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A 19th Century hand coloured mezzotint-children begging on a street, in heavy oval gilt frame.

After L Abbott, engraved by Will Henderson, The Blackheath Golfer, mezzotint, and another smaller

After Sir Joshua Reynolds PRA 1723-1793, early 20th century- "Viscountess Crosbie", originally published 1779, by Dickinson & Watson, London; mezzotint printed in colours, 49.5x30cm: together with four other similar reproduction prints after different hands, all held in matching Hogarth frames, 59x40cm., (max) (5)

Attributed to Henry Percy Huggill ARE 1886-1957- A French Cathedral, publ by The Gainsborough Galleries, Albert Building, Pressons Row, Liverpool Copyright 1919; etching, signed in pencil, bears blind stamp `Artist`s Proof`, 32x23cm: together with one other etching of a Northern European town square by the same hand, similarly signed in pencil, bears blind stamp `Artist`s Proof`, 21x26cm: Camille Foncé 1867-1938 exh 1896-1909- "Leon Cathedral" and "Rheims Cathedral", publ 1918 by Arthur Tooth & Sons 155 New Bond Street, London W, imp Ad Valcke Paris; etchings printed in colours, a pair, both signed in pencil, both bear labels for Grindley Palmer Exchange Street West Liverpool attached to the reverse of the frame, 40x35cm., ea: William Henderson exh 1886-1914- Sol del Venezia, publ by The Gainsborough Galleries Fine Art Publishers Liverpool copyright 1923; mezzotint printed in colours, signed in pencil, bears bind stamp `Artist`s Proof`, 29x40cm: George Sydney Hunt exh 1880-1917- "The Laughing Cavalier"after F Hals, publ 1915 by G J Howell& Co 26 Museum St London WC; mezzotint printed in colours, signed in pencil, 39.5x32cm., (6)

Norman Hirst ARE 1862-1956- Horse and cart travelling through a mountainous landscape; mezzotint, signed with initials within the plate, signed in pencil, 17x23.6cm: 20th Century- `The gardener of Haywood Heath, Sussex`; watercolour, 16.5x11.5cm: together with a further collection of prints, watercolours and pen and ink sketches by and after different hands, (a lot)

After Sir Joshua Reynolds PRA 1723-1792- "John Charles Viscount Althorp,aged four years", publ 1910 W M Power, 121 Victoria Street, Westminster; mezzotint printed in colours, bears pencil inscription, in a carved frame, 39.5x26cm: H Norman, British, early 20th century- Portrait of a woman in a hat, publ 1911 Alfred Bell & Co, 47 Duke Street, London, SW; mezzotint printed in colours, signed in pencil, in a carved gilt wood frame, 31x26cm: together with a quantity of reproduction prints and pictures, including a hand coloured map of Shropshire, (a lot)

Samuel Cousins RA 1801-1887- "Master Lambton", after Sir Thomas Lawrence RA, originally publ Colnaghi Son & Co March 26th 1827; mezzotint printed in colours, 46x35cm: Samuel Cousins RA 1801-1887- "Miss Peel", after Sir Thomas Lawrence Ra, publ by Moon Boys & Graves Oct 1 1833; mezzotint printed in colours, 46x35cm., (2)

* Georg Matthaus Seutter 1678-1757- "Mappa Geographica Regni Bohemiae.."; hand-coloured engraved map, with scale and cartouche, central vertical crease, 52x60cm,: : Norman Hirst ARE 1862-1956- Pastoral scene; mezzotint, signed with initials within the plate, signed in pencil, 28.7x38cm. Provenance: with Thos Agnew & Sons, London according to labels attached top the reverse of the frame: together with Hinchcliffe, mid 19th century - "Sinking of the Royal George", publ. by J & F Harwood, 26 Fenchurch St. Feby 2nd 1842; engraving, 11x17cm, (mounted): T H Wilson, fl. mid 19th century- "Mr Munyard as Loosfisch in The Ninth Statue", publ 31 Tavistock St Covent Garden, Day & Son Lithographers; hand-coloured lithograph, 33.5x24cm: European School, 19th century- Study of a monk seated full-length wearing wooden shoes; lithograph, 25x20cm.: European Provincial School, early-mid 20th century- Two forlorn figures beneath a tree by a lakeshore with a leaning lamp post; gouache, 88x89cm., (af) (a lot) (part unframed)

