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G H Phillips after the original - 'The Cricket Match between Sussex and Kent at Brighton', colour mezzotint, 16" x 24"; together with an Alan Ingham print (2)

19th Century School - 'The Morning Walk', titled to eglomised frame, mezzotint print, 21" x 15.5", framed; together with four further mezzotint prints (5)

A pair of early 20th century mezzotint engravings, Gentlemen of The Highlands, in traditional Scottish dress, framed, signed in pencil H Macbeth-Raeburn, c.1929

British School, mid 20th century- Still life with flowers beside a mirror; pastel, 61x47.1cm: Phillipe Benoist, French 1813-c.1880- "Le Nouvel Opéra, Boulevard des Capucines" from Louis Fournel, Paris et ses ruines, publ. by Henri Charpentier c.1872-1874; tinted lithograph, 29.4x39.4cm: After Jean-Baptiste-Camille Corot, French 1796-1875, Henry Scott Bridgewater, British 1864-1946- "L'Eclogue", publ. by The Museum Galleries, London, 1929; mezzotint, signed in pencil, 38.5x47cm: together with four figure studies by a separate hand in pencils and chalks, one inscribed 'Feb 15/10 J H Ballard' in pencil, various sizes, (7) CONDITION REPORT: flowers - mounted in a glazed, wooden frame bears label for 'Chas H. West Ltd, 117 Finchley Road Swiss Cottage London NW3' attached to the reverse of the frame two minor blemishes to surface on left side otherwise in very good original condition L'Eclogue - mounted in a glazed frame may or may not be stuck down as unexamined out of the frame sheet very slightly ruckled in very good original condition

Frederick Marriott RE, British 1860-1941- "The Castle at Thun, Switzerland"; mezzotint printed in colours, signed, titled and dedicated in pencil, 37x29.5cm CONDITION REPORT: mounted in a grey painted moulding frame, early 21st century may or may not be stuck down as unexamined out of the frame 1cm margins visible left, top and right 1.5cm margins bottom some very fine spotting top margin otherwise very good condition

A signed print by John Cotton Webb, two Mezzotint prints, LE Bland prints and mirrors (10)

An oil painting - Spanish street scene, indistinctly signed; an antique engraving - "Holyood Chapel"; antique colour stipple engraving - "Eloisa and Abelard", by F. Bartolozzi after J.G. Cipriani; a colour mezzotint, signed proof by Thomas Hamilton Crawford; and one other print (5)

A coloured mezzotint of a pretty young woman in an oval gilt frame and another similar

Masonic Interest: Bye Laws of Moira Union, Royal Arch Chapter, Kilmarnock, a booklet, red stiff-cloth-backed covers. Masonic Reprints and Revelations by Henry Sadler (London, 1898). Essex Freemason's Handbook 1951-52. British Masonic Miscellany, Vol. 20. (Dundee, no date). An Installation Dinner Invitation & Duke of York's Lodge Invitation. A Card Menu for a Dinner, the Grand Master The Duke of Connaught, and Another Similar with Brethren List & Musical Programme. Also an Engraved Mezzotint, Fletcher Lodge, No. 1031, Installation of Bro. E.C.H. Oliver (1927).

Louis Busiere - Family at Rest, colour mezzotint, printed by Henry Graves & Co Ltd, London, 1925, with blindstamp, 60x42cm

McArdell (James) - Lady Middleton, three-quarter length portrait after Sir Peter Lely, mezzotint, 505 x 350mm., mounted at corners to support sheet, slight surface dirt, mostly marginal, Edward Fisher, also Ryland and Bryer, [c.1760] § Fisher (Edward) Lady Elizabeth Keppel, full length portrait after Sir Joshua Reynolds, mezzotint, 590 x 365mm., third state of six, three tears to upper left corner, by the engraver, [1762] § Dixon (John) [Mrs Blake depicted as Juno], full length portrait after Sir Joshua Reynolds, mezzotint, 620 x 405mm., second state of three, indistinctly inscribed in ink along the lower edge, thread margins, by the engraver, 1771; [Portrait of Miss Emma and Miss Elizabeth Crewe], scratch-letter proof before title, double portrait after Sir Joshua Reynolds, mezzotint, 510 x 360mm., pale even browning, slight surface dust, [John Boydell], [1782] (4)

DEAN WOLSTENHOLME (1757-1837) "The Essex Hunt" with printed title and publishing details for May 1st 1831 to the margin, hand coloured mezzotint, 22.25" x 28.5", and the companions (4). See illustration

