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A FRAMED MEZZOTINT TITLED "A SCHOOLBOY"

A MOUNTED MEZZOTINT TITLED 'THE PHILOSOPHER READING A LECTURE ON THE ORRERY', AFTER JOSEPH WRIGHT

A MOUNTED MEZZOTINT BY VAL GREEN TITLED 'THE HERMIT'

A 18TH CENTURY FRAMED MEZZOTINT TITLED 'REMBRANDT'

A FRAMED MEZZOTINT "AN HERMIT" AFTER JOSEPH WRIGHT

An Early 19th Century Coloured Mezzotint, ''Infancy'', within a cream silk mount embroidered with floral motifs and gilt embroidery, in a gilt frame, 42cm by 49cm

SAMUEL COUSINS, RA (1801-1887) AFTER SIR MARTIN ARCHER SHEE, PRA (1769-1850) PORTRAIT OF JOHN CUST, 1ST EARL BROWNLOW AND VISCOUNT ALFORD proof mezzotint before title on stout wove, 1843, 54.5 x 40.5cm, Edward Fisher (1730-c1785) after Benjamin Wilson (1721-1788) Portrait of John Hadley MD, mezzotint, 1759, 53 x 37cm, John Baptiste Delafosse (1721-1775) after Louis Carrogis Carmontelle, L Malheureuse Famille Calas, engraving, 1765, 37 x 48cm, various other 18th and 19th c prints, portraits and topographical and printed address of the City of Lincoln to the Earl Brownlow on his resignation of the Lord-Lieutenancy, 1853, coloured lithograph frontispiece in original envelope inscribed as sent to Lady Mary Fludyer by Earl Brownlow in May 1853, sold in portfolio (65 approx)++A typical old country house folio of prints in mixed condition, some poor but many good

After Charles Baxter. Three Maidens, colour mezzotint print, 50cm x 43cm.

FRANK SHORT, signed & dated mezzotint 1909 "Harvest Time", 17" x 25"

After Edward Robert Hughes (1851-1914), a mezzotint depicting lovers on a balcony, probably Romeo and Juliet, signed in pencil 'E R Hughes' and with Fine Art Society blind stamp, published 1901, in moulded mahogany frame with tongue and dart carving to top and reeded columns

Sydney Ernest Wilson (b.1869) Portrait of a young lady, mezzotint, signed by the artist, with Printsellers Association blind stamp, framed and mounted under glass, 32 x 26 cm

After Thomas Hamilton Crawford (1860-1948) Portrait of a gentleman wearing a Scottish bonnet, possibly George IV, mezzotint, framed and mounted under glass, pencil signed to the margin, 22 x 17 cm

A gilt framed Edwardian pencil signed mezzotint by Francis S. Walker, published 1910, 53 x 60cm.

Stukeley (William). Itinerarium Curiosum: Or, An Account of the Antiquities, and Remarkable Curiosities in Nature or Art, Observed in Travels through Great Britain, 2 parts (Centuria I & II) in 2 volumes, 2nd edition, with large additions, 1776, engraved frontispiece to first volume only, 2 folding engraved maps, 206 engraved plates (including two folding & one folding), light stain to upper margin of 2C2 (verso) of first volume, contemporary calf gilt, contrasting green & red morocco labels to spines, joints a little cracked, folio Upcott xxx. The work contains a mezzotint plate of the appearance of the total solar eclipse from Haradon Hill on May 11, 1724. (2)

John Lindsay Lucas (British, 1807-1874) Hagar and Ishmael in the Wilderness signed lower left "John Lucas / Jany. 1846" oil on canvas, in a Rococo frame 140 x 110cm (55 x 43in) Other Notes: Born in London in 1807, John Lindsay Lucas first trained under the mezzotint engraver, Samuel William Reynolds. Following his apprenticeship, he set himself up as a portrait painter and became one of the fashionable painters of his day, notably painting Queen Adelaide, Albert, Prince Consort, the Princess Royal, the Duke of Wellington and William Ewart Gladstone, the Prime Minister, among other famous sitters. He exhibited 96 portraits at the Royal Academy between 1828 and his death. Oil on canvas which has been lined. The canvas is in plane. The paint layer is stable. There are drying cracks across the surface, which have formed as the paint has dried, but they are not too disturbing. There are retouchings across the surface but are mainly located in the central figures face, hair and hand. The retouchings are applied quite broadly but are fairly well matched to the original. The varnish is semi-matte, clear and even. The frame is in a good condition.

