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A mezzotint, Fine Art Society, "Bashful dog," signed and dated 1878, 14 x 16"

James Bromley (1800-1839) assisted by J. Porter and J.G. Murray - Mezzotint - “View of the interior of the House of Peers during the trial of Queen Caroline 1820”, 22.5ins x 34.5ins, published by Bowyer and Parkes, Pall Mall, 2nd April 1832, complete with key, in moulded frames and glazed £100-150

Thomas Gouch Appleton 1854-1924- Lady with a guitar, publ 1899 by Henry Graves & Co Ltd; engraving, signed in pencil, 62x46cm: George Raphael Ward 1797-1879- 'C J Longley DD', after H P Briggs RA, publ Dec 15th 1839 by James Ryman, Oxford; mezzotint, in a maple veneered frame: together with a colour reproduction print in a 19th century veneered frame, (3)

Norman Hirst 1862-1956- Cottage in a landscape, publ. 1906 by Leggatt Brothers, 62 Cheapside, London EC; mezzotint, signed in pencil, 24x34cm

Georg Philipp Rugendas 1616-1742- 'The Blacksmith'; mezzotint, mixed method, 49x67cm: Philip Corbut 18th/19th Century- 'Piping Girl', after J Molenaar, publ for Robt. Sayer, Map and Printseller, at the Golden Buck near Serjeants Inn Fleet Street; mezzotint, 36x26cm., (2)

Fred Miller 19th century- Young woman in a classical landscape; mezzotint printed in colours, signed and inscribed 'Engraved and printed in colour in one printing' in pencil, and numbered 42, 31x27cm: Elizabeth Eleanor Milner 19th century- Lady in a classical landscape; mezzotint printed in colours, signed in pencil: North African woman and child; chromolithograph printed in colours, art work for the Pears soap company: together with three further 19th century chromolithographs of various subjects, (5)

After Jean Baptise Greuze 1725-1805- 'Sophie Arnold'; mezzotint printed in colours, 59x45cm: together with six reproduction prints after various hands, (7)

William Hewitt, 19th century- Study of a recumbent lion; pencil with touches of watercolour on buff paper, signed, 10x19cm: John Smith- 'Mrs Conwai Hackett, after I Riley; mezzotint: N Thomas, 19th century- 'Oui ou Non', after J M Moreau le jeune; engraving, (3)

JOHN GREENWOOD AFTER NATHANIEL HONE Portrait of a young lady seated with a cup of tea, possibly Miss Amelia Hone, mezzotint, published by Robert Sayer 1771, 14" x 10".

H HERKOMER AFTER J E MILLAIS 'Caller Herrin', monochrome engraving, 27" x 21" and six further engravings to include a country scene with two figures on horseback; a mezzotint of two fashionable young ladies by Frank Sternburgh; an Oxford Almanac print St Giles' Fair after Sir Muirhead Bone; A portrait engraving the Right Honourable the Countess of Jersey; a brass rubbing photograph and two views of Glencoe framed in one (7).

ROBERT CHARLES PETER (1888- circa.1980) 'The Storm Wave', mezzotint, signed in the margin, 12 1/2" x 17".

GEORGE TOWNLEY STUBBS AFTER GEORGE STUBBS 'Horses Fighting', mezzotint, 17 1/2" x 23"; and a wood cut in colours depicting a boy fishing (2).

A GAINSBOROUGH DUPONT AFTER THOMAS GAINSBOROUGH 'Charlotte, Queen of Great Britain', mezzotint, published circa. 1790, 24 1/2" x 14 1/2" and one other engraved by V Green after Sir Joshua Reynolds 'The Right Honourable Lady Jane Halliday' (2).

J WATSON AFTER J REYNOLDS 'The Right Honourable Georgiana Lady Viscountess Spencer and her daughter the Honourable Miss Georgiana Spencer, mezzotint, printed for Robert, 20" x 14" and one other 'The Mask' (2).

* Real Tennis. The Tennis Court at Versailles, pub. Manchester Tennis & Racquet Club, 1st May, 1976,. fine col. mezzotint eng. by Lawrence Josset after L.L. Boilly (1761 1845), signed in pencil by Josset to lower margin, plt. size 46 x 51 cm, Hogarth style frame, glazed limited edition 98/250. (1)

Smith after Ward-"The Recruit", coloured mezzotint engraving, published 1803; a similar circular mezzotint-The Soldier's Farewell; three other prints relating to the Coldstream Guards (5).