AFTER H SINGLETON, ENGRAVED BY J JONES, BLACK AND WHITE MEZZOTINT, PUBLISHED 1791, “Captain Woolmore”, 23” x 15” (A/F)

AFTER GEORGE HAYTER, ENGRAVED BY J BROMLEY, ANTIQUE BLACK AND WHITE MEZZOTINT, PUBLISHED 1828, “The Trial of William Lord Russell, 1683”, 14” x 20”

AFTER A COOPER, ENGRAVED BY C TURNER, ANTIQUE BLACK AND WHITE MEZZOTINT, Dog Fighting, 10 ½” x 12 ½”

After Buck Young Burns at the Grave of his Father Coloured mezzotint, 31 x 21cm

Marina Kim Mezzotint, Reclining nude, signed in pencil, artist`s proof, P 9.5"x 11.5", framed

Lawrence (Sir Thomas). Engravings from the Choicest Works of Sir Thomas Lawrence, A.R.A., pub. Henry Graves & Co., n.d., c.1846, title page with vignette portrait, mezzotint frontis portrait of King George IV and forty-nine mezzotint and line engravings (complete as list), some spotting throughout, a.e.g., contemp. half morocco gilt, rubbed, frayed and worn, folio, together with, Prout (Samuel), Hints on Light and Shadow, Composition, Etc. as Applicable to Landscape Painting, pub. Ackermann & Co., 1838, title and half title, twenty lithographic plts., spotted throughout, orig. pubs. qtr. morocco gilt, upper board detached, lacking spine, rubbed, frayed and worn, folio, with, Turner (J.M.W.), [Illustrations to Turner’s Annual], n.d. c.1870, lacking title page and all prelims., sixty engraved plates on india laid, each image with title in pencil manuscript, spotted throughout, a.e.g., orig. half morocco gilt, rubbed and frayed at extrems., folio, plus, Shaw (Richard Norman), Architectural Sketches from the Continent, pub. Day & Son, 1858, dec. litho. title page, ninety-nine (of 100), litho. plts., contents misbound, spotted throughout, some marginal fraying and dust soiling to fore-edges, new end papers, contemp. cloth gilt, rebacked, worn and rubbed, folio, with two other similar (6)

MILTON, John and MARTIN, John, The Paradise Lost of Milton with illustrations, designed and engraved by John Martin, 2 Vols, 24 mezzotint plates, published by Septimus Prowett, 1827, contemp half calf over marbled boards, 5 ridges to spine, gilt top edges, some light spotting around engravings, tear to lower spine of vol I, contained in purpose made modern board case, 4to (2)

After Thomas Baxter (1782-1821) Britannia crowning the bust of Lord Nelson Mezzotint engraved by A.R.Burt 52.5 x 37cm; 20¾ x 14½in++Some blemishes and a vertical area of creasing and bubbling lower centre some discolouration visible to lower margin/inscription line* All lots marked with an asterisk are subject to VAT on the hammer price.‡ All marked lots may be subject to Droit de Suite / Artist`s Resale Right.For details please see www.woolleyandwallis.co.uk department page.All condition reports are a guide only and should be used as such.

John Dixon (1740-1801) after George Stubbs A Tigress mezzotint, fourth and final state, good impression with narrow margins on three sides, trimmed along plate mark and image at top edge, published by J. Boydell, S. Hooper, T. Bradford, T. Burford and J. Dixon, London, 1773 S. 19¼ x 23½in. (490 x 597mm.) View on Christie's.com

