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A 20th century mezzotint, signed `T Hamilton, Crawford`, together with various other prints and watercolours and two textile pictures

James Ward (1769-1859) after Sir William Beechey (1753-1839), King George III on his charger Adonis, reviewing the Third or Prince of Wales’s Regiment of Dragoon Guards and the Tenth or Prince of Wales’s Regiment of Light Dragoons, hand coloured mezzotint engraving, (trimmed and some damage), 51 x 64cm.

Dame Laura Knight R. A. R. W. S. (1877-1970), “A Southern Blonde”, signed, titled and numbered in pencil, mezzotint, 25 x 20cm, (unframed).

* NAN MULDER ENIGMA AND THE BLANKET ISLANDS both mezzotint, both signed, titled and numbered 6/35 and dated 1983 and 23/25 and dated 1984 respectively 9.5cm x 12cm and 5.5cm x 7.5 cm (2) label verso: The Scottish Gallery, Edinburgh

L Bisch after C Bach - `The Best Friend and Faithful Companion`, pair of colour engravings, 9.5" x 1..5", framed; together with 19th Century School - naval Admiral and his family, mezzotint, 10.5" x 13", oval frame (3)

CHARLES TURNER (1774-1857) AFTER SIR MARTIN ARCHER SHEE (1769-1850) The Most Noble William Robert, Duke of Leinster, Marquis of Kildare, Earl of Kildare & Ophaly Mezzotint, 73 x 46cm

SYDNEY E WILSON; an artist signed Mezzotint of Miss Cumberland, another of Mrs Catherine Clements and two other Mezzotints by Sydney Wilson.

Three framed royal prints - a seventeenth century three-quarter length portrait after van Dyke dated 1682 of Queen Henrica-Maria Borbonia, a mezzotint of Charles I & his son, and an oval engraving of Charles II, all in gilt mounts and stained frames. (3)

A third state mezzotint of Sir Peter Lely by John Smith of Covent Garden

Thomas Tompion -a photolithographic portrait. Reproduced from the mezzotint portrait engraved by John Smith after Kneller, 20th century. The likeness wearing a wig and buttoned jacket holding a watch movement in his right hand, within oval reveal and entitled Tho: Tompion. Automatopoeus to lower border and bearing inscriptions G: Kneller Eques. Pinx: and I: Smith fe: et ex: to lower margin, the image 34.5 x 25cm (13.5 x 9.5ins) approx. framed and glazed. An almost identical dial provenanced to the family of Nevil Maskelyne was sold by at Christie’s, South Kensington, Travel, Science and Natural History, 25th April 2012, Lot 70 for £4,000. The current lot appears a photographic reproduction of the famous portrait engraved by John Smith after the original by Sir Godfrey Kneller circa 1710.

Coloured Mezzotint, possibley by Tomkins `Cupid v Sapplio` Lable to verso 1824, in gilt frame, 31 x 40cm

Thomas Watson after Sir Peter Lely 'Barbara, Duchess of Cleveland', mezzotint, published 1779, unframed, 41cm x 33cm also seven other portrait engravings (8)

*CIRCLE OF WILLIAM WEBB. Daniel Haigh on horseback, hand coloured mezzotint, 18 1/2 x 24 in

A mezzotint of a young boy, signed D. Smart and a pair of prints of magpies

After Thomas Weaver: A portrait of Thomas William Coke, Esq, MP for Norfolk. mezzotint by William Ward, dated 1808 in a 19th century gilt frame

Charles Hunt, British 1803-1877- "The Trial of `Bill Burn`, under Martin`s Act", after P Mathews, publ by Ackerman & Co London; aquatint printed in colours with touches of hand-colouring, mounted in a glazed 19th century maple veneered frame, 47x56.5cm: British School, late 19th/early 20th century- "An Irish Obstructionist"; chromolithograph, in a glazed maple veneered frame, 42.5x69cm: Charles Turner ARA, British 1773-1857- "Two Denham Oxen", after T Weaver, publ by Benjamin A Bon, 1828; mezzotint, in an oak moulding frame, 59.5x71.5cm: Henry Beckwith, British fl. 1830-1900 and others, composite pictures comprising a number of Victorian engravings on shared sheets, a pair, both bear captions in pen and ink, mounted in matching glazed moulding frames, 86x48cm., ea: After John Leech, British 1817-1864- "Mr Jorrocks (loy) `Come help! I say. You ugly brute!`", publ by Thos Agnew & Sons, London Manchr & L`pool Jany 2nd 1863; chromolithograph, in a glazed frame, 45.5x83.5cm: F Sala & Co, Unter d Linden 51, Berlin, Publ., mid 19th century- "Crossing the Ford"; lithograph, in a glazed maple veneered frame, 52.5x64.5cm., (7)

