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HENRY MACBETH-RAEBURN, R.A., R.E. (1860-1947) Dr Nathaniel Spens inthe Uniform of a Scottish Archer, mezzotint in colours, pencil signed, copyright 1923, generally in good condition, 25 1/4 x 15 1/2in (64.2 x 39.4cm)

After GEORGE ROBERTSON (1742-1788) A View of the Mouth of a Coal Pit near Broseley in Shropshire; and An Iron Work for casting at Cannon, and a Boreing (sic) Mill taken from the Madeley side of the River Severn, Shropshire, engravings by Francis Chesham and Wilson Lowry respectively, both with general surface discolouration and minor spotting and some tears at margin edges, unframed Pl. 14 x 20 1/2in (35.6 x 52.1 cm) and slightly smaller. This lot is sold with an unframed mezzotint circa 1830 depicting a scene on a Country Estate (3)

DART, JOHN. Westmonasterium. Or The History and Antiqities of the Abbey Church of St. Peters Westminster. Printed and Sold by James Cole..., n.d. [c.1723]. 2 vols., folio, old red tooled leather (spines and edges worn, upper cover of vol 2 loosening). Engraved titles, frontispiece, 7 plates of arms and 127 plates (lacks mezzotint portrait). Sold not subject to return (2)

AKENSIDE, MARK. The Poems. First Collected Edition, 1772. 4to., cont. sprinkled calf (joints repaired). Mezzotint portrait frontispiece. (one gathering upside down)

After Robert Smirke. "The Grandmother"s Blessing", a colour mezzotint, 17.25 x 23in (44 x 58.4cm) with a black and gilt verre eglomise mount.

After George Morland. "The Kite Entangled" a mezzotint, 20 x 15. 75in (50.8 x 40cm)

H. Macbeth RAEBURN, signed mezzotint 'The Cock of the North- Portrait of George V', 24" x 17"

* Collet (John). The Pleasures of Skaiting - or A View in Winter, pub. Carington Bowles c.1780s, uncol. mezzotint, approx. 35.5 x 25.5cms., with margins, mounted on paper. (1)

* Constable (John, 1776-1837). Salisbury Cathedral (Large Plate), 1837, uncol. mezzotint by David Lucas after Constable, trimmed to margin and mounted on old paper, image size 55 x 69 cm., old gilt frame, glazed. A good strong impression. (1)

* Morland (George, 1763-1804). Children Playing at Soldiers, pub. J. R. Smith, August 5th 1788, uncol. mezzotint by G. Keating after Morland, image size approx. 46 x 56cms., margin trimmed to lower edge. (1)

* Morland (George, 1763-1804). Family around fire in country landscape, early 19th c., hand-col. mezzotint proof, printed before letters, approx. 460 x 610mm, framed & glazed. (1)

* Rubens (Peter Paul, 1577-1640). Hunting wild boar, pub. John Boydell, Jan 1st, 1781, hand-col. mezzotint eng. by R. Earlom after Rubens, (untitled) showing classical figures and dogs hunting a wild boar, loosely lined on canvas, approx. 470 X 860mm. (1)

* Smith (J.R., after William Peters). Edward Wortley Montagu Esq., from the Original Painting, in the Collection of the Right Hon. Lord Viscount Courtenay, pub. John Boydell, August 15, 1776, fine uncol. mezzotint portrait, with respectable margins, image size approx. 50 x 35 cm., mounted, together with Turner (C., after T. Phillips), Elizabeth, Marchioness of Stafford, pub. Feb 11 1806, fine uncol. mezzotint portrait, approx. 51 x 35 cm., old Hogarth-style frame, glazed, and one other, by Samuel Cousins, signed. (3)

* Spooner (Charles). Nancy Dawson, pub. Robert Sayer, n.d., c.1780s, uncol. mezzotint, approx. x 25.5cms., with margins, together with Reynolds, Sir Joshua, Miss Greenway, uncol. mezzotint after Reynolds, approx. 35.5 x 25.5cms., with margins, both in black and gilt matching frames. (2)

Russell (Gyrth, 1892-1970). Boats Moored by the Quay & Drying Nets in the Back Yard, together two etchings, each signed in pencil, approx. 13 x 21 cm and 16 x 18.5 cm respec., mounted on card, together with Osborne (Malcolm), Walter Hargreaves Brown, 1926, etching, signed in pencil, image size approx. 30 x 25 cm, plus a mezzotint portrait of Francis Pember by Glyn Philpot, signed in pencil. (4)

* Short (Sir Frank, 1857-1945). Panoramic Mountain Landscape, b&w mezzotint, signed in pencil, impression size approx. 12.5 x 32.5 cm, mounted on card. (1)

