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A collection of prints, to include a lady embroidering by a window, 28 x 22cm; a maiden playing a tambourine, 29 x 20 cm, and a portrait of a man, 21 x 18 cm, along with two others, mezzotint (5)

CHARLES TURNER AFTER SIR THOMAS LAWRENCE, PORTRAIT OF SIR THOMAS LE BRETON MEZZOTINT, C1830

Samuel William Reynolds II, British 1794-1892- "Jacob's Dream" after Salvator Rosa, publ. June 1. 1838, by Ackermann / Co. 96, Strand, Printsellers to Her Majesty & H.R.H. the Duchess of Kent, and by W. Walker, 64, Margaret Street, Cavendish Square; mezzotint and etching with hand-colouring, 49.5x69.5cm: Charles George Lewis, British 1808-1880- "The Melton Breakfast" after Francis Grant, publ. by Hodgson & Graves, London 1839; mezzotint, 46x71.5cm: William Ward, British 1766-1826- "Hay Makers" after James Ward, publ. Jan. 1. 1793, by W. Ward, Warren Place, Hampstead Road; mezzotint with hand-colouring, 46x60.2cm: William Say, British 1768-1834- "The Captive", after Ryder, after Joseph Wright, publ. Oct. 1, 1786, by John & Josiah Boydell, No 90, Cheapside, London: stipple engraving with hand-colouring, 43.5x51cm: together with a quantity of 19th century and later prints, by and after various hands, various techniques, various sizes, (a lot), (unframed) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Robert Williams, British fl.1680-1704- "The Duke and Duchess of Lauderdale" after Sir Peter Lely, publ. Richard Tompson; mezzotint, 33.5x39.5cm: Francis Kyte, British c.1710-1745- "Mr John Sturges" after John Vanderbank; mezzotint, 35x25cm: Captain William Baillie, British 1723-1810- "From a Painting by Molinaer in the Collection of William Baillie Esq", publ. May the 3d. 1774; mezzotint, 41x32.2cm: Henry Dawe, British 1790-1848- "The Battle of the Standard" after Edelink after Leonardo De Vinci, No. 55, Publ. Jan. 1 1831, 6, Bartholomew Place Kentish Town, R. Ackerman, Strand, & C. Tilt, Fleet Street; mezzotint with etching, 12x16.5cm: Henry Dawe, British 1790-1848- "Mount St Michel"; mezzotint with etching, 10.3x14cm: together with a quantity of 18th century and later mezzotints, by and after various hands, various sizes, (unframed) (a lot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

John Raphael Smith, British 1751-1812- "African Hospitality" after George Morland, publ. March, 24. 1814 by S Morgan, No. 32, Clipstone Street, Fitzroy Square; mezzotint, 48x65cm: Charles Robertson RWS, British 1844-1891- An oriental man feeding pigeons; dry-point etching, signed within the plate, 35.5x25cm: Thomas Sinclair, British 1805-1881- "Priest in Full Dress Simoda" after a daguerreotype by E Brown; lithograph printed in colours, 29x22.7cm: Sidney Tushingham ARE, British 1884-1968- Riding out from the city walls; etching, signed in pencil, 22.5x36.3cm: together with a quantity of 19th and later prints, by and after various hands, examples to include prints depicting scenes from St Helena, Turky, South America, India and Egypt, various techniques, various sizes, (unframed) (a lot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

John Raphael Smith, British 1751-1812- "John Gawler" after Sir Joshua Reynolds; mezzotint, 38x27.5cm: Edward Fisher, Irish 1722-1781/2- "George, Lord Edgcumbe" 1761, after Sir Joshua Reynolds; mezzotint, 38.5x27.5cm: James McArdell, Irish 1729-1765- "John Reynolds S.T.B, Fellow of Eton College and Canon of St Peter's Oxon, 1757" after Sir Joshua Reynolds; mezzotint, 35.5x25.5cm: together with a quantity of mezzotints, by and after various hands, depicting portraits of historical figures, various sizes, (unframed) (a lot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

William Bell Scott, British 1811-1890- "The Norns Watering the Tree of Life" 1876; etching, signed and dated within the plate, 25.5x17cm: Dante Gabriel Rossetti, British 1828-1882- "A Sonnet"; wood-engraving, inscribed within the plate DG Rossetti pro matre fecit Apr: 27. 1880 and ANIMA, 9.5x15cm: Hubert Von Herkomer, German/British 1849-1914- "Caller Herrin" after John Everett Millais, publ. August 1st 1882 by The Fine Art Society Limited, 148 New Bond Street, London; mezzotint and etching, inscribed with the artists and remarques of their profile, 68x53cm: Robert Bowyer Parkes, British 1830-1904- "Sing Birdie Sing" publ. July 8th, 1870, by Henry Graves & Co, the Proprietors, Publishers to H.M. the Queen, and T.R.H. the Prince & Princess of Wales, 6 Pall Mall, London; etching and mixed technique with hand-colouring, 71x52.5xm: together with a quantity of 19th century prints, by and after various hands, various techniques, various sizes, (unframed) (alot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Samuel Cousins after George Richmond (19th Century): 'Elizabeth Fry' (1780-1845) - three quarter length portrait, mezzotint 23cm x 19cm in gilt gesso frame