Edmund Wardle, four coloured mezzotint portraits, named verso, gilt framed, signed in pencil, images 23 x 18cm

English Landscape Scenery - a series of forty mezzotint engravings by David Lucas, from pictures painted by John Constable, R.A. London 1855, in original quarter calf binding

H. Macbeth-Raeburn (20th Century School) - Coloured mezzotint after Arthur W. Devis (1762-1822) - "Master James Alexander Simpson", 23ins x 16ins, published 1936 and signed in pencil to lower left margin, in fine carved giltwood and swept frame with floral and leafage ornament and glazed Provenance : Sir Philip and Lady Haldin, formerly of Lympne Place, Lympne, Hythe, Kent and thence by family descent

Edward Duncan (1803-1882) after C. Henderson - Coloured mezzotint - "Returning from Ascot Races", 14.75ins x 32.75ins (unframed)

Francesco Bartolozzi (1727-1815) after Joshua Reynolds (1723-1792) - Pair of coloured mezzotints - Lady Smythe and Jane, Countess of Harrington with their children, each 11.25ins x 9ins, published March 15th 1782 by F. Bartolozzi & Co, in ornate gilt moulded and open leaf pattern frames and glazed, and Henry Meyer (1782-1847) - Coloured mezzotint after George Romney (1734-1802) - Lady Hamilton as Nature, 11.5ins x 9.75ins, in ornate gilt open swept frame and glazed Provenance : Sir Philip and Lady Haldin, formerly of Lympne Place, Lympne, Hythe, Kent and thence by family descent

Francesco Bartolozzi (1727-1815) after The Right Honorable Lady Diana Beauclerk - Mezzotint - Girl carrying a basket on her head, 6.25ins diameter, in modern silvered frame and glazed, an Indo-Persian manuscript panel depicting four figures seated in a garden, 7.25ins x 4.75ins, and three other engravings, various

Francesco Bartolozzi (1727-1815) after Thomas Lawrence (1769-1830) - Coloured mezzotint - "The Right Honorable, The Countess of Derby" - Full length portrait of a young woman wearing a fur trimmed shawl, 19.25ins x 12.25ins, published May 15th 1797, by John Jeffryes, Ludgate Hill, London, in gilt leaf and open scroll swept frame and glazed Provenance : Sir Philip and Lady Haldin, formerly of Lympne Place, Lympne, Hythe, Kent and thence by family descent

Valentine Green (1739-1813) after Joshua Reynolds (1723-1792) - Mezzotint - "The Ladies Waldegrave" - Three ladies seated at a table, 18.75ins x 22.75ins, published Dec. 1st 1781 by V. Green, No. 29, Newman Street, Oxford Street, London, in grained and gilt moulded frame, and Francesco Bartolozzi (1727-1815) after Joshua Reynolds (1723-1792) - Coloured mezzotint - "Lady Smythe" - Portrait of the Lady with her children, 11.25ins x 9ins, published March 15, 1780, by Mrs Bovi, No. 207 Piccadilly, in gilt leaf pattern frame and glazed Provenance : Sir Philip and Lady Haldin, formerly of Lympne Place, Lympne, Hythe, Kent and thence by family descent

Francesco Bartolozzi (1727-1815) after Joshua Reynolds (1723-1792) - Coloured mezzotint - "Peniston, William and Frederick James Lamb" - Group of three children, 13.5ins x 9.5ins, in gilt acanthus leaf pattern frame and glazed, and De Bucourt (early 19th Century French School) - Coloured aquatint - "Le Compliment" or "La Matinee du Jour de L'An", oval 11.5ins x 9.375ins, in gilt frame and glazed Provenance : Sir Philip and Lady Haldin, formerly of Lympne Place, Lympne, Hythe, Kent and thence by family descent

A Samuel Cousins Mezzotint of Master Lambton, after Thomas Lawrence in original oak frame. 25'' x 31''

A large framed Mezzotint engraving being a recent impression from the original plate 1888. Titled ''Lord of the Mere'' by Fredrick Miller, engraver and painted by Val Davis. 28 3/4'' x 22 1/2''

AFTER G MORLAND, ENGRAVED BY W WARD, COLOURED MEZZOTINT (PUBLISHED BY MESSRS WARDS & CO 1800), Inside of a Country Alehouse , 17 x 23

JOSEPH B PRATT, SIGNED IN PENCIL TO MARGIN, PROOF MEZZOTINT (PUBLISHED BY THOMAS AGNEW & SONS 1900), Half Length Portrait of a Lady wearing a Bonnet, 19 x 15