A mezzotint of a young girl within a silver border 11 12 x 103/4 inches. and two other portraits after Sir Thos Lawrence engraved by Edmund Wardle 7 x 51/2 inches

A mezzotint panel of a girl holding a tray of fish and another needlework panel of a dog, 25 x 34 inches

Richard Earlom 1743-1822- 'The Larder, In The Common Parlour At Houghton', after Martin de Vos and Joseph Farrington, publ Nov 1st 1775 by John Boydell engraver in Cheapside London; mezzotint, 47x60cm: Richard Earlom I 1743-1822- 'A Fruit Market, In The Gallery At Houghton', after Snyders and Joseph Farrington, publ March 25th 1775 by John Boydell; mezzotint, 43x59cm, (2)

Charles Turner (1773-1857) after Joseph William Mallord Turner, R.A. The 5th Plague of Egypt, the Picture last in the Possession of W. Beckford, Esq. mezzotint published 1808. sight size 22 x 29cm.

Leggatt Brothers after John Constable, R.A The Haywain indistinctly signed in pencil in the bottom margin mezzotint image 50 x 72cm.

After George Morland. "Evening or The Post Boy's Return", coloured mezzotint by Orme, first published 1790, image size 15¾" x 20¼".

After George Morland. "Dancing Dogs" hand coloured mezzotint, 14" x 11", Hogarth frame.

*Bartolozzi (Francesco, 1727-1815). 'Return from Shooting' [The Duke of Newcastle at Clumber Park], uncoloured engraving after F. Wheatly, light foxing, plate dimensions approx. 530 x 670 mm, together with Faber (F.) The Right Honourable Sr. Edmund Probyn Knr. Lord Chief Baron of his Majesty's Court of Exchequer, pub. J. Ryall & R. Withy, late 18th century, mezzotint portrait ad vivum, plate dimensions approx. 350 x 245 mm, both framed and glazed (2)

*Napoleonic Wars. Wright (I.M., after), Victory of Vittoria, pub. Hassell & Rickards, 1 June, 1814, hand coloured aquatint battle scene by H.Moses, title in English and French, some vertical creasing, approx. 560 x 680 mm, together with Atkinson (John Augustus, 1775-1833, after), 'Battle of Vittoria, 21st June, 1813' [as titled to mount], hand coloured mezzotint, some paper restoration, trimmed up to image and relaid, approx. 405 x 545 mm, both framed and glazed (2)

Mezzotint, Grandmothers Blessing after Robert Smirks In Gilt Frame, 60 X 72 Cm Guide Price

After Arthur Leonard Cox b.1879- 'Autumn The Repast', publ 10 Clarke Street, Bristol, by Frost & Reed Ltd, print sellers of Bristol & London 1952; mezzotint printed in colours, signed in pencil, bears blind stamp, 56x71cm: together with four similar signed colour mezzotints after the same hand, (5)

A coloured mezzotint, 18thC. family and dog in a garden, published c1919, signed in pencil to margin, 17½" x 11". framed.

After T. Murray. Reginae Philippa 18thC mezzotint, 16" x 10¼", framed.

*Martin (John, 1789-1854). Satan in Council, [1831], mezzotint plt., caption printed to lower margin, closed tears mostly to edges repaired, laid-down on card, approx. 520 x 700mm (1)

A collection of prints, engravings and watercolours, including a mezzotint of Sir Isaac Newton. "Drawn and scraped MDCCLX by James Macardel É" and a small mixed process engraving entitled "The Juvenile Cricketer." All in an old portfolio. A lot.

