We found 6626 price guide item(s) matching your search

After Morland, mezzotint, The Country Butcher, 34 x 56cm

Large selection of unframed artworks to include oils, mezzotint etc

Napoleonic Wars interest: A very large Georgian English mezzotint portrait of Arthur Wellesley (Duke of Wellington), in period frame, complete with original glass. Rare. Engraved by William Whiston Barney after John Hoppner. No publication date but 1808 according to British Museum. Featuring dedication: 'To the Civil & Military Servants of the Honble East India Company'. Measures approx. 91 x 68cm (including frame). Together with two further Georgian mezzotint portraits depicting figures associated with the American War of Independence and French Revolutionary Wars: 'Lord Hugh Seymour, Vice Admiral of the Blue' (British Royal Navy Officer), engraved by S. W. Reynolds after J. Hoppner, R.A., and 'The Honble Major General Charles Stuart' (British nobleman and soldier), engraved by J. Grozer after G. Romney - both complete with period frames/glass.Condition Report: Wellington has some general discolouration from age, a little wear to antique frame; other two have discolouration/wear/tears.

British Political History / Whig interest: 'The Right Honourable Charles James Fox' (British Whig statesman, often the target of caricaturists such as Gillray/Rowlandson), Georgian mezzotint portrait engraved by John Jones after Sir Joshua Reynolds, complete with period frame/glass; 'The Right Honble William Windham' (Whig statesman), engraved by J. Jones 'Engraver Extraordinary to his R. H. the Prince of Wales' after Joshua Reynolds, published December 1st 1792, period frame/glass; 'The Duke of Bedford' (Francis Russell, 5th Duke Bedford, aristocrat and Whig politician), engraved by J. R. Smith after J. Hoppner, published January 1st 1799 by W. Lane, period frame/glass. An interesting collection of 18th-century English prints. (3)Condition Report: Discolouration/toning/wear.

British Political History / Tory interest: 'The Right Honble George Canning' (British statesman, Tory politician), engraved by J. Young, Mezzotint engraver to the Prince of Wales, after J. Hoppner, published London April 15th 1808, period frame/glass; 'The Right Honble John Sullivan' (British MP involved in East India Company), mezzotint engraving on laid paper, engraved by W. W. Barney after Sir William Beechey, period frame/glass; 'The Right Honble the Earl of Buckinghamshire' (Robert Hobart, 4th Earl of Buckinghamshire, British Tory politician), engraved by William Whiston Barney after Sir William Beechey R.A., published January 1st 1806, period frame/glass; 'The Right Honorable Robert Peel, MP' (Prime Minister Conservative Party), mezzotint engraving by C. Turner, 'Mezzotinto Engraver in Ordinary to His Majesty', after Sir Thomas Lawrence, period frame/glass. An interesting collection of portraits. (4)Condition Report: Discolouration/toning/wear.

Collection of 18th-century framed mezzotint portraits: 'Jonas Hanway Esquire' (English traveller and philanthropist, became Governor of Foundling Hospital and started the Maritime School), engraved by Robert Dunkarton after Edward Edwards, published January 1st 1781 by John Boydell, London, complete with period frame (carved wooden black & gold Hogarth frame, original glass); 'The Right Honble Sir James Harris' (1st Earl Malmesbury, English diplomat), engraved by Caroline Watson after Sir Joshua Reynolds, published November 30th 1786, period frame/glass; 'Lord St Helens' (1st Baron St Helens), mezzotint proof before letters, period frame/glass; 'Le Prince Alexandre Borisovitsch' (Russian statesman and diplomat), engraved by James Walker, Russian & French text, period frame. An interesting collection of Georgian framed prints. (4)Condition Report: Discolouration/toning/wear.

A collection of Georgian English mezzotint portraits: 'His Most Gracious Majesty George the Third', engraved by C. Turner, dedicated to the Duke of York, published in London, March 1st 1820, period frame/glass; 'William Lord Bagot', engraved by G. Clint after J. Hoppner, and two others similar, period frames/glass. (4)Condition Report: Discolouration/toning/wear.

Pierre-Charles Coqueret (1761-1832) French. 'Intrieur d'Ecurie', after Carle Vernet, Mezzotint with Engraving, published by Rolland Paris, 16.5" x 20.5", and the companion piece, 'Le Marchand de Chevaux', a pair (2).

A FRAMED MEZZOTINT BEHIND GLASS BY JOSEPH WRIGHT

Group of four similar mezzotint engravings depicting figure groups, various. Framed and glazed. (4)(B.P. 24% incl. VAT)

An antique mezzotint portrait of a man, signed 'Will Henderson' in pencil, in a gilt frame, H:63cm W:49cm

An 18th Century old master drawing of a portrait in profile depicting a man together with an 18th Century mezzotint print of a lady.