WILLIAM WARD AFTER J. JACKSON 'The Most Noble George Grenville Nugent Temple, Marquis of Buckingham', mezzotint, 66 x 41cm; and one further - 'The Right Honble William Lord Auckland', both unframed (2)

After Sir Joshua Reynolds, A mezzotint of Miss Campbell, together with two prints of Honourable Lady Cawdor, all framed and glazed (3)

S W Reynolds after Sir Joshua Reynolds Portrait of Samuel Whitbread the Elder mezzotint, 1803; together with two further portraits of Samuel Whitbread, one a maple framed lithograph by Samuel Cecil after Northcote, the other a mezzotint after George Richmond (3) 37 x 29½cm (14 x 11in)

S W Reynolds after Sir Thomas Lawrence, Portrait of Lord Lynedoch mezzotint published 1831 by Colnaghi; and two female portraits by Lombart after Van Dyck (3) 69 x 42cm (27 x 16in)

W.Fathorne after Kersaboom Thomas Shadwell Esq. [of Caius College] mezzotint (trimmed), 34.5 x 24cm (13.75 x 9.5in); with W.Robins portrait of Johannes Caius AD MDLVII mezzotint (stained) 29 x 21cm (11.5 x 8.25in); with J S Cotman Walsingham Abbey, etching 1812, 30 x 22cm (12 x 8.5in); and W.Dighton A View from Trinity College Cambridge, coloured etching 1810, 30 x 21cm (12 x 8.25in) (4)

Five botanical themed prints and a mezzotint after Stubbs, Vue du Jardin de Plaisance de l'Axarienne, coloured engraving, 26 x 40cm (closed tear); with J.Sherwin after N.Dance, Portrait of Lancelot Brown Esq., 33 x 22cm; and three coloured engraved plates of Cacti, 19th century; with another Henry Birche after Stubbs, Gamekeepers, mezzotint 1790, 44 x 67cm (surface stained) (6)

H.Meyer after W.Owen Portrait of the Rt Hon John Scott, Baron Eldon, mezzotint published by Colnaghi, 1813, 63 x 42cm (plate); with Toms and Mason after William Bellers South East View of Netley Abbey, etching, 1774, 39 x 53cm; with A View of the Ruins of the Chappel at Stanton-Harcourt, etching 1763 by Newnham, 40 x 51cm; with two hand coloured Welsh castles by Buck, 1731; (5)

After Vander Smissen 'Mrs Sarah Porter, Queen of the Touters at Tunbridge Wells', a mezzotint, engraved by William Pether C. 1770, glazed in ebonised carved wood frame. 25 x 33.5cm.

Assorted pictures and prints to include; after Bartolozzi mezzotint, a mid-Victorian interior scene watercolour etc

KARL SPITZWEG (1808-1885) Pencil signed mezzotint, Der Hypo chander, Der Arme Poet, Das Mondscheinstandchen, Er Kommt and Die Sennerinnen (5) and a group of 19th century German etchings by ARTHUR KAMPF (1864-1950), OTTO KEITEL and others

William Ward after George Morland - 'Inside of a Country Ale House' and 'The 1st of September, Evening', pair of mezzotint prints, each 16" x 21", framed (2)

Pictures and Prints - H. Pickersgill, after, George Stephenson, engraved by S.M.Litten, Published by The Museum Galleries, London 1922, mezzotint, 37cm x 30cm, framed; George Morland, after, The Shepherd, engraved by R.P.Clintock, coloured print, 34.5cm x 42cm;

Victorian still life study of flowers in the Dutch manner, oil on velvet, 66 x 51 cm to/w mezzotint 'Master Herbert' and two steel engraving portraits of young ladies, 34 x 27 cm and 27 x 22 cm (4)

Early 20th century mezzotint of Viscount Nelson, pub. 1923 by Frost & Reed, USA, 48 x 37 cm

Follower of Thomas Phillips RA, British 1770-1845- Portrait of a lady, traditionally held to be Julia Floyd, later married to Sir Robert Peel, seated half-length in a white dress holding a lorgnette; oil on canvas, 76.5x64cm Note: For a portrait showing a similar likeness to the sitter, please see "Julia (née Floyd), Lady Peel" by Samuel Cousins, after Sir Thomas Lawrence, mezzotint, published 1832, an example of this edition is in the National Portrait Gallery collection. CONDITION REPORT: in a gilt composition frame circa 1900 some chips and minor looses to the corers of the frame canvas has not been re-lined on the original wooden stretcher small area of old flaking above the head of the sitter canvas is subject to bar marks and old craquelure under inspection with uv lamp there is evidence of the varnish having been cleaned there appears to be no evidence of any retouching or over painting otherwise good original condition