An interesting folio of early 18th century and later engravings and prints, including Wenceslaus Hollar (1607 - 1677), by and after, Dormanskirch and Rindorp, first state, engraving, 9.5cm x 18cm, Pennington 840; Pietro Aquila (c. 1630-1692), after Annibale Carracci (1560 - 1609), Jacobus de Rubeis formis Romae ad Templ. S Marie de Pace au priu S. Pont, [Rome, n.d., c. 1675], engraving, 42cm x 51.5cm; after Salvator Rosa (1615 - 1673), A River God and Sleeping Warrior, early 18th century, etching, 46cm x 34cm, (faults); Peter Schenk the Elder (1660 - 1711), by and after, a set of seven, views of Formal Gardens, [third to fourth quarter, 17th century], engravings, 17.8cm x 20cm, (7); after David Teniers the Younger, a set of three, Senses: Hearing, Smelling and Tasting, 18th century, line engravings, 18cm x 12.5cm, mounted, (3); John Faber Jr (1684 - 1756), by, The Right Honble Philip Lord Hardwicke Lord High Chancellor of Great Britain, Sold by J. Faber at the Golden Head in Bloomsbury Sqaure, [London] 1737, mezzotint, 40cm x 29cm; Francesco Bartolozzi RA (1727 - 1815) and William Woollett (1735 - 1785), after Philip James de Loutherbourg RA (1740 - 1812), Tom Jones afsisting (sic) Molly Seagrim In The Churchyard and Repelling her Adversaries, [Published by Victor Marie Picot, London, n.d. 1776], engraving and etching, 40.5cm x 37cm; Thomas Major (1720 - 1799), after B. Peters (Dutch Old Master, 17th century), [Figures Rowing Over a Lake to a Keep], [...] from an Original Painting [...] in the Collection of the Right Rev:D Father in God, William Lord-Bishop of London Derry (sic, Londonderry, Ireland), Published by [T. Major, London] 1749, engraving, 27cm x 32cm; other Old Master and later engravings and prints; (collection)

John Smith (1652 - 1743), after Herman Verelst (1641 - 1690), The Honble. Madame Constantine Hare, Twinn-Sifster (sic) to Montague Hare Esqr. deceas'd; Daughter o the Right Honble. Lord Colerane, Baron of Colerance &ct., [London c. 1694], mezzotint, 35cm x 26cm; Pieter Stevens van Gunst (1658/9 - 1732), after Sir Anthony van Dyck (1599 - 1641), Patricius (sic), Lord Viscount Chaworth, who took to Wife the Lady Grace, Sister to John, Late Duke of Rutland, Deceaf'd (sic) in 1711, [London 1711 - 1724], line engraving, 50.5cm x 31.5cm, [2]

PENINSULAR WAR/GENERAL SIR DENNIS PACK : a portfolio of loose hand drawn maps, and printed maps etc, consisting of 1. a large mezzotint engraved portrait of Sir Dennis Pack. 2. a large manuscript ground plan and view of the Governor's Residence Plymouth (watermark 1811). 3. a watercolour of a portico and two others. 4. large 'key' print, to a painting of the Duke of Wellington and his Generals including General Pack. 5. a large manuscript map of Plymouth Sound, dated 1816. 6. a manuscript map of the Battle of Salamanca. 7. Two manuscript military maps, anon. 8. a large manuscript map of the Toulouse area. 9. a large manuscript map of a military encampment (possibly in India), signed, early 19th cent. 10. Manuscript map signed Geo. Harding Capt Royal Engineers. Plan of the Ground Appointed for the Review of British Contingent Army of Occupation, 15th Oct 1817. 11. nine engraved maps of France and Spain. * Sir Dennis Pack (c1772-1823) was a British army officer. He marched with Sir John Moore's army into Spain and in the retreat to Corunna. He was wounded at the battle of Toulouse. He was later awarded the Peninsular gold cross and seven clasps.