A FRAMED AND GLAZED MEZZOTINT OF JOHN EARL AND CHATHAM

A FRAMED AND GLAZED NUDE MEZZOTINT

A FRAMED AND GLAZED MEZZOTINT OF A PORTRAIT OF REV. THOMAS SOUTHWORTH

A FRAMED AND GLAZED MEZZOTINT DEPICTING 'THE INTERIOR OF LINGSTONE LIGHTHOUSE'

A FRAMED AND GLAZED MEZZOTINT OF WESLYIAN FIRE

A FRAMED AND GLAZED MEZZOTINT OF A FULL LENGTH PORTRAIT OF A GENTLEMAN

The Dentist, or Teeth Drawn with a Touch, 18th century mezzotint, published by Bowles, 14" x 10", later colouring

JOHN RAPHAEL SMITH (1752-1812) PORTRAIT OF MISS LOUISA GRESLEY pastel, oval, 25 x 21.5cm, giltwood and composition sanded frame with old label on the backboard identifying the sitter The sitter was the sister of Sir Nigel Bowyer Gresley, Bt, Recorder of Lichfield. He also sat to Smith who also engraved in mezzotint the resulting portrait. The Gresley family were long established in South Derbyshire, their principal seat being Drakelow Hall (demolished 1934) near Burton on Trent. The baronetcy was created in 1611 for George Gresley, MP for Newcastle under Lyme and became extinct on the death of the 13th baronet in 1976. ++In good original condition

After George Garrard. Holderness cow in a farmyard with figures and dogs, coloured mezzotint by Ward, circa 1798, image size 45cm x 60cm.

William Hogarth. Self Portrait, engraving by T Cook, published London 1801, 45cm x 35cm, Van Dyck, Queen Henrietta Maria, engraving by H J Ryall, early 19thC, 24cm x 19cm; Godfrey Kneller; The Duchess of St Albans; mezzotint engraving by J Smith, published circa 1775, 33.5cm x 24cm; and Temptation, after John White RI, 39.5cm x 28.5cm, (4).

Jackson Stotart after George Morland, chair rushing, mezzotint, 35 x 27cm, and a stipple engraving after Bartolozzi, (2)

Constable, John. English Landscape Scenery: A Series of Forty Mezzotinto Engravings on Steel by David Lucas, first edition, 40 mezzotint plates, tissue guards, late nineteenth century cloth, folio, London: Henry G. Bohn, 1855

*Lucas (David, 1802-1881). The Lock (after John Constable), 1834, mezzotint on heavy wove paper, republished by Thomas Boys, February 15, 1863, a few surface marks, plate size 68 x 51.5 (26.75 x 20.25 ins), with margins (1)

Sir Frank Short R.A., P.R.E., (1857-1945), "Kinver Edge and Black Country", signed lower right, watercolour framed. 20.5cm by 27cm. Note: Short originally trained as an engineer before pursuing a career as an artist after studying in London at South Kensington and the Westminster Schools of Art. He is best known as a master print maker specialising in mezzotint, aquatint and etching. He was however a gifted watercolourist, particularly later in life and the subject work probably dates from the period 1920-30. He exhibited at the Royal Academy between 1885 and 1904. He won two gold medals for engraving at the Paris Salon in 1889 and 1900. Soon after this he became a teacher of etching and was professor of engraving at the Royal College of Art between 1913 and 1924. He was elected a member of the Royal Society of Painter-Etchers and Engravers (now the Royal Society of Painter-Printmakers) in 1885, becoming its President between 1910 and 1938. Short was Master of the Art Workers' Guild in 1901and an Associate Member of the Royal Academy in 1906, where he became Treasurer in 1919 until 1932. He was knighted in 1911 and was elected a member of the Royal Institute of Painters in Watercolours in 1917.

James Ward (British, 1769-1859) The Rocking Horse, February 5th 1793, London, T. Simpson, hand-coloured mezzotint engraved by Ward after his own design, image 435 x 550mm. Two well-dressed children playing in the walled garden of a large house are the envy of three poor children peering through a spiked iron gate. A toy horse and carriage lower right. No visible tears or significant faults; unexamined out of early 20th century Parker Gallery frame. In the Ward album 6 in the British Museum is a note in the artist's hand: '''Rustic Felicity' and the 'Rocking Horse', the first pair of plates I engraved after leaving the apprenticeship with my brother. The first pair of subjects I painted for the purpose of engraving, and, as nearly as I can recollect, the sixth attempt at painting, in which I had made my first effort about six months before I left.'' (see BM 1979,U.1167) [together with:] George Morland (British, 1762/3-1804) The Thatcher, 1806, London, James Linnell, mezzotint engraved by William Ward, the full sheet visible under glass, 595 x 790mm. 'G. Morland 1795' etched on white horse's saddlebag. Some marginal soiling and staining, unexamined out of c.1900 hogarth frame, J & W Vokins label to backboard

