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AFTER EDWARD STODART, Cries of London, thirteen, coloured mezzotint engravings. 6" x 4.5". (13).

John Faber after Thomas Bardwell The Hon.ble Edward Vernon Esq.r Vice Admiral of the Blue mezzotint portrait 1740 by the engraver 355 x 250mm. (14 x 9 3/4 in); with a mixed group of 13 other portraits of admirals including Lord Anson Sir Samuel Hood Richard Kempenfelt Earl St. Vincent by or after Faber Tilly Kettle Earlom Lawrence Reynolds McArdell and others one of Admiral Keppel by Dickinson after Romney a proof before title mezzotints and engravings 18th and early 19th century v.s. (14). Condition report: Some reduced or thread margins occasional spotting browning and dampstaining.

Carington Bowles Doctor Blowbladder discovering the Perpetual Motion [not in BM Satires cat] original hand-coloured mezzotint 1772 350 x 250mm. (13 3/4 x 9 3/4 in); with another medical caricature by Honoré Daumier La dernière épreuve (2).

Nikolaes Verkolje Young lovers with a gypsy fortune-teller [LB28] mezzotint early 18th century Gerard Valck Amsterdam collector`s inkstamp of Walter E. Ledger [Lugt 2636c] on verso 315 x 240mm. (12 1/2 x 9 1/2 in) unframed; with 4 other etchings and engravings by or after Boissieu Cheron Picart and others all unframed (5). Condition report: Verkolje with thread margins creases with slight surface wear to upper and lower right corners classical scene after Cheron with browning all hinged into mounts

A group of portraits and figure studies with a mezzotint by Watson after Joshua Reynolds 2 portraits by Cornelis Visscher Cornelis van Tromp by Bol and 5 others engravings mezzotints lithographs v.s. largest 560 x 420mm. (22 x 16 1/2 in) unframed (9)

James Fittler. Captain MacBride three-quarter length portrait after Northcote engraving 1792 printed in dark blue/black by J. Shoveller 495 x 365mm.(19 1/4 x 14 1/2 in); with a portrait of Charles Saunders Vice Admiral of the Blue mezzotint 1794 360 x 255mm.(14 1/4 x 10 in); another of General Elliot later Governor of Gibraltar soft-ground etching 1794 520 x 355mm.(20 1/2 x13 3/4 in); also with The English Politicians by Richard Houston mezzotint 1794 610 x 460mm.(24 x 18 in) unframed (4)

After George Morland. Morning or the Benevolent Sportsman mezzotint printed in colours by Joseph Grozer 1795 450 x 585mm. (17 3/4 x 23 in) unframed. Condition report: Trimmed to the image unbacked and otherwise in good condition the title strip preserved on a thin board support.

J.W. Weinmann Cauda muris and Cedrus Libani with Acetosa Pratensis Cacaliastrum Potamogeton and others from Phytanthoza Iconographia [Regensburg] [1734-1745] engravings with mezzotint printed in colour and finished by hand each 325 x 210mm. (12 3/4 x 8 1/4 in) unframed (8) Condition report: One with some faint spotting.

A small group of various botanical plates including a mezzotint of a bouquet by Smith after Jean-Baptiste Monnoyer 3 hand-coloured plates from Weinmann`s Phytanthoza Iconographia and 2 other botanical studies 18th century v.s. 350 x 230mm (13 3/4 x 9 in) to 185 x 130mm (7 1/4 x 5 in) unframed (6).

David Lucas The Lock after John Constable R.A. mezzotint c.1830 590 x 500mm.(23 x 20 in). Condition report: Faint browning.

After J.M.W. Turner The Source of the Arveron in the Valley of Chamouni Savoy mezzotint by Thomas Lupton 1860 Colnaghi with a touched proof and 2 unlettered proofs 215 x 285mm. (8 1/2 x 11 1/4 in); with 7 other mezzotints after Turner including Ville de Thune by Thomas Hodgetts 1816 and Isis by William Say 1819 for the Liber Studiorum the others all unlettered including a duplicate all unframed (11). Condition report: surface dust and dirt some marginal tears and creasing a few plates with surface abrasions and soft creases.