Edward Fisher [1722-1783] after Joshua Reynolds- Lady Elizabeth Keppel,:- coloured mezzotint sight size 60 x 37cm.

A. Oliver (19th/20th century), Mountainous lake landscape, oil on panel, signed, 15cm x 23cm.; together with a mezzotint of Lusien Autheur after Rembrandt.(2) F1

Manner of Joshua Reynolds, Portrait of a Lady holding a rose , hand coloured mezzotint, oval, 69cm x 50cm

A signed mezzotint portrait of John Constable by Will Henderson, together with framed print The Haywain after Constable, and Denise Shackle - country landscape, watercolour (3)

BRITISH ARTISTS Cooke, Edward William RA FRS FZS FSA FGS; English landscape and marine painter. Letter to Briton Riviére re a visit. (Incorrectly annotated as 'E, Warle Cooke') Dillon, Frank; famous British topographical painter known for his views of Egypt. (Letter) Faed, Thomas RA; Scottish painter. (Letter to Breton Riviére?) Hook, James Clarke RA; English marine and genre painter and etcher. (Letter) Herkomer, Hubert von CVO RA. German-born British painter, composer and film pioneer. (Letter to Breton Riviére?) Barlow, Thomas Oldham; Mezzotint engraver. (Cut signature, misattributed in pencil) (6)

AFTER GEORGE STUBBS (1724-1806)AND AMOS GREEN (1735-1807)'GAME KEEPERS'a mezzotint engraving by Henry Birche,the image 43.5cm x 63.5cm;together with the companion work'Labourers',both in verre églomisé frames (2)

JOSEPH WRIGHT (1743-1797) AND WILLIAM PETHER (ENGRAVER). 'A Philosopher giving a lecture on the Orrery', unsigned, mezzotint with etching on paper, framed, 49 x 59 cm

After George Romney, Lady Hamilton as a bacchante, colour mezzotint, signed in pencil Clifford R James, blind stamped, Wm Whiteley label verso, 46cm by 38cm

Charles Turner (1773-1857) British after T Blake. "The Duellists", Monkeys in a Duel in a Landscape, Mezzotint, Unframed, 10.5" x 13", and the companion piece, a pair (2).

After Sir Godfrey Kneller, portrait of the Duchess of Marlborough (Sarah Jennings), mezzotint by M Cormack, together with two further colour prints of young women. Largest piece measures 35 x 23cm.

18thC Mezzotint - “Mrs Bover”, pub’d 1790 by John Young, after J Hoppner, engraved C Watson, 22cm x 16cm, in a gilt frame & lithograph “Roman Dancer”, 25cm x 20cm, in a rosewood frame (2)

A QUANTITY OF MARITIME INTEREST PICTURES AND PRINTS, etc, to include limited edition prints by Richard Grenville, a mezzotint 'The Death of Nelson' by John Cother Webb, 'The Battle of Trafalgar' by Turner, print published by the National Maritime Museum along with twelve other prints, all framed and glazed

Richard Earlom (British, 1743-1822): a sepia mezzotint depicting a bucolic landscape, after Claude le Lorrain (French, 1600-1682), from an original drawing in the collection of the Duke of Devonshire, published by John Boydell in 1774, with number 75 lower left to the plate, 22 by 27cm, framed, 34 by 38cm.

An early 20th century mezzotint, signed Ernest Stamp; a Derbyshire map (2)

George III silkwork mezzotint picture, the central oval panel depicting a fruit gatherer, within a seed pearl beadwork border, ribbon tie paillette decoration and geometric border, in Hogarth frame, W35cm x H41cm Condition Report Click here for further images, condition, auction times & delivery costs

After Charles Baxter. Three Maidens, colour mezzotint print, 50cm x 43cm.