William Ward, British 1766-1826- "The Sportsman`s Return", after G Morland, publ Dec 20th 1792 by Thos Macklin Poets Gallery Fleet Street; hand-coloured mezzotint, in a verre églomisé and gilt composition frame, 48.5x62.5cm: William Ward, British 1766-1826- "No XII. The Public House Door", after G Morland, publ July 20th 1801 J R Smith King St Covent Garden; hand-coloured mezzotint, in a verre églomisé and gilt composition frame, 44.5x54cm: Daniel Orme, British c.1766-1832- "Evening or the Post Boy`s Return", after G Morland, publ Jan 1 1716 by Orme at his Gallery 14 Old Bond Steet; hand-coloured stipple engraving, in a verre églomisé and gilt composition frame, 46x58.5cm., (3) Provenance: with Thos Agnew & Sons, Manchester, according to label attached to the reverse of all three frames

After François Chereau, French 1717-1755- "La Bal Pavé"; hand-coloured engraving on wove, in a carved gilt wood glazed frame, 35.5x47cm: J F Duthemare, British fl. 1803-1848- "The Village Farrier", after P Wouwerman, publ The London Fine Art Association Holloway N; etching, mounted in a maple veneered frame, 33.5x44cm: Charles Turner ARA, British 1773-1857- "Mrs Whitmore", after F Phillips RA; mezzotint, 43x35cm: together with three 19th century glazed maple veneered framed prints and six various other framed prints, all late 19th/early20th century, various sizes, (10)

Samuel Cousins RA, British 1801-1887- "Midsummers Night`s Dream", after Sir Edwin Landseer RA, publ Jan 1 1858 by Henry Graves & Company, London; mezzotint, 63.7x91.5cm: Paul Léon Jazet, French 1848-1918- "Bataille de Wagram" and "Bataille de Iéna", after Horace Vernet, Paris, publié par Jazet and Thre Vibert Editeurs Rue de Lancry 7; etchings with aquatint on chine appliqué, a pair, 55x63cm., ea: Charles William Sharpe, British 1818-1899- "Hamlet- The Play Scene Act III Sc II", after Daniel Maclise, publ Art Union of London 1866; mixed method engraving, arched mount, 46.5x83.5cm: Frank Holl, British 1845-1888- "The Coming of Age in Olden Times", after W P Frith RA; engraving on chine appliqué , 65x96cm: Francesco Bartolozzi RA, Italian 1725-1815- "Constanta", after Rigaud RA, publ Novr 30 1799 by Thos Macklin Poets Gallery Fleet Street; stipple engraving, in a glazed gilt composition neoclassical style frame, 43x50.5cm., (6)

James McArdell, British c.1729-1765- "George Duke of Buckingham with his Brother Francis, 1636", after Van Dyck, 1752; mezzotint, 50x35.3cm: David Law, British 1831-1901- River scene with cattle watering, after Clayton Adams, issued Oct 1st 1894 by the Art Union; etching, 51x70.5cm: together with three other prints and a gilt composition glazed frame, (a/f), (6)

Martin Leman, British, b.1934- "Cornish Memories II"; etching with aquatint, signed, titled, dated `87 and inscribed A/P in pencil, 15x15cm: together with two other etchings with aquatint from the same series, entitled "Cornish Memories I" and "Cornish Memories III", both signed, titled, numbered and dated `87 in pencil, ea. 15x15cm: together with one mezzotint, one aquatint and two lithographs by the same artist, entitled "Panda", "Freeman Hardy Willis", "Hill Street Blues" and "Good Companions" respectively, all printed in colours, signed, titled, dated and numbered in pencil, various sizes, (unframed), (7), (may be subject to Driot de Suite).