David Dodsworth b.1952- "Araso I"; carborundum in colours with embossing and gold printing on hand made paper, signed and numbered 121/250, 62x85cm: with three other similar smaller screenprints in colours on handmade paper by the same artist, all signed: Isaac Tarkay, Israeli b.1935- Women relaxing in a café; screenprint in colours, signed in pencil, numbered 283/350, 53x70cm: with four other similar prints by the same artist, all signed in pencil, various sizes: Warren Brandt 1918-2002- "Still Life I"; screenprint in colours, signed in pencil, numbered 122/325, 53.5x68cm: with another similar by the same artist entitled "Still Life II", signed in pencil, numbered 136/325, 53.5x68cm: Paul Bisson b.1938- "Smallman`s Wood"; etching and aquatint printed in colours, signed in pencil, numbered 15/250, 36x47.3cm: with two other similar works by the same artist, both signed in pencil: Hazel Soan, mid/late 20th century- "Tropical Gardens II"; screenprint in colours, signed in pencil, numbered 340/350, 56x69cm: with five other similar works by the same artist, all signed in pencil: Catlin Whiting, 20th century- "Clementine"; screenprint in colours, signed in pencil, numbered 255/350, 61x93cm: together with two other similar works by the same artist, both signed in pencil: Susan E Jameson b.1944- "Moon"; mezzotint printed in colours, arch shaped composition, signed in pencil, numbered 4/200, 38x29.3cm: with three other mezzotints by the same artist, all signed: A Ubanof, Russian, late 20th/early 21st- "Kapyceno" clown, surrounded by a fortress with a merry-go-round on his hat; hand coloured etching, signed and dated `93 in pencil, numbered 105/175, 29.7x28.3: with eight other similar works by the same artist, seven signed, one unsigned, various sizes: together with a number of prints and mixed technique works by and after various hands, (a lot) (unframed) (may be subject to Droit de Suite)

Francesco Bartolozzi RA 1727-1815- Allegorical scenes; stipple engravings printed in colours, tondo, a pair, both mounted in circular 19th century good gilt gesso verre eglomisé frames, 26.5 diameter (each): British School, late 18th century- "Annette and Lubin"; hand-coloured mezzotint, in a good 19th century mahogany glazed frame, 34x25cm: British School, late 18th century- "The Welcome Home"; hand-coloured mezzotint, 32x24.5cm: Martin Newland Bate c.1785-1821- "Hope", after A Buck; stipple engraving printed in colours, bears label Arthur Ackermann & Son, 157a New Bond Street, 29x23cm., (5)

J*** GROZER AFTER THOMAS ROWLANDSON (1756-1827) "THE BOXING MATCH BETWEEN DANIEL MENDOZA AND RICHARD HUMPHREYS ... 6TH OF MAY, 1789 ..." etching and mezzotint printed in sepia 34 x 43.5cms; 13 1/2 x 17 1/4in.

AFTER HOPPNER Lord Nelson, mezzotint, 23 1/2" x 15 1/2"

CLAUDE Gelée, called le Lorrain (1600-1682). Liber Veritatis; or a Collection of Prints after the Original Designs of Claude... executed by Richard Earlom. London: 1819. 3 volumes, 2° (420 x 290mm). 3 portraits, 300 mezzotint plates. (Light spotting, heavier to a few plates.) Contemporary red half morocco, gilt spines, g.e. (extremities rubbed, upper joints cracking, end papers to vol. 2 lacking). Provenance: John Henry Gurney. Reprint. Cf. Lowndes p.1398. (3) View on Christie's.com

Sir Frank Short (1857-1945): `Headlights over the Hill`, mezzotint signed in pencil 17cm x 21cm

JOHN HARRIS (1811-1865) AFTER HENRY MARTENS (1828-1854) THE BATTLE OF GOOJERAT ON THE 21ST FEBRUARY 1849 from the series of Celebrated Engagements of the Sikh Wars, aquatint in bright contemporary colour published by R Ackermann, July 20th 1850, 53.5 x 68.5cm, a mezzotint of Samuel Whitbread by Samuel William Reynolds after the portrait by John Opie, inscribed in the plate SECOND FIFTY, published by the engraver, 1804, two other portraits and a 19th English School watercolour of a basket of flowers on a marble ledge, signed S B (5) ++In generally good condition, the Whitbread print with marginal tear stopping short of the image, the floral watercolour bright and attractive

EDWARD PRICE: NORWAY AND ITS SCENERY ……, Thomas Forester (ed) 1853, 1st edn, 21 mezzotint plts, decor cont blind stpd cf gt, gauffered edges by King Brighton