Samuel Cousins after George Richmond (19th Century): 'Elizabeth Fry' (1780-1845) - three quarter length portrait, mezzotint 23cm x 19cm in gilt gesso frame

A 19th century portrait of a gentleman, mezzotint, signed Stewart Robertson in pencil to the margin, 30 x 25cm

After George Morland, Morning, the First of September, monochrome mezzotint, engraved by W Ward, 47cm x 60cm

After George Morland, The farmyard, monochrome mezzotint engraving by W Ward, published 1795, 45cm x 55cm

Pair of oval gilt framed mezzotint portraits of 18th Century ladies, the frames with ribbon surmounts

T HAMILTON CRAWFORD AFTER MILLAIS `William Ewart Gladstone` ARTHUR HOGG AFTER LINNELL `Robert Peel` S M LITTEN AFTER HOPPNER `William Pitt` Mezzotint portrait studies pencil signed, published 1922 and 1923, Museum Galleries, London. 32.5cm x 27.5c m largest, in gilded glazed frames

AFTER SIR THOMAS LAWRENCE, RA Engraved by C Turner ?Portrait of Thomas William Coke Esq M.P. (of Holkham)? black and white mezzotint, published 14th July 1814 by J & W Freeman 24 x 15ins

AFTER SIR THOMAS LAWRENCE, RA Engraved by C Turner “Portrait of Thomas William Coke Esq M.P. (of Holkham)” black and white mezzotint, published 14th July 1814 by J & W Freeman 24 x 15ins

After Joshua Reynolds (British, 1723-1792) Ugolino, published by John Boydell, 1774, mezzotint engraving, 51cm x 63cm

English School (circa 1840) A pair of views of Brimstone Hill, St Kitts, and the Rabacca or Dry River, St Vincent each inscribed with title in pencil, together with a related mezzotint, laid down on album leaves, unframed watercolour (3) 27 x 40cm (11 x 16in) The watercolours are after the views by John Herbert Caddy published as aquatints by Ackermann in 1837.

WILL HENDERSON after John Hoppner, ""Miss Byng"" an artist signed Mezzotint, a pair of Portrait Prints after Sir Thomas Lawrence, a pair of signed Prints after M Mitchell, etc.

After George Stubbs, coloured mezzotint of the race horse "Eclipse", with full inscription to the margin, 45.5cm x 56.5cm

19th Century School - study of a lady feeding chickens and a study of a lady watering flowers with a dog by her side, mezzotint, oval eglomised mount, 9.25" x 7.25", framed (2)

[Lot of 2 - Flowers] Lot of two botanical engravings from this scarce, monumental work. The plates were produced in a combination of etching and mezzotint engraving. This complex printing process, invented by Johann Teyler in the Netherlands around 1688, made possible delicate lines and a very fine grain. The addition of hand coloring brought about unusual and subtle effects that make these beautiful plates very desirable. Includes plates 347 and 688.Weinmann’s major creation was Phytanthoza iconographia (1737-1745), a great project that comprised eight folio volumes with more than a thousand engravings of several thousand plants. One of the artists Weinmann employed was Georg Dionysius Ehret (1708-1770) who would become one of the foremost botanical illustrators of the eighteenth century. The text was written by the Regensburg physician, Dr. Johann Georg Nicolaus Dieterichs. Phytanthoza iconographia was published in both Latin and German. Size varies slightly.A. N. 688 -- a. Lysimachia, Chamaenerion Dicta, Pelle Bosse, Wilder Oleander....B. N. 347 -- a. Centaurium Majus Foliis Cinarae b. Centaurius Majg Flore Purpereo. Fine original color with a few insignificant spots mostly in the blank margins. 15.6"" W x 9.8"" H Weinmann, Johann 1740

Sir Frank Short RA after G F Watts mezzotint, Love and Death, signed by the engraver, 23" x 10.5", framed.

Two late eighteenth century mezzotint prints published by Robert Sayer "Sterne exchanging his snuff box with the monk" & "Country School mistress". 36cm x 24cm. Condition Report. To be used as a guide only. Some discolouration, staining and slight tears.

