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A MEZZOTINT AFTER GEORGE MORLAND 'Nancy' another 'Delia' and similar pictures

John Cother Webb (1855-1927), a mezzotint print depicting a landscape scene, signed in pencil with blind stamp, 36cm x 60cm

Samuel Cousins after John PartridgemezzotintPortrait of The Rt. Hon. Viscount Palmerston, G.C.B. M.P 1852, overall 32.5 x 21.5in. and a photolithograph of the House of Lords, circa 1900 with key, 20 x 35in.https://www.gorringes.co.uk/news/west-horsley-place-attic-sale-8th-january-2018

Facius after Benjamin WestmezzotintMrs West and Family, 1779, 20 x 25in. and four other prints.https://www.gorringes.co.uk/news/west-horsley-place-attic-sale-8th-january-2018

A gilt framed mezzotint engraving after Corot by C. Fitzgerald.

A framed coloured mezzotint Print depicting a Mandarin Duck and Drake, signed limited edition, and one other signed limited edition print a study of Kings Lynn by Jeremy Barlow, (2)

Sir Frank Short (1857-1945) original Sepia mezzotint of bridge over a gorge, published 1886, signed in pencil, framed & glazed

A pair of Bartolozzi Mezzotint of Cherubs in rosewood frames - 37.5cm x 29.5cm

Group of assorted furnishing pictures to include: set of Will's cigarette cards - period costume studies; mezzotint after Turner; watercolour showing Arab city walls, dated: 1911 and three bird studies. Framed and glazed, various sizes. (6) (B.P. 24% incl. VAT)

SAMUEL COUSINS AFTER BRITON RIVIERE MEZZOTINT ENGRAVING 'Imprisoned' Signed by both artists in pencil Published 1880 24 1/2" x 19 1/4" (62cm x 49cm)

'Portrait of the Short Horned Bull, Patriot', Georgian English hand-coloured mezzotint by William Ward ('Engraver Extraordinary to HRH the Prince of Wales') after Thomas Weaver, published in Shrewsbury, 14th February 1810. Complete with antique frame, mounted on canvas with original label to verso: 'Samuel Lewis, Ludlow'. Unglazed but with a light varnish that has created a warm toned appearance. British sporting art / farming / cattle / natural history interest. Approx. 70cm x 61cm (including frame).

After David Hockneymonochrome printRichard, Jim and Felix, for the 0z Obscenity Fund 23 x 36in. a drawing signed Owen and a colour mezzotint

William Joseph Mallard Turner (1775-1851)etching with mezzotint by C.TurnerBridge and cows, 1807, Finberg 2ii/v, 7 x 10.25in. with a group of Turner steel engravingsall unframed.

Two framed prints after Gainsborough. Ernest Stamp 1869 - 1942. One Lady in a plumed bonnet H: 30cm W: 22.5cm One antique mezzotint with impress stamp, signed in pencil "Ernest Stamp". Label to Verso "Hew Publication, Mrs Sheridan painted by Thos Gainsborough RA. Engraved in mezzotint by Ernest Stamp printed in colour at one printing. Edition limited to 200 copies. Plate to be destroyed".

A VICTORIAN LE BLOND PRINT, A 19TH C HAND COLOURED MEZZOTINT OF UNE ROSE D'ANGLETERRE, ETC

Turner (Charles, 1773-1857). Thomas Clarkson, published by S. Piper, Ipswich, April 19, 1828, uncoloured mezzotint by C. Turner after A.E. Chalon, some pale toning (generally in good condition), 55.5 x 39.5 cm (22 x 15.5 ins) mount aperture, framed and glazed, together with an engraved portrait proof of Richard Oastler by J. Posselwhite after B. Garside, some light discolouration, plate size 43 x 33 cm (17 x 13 ins), framed and glazed, plus Sherwin (John Keyse, 1751-1790), The Right Honble. William Pitt, First Lord of the Treasury, Chancellor of the Exchequer &c., published 15th June 1789, engraved portrait by J.K. Sherwin after Gainsborough, trimmed just inside the plate margins, some marks, sheet size 48 x 33.5 cm (19 x 13.25 ins), framed and glazed (3)

*Dunkarton (Robert John, 1744-1811). Linnaeus in his Lapland Dress. Form an original picture in the possession of Dr. Thornton, published by Dr. Thornton, June 1, 1805, mezzotint portrait by Dunkarton after Martin Hoffman, closed tear repaired to left blank margin (with some associated light browning), plate size 51 x 35.5 cm (20 x 14 ins), with margins, period black and gilt frame, glazed (1)

*Turner (Charles, 1773-1857). James Watt, L.L.D., F.R.S., L. & E., published July 1, 1815, mezzotint portrait on laid paper by C. Turner after Sir Thomas Lawrence, plate size 56 x 40.5 cm (22 x 16 ins), with margins, some light spotting, mostly to margins, contemporary black and gilt frame, glazed (1)