Gautier d`Agoty (Jacques) [Exposition anatomique d plates only 8 colour mezzotint plates by Gautier each signed and dated in the plate some minor marginal spotting and soiling also light water-staining to some plates (marginal except for plate VII where affects image but only apparent on verso) plates VI & VIII a little faded 4 plates slightly trimmed but still with good margins with some marginal tears and defects repaired unbound [Choulant-Frank 272; Franklin `Early Colour Printing` p.47; NLM/Blake 169; Not in Garrison-Morton Norman Osler Waller or Wellcome] folio (c.440 x 290mm. or trimmed to c.415 x 270mm.) [Paris Demonville] [1775]. *** Gautier`s rarest work (especially as loose sheets) displaying his pioneering use of colour-printing. Plates 6-8 depict the nervous system of the whole human body and are often found joined together; the remaining plates feature a cross-section of the skull the brain and eyes organs of hearing base of the skull and the organs of taste and smell.

Milton (John) The Paradise Lost 2 vol. half-titles 24 mezzotint plates by John Martin (images c.280 x 200mm. or vice versa) some light foxing and soiling mostly marginal final leaf of vol.1 almost detached where cut along inner margin nineteenth century half morocco spine gilt with crest of bird (?crane) at foot t.e.g. others uncut rubbed a little worn at edges imperial 4to Septimus Prowett 1827.

George Dawe, after James Northcote (British, 1746-1841) Grouse Shooters in the Forest of Bowland, Lancashire mezzotint in colours, in original gilt frame 44 x 62cm (17.16 x 24.18in)

BUNBURY, William Henry. An Academy for Grown Horsemen ... by Geoffrey Gambado, half calf cloth sides, 12 mezzotint plates, folio, 1787.

Constable (John) English Landscape Scenery 40 mezzotint plates by David Lucas after Constable tissue guards title lightly spotted otherwise clean broken and loose contemporary half morocco spine gilt g.e. rubbed folio 1855.

Constable (John) English Landscape Scenery 40 mezzotint plates by David Lucas after Constable tissue guards title browned otherwise very clean cloth t.e.g. slightly rubbed 1855; and another copy with marginal water-staining folio (2)

Rubens (Peter Paul) and others. Album of Old Maste comprising 37 17th & 18th century etched and engraved prints after Rubens Bartolozzi Petrucci and others including biblical classical and pastoral scenes all mounted most trimmed to plate mark 19th century half morocco rubbed large folio [assembled in England c.1840]. *** Included are: Franc Petrucci. 6 large etched prints by Lorenzini Bassanino Bassano and Barbieri of classical (Sabine women) and pastoral scenes each trimmed to plate mark c.570 x 435mm (6) Andreas Sacchi. Noah sacrificing J Boydell 1767; and 2 others from the same series (3) A group of 4 English portraits mezzotint and engraved comprising Prince William Henry by Bartolozzi after West 1782; Lord Castlereagh by Turner after Lawrence 1814; Jean Francois Lamarche by Skelton after Danloux; The Prince of Wales by Baron after Adolphe n.d. (4) J.J. de Rossi Allegorical dedication plate etched by Aquila; Procrin Eritrei Regis Atheniensium etched by GMF ; and another (3) A. and J. Schmuzer 3 etched and engraved Roman scenes Vienna n.d (3) Peter Paul Rubens 4 hunting scenes etched by W P Leeuw two with the Moors published by Cornelis Dankerts [Amsterdam]; Assumption of the Virgin etched by F Ragot after Rubens; pastoral scene etched by Petrus de Jode after Rubens. (6)

A 19th Century Oval Mezzotint - Back to School and Two Other Prints

Sydney E Wilson after Thomas Gainsborough/ Master Heathcote/signed artist`s proof mezzotint in colours, 40cm x 30.5cm (15.75" x 12") /another mezzotint by Clifford R James and sundry prints, bullfighting and coaching subjects

AFTER SIR JOSHUA REYNOLDS PRA (1723-1792 ) `The Most Reverend Richard Robinson D.D. Archbishop of Armagh. Primate of all Ireland` publ. Sept 7 1776 by J.R. Smith mezzotint, trimmed to plate, sold unexamined out of frame Pl 17 1/2 x 14 in; and a collection of other portrait prints including The Right Hon. William Pitt (after H. Edridge); The Right Honorable Lord Viscount Chetwynd (after Sir W. Beechey); Richard Robinson, Bishop of Kildare, 1764 (after Reynolds); William Murray, 1st Earl of Mansfield; and Edward First Baron, Thurlow (after Reynolds), varying sizes, (6)