William Ward Selim portrait of the racing stallion after H.B. Chalon [Snelgrove Chalon 10; Siltzer p.93] mezzotint 1809 C. Random 445 x 545mm. (17 1/2 x 21 1/2 in) unframed. Condition report: Slight dampstainin .trimmed to the image and title remargined.

J.W. Weinmann Cacao minor with 3 others of plants used as food or medicine Canella Laurifolia China de China seu Kinkina and Canna Indica flore luteo from Phytanthoza Iconographia [Regensburg] 1734-1745 engravings with mezzotint printed in colour and finished by hand each c.325 x 210mm. (12 1/4 x 8 1/4 in) unframed (4) Condition report: One with some faint spotting.

After James Seymour, `The Portraiture of the famous horse Old Partner`, mezzotint by Houston with hand colouring, together with a further hand coloured lithograph of children. (2)

* AFTER THOMAS ROWLANDSON. `Pic Nic Revels-Men are but Children of a larger Growth`, coloured print, bears signature` Rowlandson Delt` , unframed, 9 1/2 x 14 in; a coloured etching after William Heath titled `Retrenchment`; and a coloured mezzotint titled `Tom Tackle relieving an Old Shipmate`. (3)

Francesco Bartolozzi RA 1727-1815- "William Pitt, standing, holding a letter", after Gainsborough Dupont, publ. Gainsborough Dupont, 87 Pall Mall, Jan 1 1791; stipple engraving, 49x36.8cm: William Bromley 1769-1842- "Duke of Wellington on Horseback", after Sir Thomas Lawrence, publ. Sept 4 1830 by Moon Boys & Graves, 6 Pall Mall; engraving, 70x46cm: John Jones c.1745-1797- "The Right Honourable Charles James Fox", after Sir Joshua Reynolds, publ. Nov 1 1792, J Jones, no 75, Great Portand Street, Marylebone; mezzotint, 50x35.5cm: Thomas Hodgetts (& Sons) act c.1801-1840- "Sir David Baird", after Sir Henry Raeburn; mezzotint, 62x39cm: Attributed to Charles Turner 1773-1857- "Admiral John Willett Payne", after John Hoppner; mezzotint, 36x28.5cm, (5) Provenance: Property of the late Lady King of Wartnaby

Richard Earlom 1743-1822- "Colonel Mordaunt`s Cock Match at Lucknow", after Johann Zoffany; hand coloured mezzotint heightened with gouache, trimmed within the plate mark, 46.5x66.5cm Provenance: Property of the late Lady King of Wartnaby

James MacArdell c.1729-1765- "Fra Douce MD", after William Keable; mezzotint, 49.7x34cm: William Sharp 1749-1824- Portrait of John Hunter, physiologist and surgeon, after Sir Joshua Reynolds RA; engraving, 43x33.5cm: Bernard Baron c.1696-1762- "Ricardus Mead MD", after Allan Ramsay; engraving, 51.5x32.5cm: together with thirty-six further engravings, mezzotints and lithographs of portrait subjects, dignitaries and notables, historical subjects etc., 18th and 19th centuries, all in ebonised frames, various sizes, (36)

J. Chamberlain, a framed Mezzotint of an early scene of four ladies and three gents with a dog on a wooded river bank, a group of Italianate buildings with figures going about their chores on the opposite bank, signed to lower right of mount, impressed to lower left `ZEYZ`, 15 1/2`` x 19 5/8``

