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J. Harris (fl. 1768), after J. Dixon (1740-1801), The Ludicrous Operator, or Blacksmith turn'd Tooth Drawer, Printed for John Bowles, at No. 13 in Cornhill, London 1768, mezzotint, 37cm x 26.5cm

Pictures and Prints - Barbara Napier, 20th century, Traightmor, Iona, initialled, watercolour, 25cm x 35cm; after Corot, Fitzgerald mezzotint, landscape; others, embroidery; etc. (9)

Wolcot (John, pseudonym Peter Pindar). A bound collection of 19 poetical satires 1778-89, mezzotint portrait of the author at front, four etched caricatures by Thomas Rowlandson, contemporary half calf, heavily rubbed and some wear, spine restrengthened with black tape, title to first work with some soiling (with printed latin quotation pasted above the imprint), thick 4to The titles are: A Poetical, Supplicating, Modest, and Affecting Epistle to... the Reviewers, printed for the author, and sold by R. Baldwin, 1778, Lyric Odes to the Royal Academicians for MDCCLXXXII, 8th edition, enlarged, printed for G. Kearsley, 1787, More Lyric Odes to the Royal Academicians, 5th edition, G. Kearsley, 1789, Lyric Odes for the year 1785, 7th edition, G. Kearsley, 1787, Farewel Odes, for the year 1786, 5th edition, G. Kearsley, 1788, The Lousiad, an Heroi-Comic Poem Canto I, 8th edition, with considerable additions, G. Kearsley, 1788, The Lousiad, Canto II, 4th edition, G. Kearsley, 1788 (with caricature by Rowlandson), A Poetical and Congratulatory Epistle to James Boswell, Esq. on his Journal of a Tour to the Hebrides, with the celebrated Dr. Johnson, 8th edition, G. Kearsley, 1788, Bozzy and Piozzi: Or, The British Biographers, a town eclogue, 9th edition, G. Kearsley, 1788 (with caricature by Rowlandson), Ode upon Ode; Or, A Peep at St. James's; Or, New-Year's Day, 8th edition, G. Kearsley, 1789, An Apologetic Postscript to Ode upon Ode, new edition, with considerable additions, G. Kearsley, 1788, Instructions to a Celebrated Laureat; Alias the Progress of Curiosity..., 8th edition, G. Kearsley, Brother Peter to Brother Tom, 4th edition, G. Kearsley, 1788, Peter's Pension. A Solemn Epistle to a Sublime Personage, 4th edition, G. Kearsley, 1788 (with caricature by Rowlandson), Peter's Prophecy; Or, The President and Poet; Or, An Important Epistle to Sir J. Banks, on the approaching election of a President of the Royal Society, 3rd edition, G. Kearsley (without caricature by Rowlandson), Sir Joseph Banks, and the Emperor of Morocco, 4th edition, G. Kearsley, 1788 (with caricature by Rowlandson), A Poetical Epistle to a Falling Minister, new edition, G. Kearsley, 1789, Subjects for Painters, new edition, G. Kearsley, 1789 & Expostulatory Odes to a Great Duke, and a Little Lord, 1st edition, G. Kearsley, 1789. A collection of 19 poetic satires by John Wolcot (1738-1819), published under his nom de plume of Peter Pindar, the popular, best selling satirist in the age of satire, accompanied by several early caricatures by Thomas Rowlandson (1757-1827), including Is This Your Louse, Cooks, Scullions, hear me ev'ry Mother's Son, Bozzy & Madame Piozzi, Peter's Pension, & Sir Joseph Banks and the Emperor of Morocco. (1)

J. Smith (18thC). The Lady Elizabeth Willmot, mezzotint engraving by Wissing, published London circa 1775, 34cm x 24cm.

AFTER HENRI FRADELLE (1805 - 1872). 'Mary Queen of Scot's and Secretary Chatelar', mezzotint, framed and glazed, 64 x 78 cm

Richard Houston (Irish, 1721–1775), after William Hoare Portrait of The Right Hon. William Pitt, Esq., one of His Majesty's Principal Secretaries of State; and Portrait of The Right Hon. Henry Bilson Legge Esq., one of the Lords of the Treasury inscribed "Wllm. Hoare pinxit" and "Richard Houston fecit" reverse glass mezzotint (a pair) 36 x 25cm (14 x 10in) Some discolouration and browning. Both frames are dirty and discoloured.