AFTER JOHN HOPPNER, R.A. (1758-1810) Three Children in a Landscape mezzotint, with some trimming of margins, lacking title plate Pl.20 x 16in (50.8 x 40.7cm) ; a mezzotint after George Romney depicting Mrs Davenport; and a mezzotint of a Bacchante after Sir J. Reynolds (3)

A watercolour portrait with plaque verso "EMMA LADY HAMILTON. A sketch from life by George Romney and a label in ink "this study in watercolour by George Romney was purchased from the son of Thomas Lupton the celebrated Mezzotint engraved who inherited it from his father Leggatt Bros. Cheapside 135 mm diameter

Dart (John). Westmonasterium, Or The History and Antiquities of the Abbey Church of St. Peters Westminster, containing an Account of its Ancient and Modern Building ... and also, a Survey of the Church and Cloysters, taken in the Year 1723..., 2 vols., [c.1723], eng. title to each vol., list of subscribers to each vol., 135 full-page copper eng. plts. of monuments, antiquities, views, coats-of-arms, etc. (inc. a few double-page & full-page mezzotint port. of the author), eng. head & tailpieces, vol. 1 with closed-tear to leaf a1, few plts. with closed-tears to margins, sewing in vol. 2 slightly weak, some toning, minor spotting and browning mostly to margins, contemp. calf gilt, lacks title labels to spines, large dent to spine of vol. 2, boards detached, some general wear, folio. Upcott 851-859. (2)

*Mezzotints. Six mezzotint engravings, early 18th century, including, Beckett (Isaac), Petrus Lelly Eques Pictor Caroli 2 di. Magna Britannia Francia & Hibernia Regis, n.d., c. 1700, uncoloured mezzotint on laid after Peter Lely, good margins, 345 x 255mm, mounted, together with, Smith (John), Her Grace the Duchess of Marlborough, 1705, uncoloured mezzotint on laid after Godfrey Kneller, good margins, 345 x 255mm, mounted, with, Faber (John), His Royal Highness William Augustus Duke of Cumberland &c. &c. &c. n.d. c.1715, uncoloured mezzotint on laid, good margins, 355 x 255mm, plus three others similar (6)

FROST AND REED, `Shepherd and shepherdess`, mezzotint, 35cm x 56cm, signed in pencil, framed.

EDWARD SAVAGE (1761-1817), after D. Martin, `Benjamin Franklin`, mezzotint, 51cm x 37cm, framed.

After G Morland Farm Labourer and Daughter Eglomise framed hand coloured mezzotint, 53 x 37cm

After James Gillray Coloured satirical mezzotint, oval Published by R Wilkinson, 1786, 30 x 38cm, together with two further small portrait engravings of the period (3)

A collection of five various classical mezzotint engravings, oval within giltwood frames (5)

F Bartolotti `Appreciation`, coloured mezzotint of a girl with dove, 40 x 27cm; together with another of an 18th century courting couple in ebonised eglomise frame, 30 x 24cm (2)

A large hand coloured mezzotint of faggot gatherers, together with a collection of mezzotints, and other portraits, classical engravings including Queen Charlotte, after Sir William Beeches (9)

19th century School Killarney, Upper Lake Watercolour, according to label verso dated 25th July 1832, 28 x 22cm; also a coloured mezzotint of Regency family at dinner (2)

AFTER L.F. ABBOTT "Admiral Lord Nelson KB and the victory of the Nile", coloured engraved print (cut), a Grand Lodge Order of Buffalo Presentation Certificate " "To John Ed Large, No. 4197" dated 29th April 1922, AFTER JOSHUA REYNOLDS "Prudence", coloured mezzotint, a facsimile print of the Mary Rose, limited edition No`d 123/500, twelve various American Bank Notes for various States, a coloured print of RMS Queen Mary, etc.

