris, Miss P. Glover, Mr. Williams & Mr. Liston [in the comedy of Paul Pry..., Moon, Boys & Graves, 1818], uncoloured mezzotint after G. Clint, trimmed with partial loss to title, 480 x 365 mm, mounted, framed and glazed, with Ward (William), Portrait of the late Mr. Lovegrove of Drury Lane Theatre in the character of Storm in Ella Rosenberg, London: Colnaghi, 1817, uncoloured mezzotint after E. Bird, some spotting, trimmed to image on three margins but retaining title, 420 x 290 mm, mounted, framed and glazed (3)

*Watson (Thomas). [Prince Henry Duke of Cumberland and Strathearn], W. Shropshire & T. Watson, 1774, uncoloured full length mezzotint on laid, after Sir Joshua Reynolds, small margins and lacking title, a strong dark impression, 615 x 390 mm, together with Her Royal Highness Anne Duchess of Cumberland, James Watson, 1773, uncoloured full length mezzotint portrait on laid after Sir Joshua Reynolds, small margins, slight marginal creasing, 640 x 380 mm (2)

Bible [English]. The New Evangelical Family Bible; or a Complete Paraphrase, Exposition, and Commentary on the Holy Scriptures ... by the Reverend T. Priestley, 1st edition thus, printed and published under the immediate inspection of the author, sold wholesale and retail by Alex. Hogg, [1791], 3 parts in 1 volume, engraved frontispiece, 100 plates (91 called for in the Directions to the Binder, including a mezzotint portrait of Priestley, not present), list of subscribers, spotting to a few plates, marginal worming to 2 plates in the Apocrypha, 19th-century inscriptions and remnants of wax seals to pastedowns, contemporary calf, rubbed and worn, joints cracked but holding, folio, and 2 others Scarce illustrated edition, not in Herbert. The preface is dated 1791; a 'new edition, revised' appeared in 1793 (or 1793-4). The plates are after Chalmers, Metz, Stothard, Old Masters including Rembrandt and Angelico, and others. (3)

A Lawrence Josset limited edition Mezzotint Engraving 'Flowers' after Fantin Latour, original labels

A "The Cottagers Wealth" mezzotint Engraving by George Keating after George Morland, published 1798 (19 1/2 x 16cm plate size approx)

Gilt Framed Oval Mezzotint titled ' Penelope ' and signed in pencil E M Hesten and Herbert Carmichael

Early 19th century Circular Gilt Framed Coloured Mezzotint depicting Infant Bacchus delivered to Nymphs on Mount Ida dated 1815 together with Three Mabel Lucie Atwell Prints

A mezzotint of Lady Caroline Montagu as Winter - 45 x 34cm

MEZZOTINT, Georgian design coloured mezzotint, "The Tavern Door", 14" x 10.5"

A coloured mezzotint after Sir Joshua Reynolds "The Age of Innocence"; a print of St Augustine hospital Sherbourne; and another of Sherbourne Castle; and three other prints

Walker (Francis S.) Killarney's Lake and Falls, oblong folio L. (Downey) 1902. Sole Edn., add. decor. title 12 mezzotint full page plts., orig. mor. backed cloth. Good. (1)

JAMES WARD: 'His Majesty Receiving the Third, or Prince of Wales' Regiment of Dragoon Guards.....', mezzotint in a maple frame, with a 19th century oil on canvas portrait of an elderly lady

A mezzotint, study of a lady, 1912, 17 x 13 inches

George Stubbs (British, 1724-1806) ''Eclipse, the Property of Captn OKelley'' Mezzotint with etching, plate 250mm by 350mmNot examined out of frame. A good impression Imprint: 1804, London, Laurie & Whittle Not in Siltzer