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Mezzotint portrait of King Edward VII after Sir Samuel Luke Fildes, 'In Remembrance of Your Vigil - May 17th-20th 1910', signed in pencil by King George V, wide margins, Hogarth frame, 122cm by 89cm

A FRAMED AND GLAZED VALENTINE GREEN MEZZOTINT OF HER ROYAL HIGHNESS THE DUCHESS OF CUMBERLAND TOGETHER WITH FOUR OTHER ASSORTED MEZZOTINTS AND ENGRAVINGS

Edward Edwards 18th century mezzotint by Robert Dunkerton - portrait of Jonas Hanway Esq. Governor of the Marine Society, published 1781, in glazed frame, 63cm x 39cm

Sir William Beechey early 19th century mezzotint by C. Turner - portrait of The Right Honourable Edward Lord Viscount Exmouth, published 1818, in glazed frame, 69cm x 45cm

Sir Thomas Lawrence early 19th century mezzotint by C. Turner - portrait of The Right Honourable Edward Pellow, published 1815, in glazed frame, 42cm x 32cm

18th century mezzotint - portrait of The Honourable Charles Knowles Esq. Vice Admiral of the Blue Squadron of His Majesty's Fleet, printed for Robert Sayer 1756, in glazed frame, 35cm x 25cm

S. Reynolds early 19th century mezzotint after Northcote - portrait of Captain Charles Saxton, circa 1800 scratch letter proof, in glazed frame, 36cm x 31cm

R. Wilson 18th century mezzotint by I. Faber - portrait of Thomas Smith Esq. Vice Admiral of the White, published circa1760, in glazed frame, 37cm x 26cm

L. F. Abbot 18th century mezzotint by Henry Hudson - portrait of Robert Roddam Esq. Vice Admiral of the Red, published 1789, in glazed frame, 39cm x 28cm

Anthony Poggi 18th century mezzotint by Thomas Watson - portrait of Lieut. Colonel Biddulph, of the 3rd Regiment, circa 1775, in glazed frame, 43cm x 32cm

J. Hoppner early 19th century mezzotint by C. Turner - portrait of Admiral Lord Nelson, circa 1802, in glazed frame, 67cm x 47cm

Edward Penny 18th century mezzotint by Young - portrait of Philip Affleck Esq. Rear Admiral of the White, published 1792, in glazed frame, 52cm x 36cm

J. Reynolds 18th century mezzotint by J. McArdell - portrait of The Honourable Edward Boscawen, Admiral of the Blue Squadron of His Majesty’s Fleet, 1758, in glazed frame, 52cm x 37cm

J. Ramsay 18th century mezzotint by H. Meyer - portrait of Admiral Sir Charles Cotton, circa 1790, proof before title and publication date, in glazed frame, 54cm x 40cm

Beechey, early 19th century mezzotint by R. Earlom - portrait of Admiral Sir Henry d’Esterre Darby, 1801, in glazed frame, 44cm x 34cm NB: Darby was Captain of HMS Bellerophon at the Battle of the Nile 1798

J. W. Chandler 18th century mezzotint by Edward Bell - portrait of Captain Sir William Sidney Smith, 1796, in glazed frame, 43cm x 36cm

Sir Thomas Lawrence early 19th century mezzotint by Thomas Hodgetts - portrait of Thomas, Lord Lynedoch, circa 1800, in glazed frame, 65cm x 40cm

Van Dyke 18th century mezzotint by Richard Earlom - portrait of James Stuart, Duke of Richmond, published 1773, scratch letter proofs in plate, in glazed frame, 55cm x 37cm

Sir Peter Lely 18th century mezzotint by Thomas Watson - portrait of Elizabeth Countess of Northumberland, published 1779, a second state plate from the Beauties of Windsor, in glazed frame, 46cm x 33cm

A Dutch Mezzotint

A Chinese silkwork and two framed mezzotint portraits, Miss Croker after Sir Thomas Lawrence and Georgiana, Duchess of Devonshire after Thomas Gainsborough