A Pair of Prints `Exotic Birds`, a Large mid 19th century Mezzotint Engraving of a Young Boy, printed before all letters signed Samuel Cousins and a Hunting Print by WF Calderon 1924 signed by the artist together with an Etching of a Vintage Rolls Royce by Kathleen AE Thompson 91

A Thomas Hamilton Crawford (Fl 1891-1933) Mezzotint of a Young Girl signed in pencil and blind stamp on left, in modern frame

GEORGE TOWNLEY STUBBS AFTER GEORGE STUBBS - Stallion and a Mare, mezzotint, framed, 41.5cm x 55cm also a companion Brood Mares (2)

GEORGE TOWNLEY STUBBS AFTER GEORGE STUBBS - Stallion and a Mare, mezzotint, framed, 41.5cm x 55cm also a companion Brood Mares (2)

After Sir Thomas Lawrence, portrait of Henry, Earl of Harewood, mezzotint in an elaborate period gilt composition frame

After Canaletto Iralian 1697-1768 Eton College From The River Circa 1754. A Limited edition engraving by Lawrence Jasset Numbered 93/400. Printed by Thos. Ross & Son in Mezzotint 1980. Signed & Numbered in Pencil by the Artist. 19x27`` Including Margins. Housed in elaborate baroque style frame.

After Sir Thomas Lawrence, portrait of Henry, Earl of Harewood, mezzotint in an elaborate period gilt composition frame

CHARLES TURNER AFTER SIR THOMAS LAWRENCE, PORTRAIT OF SIR THOMAS LE BRETON MEZZOTINT, C1830

L BusiŠre, mezzotint, signed in pencil, with various signed prints and watercolours

A pair of Edwardian oval mezzotint engravings depicting figures in a town scape, both framed and glazed (2).

AFTER CATHERINE READ (1723-1778)¦Portrait of Miss Trimmer, standing with a kitten on her right shoulder, her hair dressed with flowers¦mezzotint engraving by James Watson,`sold by Ryland and Bryer, at the Kings Arms, Cornhill`¦Pl. 18 1/2 x 14 in (46.9 x 35.7cm)¦¦The sitter was the eldest daughter of Mrs Sarah Trimmer, the writer.¦¦Catherine Read had a portrait practice based at Welbeck Street, London in the 1760`s. A number of her portraits were engraved by Valentine Green and James Watson. Another copy of this print is in the collection of The National Portrait Gallery, London.

Sydney Ernest Wilson (b. 1869-?): A colour mezzotint depicting a family in an interior, hand-signed in pencil; together with a further colour print of a Victorian coaching scene & a quantity of pictures to include original oils, watercolours etc

Sydney Ernest Wilson (b. 1869-?): A colour mezzotint depicting a family in an interior, hand-signed in pencil; together with a further colour print of a Victorian coaching scene & a quantity of pictures to include original oils, watercolours etc

AFTER ARTHUR COX A PICNIC mezzotint by Frost and Reed, signed in pencil 54cm x 71, framed and glazed

Modern British School, mid 20th century- Allegorical scene with female figures on the shores of a lake with woodland; graphite on paper, bears inscriptions in the margins and on the reverse, 60x49.7cm: John Cother Webb ME, British 1855-1927- "The Sea hath its Pearls", after William Henry Margetson; mezzotint printed in sepia, 57x56cm: E Marshall Smith, British, early-mid 20th century- "Loading Hay"; hand-coloured silver print, signed and inscribed on the mount, 25x30.5cm: Helen Harrison, British, late 20th/early 21st century- "Colour Sketch"; watercolour, signed and dated 77, 46x35.5cm., (4) (part unframed) (may be subject to Droit de Suite)

AFTER JAMES DUFFIELD HARDING The Grand Canal, Venice, a view at low level with figures on the jetty, various boats and sloops in water, a Mezzotint, engraved from the original drawing by David Lucas, published London by Thomas Boys, February 15th 18 53, 48 x 66cm, in modern gilt glazed frame

After J.L.E. MEISSONIER; three mezzotints, "Artist Showing His Work", "The Sign Painter", and "A Cavalier", each signed to lower right in pencil by the mezzotint artist, the images 32 x 23cm, 42 x 31.5cm, and 29 x 21cm, all framed and glazed (3).