A miscellaneous collection of prints, comprising:W. Nicholas after J. Stewart, The Happy dream after the Ball, mezzotint, 47 x 34cm; S.T. Statue of Bacchus and a Satyr, lithograph, 48 x 26cm; F. Basan after A. Sckouman, Le Cordonnier Hollandois, engraving 18th century, 38 x 27cm; Albert Adam, Man with Tigers, lithograph, 1819, 40 x 46cm; View in Cloister, Fort Augustus, lithograph, 20th century, 25 x 19cm; After Tintoretto, David with the head of Goliath together with Andromeda Chained to the Rocks, 29 x 24cm; After Titian, Battle of Cadore, engraving, 42 x 53cm; Deer in Landscape, photograph, 22 x 35cm; Photograph of Murillo, The Madonna and Child with St. Anne and St. John and the Holy Trinity 28 x 22cm; Modlitwa Family Tree, lithograph, 45 x 37cm

WILL HENDERSON, MEZZOTINT OF FIGURES AND CATTLE, artists proof, signed in pencil, together with two facsimile Saxton maps, two watercolours and two prints (7)

A framed coloured mezzotint Print depicting a Mandarin Duck and Drake, signed limited edition, and one other signed limited edition print a study of Kings Lynn by Jeremy Barlow, (2)

After Rev M R Peters RA; monochrome mezzotint engraving by William Ward 'The Gamesters', approx 44 x 49cm, framed and glazed, together with a 19th century colour lithograph, 'Thomas More, Lord Chancelour' (sic) and 'Holbein's Wife', both both framed and glazed (3).

After Wilson, 19th Century coloured mezzotint, of a fashionable lady, mounted as an oval in decorative gilt frame

A 19th Century French Mezzotint, depicting a head and shoulder portrait of a fashionable lady, in gilt and plaster decorated frame having tied ribbon surmount, 37cm x 30.5cm

After G. Garrard, The Durham White Ox, colour mezzotint by William Ward, 50cm x 60cm.

Limited to 75 Copies[Gainsborough] Iain Bain, Publisher, The Etched and Engraved Prints of Thomas Gainsborough R.A., Executed in soft-ground and aquatint and in mezzotint. V. Lg. oblong folio L. (John Boydell Press) 1971. Lim. Edn. No. 45 of 75 copies, 11 full page plts. in portfolio, & separate letterpress, in custom made padded box. Scarce. (1)

Sydney Wilson, after Sir Henry Raeburn, Mezzotint of Mrs Bell, sight size 35cm x 28cm.

JOHN COTHER WEBB AFTER GEORGE MORLAND 'St James's Park', mezzotint in colours, pencil signed in the margin from an edition limited to 400 signed artist proofs, 51 x 61cm

'Unannounced', mezzotint laid onto canvas after J Haynes Williams pub. 1897 by Landeker and Brown printed in Austria and 'Dawn after the Ball', engraving laid onto canvas by Alphonse Lamotte after S E Waller pub. 1892 by I P Mendoza London 76cm 98cm (2) Condition Report Click here for further images, condition, auction times & delivery costs

De Nolhac (P): Marie Antoinette, The Queen. Colour frontis mezzotint plates, hf. morocco, 4to, n.d., with 2 other vols (3)

Robert Dunkarton (British, 1744-1811) after Philip Reinagle The Night-Blooming Cereus coloured mezzotint published 1800 by Dr Thornton 48.50 x 35.50cm (19 x 14in) Medium staining and slight foxing overall 20% colour fading, the back has been opened and good margins all round.

MEZZOTINT PORTRAIT, signed coloured mezzotint "Portrait of Huntsman with Hound" in the style of Gainsborough, 19" x 12.5"

MEZZOTINT PORTRAITS, 6 classical style portraits by E M Hester, 5" x 4"

Richard Earlom (British, 1743-1822), after Johann Zoffany, R.A.Colonel Mordaunt`s Cock Match at Lucknow, hand coloured mezzotint, late 18th century, 20.5 x 26.5in. (52 x 67.25cm.).

Frank Short Mezzotint after J M W Turner Bridge over gorge, signed in pencil by engraver, 23cm x 30.5cm

T. Heath oil on board of trees by a river, a watercolour of town scene and a mezzotint in colours c. 1890 of a lady in a blue hat

Norman Stevens (1937-1988). Dusk, mezzotint, artist signed, titled, dated (19)73 and numbered 36/150, gallery brochure verso, 40cm x 30cm

J Smith after J Closterman, mezzotint, Mr & Mrs Gibbons, image 11.5" x 13.5", framed.