George Baxter, after, Love Letter, mezzotint print, framed

WILL HENDERSON, AFTER J M NATTIER: 'La Marquise D'antim' colour mezzotint, signed and two others similar in gilt frames

John Cother Webb (1855-1927) Caligula's Palace, after J.M.W Turner, mezzotint, framed and mounted under glass, 33 x 58 cm, together with one other similar

A mezzotint of a young lady 14'' x 11''

Norman Hirst After Joshua Reynolds 'The Rutland Children' Engraved by mezzotint for Thomas Agnew and Sons dated 1909 Signed in pencil by Norman Hirst and with trade labels verso, 51cm x 42cm

HUBERT HERKOMER - 'ETCHING AND MEZZOTINT ENGRAVING, Lectures delivered at Oxford', 1892, together with F. L. Leipnik - 'A History of French Etching' 1924, Thomas Warton - 'The Hamlet' illustrated by Birket Foster etchings 1859 and H. W Longfellow - 'The Singers', etchings by Arthur Robertson (4) Condition Report: Please note: every page of every book is not checked, if you are unable to view yourself please ask for detailed information

After Thomas Gainsborough 'Carolus Howard' Mezzotint engraved by JK Sherwin, 45 x 60cm, together with another mezzotint 'Dancing Dogs' by G Morland, engraved by T Gaugain, and a mezzotint of 'Mary Queen of France and Charles Brandon Duke of Sulfolk' by G Vertue (3)

After Sir Francis Grant 'The Melton Breakfast' Mezzotint, 72 x 46cm, together with another chromolithograph of 'Smugglers' by G Morland engraved by JP Smith, and a lithograph of 'Lindley House, Lincoln Inn Fields' (3)

After Sir Joshua Reynolds 'General Eliot, Baron Heathfield of Gibraltar' Chromolithograph, engraved by Richard Earlom, 33 x 42cm, together with a chromolithograph of 'Mrs Jerningham', painted by John Hoppner and engraved by Henry Meyer, and a mezzotint 'Death of Archbishop Sharp' engraved by Holloway (3)

Sydney E Wilson 'Boy with Rabbit' & 'Boy Seated on Rock' Pair of chromolithographs, signed in pencil lower right, 24 30cm & 29 x 38cm, together with a Sir Thomas Lawrence mezzotint of a 'Boy with Goat' engraved by C Turner and a mezzotint of a 'Man with Wife & Mistress, signed Gowick (?) lower right (4)

Alberta B Brook - 'Miranda' scene from The Tempest, coloured mezzotint, blindstamped lower left, signed by the artist; and Ernest Stamp after Gainsborough - portrait of a lady, signed mezzotint, 50 x 34cm (2)

OVAL MEZZOTINT REPRODUCTION PRINT

Mezzotint

J. Faber Jnr (18th Century), after John Ellis (1701-1755) - mezzotint - "Mr John Broughton" - half length portrait of the famous 18th Century pugilist, 12.75ins x 9ins, published by W. Richardson, 174 Strand, 1787, after William Hogarth (1697-1764) - mezzotint - "John Broughton - Prize Fighter" 18ins x 11ins, published by W & G Smith, Leicester Square, 1842 and J.R. Cruikshanks (18th/ 19th Century) - aquatint - "A Visit to the Fives Court" - showing a boxing match with spectators, 6.75ins x 9ins, all framed and glazed

A mezzotint of a young woman, by Jackson Stodant, together with another of Hon Lady Georgina Agar Ellis, both in gilt frames

A Webb coloured mezzotint after Turner, Calais Harbour, 14x20', mounted and framed

Large framed Hanga Ten limited edition print by Haminishi Katsunori. Division -work 97...1994 Mezzotint, edition number AP6/7

AFTER JOHN HOPPNER mezzotint print - full-standing portrait of Horatio Nelson beside a rock and with sea battle beyond, 59 x 40cms, the print is in a laurel carved oak frame with an intriguing nineteenth century handwritten label verso which is partly decipherable, '....the frame is made from The Victory....June 20th 1840...' To accompany is a volume of Nelson's Dispatches Vol IV which was found with the print at the country house in Ireland from where the print was consigned.