A FRAMED AND GLAZED MEZZOTINT MRS ORGER. MISS CUBITT. MR MUNDEN. AND MR KNIGHT. G CLINT ENGRAVED BY THOMAS LUPTON - 2531

A FRAMED AND GLAZED MEZZOTINT OF A PORTRAIT OF GIRLS - 2559

A FRAMED AND GLAZED MEZZOTINT PORTRAIT OF JOHN EARL OF CHATHAM - 1347

A FRAMED AND GLAZED MEZZOTINT OF A PORTRAIT OF MAYNARD

A FRAMED MEZZOTINT TITLED 'THE RUSTIC GIRL' AFTER R. WESTALL TOGETHER WITH A FRAMED AND GLAZED COLOURED PRINT DEPICTING A TABLE BY THE FIRE HEARTH SIGNED BATES

A FRAMED AND GLAZED MEZZOTINT TITLED THE FALCONER - 2595

A FRAMED MEZZOTINT BEHIND GLASS OF YOUNG GIRL TITLED SIMPLICITY - 1319

A FRAMED AND GLAZED MEZZOTINT OF A PORTRAIT BY JOSEPH WRIGHT - 1335

A FRAMED AND GLAZED MEZZOTINT OF A PORTRAIT OF DAVID GARRICK - 1334

A FRAMED AND GLAZED MEZZOTINT OF A PORTRAIT OF WILLIAM CAVENDISH DUKE OF DEVONSHIRE SIGNED I FABER FECIT. 1733. - 1327

Maple framed Pears print ' The Matchmaker ', framed coloured mezzotint of three female classical muses, signed Clifford R. James, pair of framed engravings after Dendy Sadler, ' Where the Widow Lives ' and ' Who is it? ' together with Michael Zala, signed artist proof print, ' Winter Sky ' and three other various prints

SNAFFLES coloured etching - WWI German soldier entitled 'Wipers', 42 x 30cms together with a T Hamilton Crawford coloured print mezzotint engraving of Spithead after J M W Turner, signed in pencil and embossed with a Fine Art Trade Guild stamp Condition Report & Further Information: in our opinion not damaged but would benefit from a dusting or ‘clean off’ behind the glass. There is a blind stamp bottom right which appear to be two interlocked horsebits

After George Stubbs - 18th Century mezzotint - The Racehorse 'Gimcrack', engraved by William Pether, published by T.Bradford, May 17 1766, 35.5cm x 45.5cm Condition: Some yellowing and staining across the whole print, this is quite evident in our image - **General condition consistent with age

Tomoi Yokai, mezzotint, "Apple and Cup". 22.5 cm x 20 cm, 100/100, signed, framed. CONDITION REPORT: The mezzotint is in generally good condition. There is one small issue. It is slightly undulating and in our opinion requires remounting. The current mount has some water damage. The water damage is in the form of a wavy brown line that just clips the bottom left hand corner of the print. This is very faint and in our opinion not a significant issue. Remounting with a slightly tighter mount would cover the problem. The print itself is in very good condition. The colours are crisp. Other than the slight marks referred to there is no discolouration to either the picture or the margin. There are no tears, creases or holes.

Tomoi Vokai, mezzotint, "Flower", circa 1978, 38/100.

18th century engraving "Lecture Espagnole"i 21" x 16", and a mezzotint classical landscape (2)

Caroline Lucy Douglas 'later Scott' (1784-1857) British. Self Portrait, Holding a Book, Standing by Battlements with Armour by her Feet, Watercolour, Signed with Initials and Dated 1807, Unframed, 22" x 18", and the companion piece, her brother, Captain, The Hon George Douglas, very Byronic Seated on a Gun Carriage, Holding a Boarding Pike, a pair (2). Note; both were later engraved in Mezzotint by William Say (1768-1834) British.

Joshua Reynolds (1723-1792) British. "Sir Joshua Reynolds, Knight", Mezzotint, in an Original Frame, 19" x 15".