Pieter van Gunst, Dutch c.1667-1724- "Georgtus Augustus Princeps Walliae, Dux Cornualiae, Comes Cestriae &"; engraving, in a glazed ebonised moulding frame, 59x48cm: William Say, British 1768-1834- "King George the Fourth", after J Northcote RA, publ March 1st 1828 by William Sams, book and printseller to the Royal Family, St James`s Street; mezzotint, 54x35cm: Jean le Pautre, French 1618-1682- "Les Festes de l`Amour et de Bacchus, Comedie en Musique representée dans le petit Parc de Versailles", 1678; engraving, 30x42cm: Johannes Kip, Dutch 1653-1722- Henbury The Seat of Mr John Sampson; engraving, 35x43.5cm: After Thomas Picken, British d.1870- Horses and traps approaching a viaduct, after Ford; hand-coloured lithograph, in a glazed maple veneered frame, 31.2x41cm: Elisha Kirkall, British c.1682-1742- Designs for ornamental iron gates, after Jacobo Gibbs; engraving, 20.5x35.5cm: Elizabeth Blackwell, British 1710-1774- "The Medlar Tree" and "The Vine"; hand-coloured etchings, 29x19cm., ea., (8)

British School, mid/late 20th century- Landscape scene with fields; oil on board, signed indistinctly, 25.5x46cm: J Russel, British mid/late 19th century- "On the Trent"; watercolour, signed and titled, 17.5x25.5cm: Thomas Hamilton Field, British 1860-1948- Peasant girls gathering hay, publ. Nov 1st 1919, W F Embleton; mezzotint printed in colours, signed in pencil, 42x31cm: Sydney Ernest Wilson, British b.1869- Portrait of a boy seated wearing red, publ. Feb 4th 1925 by Vicars Brothers; mezzotint printed in colours, 43.5x33cm: together with two other mezzotints printed in colours by Sydney Ernest Wilson depicting interior family scenes, both signed in pencil, ea. 43x55cm: and a small quantity of further pictures and prints, (a lot), (may be subject to Droit de Suite)

G WHITE AFTER T GIBSON - PORTRAIT OF THE REV MR THOMAS REYNOLDS, MEZZOTINT TRIMMED TO WITHIN THE PLATE MARK AND TWO ARTIST`S SIGNED PRINTS

John Markin, a mezzotint and a wood engraving, universally framed

Percy Martindale (1869-1943): a mezzotint of four budgerigars in a river landscape, signed lower left, published 1932, 32 by 24cm.

After George Morland. Travellers. A sepia engraving, 40cm x 49cm and a portrait mezzotint by Ellen Joweth, published by Frost & Read. (2).

Pair Bartolozzi oval mezzotints in oval verre eglomisé and gilt frames - 'The Morning' and 'The Evening', George Morland mezzotint, another similar, pair late Victorian crystoleums and a nineteenth century portrait silhouette

An original mezzotint by Arthur Hogg 1933, portrait of a Dutch lady, signed

Pott (Percivall). Farther Remarks on the Useless State of the Lower Limbs, in Consequence of a Curvature of the Spine, Being a Supplement to a Former Treatise on that Subject, 1st edition, 1782, [iv], 64 pp, five mezzotint plates at rear, half-title detached, library stamp to title and plates (light browning), inscribed ‘From the author’ to title but not in the author’s holograph, bound with Saunders (William), Observations on the Superior Efficacy of the Red Peruvian Bark, in the Cure of Agues and other Fevers..., 2nd edition, with Considerable Additions, 1782, viii, 158 [ie. (176] pp, some spotting, bound with Dawson (Thomas), An Account of a Safe and Efficacious Medicine in Sore-Eyes and Eye-Lids, 1782, [ii], 45 pp, lacks half-title, bound with Wall (Martin), A Syllabus of a Course of Lectures in Chemistry, Read at the Museum, Oxford, 1782, iv, 63 pp, some spotting, bound with others by John Andree and William Butter, plus four dissertations by George Bell, Philip Holland, Charles William Quin and John Winterbottom, plus an extract from the London Medical Journal (‘Inoculation’), library cloth, some soiling and wear to spine ends, joints weak, 8vo. Pott: Norman 1738a. (1)