Carrington Bowles. 'A Man Trap', mezzotint with hand colouring published 1780, unframed, paper a little browned, plate size 35.5 x 25.5cm

* JAMES PRIDDEY (BRITISH 1916 - 1980), UNIVERSITY OF GLASGOW mezzotint, signed in pencil 22cm x 29cm Mounted, framed and under glass

FOLLOWER OF AUGUSTE EDOUART (1789-1861) A Family Groupsilhouette13 x 18 in (33.1 x 45.8cm); a mezzotint engraving depicting King George III by W. Pether; an engraving after Thomas Gainsborough depicting Charlotte, Queen of Great Britain; a mezzotint of Charlotte, Queen of Britain published by J. Mc Ardell; a framed print titled 'A New Fathomed Head-dress for young Misses of Three Score and Ten'; and two watercolours by Miss Holsten depicting Views of Farnham, Co. Cavan (seat of Lord Farnham); six (6)

AFTER GEORGE STUBBS (1724-1806)'Mask, a horse aged 20', colour mezzotint by G.T. Stubbsoriginally published by J. Harris, Sweet Alley & No.8 Broad Street, London9 1/2 x 13 1/2 in (24.2 x 34.4cm)Sold with a folio of unframed prints, principally Classical and religious subjects by or after Correggio, F. Albani, C. Marrata, R. Savery, A. Carracci and others; together with various British 18th-19th Century prints (qty)

David Waterson RE (1870-1954) 'The Evening Star' Mezzotint, signed in pencil, in a glazed frame, 32 x 22cm

Large framed Hanga Ten limited edition print by Haminishi Katsunori. Division -work 97...1994 Mezzotint, edition number AP6/7

*Cousins (Samuel, 1801-1887). Portrait of a young girl, published Arthur Tooth & Sons, 1882, mezzotint on India wove after J.E.Millais, proof before title and letters, signed in pencil below image by artist and engraver, blindstamp of the Print-sellers Association, 550 x 405 mm, framed and glazed in a contemporary 'Hogarth' frame, together with Hewlett (Arthur), Portrait of a young girl, published Gooden & Fox, 1909, mezzotint on India wove, proof before title and letters, signed in pencil below image by engraver, blindstamp of the Print-sellers Association, 415 x 310 mm, framed and glazed in a contemporary 'Hogarth' frame, with, Scott (James), His Grace The Duke of Wellington K.G. &c. &c. &c., published Thomas Boys, 1837, mezzotint on India wove after John Lilley, 560 x 385 mm, framed and glazed, plus another eleven framed and glazed engraved and lithographic male and female portraits including examples by Jackson, Reynolds, Green, Godby, Lane and Vertue, various sizes and condition (15)

Bruton (G N) The Masters of Mezzotint, a lecture illustrated with numerous magic lantern slides/Provenance: George Norman Bruton joined Bruton Knowles in 1895, son of H W Bruton who formed an extensive collection of engravings in mezzotint, G N Bruton based his lecture on those given by his father

SUSAN JAMESON Cat Bells Signed and dated 83, mezzotint, 19cm x 53cm Condition Report Coll no 0734

MOLLY BULLICK Sound and Stones Signed and dated 83, mezzotint 5/35, 30cm x 30cm Condition Report Coll no 450

R Conway - Mrs Jackson, mezzotint, and one other (2)

A collection of loose and mounted prints, 18th and 19th century, including Nelson, coloured etching, published by Drummond, 1809; Portrait of Garrick, mezzotint by Thomas Watson, 1779; together with various other prints and views, some after old masters (quantity), in a box.

A portfolio of loose and mounted prints, mostly 18th and 19th century To include oriental landscape and figural scenes, some on Japanese paper; a small collection of erotic prints, mostly published by S. W. Fores, c. 1788; newspaper cuttings predominantly from The Illustrated London News; aquatints by Newhouse C. B. from The Roadster's Album, published 1845 by Fores; Day and Son after W Simpson and J Needham, Colnaghi's Authentic Series, illustrating the Crimean War and showing naval battles etc.; portraits including Prince of Metternich by G Lewis after T Lawrence, 1812, mezzotint; hand-coloured engravings of the months (August missing); a collection of engravings by T Cook after Hogarth, Sleeping Congregation, Cruelty in Perfection, The Reward of Cruelty, A Rake's Progress, etc., 1769-1800, folio; engraved view of the Castle of St Anne in Franche-Comte by A Baudoin after van der Meulen; The Grange in Borrowdale by W Byrne and T Medland after J Farington; seven scenes from La Normandie Illustree; six prints by Tom Hubmann, signed, limited edition; scenes from Rapin's History of England; other featuring Nazareth, Jerusalem, River Jordan, Bethelem, Nubia and Thebes, various sizes, average size approximately 25 x 30 cm 60½ x 42cm (23 x 16in)