* Short (Sir Frank, 1857-1945). Gathering in the Corn, 1904, uncol. mezzotint, signed in pencil by the artist, approx. 21 x 30 cm., together with Macleod (W. Douglas), 'Sunset North Mist', sepia etching, signed in pen by the artist, approx. 23 x 38 cm., framed and glazed, plus Govier (James Henry), Portrait of a Young Woman, 1936, uncol. etching, signed and dated in pencil by the artist, approx. 10 x 8 cm., framed and glazed, with five other framed etchings, by S. Tushingham, Ian Fleming, A.H. Haig, Kenneth Steel and Marmaduke Miller. (8)

INDISTINCTLY SIGNED TO MARGIN, COLOURED MEZZOTINT, 'Madame Vigee-Lebrun', 13" x 10"

SIR FRANK SHORT, SIGNED IN PENCIL TO MARGIN, BLACK & WHITE MEZZOTINT, 'Old Gravel Pits, Moseley, Nr Birmingham', 4" x 8", H GOFFEY, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION DRYPOINT ETCHING, 'Alert' (Alsatian), 11" x 8" and 2 further early 20th Century coloured etchings, various sizes, (4)

PERCIVAL GASKELL, SIGNED IN PENCIL TO MARGIN, MEZZOTINT, DRY POINT AND AQUATINT, 'Evening in the Lakes', 'Trees in Arundel Park', 'In Wharfdale', various sizes, (3)

AFTER H FRADELLE, ENGRAVED BY H DAWE, ANTIQUE BLACK AND WHITE MEZZOTINT, 'The Escape of Mary Queen of Scots from Loch Leven Castle', 11" x 8"

19TH CENTURY ENGLISH SCHOOL MEZZOTINT 'Prince of Wales, Afterwards King George IV Obt 1830', 25" x 16"

AFTER J M W TURNER, ENGRAVED BY CHARLES TURNER, SEPIA MEZZOTINT FROM LIBER STUDIORUM, 'Scene on the French coast' (see further details verso), 7" x 10"

AFTER C READ, ENGRAVED BY J FINLAYSON, BLACK AND WHITE MEZZOTINT, 'Elizabeth, Duchess of Hamilton...,' 18" x 14"

SIR FRANK SHORT, SIGNED IN PENCIL TO MARGIN, BLACK & WHITE ETCHING AND MEZZOTINT 'Lowtide, The Evening Star and Rye's Long Pier Deserted' and 'Mildmay Seapiece', (see further details verso), (2)

AFTER JOHN CONSTABLE, ENGRAVED BY DAVID LUCAS, ANTIQUE BLACK AND WHITE MEZZOTINT, DATED 1832, 'Yarmouth, Norfolk' (see further details verso), 6" x 8"

AFTER J M W TURNER, ENGRAVED BY D SAY, ANTIQUE SEPIA MEZZOTINT, 'Apullia in search of Appulus' (see extensive details verso), 6" x 9"

* Constable (John). Twenty-six mezzotint views by David Lucas after John Constable, mid 19th century, sizes vary but plate-mark typically approx. 180 x 250 mm with good margins (26)

* Prints & engravings. Ward (J.), To the General Steam Navigation Company this Engraving of the Steam Ship Wilberforce, in three Positions, with a View of the Port and Town of Hull, Sept. 20th, 1838 [but later restrike], uncol. aquatint, a few short tears and marginal fraying, approx. 460 mm x 690 mm, together with Matteson (T.H.), The First Prayer in Congress. September 1774, in Carpenters Hall Philadelphia, 1848, mezzotint engraving, some creasing and short tears, approx. 420 x 570 mm, plus other engravings including litho. designs after Watteau by W.Nichol, five hand coloured lithos. of exotic animals by Harriet Scott, an original Chinese painting of butterflies on silk, etc. (20)

After G Morland, The Shepherds, colour mezzotint, 45x60cm.

Carington Bowles, coloured mezzotint, The Triple Plea, 12.5 x 9.75 ins. and 5 other mezzotints/engravings; The Mutual Embrace, Christ & The Prodigal Son (3).

P & P. Gully Publ. pair of mezzotints, William IV and Queen Adelaide, 13 x 10 ins. a mezzotint - Young Celadons Courtship, a cockfighting print & 5 French mens fashion plates.

Sayer & Bennett, mezzotint, The New Fashioned Phaeton, 1776, 13 x 9.5 ins. two Seasons mezzotints and another of a sailor-boy.

An 18th century oval French mezzotint of a lady carrying fruit, 20 x 13cms

A Needlepoint Small Picture of a Country House, circa 1790], rectangular, worked in black and grey thread, with a lady strolling near recumbent cattle on a tree lined avenue towards a Palladian country house, 10cm by 15cm; [An Embroidered Floral Panel, circa 1810], worked in chenille, coloured threads and gauze, with three white roses amongst fuchsias and other flowers on a cream silk ground, 13.5cm by 12cm; and [A Small Oval Mezzotint], depicting a young girl in a winter landscape, oval, in a gadrooned giltwood and gesso frame, 16cm (3)

After Sir Joshua Reynolds PORTRAIT OF A LADY Mezzotint, signed in pencil, published 1897 by Leggatt Brothers, in an ornate late 19th Century carved giltwood frame Image, 45 x35cm