*Portraits. Anthony Henley Esq, early 18th c. mezzotint portrait by J. Smith after G. Kneller, approx. 345 x 245 mm, together with The Rt. Hon. Sr. Joseph Jekyll Knight Master of the Rolls, and one of His Majesties Most Honourable privy Counsel, eng. portrait by George Vertue after M. Dhal, dated 1730, approx. 375 x 255 mm, plus Robert Lord Henley Baron of Grainge, early 18th c. mezzotint portrait by James McArdell after Thomas Hudson, approx. 395 x 275 mm, and two others similar (Ralph Clayton, by Henry Meyer after L. F. Abbott, 1814, & Lord Brougham, by Thomas Lupton after James Lonsdale, pub. William Walker, 1832), all framed and glazed (5)

*Prints & engravings. Four hand-coloured aquatint views of Dresden by J. C. A. Richter, n.d, c. 1840s, each approx. 100 x 140 mm, framed and glazed, together with other miscellaneous topographical and historical engravings, including an engraving with hand-col. by J. Mathieu after Fragonard, entitled Le Temps Orageux, pub. 1784, approx. 410 x 490 mm (16 x 19. 25 ins), gilt frame, glazed, a mezzotint by W. T. Davey after W. C. T. Dobson, entitled Morning, pub. 1865, a lithographic portrait of William Darling, by Weld Taylor after John Reay, with inscription by John Reay in pencil to lower margin 'In the Longstone Light House 1838, Farne Islands', dated 4/5/97, etc, one framed (a folder)

*Prints & engravings. Singleton (Henry, after), Admiral de Winter Resigning his Sword to Admiral Duncan on the Quarter Deck of the Venerable, 74 Guns, 11th Oct, 1797, pub. James Daniell, 25 March, 1799, hand coloured mezzotint by James Duncan, approx. 560 x 660 mm, together with Fores's Hunting Casualties, plates 1-3 & 5 only (of 6), pub. Fores, 1 January, 1850, four hand coloured aquatints by J. Harris, plate dimensions approx. 250 x 330 mm, plus others including some horse/hunting related, three Gillray etchings (late editions), a large Japanese woodblock battle scene in poor condition, a large sentimental engraving of Romeo and Juliet by George H. Every after Dicksee, etc, mostly mounted (17)

SHORT (Frank), mezzotint, untitled stormy coastal scene, on japan paper, signed in pencil, 15 x 22cms [plate] (1).

HENRY MACBETH-RAEBURN R.A., R.E. (1860-1947) GEORGE GORDON, 5TH DUKE OF GORDON Coloured mezzotint, artist's proof, signed 64cm x 37cm

ENGLISH SPORTING PRINT. Mezzotint signed in pencil by R.C. Peter. Published in 1829, the print shows a hunter with his two bird dogs. Modern mat and frame. 25 1/4h. 20w.

After Sir Francis Grant - 'The Right Hon Edward Herbert, Earl of Powis', monochrome mezzotint, published 1848, together with two similar monochrome portrait prints.

After Sir Henry Raeburn - 'Self Portrait', monochrome mezzotint by William Walker, published 1826, together with a small collection of engravings and decorative prints, after Thomas Landseer, David Wilkie and others.

An eighteenth century mezzotint after George Morland, The Fern Gatherers, published and engraved in 1798 by Smith, with plate mark, enclosed in hogarth frame. (24.5in x 19in)

An eighteenth century mezzotint after George Morland, The Horse Feeder, the plate published and engraved in 1799 by Smith, with plate mark, enclosed in hogarth frame. (24.5in x 20in)

H. SCOTT BRIDGEWATER (AFTER HOPPNER). Lady Anne Cullingsmith and her Children, mezzotint engraving, Pl.19 1/2 x 15 1/2 in ;and two other portrait engravings (3)

Jean Pierre Marie Jazet 1788-1871- 'Louis David' after Joseph Denis Odevaere 1778-1830; aquatint, 70x50cm: Joseph Bishop Pratt 1854-1910- Portrait of the artist Madame Consuelo-Fould, after Marie-Rosalie Bonheur 1822-1899, publ London January 25 1896, by L H Leferre, 1a King Street St James SW, the proprietor of the copyright', with remarque; mezzotint, bears three signatures in pencil 50x32cm: European school 18th century- 'Antonio Coypel Pittore'; hand-coloured engravings, set of seven plates: together with a further quantity of 18/19th century engravings by and after different hands, (14)

Manner of Richard Gilson Reeve 1803-1889- 'Pretender, Winner of the 2000 Guinea Stakes at Newmarket, and the Derby stakes Epsom,1869'; hand-coloured mezzotint, later restrike, in a maple frame, 54x64cm

A coloured mezzotint of a young nobleman,in a decorated composition frame, height 40cm. a/f

WOODBURN, SAMUEL, pub. Portraits of Characters Illustrious in British History...Engraved in Mezzotint by Richard Earlom and Charles Turner, from Original Pictures, Miniatures &c. n.d. (plates dated 1810-14). Folio, cont. straight grained green morocco gilt, a.e.g. (a few small abrasions). Engraved title and 100 portraits. Tervoe bookplate.

