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An aquatint etching - View over Edinburgh; together with a mezzotint "Haddiscoe Church, Norfolk, by Leonard R. Squirrel, both signed in pencil, one inscribed. (2)

Four Early 20th Century Coloured Mezzotint Engravings after Jean Baptiste Pater, in the 18th Century French Manner depicting dancing figures, etc, signed bottom right William J. Allingham, dated 1924 in black & gilt frames. 39 x 21cm.

Three Art Deco style fashion prints after Erte, a mezzotint and other pictures of Victorian ladies

AFTER G MORLAND, ENGRAVED BY W WARD, COLOURED MEZZOTINT (PUBLISHED BY MESSRS WARDS & CO 1800), Inside of a Country Alehouse , 17 x 23

JOHN COTHER WEBB, SIGNED IN PENCIL TO MARGIN, COLOURED MEZZOTINT, Three Ladies, 18 x 14

After Fred Roe - Bound for Trafalgar Bay:- a coloured print, together with a 19th century coloured mezzotint of Lord Nelson. [2]

After Herbert Stodart Girl on a swing, coloured mezzotint engraving, singed in pencil. Framed and glazed.

David Lucas, British 1802-1881- "The Vale of Dedham, Essex", after John Constable RA; mezzotint, 70x60cm Provenance: By descent, from the family of Charles Robert Leslie RA, Constable's close friend and biographer CONDITION REPORT: In a gilded and glazed frame. Not examined out of frame No visible defects In very good condition

Assorted pictures and prints to include; The Morning Walk - colour mezzotint, enamel tray and plate etc

VALENTINE GREEN AFTER L.F. ABBOTT "To The Society of Golfers at Blackheath", 18th century golfing scene, a Mezzotint, 40 x 29cm in hogarth frame with verre eglomise glass

A MEZZOTINT ENGRAVING, 'Charge of Mamalukes', published by R. Ackermann, 1821, 41cm x 59cm.

RICHARD JOSEY (1840-1906) (after James Abbott Macneil Whistler) Arrangement in Grey and Black (the artist’s mother) mezzotint engraving by Richard Josey pencil signed by both artist and engraver published by Henry Graves, July 7th 1879 with blind stamp of the FLN Print Sellers Association in lower margin Pl. 12 1/2 x 13 1/2in (31.7 x 34.3cm) A label on the reverse states that this print was presented to Mrs Swift by Frederick Warre on Thursday May 24 1888.

A coloured print - "The Railway Station", after William Powell Frith; together with a mezzotint after Fuseli; a coloured engraving; a pair of resin busts, framed; and a silhouette of a child and parrot. (6)

Clifford James (engraver), childrens games, signed, colour mezzotint, 40cm x 53cm.

John Young - 1755 - 1825 after W. Beachey - The Gypsy Fortune Teller - hand coloured Mezzotint - pub: 1792 and an engraving - La Nappe D'Eau by Pierre Benazech after Dietriey

Mezzotint - Cottage in a cornfield - after J. Constable first published 1846, proof in completed state - 20 cm x 25 cm by Daniel Incus signed in pencil to margin

After Robert Dighton The Lottery Contrast Mezzotint, with hand-colouring, on laid paper, 1794, Bowles & Carver, [c.f. BM Satires 3768] 35cm x 250cm With two caricatures after Henry Alken, 'This Sir, is my husband', and 'This Sir, is my wife', lithographs with hand-colouring, 1826, Thomas McLean, each c.23cm x 19cm, all unframed, (3).

After James Seymour (1702–1752) - The Hunter in a Flying Leap Hand-coloured reverse glass painting, over a mezzotint base 26 x 36 cm. (10 1/4 x 14 in)

David Suff (20th century), 'Cottage Garden, Sissinghurst', coloured mezzotint, artist's proof, signed and dated 1984, 30 x 38 cm (12 x 15 in), unframed

ANTOINE GAYMARD, TWO 17TH CENTURY INTERIOR SCENES, mezzotint, each approximately 38cm x 29cm (2)

Court de Gebelin (Antoine) - Histoire Naturelle de la Parole, ou Précis de l'Origine du Langage & de la Grammaire Universelle, first separate edition, half-title, engraved frontispiece and folding plate of pictograms, folding colour-printed mezzotint of organs of speech by J.-F.Gautier d'Agoty, light spotting, contemporary vellum-bcked boards, uncut, rubbed, new label on spine, 8vo, Paris, 1776.