GEORGE TOWNLEY STUBBS (1756-1815) AFTER GEORGE STUBBS, BROWN HORSE MASK, mezzotint on wove paper, published by R. Sayer, London 1773, in an ebonised and gilt frame. 56cm by 45cm

AFTER G SANDERS, ELIZABETH DUCHESS OF RICHMOND, standing full length, mezzotint engraved by S. Cousins A.R.A.; AFTER B. RICHMOND, PORTRAIT OF AGNES ELIZABETH, wife of Charles 2nd Viscount Halifax, etching by W. Wise; together with LADY CHARLOTTE OSBORNE, only daughter of George 6th Duke of Leeds, engraving; and CHARLOTTE, QUEEN OF GREAT BRITAIN, engraving after J. Russell by Joseph Collyer, pub. W. Faden 1791, all framed and glazed. (4)

AFTER SIR THOMAS LAWRENCE, PORTRAIT OF HENRY, EARL OF HAREWOOD, standing full length in a landscape with Harewood beyond, mezzotint, in an elaborate 19th century gilt composition frame, 57cm by 38cm

A LARGE MEZZOTINT OF HENRY, 3rd EARL OF HAREWOOD, SEATED ON HIS HUNTER WITH HOUNDS AT HIS FEET, in an imposing gilt gesso frame, a/f

AFTER JOHN HOPPNER, Nelson, Mezzotint by Charles Turner, before lettering, circa 1806, 25½ x 16½in. (65 x 42cm.), The first published edition of this famous print was 9th January, 1806, suggesting that this proof possibly dates from late 1805.

Jan Csek (20th Century), couple in moonlight, engraving, limited edition 22/30, signed in pencil to margin, 15 x 26cm, and after G. Sydney Hunt, Madame Vigee Le Brun and Child family portrait, mezzotint, signed in pencil, 31 x 25.5cm, and an unsigned portrait mezzotint, 37 x 26.5cm . (3)

Minnie Cormack (b.1864) - Lord Nelson, Full length standing portrait after John Hoppner RA Mezzotint, 1894, Paul & Dominic Colnaghi 705 x 495mm. (27 3/4 x 19 1/2 in) Unframed

J HALFORD ROSS; `In a Surrey Garden`, Watercolour, signed, inscribed on an old label verso, 14"" (36cms) x 21"" (53cms) and RICHARD SMYTHE; a limited edition Mezzotint `Miss Croker` after SIR THOMAS LAWRENCE.

AN EDWARDIAN MAHOGANY FOLDING TWO SEATER HALL BENCH, the upper section inset with 8 mezzotint portraits, depicting 18th century ladies, above open arches and two square padded seats, each with a padded back and side panel and raised on square tapering legs. (1) 41in (104cm). (1)

A SET OF THREE MEZZOTINT, by Johann Lorenz Haid (1702-1750), after Johann Baptista Piazetta, Study of Three Heads, from a series of 22 heads, 18th century, 15.25in (39cm)h x 11in (28cm), each in ebonised and parcel gilt frame. (3)

18th Century coloured engraving, Hever Castle, Kent, ' The Seat of Sir Timo Waldo ', gilt framed, together with two other framed engravings and a mezzotint of a young lady

Signed Victorian Mezzotint

Alphonse Legros (1837-1911) ``The Wayfarer``, etching; a mezzotint after Sir Thomas Lawrence titled ``Master Lambert``; an etching by George Cuitt depicting ``The Tower, Kirkstall Abbey``; a stipple engraving after Holbien; a mezzotint after John Hoppner; and a further etching by J.E. Redinger depicting a head study of two dogs (6)

The Museum Galleries London, 1926, collection of coloured mezzotint artist signed portraits of famous men and women, third series, limited edition of 400; twenty plates.

Six mainly 18th century mezzotint portraits E.Fisher after Sir Joshua Reynolds Portrait of Charles, Marquis of Rockingham, 1775, 61 x 38cm; and five other mezzotint portraits, including Lady Heathcote after Hoppner (trimmed); and Napoleon after Gerard, 1818 (6)

After Sir Edward Poynter Classical scene with ladies washing clothes, engraving signed in pencil, published 1898 by Virtue, London, 28 x 63cm (plate); J.R.Smith after Morland, The Fern Gatherers, coloured mezzotint before letters, 51 x 62cm including margins (2)

J.Faber after Kneller Group of 8 mezzotint portraits of members of the `Kit Kat Club`, c.1732-34, sitters include - Richard Temple, Edward Hopkins, Charles Montagu and Charles Mohun, all c.35 x 25cm (plate) modern frames

Six 18th century mezzotint portraits most by John Faber after Kneller and others, including Kit Kat Club members, c.35 x 25cm

John Martin (1789 ? 1854) Eve presenting the forbidden fruit to Adam, mezzotint, 1827, `book 9, line 995`, 19 x 28cm (image), with margins, some foxing; and Satan Presiding at the Infernal Council, mezzotint, `book 2 line 1`, 14.5 x 20cm (browned)