NO RESERVE Jones (John, 1745-1797) The Young Ballad Singers, un-lettered proof state after the painting by John Rising, mezzotint, an excellent well inked impression on thick laid paper with double-eagle watermark, platemark 505 x 355 mm. (19 3/4 x 14 in), sheet 545 x 385 mm. (21 1/2 x 15 1/4 in), small tear in the margin at the lower left, otherwise minor handling creases, [circa 1790]; together with 16 further engraved portraits, and 10 silhouette portraits, various sizes, all unframed, mainly 18th and 19th century (27).Provenance:(Jones) Fritz Reiss [Lugt 2178] (see The Connoisseur, 1912 (III, pp. 71 et 209) and 1913 (I, p. 135))Literature:(Jones) Chaloner Smith 87

Shepperson (Matthew, 1785-1874). Portrait of Rev. John Mead Ray (1753-1837), Pastor of Sudbury Congregational Church, Suffolk, half-length oil on canvas portrait (relined), few areas of flaking paint, 118 x 95.5 cm (46.5 x 37.5 ins), recent gilt moulded frame, together with a matching mezzotint portrait of Rev. John Mead Ray painted by Mr Shepperson, engraved by Henry Darve, 4 Trafalgar Place, KentishTown, 35 x 25 cm (14 x 10 ins), framed & glazed, plus Ray (John Mead) , A Sermon Preached at Witham in Essex, June 23, 1782, on the Occasion of the Death of the Revd. Charles Case..., 2nd edition, [1782], bound with Victory over Death. A Sermon, Preached at Sudbury, in Suffolk, April the 4th, 1790, on the occasion of the death of Mrs. Elizabeth Ray..., 1790, edges untrimmed, modern limp card covers, 8vo (Qty: 3)The Rev. John Mead Ray (1753-1839), born in Saffron Walden, March 12th, 1753, was pastor of Sudbury Congregational Church for 60 years. He died at Sudbury on January 11th, 1839. The artist Matthew Shepperson (1785-1874) attained fair success as a portrait copyist, and exhibited paintings at the Royal Academy between 1811 and 1821. He also taught painting in circles of nobility, mainly socially prominent young ladies. Circa 1823-24 he made a copy of John Hoppner's painting of Horatio Nelson, which is now in the collections of the National Maritime Museum. In August 2010, some of the paintings from Shepperson's collection (bequeathed to his heirs) were sold at auction; the lots included Velazquez's Portrait of a Gentleman, which sold for £3 million.

AFTER JOSHUA REYNOLDS, A MEZZOTINT BY J. GROZER, c.1785 entitled 'Master Braddylle' (Thomas Richard Gale Braddyll), mount size 60.5 x 48 cm

Co. Cork interest: "The Hon.ble Mrs. Aldworth," a fine mezzotint portrait, published by S. Kennedy, Patrick St., Cork, 1811, & sold by Bro. R. Spencer, Masonic Booksellers, London, approx. 48cms x 38cms (19" x 15") in hogarth type frame. With a printed "Biographical Memoir of the Hon. Mrs. Aldworth, of Newmarket, Co. Cork." framed on the back of the above. V. Scarce. (1)

Sydney E Wilson, signed in pencil to margin, coloured mezzotint, Hon Mrs Graham (after Gainsborough), 30 x 25cm

After Fred Miller, coloured mezzotint, Young girl with dog, 38 x 28cm

Richard Earlom after Claude Lorraine/Liber Veritatis/three mezzotint engravings, 21cm x 25cm

Joseph Mallord William Turner (British 1775-1851)/Mt St Gothard/Royal Castle/a pair/mezzotint, 20cm x 29cm/and Liber Studiorum by Turner, four volumes

After Frederick Richard Say (1805-1860)/Portrait of John Smith/mezzotint with facsimile signature, 42cm x 36cm/Provenance: The Estate of the late Sir John and Lady Smith/see illustration

John Faber (c. 1695-1756), 1733 mezzotint, William Cavendish, 2nd Duke of Devonshire, after Sir Godfrey Kneller, 41 x 28cm