After William Derby, an early 19th century mezzotint of a seated gentleman with a dog at his side, engraved C. Turner, framed and glazed

J.M.W. Turner, R.A. (1775-1851), after, Childe Harold's Pilgrimage, engraved by Will Henderson, signed in pencil, limited edition of 350, mezzotint engraving, published by Virtue, London 1930, 33cm x 54cm; another, Bay of Baiae, engraved by William Henderson, signed in pencil, limited edition of 350, mezzotint engraving, published by Virtue, London 1930, 32cm x 48cm; Michiel Jansz. van Mierevelt (1556-1641), after, Portrait of a Dutch Lady, engraved by Arthur Hogg, signed in pencil, mezzotint engraving, published by The Museum Galleries, 53 Short's Gardens, London W.C.2., 1933, 42cm x 32cm; others (folio)

A framed and glazed mezzotint of 'Market at Ypres by After Terrick Williams RA, Belgium 1918' by Fred Millar, signed in pencil to the margin (28.5cm x 23.5cm), exhibited Joseph Wilson Gallery, London (label verso)

A framed and glazed mezzotint of 'Cathedral of Notre Dame by After Terrick Williams RA, Paris' by Fred Millar, signed in pencil to the margin (28.5cm x 23.5cm), exhibited Joseph Wilson Gallery, London (label verso)

After Robert Dighton The Lottery Contrast Mezzotint, with hand-colouring, on laid paper, 1794, Bowles & Carver, [c.f. BM Satires 3768] 35cm x 250cm; With two caricatures after Henry Alken, 'This Sir, is my husband', and 'This Sir, is my wife', lithographs with hand-colouring, 1826, Thomas McLean, each c.23cm x 19cm, all unframed, (3).

Max. Pietschmann - Mezzotint of The Bather. Unframed. Size 11 x 16 Inches.

Mezzotint Print Of A Young Boy With His Rabbit published by Alfred Ball, Old Bond St, London, 1919. Pencil signed to the margins. In gilt mount, framed & glazed

MEzzotint by L.Busiere Tilted The Piping Boy blind stamped published by Henry Graves, Sloane Street London. 1926. Pencil signed to the margin. Framed & mounted. 26x37''

After John Hoppner: Portrait of Horatio Nelson, early 20th Century colour mezzotint by A. Stewart Wright, hand signed in pencil

FRANCIS BLOOMEFIELD & CHARLES PARKIN: AN ESSAY TOWARDS A TOPOGRAPHICAL HISTORY OF THE COUNTY OF NORFOLK..., L, William Miller 1805 -1810, vols 1-11, mezzotint port frontis, 36 engrvd plts inc 8 fdg as called for, lge paper edn, 4to, old diced cf, worn + one other (12)

Three Early 20th Century Coloured Mezzotint Engravings after Jean Baptiste Pater, in the 18th Century French Manner depicting dancing figures, etc, signed bottom right William J. Allingham, dated 1924 in black & gilt frames. 39 x 21cm (3).

Clifford James (engraver), childrens games, signed, colour mezzotint, 40cm x 53cm.

Mezzotint - Cottage in a cornfield - after J. Constable first published 1846, proof in completed state - 20 cm x 25 cm by Daniel Incus signed in pencil to margin

An early 19th Century mezzotint with hand-colouring - "The Right Honourable Admiral Lord Viscount Duncan...", engraved by J. R. Smith, after H. P. Danloux.

A pair of early 20th century coloured mezzotint type engravings of country landscapes after Constable, both signed in pencil bottom left John Cothie Webb, published 1916 and with Frost & Reed labels verso, 40 x 53 cm in gilt frames together with a watercolour of a winter landscape with hayricks, signed bottom right Leonard T Saunders, with label verso Cloak of Winter, 23 x 32 cm, a coloured print after Cecil Aldin - The Bluemarket Races, The Arrival On The Course, 28 x 41 cm, a signed coloured limited edition etching by Annette Johnson - Night Sail, edition 13/150, etc (all framed)

British School, mid 20th century- Still life with flowers beside a mirror; pastel, 61x47.1cm: Phillipe Benoist, French 1813-c.1880- "Le Nouvel Opéra, Boulevard des Capucines" from Louis Fournel, Paris et ses ruines, publ. by Henri Charpentier c.1872-1874; tinted lithograph, 29.4x39.4cm: After Jean-Baptiste-Camille Corot, French 1796-1875, Henry Scott Bridgewater, British 1864-1946- "L'Eclogue", publ. by The Museum Galleries, London, 1929; mezzotint, signed in pencil, 38.5x47cm: together with four figure studies by a separate hand in pencils and chalks, one inscribed 'Feb 15/10 J H Ballard' in pencil, various sizes, (7) CONDITION REPORT: flowers - mounted in a glazed, wooden frame bears label for 'Chas H. West Ltd, 117 Finchley Road Swiss Cottage London NW3' attached to the reverse of the frame two minor blemishes to surface on left side otherwise in very good original condition L'Eclogue - mounted in a glazed frame may or may not be stuck down as unexamined out of the frame sheet very slightly ruckled in very good original condition

A Stodart mezzotint and other paintings and prints

Early 20th century school Colour mezzotint Portrait of a girl in bonnet, on hilltop, signed in pencil