WOODBURN, SAMUEL. Woodburn's Gallery of Rare Portraits; 2 vols., 1816. Large Paper copy, folio, cont. straight grained tan morocco gilt, a.e.g. (binding scraped). 203 engraved portraits, a few in mezzotint, including the 8 additional plates found only in Large Paper copies. (two or three spotted). (2)

A George III glass picture or coloured transfer mezzotint of Beating & Trailing for a Hare, engraved by Thomas Burford after James Seymour, 1753, 26 x 36cm, ebonised fruitwood frame with gilt slip ++ In fine condition

ARTHUR L. COX (After Greuze). A Portrait of a young Woman, mezzotint , printed in colours, published by Arthur Bell and Co, 1921, 10 1/4 x 8 in

Ludolf (Hiob) Ad suam historiam aethiopicam antehac editam commentarius... title in red and black with engraved vignette 3 engraved portraits 2 mezzotint and 8 plates 4 folding a few leaves printed in red and black browned in parts engraved bookplate of Sir Thomas Seabright contemporary panelled calf rubbed rebacked preserving old spine morocco label [Leslau 728] folio Frankfurt J.D.Zunner for M.Jacquet 1691.

A 19th Century Mezzotint Bust Portrait, of the Countess of Euston, and two other mezzotints (3)

A group of postcards relating to Brighton, chiefly topographical published by the Mezzotint Co, Philco, etc. and two cards of the Brighton Football team (30).

A group of four, Including a mezzotint portrait of Mr Thomas Tayler after William Redmore Bigg by William Ward, two prints after George Morland and a photogravure after Sherrin, two unframed. (4) Best Bid

Richard Smythe, after Fragonard, A girl on a swing, Colour mezzotint, Signed in pencil, 35.5cm x 28cm. Best Bid

Sir Frank Short (1857-1945), The Night Picket Boat at Hammersmith, Mezzotint, Signed and dadicated 'to my wife' in pencil, 30cm x 45.5cm.

After Thomas Picken The Grand Festival held in The Castle Yard, Nottingham lithograph with hand colouring 46 x 58cm together with a mezzotint of The Inhabitants of Nottingham after W. Goodacre (2)

Kane (Elisha Kent). The U.S. Grinnell Expedition in Search of Sir John Franklin. A Personal Narrative, pub. Harper, New York, 1854, mezzotint frontis. & plts., one folding map (frayed to fore-edge), orig. cloth, joints cracked and some wear to spine, 8vo, together withShillinglaw (John J.), A Narrative of Arctic Discovery, from the Earliest Period to the Present Time. With the Details of the Measures Adopted by Her Majesty's Government for the Relief of the Expedition Under Sir John Franklin, 2nd ed., 1851,eng. port. frontis., two folding litho maps, blind embossed library stamp to frontis., title & last leaf, occ. scattered spotting, library labels to endpapers, modern cloth gilt with library classification number to spine, 8vo (2)

Turner (J.M.W., illust.). The Harbours of England..., with Illustrative Text by John Ruskin, new ed., 1877, twelve mezzotint plts., pages loose where gutta-percha perished, a.e.g., orig. green cloth gilt, folio (1)

Scrap Album. A large album of mounted engravings and photographs, 18th & 19th c., including octavo steel-eng. portraitsand hand-col. fashion plts., plus hunting and humorous scenes after Cruikshank, Alken, etc., larger etchings and engravings after George Morland, plus engraved portraits by Houbraken, mezzotint portraits of Simon Earl Harcourt, Sidney, Earl of Godolphin, Samuel Whitbread, plus albumen prints of European views and works of art, some removed, in all fifty leaves, a.e.g., 19th-c. half morocco, rubbed, atlas 4to (1)

*Performing Arts. 'Punch and Judy', late 19th century, large hand coloured wood engraving, approx. 360 x 500 mm, together with Turner (C., engraver), The Mask, pub. 19 June, 1823, hand tinted mezzotint after Reynolds, plate dimensions approx. 270 x 225 mm, and other related prints and engravings including a hand colured litho. of two men playing cribbage, music covers, etc. (approx. 35)