After Sir Peter Lely "Nell Gwynne" Mezzotint, by M Cormack (Irish) signed in pencil to lower right, blind stamp to lower left, 32.5cm x 24cm, also with two similar pictures, both having blind stamps, (3)

After Sir Joshua Reynolds "Jane Countess Harrington" Mezzotint, by Richard Smyth, Signed in pencil to lower right, blind stamp to lower left, 40cm x 26cm, framed, also with another print, and three unframed prints on card After Cecil Aldin, (5)

After Bartolozzi - Thomas 7th Earl of Northumberland, mezzotint, 26x17cm, published 1799 by Edward Harding of Pall Mall

Mid 19th century silkwork panel depicting woman with attendant dog watering flowers (a/f) 30x25cm; together with a colour mezzotint Serena and Flirtilla (2)

19th-century watercolour after the mezzotint portrait of Sir Charles Cotterell by Robert Williams, based on a painting by John Riley. Together with an 18th-century copper-engraved portrait of Oliver Cromwell, Lord Protector, by George Vertue after Samuel Cooper (2)

Mezzotint by M. Skelton of Miss Croker after the original by Sir T Lawrence limited edition and and engraving by A Gaymerd? along with The Red Boy, also by Sir Thomas Lawrence RA signed

Dox Thrash, American (1893-1965) Carborundum Mezzotint "Anna, before 1942". Signed and numbered VII/X. Measures 7-1/4" x 5-5/8", full sheet measures 18" x 13". Provenance: Collection of Samuel and Sally Nowak; The Philadelphia Museum Of Art. Estimate: $2000.00 - $4000.00 Domestic Shipping: $135.00

Dox Thrash, American (1893-1965) Carborundum mezzotint "Cabin Days". Signed and numbered III/X. Measures 9-15/16" x 9-1/8", full sheet measures 18" x 13". Provenance: Collection of Samuel and Sally Nowak; The Philadelphia Museum Of Art. Condition: Light toning or in good condition. Estimate: $2000.00 - $4000.00 Domestic Shipping: $135.00

Dox Thrash, American (1893-1965) Watercolor on paper "Glory Be 1941". This work was the study piece for the 1941-42 Carborundum Mezzotint and Etching. Measures 11-1/2" x 14-1/2", mat measures 17" x 20". Provenance: Collection of Samuel and Sally Nowak; The Philadelphia Museum Of Art. Condition: Toning or good condition. Estimate: $10000.00 - $12000.00 Domestic Shipping: $135.00

An 18th century gilt framed oval mezzotint coloured engraving A Visit to the Woman of the Lime Trees.

FRED MILLER (LATE 19TH CENTURY), PORTRAIT OF A LADY mezzotint, signed in pencil 40cm x 25cm Framed and under glass

A 19th century mezzotint of a lady artist, gilt framed and glazed. Damage to top left. Frame size approx. 79.5cm x 64cm.

A 19th century mezzotint of a lady in period dress, signed in pencil Ernest Stamp. Glazed and in ornate gilt frame. Frame size approx. 76cm x 61cm.

A 20th century mezzotint entitled "Cherry Ripe" by Sir J.W. Millais and dated 1910. Depicting a young girl and her handkerchief of picked cherries. With "Grafton Proof" blind stamp. Framed and glazed. Frame size approx. 62cm x 50cm.

I SMITH AFTER SIR GODFREY KNELLER 'The Countess of Essex', mezzotint, 34 x 25cm; and three further similar (4)

JOHN MARTIN (1789-1854) 'Bridge Over Chaos', mezzotint, pub. by Septimus Prowett 1824/26, printed by Chatfield & Coleman, 19 x 26.5cm With Sanders of Oxford

Giambattista Tiepolo: 18th century crayon manner/mezzotint, "Friderico Comiti Savorniano", in Hogarth frameConditon: 20 1/2''x13 1/2''