Edwin Law: etching; Ernest Stamp: colour mezzotint, both framed; a French relief painted cafe sign

AN ANTIQUE MEZZOTINT DEPICTING A CAVALRY OFFICER AND HIS HORSE, framed and glazed, 70 x 40 cm

LAW REPORTS. "Reports of Cases Argued & Adjudged in the Courts of King's Bench..." by Robert, Lord Raymond, 2 Vols, 1st edn, folding mezzotint port, cont calf det, Lintot, 1743.

A Victorian hand coloured mezzotint portrait print of a lady

Dart (John). Westmonasterium. Or, the History and Antiquities of the Abbey Church of St Peters Westminster, 2 volumes, 1723, engraved frontispiece to each (volume II folding), 7 engraved plates of subscribers coats of arms (one repaired with loss), mezzotint portrait, 127 engraved plates, some light spotting, toning and soiling, a couple of burnholes in text, previous owner inscriptions, contemporary panelled calf, rubbed with some wear to spines and edges, folio Sold as a collection of plates not subject to return. (2)

A nineteenth century gilt framed mezzotint - lady seated, 32 cm x 41 cm, framed.

A small group of prints, including a mezzotint of a lady after Reynolds, a reproduction after Victor Vasarely, a reproduction print of a surrealist town scene, a mezzotint after Zoffany, a facsimile print after Whistler, and a head study of a woman, most unframed.(6) J1

After Kirehoff. Arch Duke Charles of Austria portrait, mezzotint, published 1801, 50cm x 35cm.

A collection of pictures: a mezzotint of the Hon Sir Robert Chambers KN, a watercoour of a pacific island signed Vautier, a reproduction print of the Madonna and child, a pair of shooting steel engravings, two photographic portraits of Naval Officers, a watercolour of a coastal scene indistinctly signed, a watercolour of a jungle track signed Dougall, a print of a tropical island and a watercolour of a family crest titled 'Res Non Verba'.

After Sir William Beechey. Portrait of Mrs Siddons, mezzotint, 60 x 49cm (SH)

D. J. Gough, mezzotint, walnuts, signed, 10/25, 6.5 x 5.5in., together with a group of assorted pictures and prints

After George Fredrick Watts (British 1817-1904), 'Sir Galahad', mezzotint with touches of line and stipple by D.A. Wehrschmidt published by Gainsborough Gallery 1898. 63cm x 33cm. Provenance: Christopher Wood gallery label verso.

A coloured mezzotint engraving of Mrs Hume Drummond by L Busiere after Sir Henry Raeburn, circa 1930 in gilt frame.

A framed and glazed mezzotint of 'The Countess de Dilliers' by M Thirne after J M Nattier signed artist proof and a framed and glazed engraving of Venus & Cupids by R M Headons after R Westall.

PRINTS & ENGRAVINGS: a bundle of approx 27 prints and engravings, mainly 18th-19thc, including 'Jew purchasing old clothes', printed W Davison Alnwick: 2 sheets of small format Baxter-type prints: hand-coloured Valentine's card: some 18thc mezzotint portraits: hand-coloured genre prints, Indian School watercolour: 'Game of Chess' pub. McLean, 1835, hand-coloured, laid down and some damage to corners, together with 'Pencil Jottings from the Ajax', Cambridge 1883, series of 8 etchings in original printed blue wrappers. (A bundle)

After Heywood Hardy (1842-1933) British. A Child Feeding Biscuits to Spaniels, Coloured Mezzotint, 12" x 16.5".