Russell (Charles E.) English Mezzotint Portraits and their states... vol.1 only (of 2) one of 625 copies contemporary half pigskin uncut a little faded and stained 1926 § Briquet (C.M.) Les Filigranes: Dictionnaire Historique des Marques du Papier... 4 vol. one of 150 facsimile reprints Mansfield Centre Ct. n.d. § Bénézit (E.) Dictionnaire...des Peintres Sculpteurs... 8 vol. original cloth spines faded Paris 1960 § Mallalieu (H.L.) The Dictionary of British Watercolour Artists up to 1920 2 vol. Woodbridge 1976-79 § Wood (Jeremy) Hidden Talents: A Dictionary of Neglected Artists working 1880-1950 signed by the author on title Billingshurst 1994 plates and illustrations all but the first original cloth or boards the last two with dust-jackets slightly rubbed; and c.25 others art reference v.s. (c.40)(c.40)

JOHN D. MILLER AFTER SIR FRANK DICKSEE `Silvia`, mezzotint, signed by artist and engraver, published by Arthur Tooth & Sons, c. 1891, 16" x 11 3/4"; Alphonse Legros (1837-1911) - `L`incendie`, etching 9 1/4" x 10 3/4" and a print after Kathe Kollwitz of a family group (3)

Brye/Duchess of Cumberland/ mezzotint, 62cm x 38cm (24.25" x 15")

Stodart after Romney, "Lady Hamilton as a Bocchante", coloured mezzotint, pencil-signed by Stodart.

Shaw (Stebbing) A Series of Engravings from Shaw`s with a set of the Unpublished Plates which were prepared for the Continuation 119 engraved plates two double-page some with two or more illustrations some with added aquatint a few plates slightly spotted mainly in margins contemporary half russia g.e. hinges strengthened with the bookplates of Sir Edric Walseley and Hugh Hernshall Williamson large folio Henry Kent Causton [dated on spine 1854]. *** No other copies of this set of plates have been traced. The list of engravings calls for 125 in all including 29 not previously published. Those not present are numbered in the list as 37 49 69 70 95 and 96. These were all amongst the plates that had been borrowed from other publications. In addition this volume contains a large lithographed view of timber-framed buildings in Greengate Street Litchfield after John Robert Fernyhough; an engraved portrait of David Garrick by William Skelton after Robert Edge Pine 1818; mezzotint portraits of Samuel Johnson by C. Townley after Opie 1792; Lieut. Colonel Biddulph by Thomas Watson after Anthony Poggi; the Rev. Sambrooke Higgins by John Young after T. Barber; and Sir John Bowyer by T. Smith after T. Gibson; and engraved ground plan and 9 aquatint views of Lichfield Cathedral published by C. Wild 1813.

AFTER ANGELICA KAUFFMAN Two Grecian muses waking cupid, mezzotint, circular, 11" diameter.

C. Hodges After Reynolds portrait of Tom Wharton mezzotint published 1784 by L.Rising 39 x 32.5cm (image)

AFTER KOICHI SAKAMOTO (1932-) "Snow covered building with trees in foreground", mezzotint, signed and No`d 70/100, inscribed on Red Lantern Shop label verso

AFTER CHARLES TURNER "My horse", mezzotint, published by E ORME

A verre eglomise framed mezzotint of a young girl holding a bowl 50 x 40cm

A group of four, including a colour mezzotint of a girl `Pinkey` by E. Milner after Lawrence, and another of Mrs Davenport after Romney, a print of a dandy and another of a Medieval procession.(4)

After George Cruikshank; hand coloured print "Princely Amusements of The Humors of the Family", 20 x 52cm, mounted, a coloured print "The Propagation of a Lie" after H Bunbury, 24.5 x 35.5cm, mounted, a pair of mezzotint engravings by F Petitjean, framed and glazed, lithograph "Old House, Hereford", also a print after Haslehust and a print of lion and lioness (7).