AFTER HOWITT PAIR OF COLOUR HUNTING PRINTS FROM ENGRAVINGS 12? X 17 ¼? AFTER DOUGLAS GRAHAM BLACK AND WHITE MEZZOTINT ?At Set of Sun?, longhorn cattle in highland landscape 15? x 23? COLOUR PRINT- ALPINE LANDSCAPE FRAMED AND GLAZED, (4)

Mezzotint Engraving by David Lucas of Salisbury Cathedral from the River, after John Constable 23" x 27.5"

AFTER JOSHUA REYNOLDS, A MEZZOTINT BY J. GROZER, c.1785 entitled 'Master Braddylle' (Thomas Richard Gale Braddyll), mount size 60.5 x 48 cm Condition Report:Print is cut to edge - no margins, title has been cut and stuck to front of mount

V. GREEN MEZZOTINT TITLED 'PHILIPPA, QUEEN OF EDW.III SOLICITING HIM FOR THE LIVES OF THE SIX DEVOTED CITIZENS OF CAlAIS A. D. 1347', c.1797, laid on board together with two others laid down - 'Geo. Vertue, 'Magnates et Heroes Sangvine Regali Scotiae et Angliae Prognati' and I. G. Wille 'Agar Presentée à Abraham Par Sara' (3)

NATHANIEL HONE, RA (1718-1784) PORTRAIT OF THE REVEREND DR. WILLIAM SCLATER (1709-1778) Seated, half length, wearing black clerical robes and holding spectacles, oil on canvas 74.5 x 62cm. * The sitter was born at Loughton, Essex and studied at Winchester (where he was a Scholar) and at Oxford. He succeeded his father as Rector of Loughton in 1735, retaining the living until his death. A noted preacher, he was appointed Chaplain to the Lord Mayor of London, William Beckford (1709-1770), and was selected by the Grocers' Company to become Rector of St Mary-le-Bow on Cheapside, the primary London church after St Paul's Cathedral. He married Susanna (nee Eyre) of Loughton who bore him a son who died in infancy. Sclater's own death was bizarre and doubly ironic in the light of his pastoral role for the Grocers' Company: during the afternoon of February 11th 1778, he was killed instantly when a sack of caraway seeds slipped from a sling as it being craned into a warehouse on St Mary Hill (it is said that no member of the family has eaten seed cake since). Sclater was buried alongside his wife in Loughton and his estate passed to his niece, Elizabeth. The picture has passed by descent in the family and was formerly owned by John Limbrey Robert Sclater-Booth, 3rd Baron Basing (1890-1969) Engraved: in mezzotint by John Raphael Smith, 1777 ++ Lined; some associated retouching

A print portfolio on integral folding stand, containing mainly 18th and 19th century prints and engravings, including Italian views by Gmelin, mezzotint portraits, signed etchings by W. V. Collette, etc, all in varying loose condition

A folder of prints and engravings, 18th and 19th century, including mezzotint portraits after old masters, military leaders and scientists (19th century), classical scenes and others, all in varying condition

Tate Gallery (publisher) Constable and Lucas Mezzotints, 1993, no.5 of 100 sets, with separate text in pocket to green cloth folder containing 16 mezzotint plates

[LOGGAN (David) Cantabrigia Illustrata], various excised engravings from the work of 1688 (or a later edition), including 3 titles, 2 views of King's College, 3 plates of the Bishops Hostel, 2 of Great St Mary's Church, a mezzotint portrait, and various text leaves; together with a contemporary binding for the work

Charles G. Lewis, after Sir Edwin Landseer, RA, Hunters at Grass - Algiers, foaled 1816, Ballyany, foaled 1817 and Hainault, foaled 1819, London published November 1st, 1866, mezzotint, with a letter to the reverse, 73 x 94 cm, Provenance: The Fine Art Society, London. Note: The hunters were bred by Mr Wigram out of his mare "Elizabeth" according to a letter to the reverse on Muntham House, Horsham, Sussex, writing paper. Unframed and with some foxing.

After Sir Godfrey Kneller, 'Sir John Vanbrugh', mezzotint, 35.5x26cm

After Sir Joshua Reynolds, 'Josiah Wedgwood', mezzotint, in burr walnut frame, 40.5x32cm