G.H. Philips after Charles Basebe and William Drummond, The Cricket Match, between Sussex and Kent of Brighton, Hand coloured engraving and mezzotint on paper, published 1849 by Gambart & Co. 64 x 90cm

Dame Laura Knight RA, RWS, RE, RWA, PSWA, DBE (1877-1970) Circus performers with an elephant Signed, charcoal, 21cm by 27cm We are grateful to Dr Barbara Morden for dating this work to the period when Dame Laura Knight was sketching at Swallows Circus at Islington, which was managed by John ''Bronco Bill'' Swallow (1922-23) and relates to the 1923 oil painting ''Salt and Saucy'' and the mezzotint of the same *ARR/(Droit de Suite) applies to this lot

After John Pettie, R.A. "Bonnie Prince Charlie" mezzotint Engraved mezzotint by E E Milner and signed by him in pencil lower right, framed 42x28cms and a second mezzotint signed in pencil after Wheatley Mother and Children 43 x 33cms (2)

After John Leech, mezzotint, Don't Move There, We Shall Clear You !; another Hunt Day, Clearing The Gate, both framed (2)

After J. Meyer, George the Third, King of Great Britain, mezzotint, together with a companion portrait of Queen Charlotte after Frye, each 50cm x 35cm.(2)

A set of four early 20th century coloured mezzotint engravings in the 18th century French manner with dancing figures, etc, signed bottom right William J Allingham, with Museum Galleries labels verso, after Jean Baptiste Pater, dated 1924, 39 x 21 cm in black and gilt frames

T. HAMILTON CRAWFORD AFTER ARCHIBALD THORBURN Two golden eagles, one perched on a rock, mezzotint, signed in pencil to the margin, 50 x 37cm

CHARLES TURNER AFTER J.M.W. TURNER Scene on the French Coast from 'Liber Studiorum', sepia mezzotint lettered 'M' above image, 21 x 29cm; together with one further sepia etching by Frank Brangwyn, both mounted but unframed (2)

The Dutch Chymist: mezzotint by J Wilson after Jan Stein, printed for Robt Sayer, Fleet Street, 14" x 9¾"; Physick: engraving by Anthony Walker after Adrian Ostade, 15½" x 11½"; an 18th century portrait of Robert Boyle; and 2 other prints

Herbert Thomas Dicksee (1862-1942) Three little kittens Signed in pencil, with blind stamp Mezzotint, published by Frost & Reed, 1903 25 x 35cm; 10 x 13¾in (plate size) ++Good condition

After John Constable (1776-1837) Salisbury Cathedral from the meadows Mezzotint 62 x 71cm; 24¼ x 28in (plate size) ++Some horizontal printing marks near upper margin, one or two small blemishes to margins, a little creasing, overall good condition

After Sir John Hoppner R.A. (1758-1810) Portrait of Admiral Lord Nelson Mezzotint engraved by C. Turner 59.5 x 40cm; 23¼ x `15¾in With a further 3 prints, of Alexander Gordon, Colonel Tarleton by Henry Macbeth Raeburn and one after Gillray (4) ++As viewed

Richard Smythe (1863-1934) After Sir Thomas Lawrence P.R.A. Portrait of Lady Elizabeth Whitbread (1765-1846), eldest daughter of the 1st Earl Grey Signed Mezzotint, published by Thomas Agnew & Sons, 1907 32.5 x 27.5cm; 13 x 11in ++Good condition

A 19th Century mezzotint - "Jupiter" - a portrait of a horse, by William Ward after Sawrey Gilpin, published by G. Garrard, Knightsbridge.

A colour mezzotint signed proof by Arthur L. Cox; a pen and ink drawing by A.C. Bewick; a pair of pencil portraits by R.C. Bush; and two colour prints - Bird subjects, after Basil Ede. (6)

Assorted furnishing pictures, prints, mezzotint engraving and frames. (7)

After David Shepherd, 'Cheetah', limited edition coloured print. No. 979 of 1500. Signed in pencil. Unframed. Together with an unframed mezzotint engraving after Gainsborough. (2)

A Regency style mezzotint of a man with Gun Dogs, published in 1929 and signed R C Peter to the margin

English School, Canal Bridge, oil on paper, signed with initials lower left, 12 x 17cm, together with a mezzotint, landscape print and framed and unframed embroidery pieces, (6)

A C19th gilt framed mezzotint depicting 'the age Brighton coach at the Bull and Mouth'