After Robert Dighton (1752-1814) - Mezzotint - “His Royal Highness George Augustus Frederick Prince of Wales”, 12.75ins x 9.75ins, printed by Bowles & Carver and published august 1795, in modern gilt frame and glazed

Circle of Paul Sandby Munn 1773-1845- View of an Abbey ruin; watercolour, David Waterson 1870-1934- A figure on horseback under a stormy sky; mezzotint printed in brown, with extensive rocker and roulette work, presumably a unique impression, bears indistinct title verso, 40x52cm: William Strange, Scottish 1859-1921- Italianette courtyard; dry-point etching, signed in pencil, initialed and dated 1913: M C Robinson, 19/20th century- Extensive highland landscape; aquatint: Vincent Brooks, Day & Son Lith 1888- "Pembroke"; Rev Ernest John Smith 1888 (Rowing) publ by Vanity Fair, Jan 28th 1888, lithograph printed in colours, after Hay, 31x19cm: John Marshall, publ c.1821- "A Representation of Twenty One Beasts Commonly Seen in England; engraving publ 1821: Carlo Maratta 1625-1713- St John the Baptist; etching, 20.6x14.2cm: After Peter Candid 1548-1628- Teresa of Avuili`s Vision of the dove; engraving, trimmed: Dirck Stoop c.1610-c.1681- Ponies grazing; etching, signed within the plate, on laid paper, (A/F) (unframed) (a lot)

Michael Chaplin, British b.1943- `St. Martin, Picardy`, `Viaduct`, `Water Trough`; etching and aquatint, all numbered or artist proof, titled, signed and dated 80 or 81, 43.5x56.5cm (max) (3): Susan Jameson, British b. 1944- "Moonlight"; mezzotint in colours, numbered 1/200, titled, and signed, 30x40cm: Peter Matthews b.1942 - `Evening Sea`; etching and aquatint, numbered 20/50, titled, signed and dated `83, 38.5x48cm: Norman Marcus, 20th/21st Century- "Lower Wessex Lane, Pummer; serigraph in colours, numbered 33/60, signed and dated `76, 44.5x50.5cm: Kenneth Leech, 20/21st Century- "Meadow Covert"; lithograph in colours, numbered 12/150, signed, 40x48.2cm: Brad Fain, 20/21st Century- `Ashes of Autumn`, `Springtime Promise; serigraph in colours, both numbered, titled and signed, 84x60cm (max) (2): together with four other prints by the same or various hands, 20/21st Century; serigraph in colours, all numbered or artist`s proof and signed, 54.5x74.2cm (max)., (unframed) (13) (a lot) (may be subject to Droit de Suite)

Portrait of a Lady, coloured mezzotint engraved by Ellen Jowett, signed in pencil, dated 1916, in gilt-composition frame.

Macculloch, J.R. A descriptive and statistical account of the British empire. London: Longmans &c., 1847. Third edition, 2 volumes, 8vo, original cloth, slightly spotted; [Francklin, Thomas] Matilda, a tragedy. London: T. Cadell, 1775. 8vo, modern boards; Jameson, Robert A treatise on the external characters of minerals. Edinburgh: Bell & Bradfute, [1805]. 8vo, original boards, uncut, lacking the plates, neatly rebacked, boards slightly soiled; Prescott, W.H. The complete works. London: Gibbings, 1896. 12 volumes, 8vo, original blue cloth gilt; Lawrence, T.E. Seven pillars of wisdom. 1935. First trade edition, 4to, original buckram, spine faded; D`Alton, E.A. History of Ireland. 1910. 6 volumes, large 8vo, original cloth gilt; Hawarde, John Les reportes del cases in camera stellata 1593 to 1609. 4to, Privately Printed, 1894, plates, original buckram gilt; Whymper, Edward Travels amongst the great Andes of the Equator. 1892. 8vo, lacking the supplementary volume, folding map in pocket, original cloth, binding spotted; Archaeological exhibition. Aberdeen. Catalogue of historical portraits. Aberdeen 1859. 4 copies, 8vo, original cloth, paper label on cover; Edmond, J.P. The Aberdeen printers. Edward Raban to James Nicol. Aberdeen: J. & J.P. Edmond & Spark, 1884-86. 4 volumes, 8vo, original boards, 2 spines slightly chipped; Constable, Thomas Archibald Constable and his literary correspondents. Edinburgh, 1873. 3 volumes, 8vo, mezzotint frontispiece, original cloth, volume 3 joint split and hinges repaired; and 3 others (39)

T * RYLEY (fl. MID 18TH CENTURY) - `The Honourable William Blakeney Esquire, Lt. General of His Majesty Forces, Colonel of His Majesty Iniskillin Regiment of Foot and Lt. Governor of Minorca, mezzotint, 13 1/4" x 9 1/2" (see illustration).