AFTER ARCHIBALD THORBURN "The Last of the Flush", monochrome engraved print, IN THE MANNER OF GAINSBOROUGH "Catherine Clements", portrait study of a lady in 18th century dress wearing a broad brimmed hat, coloured mezzotint, and four further prints (6)

0 Countess Spencer portrait after Sir Joshua Reynolds engraved steel plate by Samuel Cousins 430 x 335mm. some rust in the title area Colnaghi 1876; with Mrs Harding proof plate before title with spaniel to her left mezzotint on steel-faced copper 460 x 330mm. (2)

0 George IV portrait after Thomas Lawrence mezzotint on steel-faced copper by Charles Turner 500 x 360mm. a few surface defects; with Chatterton Composing the Rowleian MSS after R. Jefferies Lewis mezzotint on steel by E. McInnes 460 x 510mm. rust spots in the title area R.B. Mitchell 1846; also with a portrait of Mr Gully mezzotint on copper 650 x 460mm. (3)

0 Miss Chomley portrait after George Romney mezzotint on copper by H. Scott Bridgwater 470 x 365mm. scratch letter proof c.1900; with Lady Smythe and Family after Sir Joshua Reynolds mezzotint on steel by Frederick Nicoll 335 x 280mm. rust in the title area Dennis 1806; also with The Strawberry Girl after Sir Joshua Reynolds stipple-engraving on steel by Samuel Cousins 480 x 365mm. surface defects Agnews 1878 (3)

0 Lady Elizabeth Compton portrait after W.R. Peters mezzotint on copper by J.R. Smith 385 x 280mm. 1780; with The Duchess of Devonshire portrait after Sir Joshua Reynolds mezzotint on steel by Samuel Cousins 710 x 470mm. some rust Colnaghi 1878 (2)

0 The Judgement of Paris after William Etty R.A. mezzotint on copper by G.S. Shury 710 x 440mm.; with Henrietta Maria proof before all letters mezzotint on steel-faced copper 550 x 410mm. 19th century (2)

0 The Fig after Reubens mezzotint on copper by Richard Earlom 550 x 640mm. a few small surface defects 18th century; with The Rat Catcher etching on copper 250 x 350mm.; and The Temple of Apollo Didymaeus 2nd View engraving on steel-faced copper by Byrne 305 x 490mm. some surface pitting (3)

Johann Pichler Ferdinand Geramb full-length military portrait after C. Hummel mezzotint 740 x 495mm. a few repaired tears in the title field another at the right side just extending into the image in substantial antique gilt frame Vienna 1805. *** Ferdinand Geramb (1772-1848) was born in France of Slovakian extraction. He rose to the post of Chamberlain to the Austrian emperor before his vehement opposition to Napoleon led him to command the Freikorp. He was later captured and imprisoned in France where a fellow prisoner was the bishop of Troyes. Under his influence Geramb became a Trappist monk. He died in Rome.

Continental male mezzotint portraits by or after Haid Houston Kilian Rigaud Schenk Smith Weigel and others mezzotints 140 x 100mm. to 490 x 350mm. one with the collector`s inkstamp of the Royal Library Windsor [Lugt 2525] another of the Bibliotheca Lindesiana some trimmed a few mounted on supports occasional slight spotting browning or other minor marginal defects 17th and 18th century (47)

John Faber after Sir Godfrey Kneller A group of Ki 26 plates including 3 duplicates and a contemporary reverse copy mezzotints each c.350 x 250mm. some trimmed close or with reduced margins occasional small repairs some slight spotting and browning 1730s; with a group of 6 other oval portraits by Smith after Murray Kneller and Dahl; also with Johannes Smith a mezzotint portrait by and of John Smith after Kneller depicting the engraver holding a copy of the mezzotint portrait of the painter 1716 (33)

AFTER J NORTHCOTE John Bastard and Edmund Bastard Esquire, members of Parliament, early 19th Century School mezzotint in a pollard oak frame, 14 1/2" x 15 1/2".

19TH CENTURY ENGLISH SCHOOL Portrait of a lady reclining on a chaise longue, lithograph, hand coloured, 19" x 14" oval and two further prints to include a mezzotint of a young lady and view of Schaffhausen (3).