*Acrobat. Houston (Richard), [Anthony Maddox], published John Smith & Robert Sayer, circa 1751, uncoloured half length mezzotint on laid after Thomas King, ten lines of verse describing the artist below image, with margins, 350 x 255 mm Anthony Maddox was a slack-wire acrobat. His debut season at Sadlers Wells was in 1751 and his ability as an acrobat was immediately apparent. Whilst the wire was swinging he would balance his hat on his chin, whilst playing the violin. He would lie on the wire or stand on his head and balance full wine glasses and then conclude his act by dancing the hornpipe. Contemporary engravings suggest that it was the ability to pass a straw from foot to face and back again that most caught the public imagination. His extraordinary success allowed him to retire in 1754. (1)

*Actors. Park (Thomas), Mrs Jordan in the character of the comic muse; Supported by Euphrosyne who represses the advances of a Satyr, published T. Park, 1787, uncoloured full length mezzotint on laid after J. Hoppner, trimmed to plate mark, 650 x 460 mm, together with Walker (James), A scene in Cymbeline, published James Walker, 1783, uncoloured mezzotint on laid after Edward Penny, good margins, 500 x 550 mm, with Ward (J.), Wm. Henry West Betty, aetatis suae 13, published Mr Betty at Messrs. Colnaghi & Co., 1805, uncoloured half length mezzotint on laid after J. Northcote, good margins, 375 x 275 mm, plus Van Bleeck (Peter), Griffin & Johnson in the characters of Tribulation and Ananias Act 3d scene 2d, 1738, uncoloured mezzotint on laid, repaired closed tears to lower left margin, 480 x 310 mm, good margins, and Smith (John), Anthony Leigh or the Spanish Fryer, published John Smith, circa 1690, uncoloured mezzotint, trimmed to image, mounted, framed and glazed (5)

*Artist and Writers. Green (Valentine), Inigo Jones..., published J. Boydell, 1775, small mezzotint on wove after Van Dyke, thread margins, 180 x 130 mm, together with Watson (James), Mr Bartolozzi, 1785, uncoloured half length portrait on laid after Sir Joshua Reynolds, scratch letter proof, title added in near contemporary ink manuscript, small margins, 380 x 280 mm, with Esplens (John & Charles), George Heriot, Jeweller to King James VI who besides founding & endowing his stately hospital at Edin. bequeath'd to his relations above sixty thousand pounds..., 1743, uncoloured mezzotint on laid after John Scougal, trimmed to image with slight fraying, some marginal repaired closed tears, laid on archival paper, 350 x 235 mm, plus Lebenck (Petrus), Godfridus Kneller Germanus in aula Brittanica pictor ver‚ regius..., circa 1720, small uncoloured mezzotint on laid, small margins, 240 x 175 mm, and Turner (Charles), J M W Turner, circa 1820, uncoloured half length mezzotint on india laid, showing the artist in profile with a sketch book, good margins, 430 x 330 mm, with one other similar (6)

*Female portraits. [Green (Valentine), Elisabeth Lady Nuneham, circa 1780], uncoloured full length mezzotint on laid after Peter Falconet, small margins, 610 x 385 mm, together with Corbutt (C. pseud. Richard Purcell), Georgiana Countess Spencer & her daughter the Honble. Miss Georgiana Spencer, circa 1760, uncoloured half length portrait on laid after J.Reynolds, small margins, 385 x 275 mm, with McArdell (James), Lady George Lennox, circa 1760, uncoloured half length portrait on laid after A. Ramsay, thread margins, 330 x 230 mm, plus Faber (John), [Shepherdess, circa 1750], uncoloured half length mezzotint on laid after Henry Pickering, proof before title and letters, small margins, 355 x 250 mm, and Watson (J.), Lady Erskine, published Carington Bowles, circa 1780, uncoloured half length mezzotint on laid after A. Ramsay, thread margins, 355 x 255 mm, with Watson (James), The Dutchess of Mazareen & Count Colbert in the characters of Verumnus and Pomona..., published J. Boydell, 1777, uncoloured mezzotint on laid after Gaspard Netscher, small margins, 500 x 355 mm, plus, Smith (J.), The most Illustrious Princess Sophia Electrice Dowager of Brunswick, successor to ye crown of England &c. after Her Majesty Queen Ann & her Royal Issue, circa 1720, uncoloured half length mezzotint on laid, good margins, old collector's ink stamp to lower margin, 350 x 250 mm, mounted (7)