After Sir William Beechey The most noble Lord Horatio Nelson, Viscount and Baron Nelson of the Nile, by Richard Earlom mezzotint, published by Boydell & Co., London, some damages to edges and minor losses, unexamined out of frame P.20? x 14 in. (52.1 x 35.7 cm.); and a reissue of the action between the Terrible and Vengeance , after Smirke and Cleveley (2)

Art Journal. Approx. 250 uncoloured Art Journal engravings, late 19th century, incl. views, portraits, genrŽ, historical, etc, together with an album or mixed prints and engravings including mezzotint portraits, etc. (approx. 300)

Gainsborough (Thomas). Engravings from the Works of Thomas Gainsborough, R.A, by J. Scott, G.H. Every, G. Sanders, and other Eminent Engravers, pub. Henry Graves & Co, [1876], addn. stipple eng. port. frontis. of Gainsborough, by Bartolozzi, pub. Boydell, 1798, eng. title, list of engs, 125 mezzotint engs. on india paper, some minor scattered spotting, mainly to margins, a.e.g, contemp. crimson half morocco gilt, a little rubbed, tall folio. (1)

A Gaymard; a framed mezzotint engraving of a young lady with her dog, signed in pencil

H Scott Bridgewater; a framed and glazed mezzotint engraving of Helen Fourment after Rubens, 38 x 30cm, also an Arthur Hogg mezzotint of Maria Luigia De Tassis after Van Dyck, 38 x 30cm, both signed in pencil, framed and glazed

After George Morland. A visit to the child at Nurse, hand tinted mezzotint by Ward, 1st pub. 1788, later impression, image size 17" x 211/4".

E. Serevin after R. Westall Sappho Stipple engraving S. 49.5cm x 34.5cm three 18th century portrait mezzzotints and a mezzotint after Gerard Dou

After Henry Thomson (1773-1843) Crossing the Brook Coloured mezzotint 60cm x 40cm (I)

Yozo Hamaguchi Ladybird and Leaf (M. 163) mezzotint in colours, 1984, on wove paper, signed in pencil, inscribed 'u/z', a proof aside from the numbered edition of 150, with margins, in very good condition P. 57 x 40mm., S. 285 x 190mm.

Smith after Kneller mezzotint, 'Mr Grinlin Gibbons', 12.5 x 10.25 ins.

John Raphael Smith after H.Walton mezzotint, 'The Fruit Barrow', 18.5 x 14 ins.

E WARDLE, (ENGRAVER), COLOURED MEZZOTINT, 'Esquire Hallet and his wife', 19" x 13", (unframed) and HENRY MACBETH-RAEBURN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE MEZZOTINT, DATED 1889, Military portrait, 21" x 17", (2)

AFTER W F WITHERINGTON, ENGRAVED BY G H PHILLIPS, ANTIQUE BLACK AND WHITE MEZZOTINT, DATED 1826, 'Dancing Dogs', 13" x 10"

AFTER SIR J REYNOLDS, ENGRAVED BY HERBERT STODART, EARLY 20TH CENTURY COLOURED MEZZOTINT, 'The Hon. Miss Francis Harris', 13" x 10"

LAWRENCE FOSSETT?, INDISTINCTLY SIGNED TO MARGIN, BLACK AND WHITE MEZZOTINT, Golfing in olden times, 12" x 17", unframed

After Sir John Everett Millais 'New Laid Eggs', mezzotint by Samuel Cousins, 62x43cm.

A Japanese woodblock print in colours depicting a lady with a cat in an interior, signed and sealed, 34.3x23cm: together with a stipple engraving of Jane, Countess Harrington by Bartolozzi, and a mezzotint portrait by H. Lewis, (3), (part unframed)

2 cockerel prints, 5 London panoramas after 18th century engravings, a large mezzotint titled 'Sunless Days' and a quantity of other large prints, including racing interest (all unframed)

'Fishermen', colour mezzotint by J.P. Smith after G. Morland.

A farmer and his family at a cottage door, colour mezzotint, signed proof by A. Arnold.

WILLIAM HENDERSON. (AFTER ROMNEY). Portrait of a Lady, facing Left, pencil signed, published by Henry Graves, 1902, mezzotint, Pl. 19 x 16in ; a mezzotint by Norman Hirst (after Reynolds) depicting two children; and an engraving by Samuel Cousins (after Lawrence) depicting a Mother and Children (3)

R. Harraden. King's College Chapel and Clare Hall in the University of Cambridge. Hand coloured mezzotint proof, 42.5cm x 56.5cm

E. Jackson Stodart after Laureince three colour mezzotints, L'Enlevement Nocturne, Le Billet Doux and Qu'en Dit L'Abbe, 15 x 12 ins. and another mezzotint of soldiers outside a tavern

Naval. Engraved portrait of Captain Sir Philip Bowes Vere Broke, mezzotint engraving by C. Turner after S. Lane, some light toning, laid down onto old board, approx. 680 x 420 mm, 19th century maplewood veneer frame (1)