RICHARD SMYTHE - A young maiden with harp in classical landscape, mezzotint in colours, pencil signed in the margin, pub, C1913, 16 1/2" x 13"; an Eastern pencil and wash drawing of a female dancer in traditional dress, indistinctly signed; and a pair of colour prints, each depicting fashionable ladies (4).

Two early 20th Century oil paintings, portraits of a bearded gentleman and a young man, another oil painting, landscape with ruins and river, and a mezzotint engraving, "The Fortune Teller"

Bill Jacklin (British, 1943), Two mezzotints from the series Rocker One titled Rocking My Blues Away signed and dated (lower right) Jacklin 73 , marked in pencil (lower left) 39/40. Gallery label verso, framed. Second Mezzotint titled Moody Rocker signed and dated (lower right) Jacklin 73 , marked in pencil (lower left) 39/40. Framed." Paper size 58.5 cm (high) x 48.5 cm (wide), Image size: 24.25 cm (high) x 21 cm (wide) Overall good condition, one framed with a crack to glass in top right hand corner, both prints not inspected out of frame View on auctionatrium.com

Queen Caroline, mezzotint, gilt frame, another, A Girl on a Garden Barrow, and a print of nude Japanese girls

(Sir Philip) Memoirs of the Reign of King Charles (Sir Philip) Memoirs of the Reign of King Charles the First 2 engraved portraits extra-illustrated with the insertion of c.100 engraved portraits by Hollar and others including Hobbes by Hollar and a mezzotint of Dryden all trimmed close and mounted on blank sheets one or two folding 2 leaves loose engraved bookplate and case label of Carton Library on front pastedown contemporary calf ruled and stamped in blind rubbed rebacked preserving old spine Edinburgh 1813; and 6 others 4to & 8vo (7) (7)

A 19th Century hand coloured mezzotint-children begging on a street, in heavy oval gilt frame.

After L Abbott, engraved by Will Henderson, The Blackheath Golfer, mezzotint, and another smaller

After Sir Joshua Reynolds PRA 1723-1793, early 20th century- "Viscountess Crosbie", originally published 1779, by Dickinson & Watson, London; mezzotint printed in colours, 49.5x30cm: together with four other similar reproduction prints after different hands, all held in matching Hogarth frames, 59x40cm., (max) (5)

Attributed to Henry Percy Huggill ARE 1886-1957- A French Cathedral, publ by The Gainsborough Galleries, Albert Building, Pressons Row, Liverpool Copyright 1919; etching, signed in pencil, bears blind stamp `Artist`s Proof`, 32x23cm: together with one other etching of a Northern European town square by the same hand, similarly signed in pencil, bears blind stamp `Artist`s Proof`, 21x26cm: Camille Foncé 1867-1938 exh 1896-1909- "Leon Cathedral" and "Rheims Cathedral", publ 1918 by Arthur Tooth & Sons 155 New Bond Street, London W, imp Ad Valcke Paris; etchings printed in colours, a pair, both signed in pencil, both bear labels for Grindley Palmer Exchange Street West Liverpool attached to the reverse of the frame, 40x35cm., ea: William Henderson exh 1886-1914- Sol del Venezia, publ by The Gainsborough Galleries Fine Art Publishers Liverpool copyright 1923; mezzotint printed in colours, signed in pencil, bears bind stamp `Artist`s Proof`, 29x40cm: George Sydney Hunt exh 1880-1917- "The Laughing Cavalier"after F Hals, publ 1915 by G J Howell& Co 26 Museum St London WC; mezzotint printed in colours, signed in pencil, 39.5x32cm., (6)