*Female portraits. Watson (James), [Mary (n‚e Heblethwayte) Lady Boynton, published Robt. Sayer, 1770], uncoloured full length mezzotint on laid after Francis Cotes, trimmed to image, central horizontal fold, slight creasing, 630 x 385 mm, together with Green (Valentine), The Right Honble. Lady Betty Delm‚, W. Richardson, 1790, uncoloured full length mezzotint after Sir Joshua Reynolds, good margins, laid on later card, 630 x 385 mm, with Smith (John), Serenissima Maria Beatrix G. G. Angliae Scotiae Franciae et Hiberniae Regina &c., sold by Alex Brown, [1686 or later], uncoloured oval portrait on wove after N. de Langillierre, trimmed to plate mark, 345 x 250 mm, mounted (3)

*Glass paintings. Purcell (Richard), Domestick Amusement, The lovely spinner, published Henry Park, circa 1770, colour mezzotint on glass after Heilmann, 355 x 255 mm, near contemporary stained wood frame, together with P. Rapin de Thoyras, circa 1770, line engraving on glass in the manner of Houbraken, 325 x 220 mm, framed (2)

*Martin (John, 1789-1854, after). The Paphian Bower, published F. G. Moon, 1826, uncoloured mezzotint by G. H. Phillips, 465 x 600 mm, framed and glazed in a good 19th century gilt moulding, together with The Last Judgement, published Thomas McLean, 1857, uncoloured mixed method engraving by Charles Mottram, several holes in margins, slight surface arasion, slight staining, 770 x 1070 mm, framed and glazed, with The Great Day of his Wrath, published Thomas McLean, 1857, uncoloured mixed method engraving by Charles Mottram, slight overall toning, slight dust soiling to margins, 690 x 970 mm, framed and glazed, plus The Plains of Heaven, published Thomas McLean, 1857, uncoloured mixed method engraving by Charles Mottram, two holes in margins, one small hole to image, toned overall, 670 x 980 mm, framed and glazed (4)

*Mezzotint portraits. A mixed collection of eleven engravings, late 18th & early 19th century, full and half length mezzotints of clergymen, politicians, freemasons, aristocracy and royalty, including examples by James Watson, Charles Turner, John Dixson, William Ward, Robert Dighton, John Murphy, Henry Cousins and Samuel William Reynolds, two duplicates, various sizes and condition (11)

*Military. Watson (James), The Right Honble. John Manners, Marquis of Granby, one of His Majesties most honourable Privy Council, Colonel of His Majesties Royal Regiment of Horse Guards, Commander in Chief of His Majesties forces and Master General of the Ordnance &c. &c., Ryland Bryer & Co., circa 1785, uncoloured full length mezzotint on laid after Joshua Reynolds, some marginal closed tears and fraying, repaired on verso, slight abrasion to printed surface, small margins, 610 x 460 mm, together with, Turner (Charles), General Sir Charles Asgill Bart..., published C. Turner, 1822, uncoloured half length mezzotint on laid after T. Phillips, slight toning and spotting, good margins, 505 x 355 mm, with [Meyer (Henry], [Thomas Graham, Baron Lyndeoch, circa 1820], uncoloured mezzotint, proof before title and letters, good margins, backed with later paper, 505 x 350 mm, plus Ward (James), His most Gracious Majesty George the Third on his favourite charger Adonis, J. P. Thompson, 1811, uncoloured full length mezzotint on wove after Sir William Beechey, small margins, 715 x 560 mm, and Say (William), His Royal Highness William Frederick Duke of Gloucester and Edinburgh &c. &c. &c. published William Say, 1807, uncoloured full length mezzotint after Sir William Beechey, thread margins, laid on modern card, some abrasion to printed surface, 715 x 450 mm (5)

*After George Morland (1763-1804). The Frighten'd Horse, 1804, fine hand-coloured mezzotint by E. Bell after George Morland, published by Edward Orme, January 1, 1804, a few minor marks to lower margin (generally in very good condition), plate size 40 x 30 cm (15.75 x 11.75 ins), with margins, framed and glazed (1)