* Butchery. A mixed collection of eleven engravings and lithographs, mostly 19th century, including Ward (William),Portraits of Robert & Charles Collings Esqrs. To the Breeders and Friends of the Improved Shorthorns..., n.d., c.1800,uncoloured mezzotint after Thomas Weaver, trimmed to image on three margins, slight abrasion to image, 565 x 440mm, framed and glazed, together with Diderot (Denis),Boucher, n.d., c.1750,two uncoloured engraved plates and one sheet of text, originally published in "Encyclopedie`, mounted as a tryptich, each sheet approx. 360 x 230mm, mounted, framed and glazed, and Miller (William),Slaughterman, 1805,aquatint by W.H.Pyne, contemp. hand colouring, originally published in "Costumes of Great Britain`, slight staining to image, 325 x 240mm, mounted, framed and glazed, with two late 19th century auctioneers posters for the sale of livestock and farm chattels, each approx. 570 x 440mm, framed and glazed, plus a printed linen wrapper for an American "Hickory Smoked` bacon leg, approx. 630 x 250mm, framed and double glazed, with six others similar (12)

* Mezzotints. A mixed collection of approx. fifty portraits and genre studies, mostly 18th & 19th century, uncoloured mezzotint engravings, including examples by Walker, Valentine Green, Faber, Reynolds, Ward, Phillips, Boydell, Smith, Houston, Turner, Murphy, Earlom, White, Dunkarton, Dawe, Lupton, McArdell and Watson, various sizes and condition (approx.50)

* Portraits. A mixed collection of approx. fifty engravings, mostly 18th & 19th century, mezzotint, stipple and line engravings, including examples by Scott, Zobel, Ryley, Cardon, Cousins, Jones, Reynolds, Dean, Say, Ward, Smith, Faed, Faber, Lucas, Turner and Bartolozzi, occ. duplicates, various sizes and condition (approx.50)

* Ward (William). The Durham White Ox, of the Improved Tees Water Breed, Bred and fed by John Nesham Esq. of Houghton le Spring, Durham, pub. G.Garrard, 1813 [but later impression], hand coloured mezzotint after G.Garrard, 515 x 615mm, mounted, framed and glazed (1)

* Ward (William). The Bradby Heifer, of the Devon and Alderney Cross, was Calved in June 1806 and slaughtered on the 15 December 1810, she was Bred & Fed on the Earl of Chesterfield`s Farm at Bradby in the County of Derby, pub. 1810 [but later impression], uncoloured mezzotint after Thomas Weaver, 425 x 490mm, mounted, framed and glazed (1)

Boaden (James). Memoirs of Mrs Siddons, 2 vols, 1827, mezzotint portrait frontispiece, title to volume one detached, library stamps to titles, contemporary dark-green half morocco, rubbed, 8vo, together with Mackenzie (Sir George), Memoirs of the Affairs of Scotland from the Restoration of King Charles II, Edinburgh, 1821, library stamp to title, contemporary quarter sheep, rubbed and scuffed, 4to, and others various (a carton)

AFTER JOHN SINGER SARGENT.Portrait of a lady, dressed in black, engraving by William H.Ward, signed by the artist, and inscribed in pencil `with Jill Evans Best Wishes`, 20 x 4 in; one one similar portrait engraving ; and a mezzotint by J.R.Smith (after George Romney) depicting Miss Cumberland;three (3)

Chalres Algernon Tomkins, British 1821-1905- Portrait of the artist Myles Birket Foster RWS and his wife Ann, after Jerry Barrett; mixed method mezzotint engravings on chine collé, a pair, in matching reverse profile moulding frames, both bear labels for J H Steer 1 Ridgmount Street W1 attached to the reverse, ea. 40x30cm: After Myles Birket Foster RWS, British 1825-1899- "Spring Flowers"; chromolithograph, 23.5x35cm: together with one other chromolithograph of a group of figures on a wooded hillside, 29x43.5cm., (4)

Charles Edward Wagstaff, British 1808-1850- "The Coronation of Her Majesty Queen Victoria in Westminster Abbey, June 28th 1838", after Edmund Thomas Parris, publ June 28 1842 by F G Moon 20 Threadneedle Street; engraving, mounted in a 19th century rosewood veneered glazed frame, 67x89.5cm: Charles Turner ARA, British 1773-1857- Alexr Adair Esqr Captain Commander of the 9th Suffolk Loyal Southelmham Yeomanry Cavalry, after Sir Martin Archer Shee RA, publ Sepr 18 1813 by C Turner 50 Warren Street Fitzroy Square; mezzotint, 84x38cm: Edward Fisher, Irish 1722-1785- Lady Elizabeth Keppel Countess of Albermarle, after Sir Joshua Reynolds PRA; mezzotint, 59x36cm: James Watson, Irish c.1740-1790- "James Paine, Architect and James Paine Junr", after Sir Joshua Reynolds PRA, publ by Ryland & Bryer at the Kings Arms in Cornhill; mezzotint, 45.3x33cm., (4)