Norman Hirst ARE 1862-1956- Horse and cart travelling through a mountainous landscape; mezzotint, signed with initials within the plate, signed in pencil, 17x23.6cm: 20th Century- `The gardener of Haywood Heath, Sussex`; watercolour, 16.5x11.5cm: together with a further collection of prints, watercolours and pen and ink sketches by and after different hands, (a lot)

After Sir Joshua Reynolds PRA 1723-1792- "John Charles Viscount Althorp,aged four years", publ 1910 W M Power, 121 Victoria Street, Westminster; mezzotint printed in colours, bears pencil inscription, in a carved frame, 39.5x26cm: H Norman, British, early 20th century- Portrait of a woman in a hat, publ 1911 Alfred Bell & Co, 47 Duke Street, London, SW; mezzotint printed in colours, signed in pencil, in a carved gilt wood frame, 31x26cm: together with a quantity of reproduction prints and pictures, including a hand coloured map of Shropshire, (a lot)

Samuel Cousins RA 1801-1887- "Master Lambton", after Sir Thomas Lawrence RA, originally publ Colnaghi Son & Co March 26th 1827; mezzotint printed in colours, 46x35cm: Samuel Cousins RA 1801-1887- "Miss Peel", after Sir Thomas Lawrence Ra, publ by Moon Boys & Graves Oct 1 1833; mezzotint printed in colours, 46x35cm., (2)

* Georg Matthaus Seutter 1678-1757- "Mappa Geographica Regni Bohemiae.."; hand-coloured engraved map, with scale and cartouche, central vertical crease, 52x60cm,: : Norman Hirst ARE 1862-1956- Pastoral scene; mezzotint, signed with initials within the plate, signed in pencil, 28.7x38cm. Provenance: with Thos Agnew & Sons, London according to labels attached top the reverse of the frame: together with Hinchcliffe, mid 19th century - "Sinking of the Royal George", publ. by J & F Harwood, 26 Fenchurch St. Feby 2nd 1842; engraving, 11x17cm, (mounted): T H Wilson, fl. mid 19th century- "Mr Munyard as Loosfisch in The Ninth Statue", publ 31 Tavistock St Covent Garden, Day & Son Lithographers; hand-coloured lithograph, 33.5x24cm: European School, 19th century- Study of a monk seated full-length wearing wooden shoes; lithograph, 25x20cm.: European Provincial School, early-mid 20th century- Two forlorn figures beneath a tree by a lakeshore with a leaning lamp post; gouache, 88x89cm., (af) (a lot) (part unframed)

AFTER H SINGLETON, ENGRAVED BY J JONES, BLACK AND WHITE MEZZOTINT, PUBLISHED 1791, “Captain Woolmore”, 23” x 15” (A/F)

AFTER GEORGE HAYTER, ENGRAVED BY J BROMLEY, ANTIQUE BLACK AND WHITE MEZZOTINT, PUBLISHED 1828, “The Trial of William Lord Russell, 1683”, 14” x 20”

AFTER A COOPER, ENGRAVED BY C TURNER, ANTIQUE BLACK AND WHITE MEZZOTINT, Dog Fighting, 10 ½” x 12 ½”

After Buck Young Burns at the Grave of his Father Coloured mezzotint, 31 x 21cm

Marina Kim Mezzotint, Reclining nude, signed in pencil, artist`s proof, P 9.5"x 11.5", framed