William Henderson Mezzotint Portrait of two girls, Mezzotint Head and shoulders portrait of a lady in bonnet and a collection of pictures including architectural drawings and others

H Norman Colour mezzotint Portrait of a lady and two others (3)

AFTER RUSSELL FLINT "Gabrielle", colour print, together with AFTER RUSSELL FLINT "The wishing well", colour print, signed in pencil lower right, SETSUJU "A deer", SENNIN "Woodblock print", signed lower right and WILL HENDERSON AFTER TURNER "Bay at Baiae", mezzotint (limited edition of 350), signed in pencil lower right

Short (Sir Frank) - Moonrise, Ramsgate, mezzotint, 225 x 300mm., signed in pencil lower right, [H.121], [1904] § Raverat (Gwen) Horses; Farmyard, 2 signed plates for A.G. Street's úrmer's Glory', wood-engravings, each c.65 x 85mm., both signed, titled and numbered 12 and 16, respectively, below in pencil, presented together in a single frame, (c.1934) (3)

Evelyn (John) - Sculptura, or the History and Art of Chalcography, and Engraving in Copper, second edition, engraved portrait frontispiece, 2 engraved plates, 1 a folding mezzotint, lacks final 3 ff., L 2-4, with the end of The Contents, supplied in photocopy, closed tear to a5 & 6, contemporary speckled calf, gilt rules, rubbed, rebacked, 8vo, J. Payne , 1755.

Richard Earlam after Gainsborough Dupont (British, 1754-1797), Portrait of The Right Hon. William Pitt, late Chancellor of the Exchequeur, mezzotint, browned, 50 x 36cm; Daumont (French, 18th Century), 38 Vue d'Optique - Le Port de Calais, pub. Paris chez Daumont, engraving, faded, 27 x 43cm; Disinterested Love, cartoon 1790; two etchings by Kenneth Steele; Punt Fishing after Alken Browned.

A pair of coloured mezzotint engravings, "The Dance of the Nymphs" after J.B.C. Corot, signed by H. Scott Bridgwater.

A SMALL QUANTITY OF UNFRAMED PRINTS AND WATERCOLOURS AND A MEZZOTINT AFTER REYNOLDS, FRAMED

‘SIR JOHN JERVIS, K.B. VICE ADMIRAL OF THE WHITE...’, mezzotint, published by G. Long, November 10th, 1798, plate -- 14 x 10in. (35.5 x 25.5cm) framed and glazed

After George Morland, The Woodsman, mezzotint, visible, 57cm x 37cm, a chromolithograph of East Retford Church and a pair of oval prints after Morland (4).

AFTER STEUBEN, ENGRAVED BY G ZOBEL, COLOURED MEZZOTINT, PUBLISHED 1842, Napoleon et Son Fils , 17" x 14"

MID-18TH CENTURY, BLACK AND WHITE MEZZOTINT PROOF (BEFORE LETTERS), PUBLISHED CIRCA 1840, Head and Shoulders Portrait of Wellington, 23" x 19"

MID-19TH CENTURY COLOURED MEZZOTINT, Wellington with his Horse at Sunset, 22" x 28"

AFTER G METZU, ENGRAVED BY J WATSON, ANTIQUE BLACK AND WHITE MEZZOTINT, PUBLISHED 1771 BY J BOYDELL, The Female Correspondent , 18" x 14"

AFTER T M JOY, ENGRAVED BY G ZOBEL, COLOURED MEZZOTINT, PUBLISHED 1845, A Gentle Hint , 13" x 11" tondo

AFTER R B DAVIS, ENGRAVED BY F BROMLEY, ANTIQUE COLOURED MEZZOTINT, CIRCA 1840, The Royal Cortege in Windsor Park , 17" x 28"

A COLLIER, SIGNED IN PENCIL LOWER RIGHT, MEZZOTINT, Portrait of a Young Lady, 14" x 11"

AFTER M W SHARP, ENGRAVED BY H DAWE, ANTIQUE BLACK AND WHITE MEZZOTINT, PUBLISHED 1824, The Black Draught , 10" x 8"

AFTER ABRAHAM COOPER, RA, ENGRAVED BY JOHN HARRIS, ANTIQUE COLOURED MEZZOTINT, PUBLISHED 1849, The Duke of Wellington Mounted on a White Horse, 20" x 25" , unframed

AFTER H P BRIGGS, RA, ENGRAVED BY GEORGE H PHILIPS, ANTIQUE BLACK AND WHITE MEZZOTINT, PUBLISHED 1841, His Grace The Duke of Wellington, KG, DCL , 14" x 12"

AFTER G MORLAND, ENGRAVED BY W WARD, COLOURED MEZZOTINT (PUBLISHED BY MESSRS WARDS & CO 1800), Inside of a Country Alehouse , 17" x 23"