AFTER SIR JOSHUA REYNOLDS Self portrait with artist shading his eyes, mezzotint, 33 x 29cm; with Samuel Prout - 'Eastry, Kent', etching, 20 x 30cm; and a print after G.P. Boyce - 'Tomb of Mastino II at Verona' (3) The mezzotint inscribed verso 'Isabella Anne Prout'

George III Sheraton period William Jones of London artist's workbox, pastoral mezzotint to lid, with some original fittings and contemporaneous contents of sketches etc W34.5cm Condition Report Click here for further images, condition, auction times & delivery costs

After Henry Bernard Chalon (1770-1849). A coloured mezzotint of 'Thunder', an old English setter, by William Ward, 38 x 51.7cm, in a Hogarth style glazed frame. Provenance: The Property of the Rt. Hon. Sir Mathew Thorpe.

After Thomas Weaver. Portrait of Thomas William Coke, Esq., MP for Norfolk, inspecting some of his Southdown Sheep ... coloured mezzotint by Ward, circa 1880, 58cm x 73cm.

After George Garrard. Holderness cow in a farmyard with figures and dogs, coloured mezzotint by Ward, circa 1798, image size 45cm x 60cm.

After Thomas Weaver. Two Durham oxen, mezzotint by Charles Turner, circa 1827, image size 55cm x 71cm.

After Thomas Weaver. 'A short Horned Heifer, 7 years old, bred and fed by Mr Robert Colling of Barmpton near Darlington...', coloured mezzotint by William Ward, circa 1811, image size 45.5cm x 60cm.

After George Garrard. The Holderness Cow, coloured mezzotint by Ward, circa 1798, 48cm x 61cm.

After Thomas Weaver. The Unrivalled Lincolnshire Heifer, coloured mezzotint by Wm. Ward, circa 1813, 49cm x 60cm.

After George Garrard. The Durham White Ox, coloured mezzotint by Wm. Ward, first published 1813, later impression, image size 44cm x 60cm.

After Thomas Weaver. A Short Horner Heifer, 7 years old, mezzotint by Wm. Ward, published by W. Robinson, Darlington circa 1811, trimmed to margins, title laid down on mount, image size 40.5cm x 59cm.

After Francis Grant, Sir Richard Sutton and the Quorn Hounds, hand coloured mezzotint, 50 by 73cm.

After William Daniel, 'The Bass Rock', mezzotint engraving, framed and glazed together with two amateur oil paintings on board and others. Framed. (5)

OKEY AFTER REYNOLDS: Mezzotint of a bearded man, possibly Homer, in an oak frame

Large 19th C Baxter print of a young girl, Old print on canvas Cockeral and Chickens plus Mezzotint engraving titled The Sign Painter by T Hamilton Crawford

Edwin La Dell (1940-1970) - 'Tower of London', Baynard Press for School Prints, lithograph, 17.5" x 22.5"; together with Rolf Gerard (1909-2011, German) - Continental street scene at night, signed, limited 92/125 mezzotint print, 19" x 24"

After William Keable 18th century Mezzotint, portrait of Sir Crisp Gascoyne, by James McArdell, decorative gilt frame, 65cm by 48cm

After Sir Godfrey Kneller 1733 mezzotint, portrait of Thomas Pelham-Holles and Henry Clinton, by John Faber Jr, 53cm by 37cm

After Sir Joshua Reynolds, Mrs Hardinge, mezzotint, 1780, by Thomas Watson, the second state, with a watermark of a cross and heart with 3 arrows, 45cm x 33cm.

BOOKS: Adams, John, 'Analysis of Horsemanship Teaching the Whole Art of Riding, in the Manege, Military, Hunting, Racing or Travelling System', rebound with marbled boards, half title, mezzotint frontispiece with portrait of the author, with dealer's stamp 'Samuel Cutler' to the title page, three illustration plates, hand written insert, London 1799; Buffon, M. de, 'The Natural History of the Horse', (translation) folding frontispiece, bookplate bearing the Jolliffe Arms, London 1762 (2) CONDITION REPORT: FROM A PRIVATE COLLECTION OF ANTIQUARIAN EQUESTRIAN-INTEREST BOOKS

Three C19th full length silhouettes AFTER Sir Henry Raeburn "Royal Company of Archers" mezzotint and assorted figural prints to include Regimental studies

A pair of Mezzotint Portraits

Paterson after J. F. Herring, colour print, A Glimpse of the English Homestead, published October 13th 1854, Lloyd Brothers, 66cm x 94.5cm - framed and glazed with a mezzotint of 'Leaving for Market', signed in pencil (2)