Lawrence (Sir Thomas). Engravings from the Choicest Works of Sir Thomas Lawrence, A.R.A., pub. Henry Graves & Co., n.d., c.1846, title page with vignette portrait, mezzotint frontis portrait of King George IV and forty-nine mezzotint and line engravings (complete as list), some spotting throughout, a.e.g., contemp. half morocco gilt, rubbed, frayed and worn, folio, together with, Prout (Samuel), Hints on Light and Shadow, Composition, Etc. as Applicable to Landscape Painting, pub. Ackermann & Co., 1838, title and half title, twenty lithographic plts., spotted throughout, orig. pubs. qtr. morocco gilt, upper board detached, lacking spine, rubbed, frayed and worn, folio, with, Turner (J.M.W.), [Illustrations to Turner’s Annual], n.d. c.1870, lacking title page and all prelims., sixty engraved plates on india laid, each image with title in pencil manuscript, spotted throughout, a.e.g., orig. half morocco gilt, rubbed and frayed at extrems., folio, plus, Shaw (Richard Norman), Architectural Sketches from the Continent, pub. Day & Son, 1858, dec. litho. title page, ninety-nine (of 100), litho. plts., contents misbound, spotted throughout, some marginal fraying and dust soiling to fore-edges, new end papers, contemp. cloth gilt, rebacked, worn and rubbed, folio, with two other similar (6)

MILTON, John and MARTIN, John, The Paradise Lost of Milton with illustrations, designed and engraved by John Martin, 2 Vols, 24 mezzotint plates, published by Septimus Prowett, 1827, contemp half calf over marbled boards, 5 ridges to spine, gilt top edges, some light spotting around engravings, tear to lower spine of vol I, contained in purpose made modern board case, 4to (2)

After Thomas Baxter (1782-1821) Britannia crowning the bust of Lord Nelson Mezzotint engraved by A.R.Burt 52.5 x 37cm; 20¾ x 14½in++Some blemishes and a vertical area of creasing and bubbling lower centre some discolouration visible to lower margin/inscription line* All lots marked with an asterisk are subject to VAT on the hammer price.‡ All marked lots may be subject to Droit de Suite / Artist`s Resale Right.For details please see www.woolleyandwallis.co.uk department page.All condition reports are a guide only and should be used as such.

John Dixon (1740-1801) after George Stubbs A Tigress mezzotint, fourth and final state, good impression with narrow margins on three sides, trimmed along plate mark and image at top edge, published by J. Boydell, S. Hooper, T. Bradford, T. Burford and J. Dixon, London, 1773 S. 19¼ x 23½in. (490 x 597mm.) View on Christie's.com

David Dodsworth b.1952- "Araso I"; carborundum in colours with embossing and gold printing on hand made paper, signed and numbered 121/250, 62x85cm: with three other similar smaller screenprints in colours on handmade paper by the same artist, all signed: Isaac Tarkay, Israeli b.1935- Women relaxing in a café; screenprint in colours, signed in pencil, numbered 283/350, 53x70cm: with four other similar prints by the same artist, all signed in pencil, various sizes: Warren Brandt 1918-2002- "Still Life I"; screenprint in colours, signed in pencil, numbered 122/325, 53.5x68cm: with another similar by the same artist entitled "Still Life II", signed in pencil, numbered 136/325, 53.5x68cm: Paul Bisson b.1938- "Smallman`s Wood"; etching and aquatint printed in colours, signed in pencil, numbered 15/250, 36x47.3cm: with two other similar works by the same artist, both signed in pencil: Hazel Soan, mid/late 20th century- "Tropical Gardens II"; screenprint in colours, signed in pencil, numbered 340/350, 56x69cm: with five other similar works by the same artist, all signed in pencil: Catlin Whiting, 20th century- "Clementine"; screenprint in colours, signed in pencil, numbered 255/350, 61x93cm: together with two other similar works by the same artist, both signed in pencil: Susan E Jameson b.1944- "Moon"; mezzotint printed in colours, arch shaped composition, signed in pencil, numbered 4/200, 38x29.3cm: with three other mezzotints by the same artist, all signed: A Ubanof, Russian, late 20th/early 21st- "Kapyceno" clown, surrounded by a fortress with a merry-go-round on his hat; hand coloured etching, signed and dated `93 in pencil, numbered 105/175, 29.7x28.3: with eight other similar works by the same artist, seven signed, one unsigned, various sizes: together with a number of prints and mixed technique works by and after various hands, (a lot) (unframed) (may be subject to Droit de Suite)