John Cother Webb (1855-1927):'Dido Building Carthage', colour mezzotint after J M W Turner, hand signed in pencil, H 38 x W 45 cm

Limited to 75 Copies[Gainsborough] Iain Bain, Publisher, The Etched and Engraved Prints of Thomas Gainsborough R.A., Executed in soft-ground and aquatint and in Mezzotint. V. Lg. oblong folio L. (John Boydell Press) 1971. Lim. Edn. No. 45 of 75 copies, 11 full page plts. in portfolio, & separate letterpress, in custom made padded box. Scarce. (1)

A Mezzotint, 'Autumn' after Boucher, by Ernest stamp from an edition of 300, in a black frame H 65 x W 56cm

Samuel Cousins RA (1801 - 1887) after Thomas Philips RA (1770 - 1845), [Samuel Butler, Bishop of Lichfield], Published by Thomas Boys, London 1838, mezzotint engraving, laid on canvas, inscribed in ink MS J. Moth Esq. from S. Lichfield, 49cm x 38cm, 19th century rectangular maple frame with gilt inset

Cyril FitzRoy (1861-1939)Garats Hay, Leicestershiremonogrammed, dated 1929, titled to verso, watercolour, 14cm x 23cm, J. Middleton, Chelsea, S.W.3., label to versoCanadian School ? (early 20th century)Mountain scape, Icy Water and Rocky Shoreline watercolour and gouache, 11cm x 17cm, The Boydell Galleries label to verso Grand Tour School (19th century)A scene in Switzerlandmonogrammed, titled and inscribed to verso, watercolour, 18cm x 20cm, gilt frame, C.E. Clifford of The St. James's Gallery of Art, Piccadilly, London W., label to verso English School (19th century)Former Glory, The Abbey Ruinsoil on canvas, 51cm x 40cm, gilt frame Contemporary SchoolLakeside Reflectionsmonogrammed, watercolour, 40cm x 32cm Opera Interest - John Finlayson (1730 - 1776) after Nathaniel Hone the Elder (1718 - 1784), La Signora Zamperini in the Character of Cecchina, La Buona figliuola [by Niccolò Piccinni], Act 2, Scene 3, Published [by Hone the Elder, London] 1769, Sold by Mr Parker [...] Cornhill, & Mr Finlayson [...] Berwick Street, Soho, mezzotint, 42cm x 32cm, Hogarth frame (6)

John Constable (British, 1776-1837)A DELL, HELMINGHAM PARK, SUFFOLKMezzotint, 1855, from 'English Landscape Scenery: A Series of Forty Mezzotint Engravings on Steel, by David Lucas, from Pictures Painted by John Constable, RA', published by H G Bohn, London, on wove paper, with full marginsplate 17.8 x 22.5cm, framedA copy of this print is in the Tate collection (T04066).

J M W Turner (British, 1775-1851)THE MILDMAY SEA PIECEEtching with mezzotint, 1812, the edition was 200, from the 'Liber Studiorum' portfolio, drawn and etched by the artist, engraved by Wiliam Annis and I C Easling, on wove paper, with full marginsimage 18.5 x 26.5cm, framed

J M W Turner (British, 1775-1851)WATER MILLEtching and mezzotint, 1812, the edition was 200, from the 'Liber Studiorum' portfolio, drawn and etched by the artist, engraved by Robert Dunkerton, on wove paper, with full marginsplate 29 x 21cm, framed

After J M W Turner (British, 1775-1851)PROCRIS AND CEPHALUSEtching with mezzotint, 1812, the edition was 200, from the 'Liber Studiorum' portfolio, drawn and etched by the artist, engraved by George Clint, on wove paper, with full marginsimage 18.5 x 26.5cm, framedThe Liber Studiorum, must still rank as one of the greatest sets of mezzotint engravings ever produced. Turner drew and etched the outlines directly on to copper plates which he then passed to an engraver who filled in the etched outlines with mezzotint. Of seventy-one prints issued, it is believed that no more than two hundred of each were printed. The plates were destroyed by his executors in 1873. A copy of this portfolio is in the Tate collection.

A FRAMED AND GLAZED MEZZOTINT OF A PORTRAIT OF MAYNARD

A FRAMED MEZZOTINT TITLED 'THE RUSTIC GIRL' AFTER R. WESTALL

A Victorian silhouette of a boy, in an ebonised frame 13cm x 11cm, various other mezzotint and engraved prints and collages

Stukeley, William Itinerarium Curiosum, or an Account of the Antiquities and remarkable Curiosities in Nature or Art, observed in Travels through Great Britain. London: Baker & Leigh, 1776. Second edition, 2 volumes, folio, 2 frontispieces, 206 plates, and folding map, [vol. 1: frontispiece, plates 1-100, + a second plate also numbered 51, + an unnumbered mezzotint; vol. 2: frontispiece, unnumbered map, 103 plates + a second plate also numbered 77], contemporary diced calf tooled in gilt and blind, g.e., neatly rebacked, a little light spotting, upper joint of vol. 2 split at head

AFTER LEMUEL FRANCIS ABBOTT `THE BLACKHEATH GOFFER` [sic] Photogravure with hand colouring after the original mezzotint by V. Green 36 x 28cm.

Pictures and prints - Thomas G. Appleton, Youth Diverting Age, hand painted mezzotint; others (4)