AFTER W. BEECHEY "Children relieving a beggar boy (Here boy without a hat, take this ha`penny)", coloured mezzotint by C. Wilkin, AFTER SYDNEY WILSON "Lady in classical dress with dog in a wooded landscape", signed in pencil, and another similar published by Vickars Bros. (3)

E.E. Milner, After Henry Raeburn, A boy and rabbit, colour mezzotint and another, John Arthur Webb, After Thomas Gainsborough, portrait of a lady, (2).

E.E. Milner, After Thomas Gainsborough, "The Duke of Sussex", colour mezzotint and another, "Princess Sophie", (2).

L. Bruciere, After Lewis Cage, "The Boy Cricketer", mezzotint and another, Ellen Gowitt, After Gustave Richter, "Queen Louise", (2).

A. Gaymaid, After Joshua Reynolds, Boy in red,mezzotint.

JOHN COTHER WEBB after George Moorland - Figures outside an inn, coloured mezzotint, signed in pencil by Webb and with blind stamp, 35cms x 45cms in original gilt frame

ARTHUR L COX AFTER C TROOST - A FOND FAREWELL, MEZZOTINT, PRINTED IN COLOUR, SIGNED BY THE ENGRAVER IN PENCIL, PUBLISHED BY FROST & REED 1954

WILLIAM WARD AFTER GEORGE MORLAND - THE DRAM, MEZZOTINT, 1796 AND A PAIR OF STIPPLE ENGRAVINGS AFTER MORLAND PRINTED IN COLOUR

Mezzotint After G. Morland engraved by J.R. Smith Lady feeding chickens in oval frame, 26 x 32cm

After George Romney Mrs Robinson, mezzotint by John Raphael Smith, 35cm by 24cm

After George Morland - `Fishermen on Shore`, mezzotint by Wm. Hilton with near period colour, approx 46cm x 55cm.

18th Century School Copier coloured mezzotint of an Italian Renaissance painting In arched gilt frame

After Sir Joshua Reynolds Lady Jane Halloday Mezzotint engraved by Valentine Green, 62 x 38cm

After Thomas Gainsborough Colonel St Ledger Mezzotint, 66 x 46cm, and another of the Prince of Wales, engraved by Gainsborough Dupont (2)

After Lenvel Abbott Lord Neilson Mezzotint, 60 x 42cm

W Ward After R M Paye, Children Reading the Inscription on their Mothers Grave-Stone; and another framed differently, published 1785 by J R Smith, mezzotint, 44.50 x 56cm (2)

John Young after G Morland, Credulous Innocence, published by James Birchall 1788, mezzotint, 45 x 35cm

R. Brookshaw after Pile, Flora, Mezzotint, 31 x 25cm; with John Jones after Reynolds, Miss Kemple, Engraving, 33 x 28cm; with two others (4)

William Ward after Owen, Beggar of Bedlam Green, proof before letters, titled and inscribed in pencil below, mezzotint, 56 x 48cm (plate) (some closed edge tears and staining)

Lots 100 to 124 are consigned by order of the executors of the late Stephen Long. Stephen was a respected antique dealer based in Fulham Road, London and a pioneer of the `cluttered` look. He had an extensive library with a particular interest in architecture, antiques and interior decoration and contributed on these subjects to various publications including `The World of Interiors.` A Collection of seven 18th century mezzotint portraits, William III by N Visscher; Michael Rysbrack after J Faber; George I after Kneller; The Duke of Argyll and Greenwich; Charles I by J Smith; Maria Antoinette and King Louis XVI published by R Sayer, 1793; one other (7)

Five Historical Mezzotint Portraits, Mrs Gulston after Hamilton; Soame Jenyns after Reynolds; Boys and Dogs after Gainsborough, (slight damage); Christopher De Dreyer, etc. largest 60 x 40cm