Matilda Santorari: dockyard scene with boats and cranes, oil on board, signed, 9" x 13", framed and glazed; a 19th century mezzotint: "Miss Angela Taylor", framed and glazed; an impressionist print, framed and glazed

A 19th century Baxter print: "The Love Letter", framed and glazed; a mezzotint of a young woman in 18th century dress, framed and glazed

Hullmandel after James WardmezzotintPortrait of the racehorse 'Monitor' 182538 x 48cm

'George the III King of Great Britain', 18th century mezzotint hand coloured after Johan Joseph Zoffany pub. Robert Sayer, London 1790, 35.5cm x 26cm Condition Report Click here for further images, condition, auction times & delivery costs

Attributed to Jeremiah Theus (American/South Carolina, 1716-1774), "Portrait of a Young Girl Holding a Bouquet of Flowers", oil on canvas, unsigned, 29 in. x 24 in., period frame. Provenance: Family Estate Collection, Moultrie, Colquitt County, GA, reputed to have been acquired from a nearby plantation, c. 1970s. Note: Jeremiah Theus, the self-proclaimed “Limner of Charles Town,” created portraits, landscapes, and coats-of-arms from circa 1740, when he first advertised in the South Carolina Gazette, until his death in 1774. Known primarily as a portraitist, he painted the most prominent families across the Province of South Carolina. Theus, who was born in Switzerland, immigrated with his family to South Carolina in 1735; very little is known of his schooling, although his technique has been compared to the school of Franz Lippoldt (1688-1768) and to the contemporary painter, Elias Gottlob Haussman (1695-1774). The current lot exhibits many elements of Theus’ early style of painting, including the waist-length pose, the upright positioning of the figure, the soft brushwork of the face, and the accessories. Theus is known to have based many of the figural poses and clothing in his paintings on English mezzotints; therefore, many of his sitters have similar dresses or poses. For example, in Theus’ portraits of Sarah Parker Lowndes, Elizabeth Allston Lynch, and Susannah Holmes, all three ladies wear a dress based on a 1752 mezzotint of Elizabeth, Duchess of Hamilton, although Theus did make alterations to personalize each portrait. Similarly, the young lady in the current lot stands in the exact pose and an extremely similar dress to Theus’ portrait of Catherine Elliot. The Elliot family were generous patrons of Theus, having large portraits of Mr. and Mrs. Barnard Elliot painted, along with smaller portraits of their son and daughters. The girls’ faces, particularly Catherine’s, are similar in features to the girl in the current lot, conjecturing if perhaps our sitter is a sister or cousin in the Elliot family. Ref.: Middleton, Margaret Simons. Jeremiah Theus: Colonial Artist of Charles Town. Columbia: University of South Carolina Press, 1953; Severens, Martha. “Jeremiah Theus of Charleston.” Southern Quarterly. Vol. 24 (1985-86): 56-70.

Frederick Mershimer (American/New York, b. 1958), "Hermes", 1992, mezzotint on paper, pencil-signed, dated, titled and numbered "20/150" lower margin, 9 1/2 in. x 7 1/2 in., framed

David Lucas (1802-1881) British. "Weymouth Bay, Dorsetshire", after John Constable, Mezzotint, 5.5" x 7.25", and eight others by the same hand, nine (9).

Henry T... Greenhead (19th - 20th Century) British. "Emma Hart", after George Romney Mezzotint, Signed in Pencil, Circular, 17" x 17".

T. DAWE, AFTER I.F KIRCHOFF, HIS ROYAL HIGHNESS THE ARCHDUKE CHARLES OF AUSTRIA, MEZZOTINT, 1801, MOUNTED TO IMAGE, 49.5CM X 34.5CM AND TWO OTHER CONTEMPORARY ENGRAVINGS (3)

After H Eldridge - coloured mezzotint - Sisterly Affection

FOOTBALL, postcard, Brighton & Hove Albion 1907/8, by Mezzotint Co., slight crease, about G (Illustration page 1)

A framed and glazed engraved  Mezzotint picture after Thomas Gainsborough ' Prince Octavius ' by Miss EE Milner, signed in pencil to the margins. Measures 36cm x 27cm

A PAIR OF FRAMED AND GLAZED COLOURED MEZZOTINT ENGRAVINGS BOTH SIGNED WILL HENDERSON

*Kirkall (Elisha 1682-1742). To the Honourable the Court of the United Company of Merchants of England trading to the East Indies this view of Fort William done after the painting in the Court Room of the Companys house in Leaden Hall Street is most humbly dedicated by their Honours most obliged and most devoted servant John Bowles, published T. & J. Bowles and Son, circa 1750, mezzotint printed in colours and finished by hand, slight spotting and staining, 350 x 430 mm, mounted, framed and glazed Uncommon. One of a group of paintings of trading posts for the East India Company, after paintings by Lambert and Scott. (1)

Call (Johann Van). Admirandorum Quadruplex Spectaculum delectum, pictum, et aeri incisum, Amsterdam, circa 1700, engraved title (repaired to verso), 64 engraved views by P. Schenk after Van Call, each captioned in Latin and Dutch beneath, engraved mezzotint portrait of Frederich Augustus, Duke of Saxony, engraved dedication and three engraved divisional titles (of 4?), a little light marginal soiling, 19th century half calf, a little rubbed, oblong 4to (200 x 270 mm) Fine engraved views of Amsterdam, The Hague, Het Loo and towns and castles along the Rhine. (1)

ATTRIBUTED TO FRANCIS MEHEUX (fl. late 17th/early 18 Century)Portrait of Anne Owen (Corbet) quarter-length, wearing a brown dress and red wrapin a painted oval30 x 25in (76.3 x 63.6cm); and a portrait of Rachel Corbet (b.1688) attributed to the same artist. two (2)Anne Owen (1684-1760) was the daughter of Vincent Corbet of Ynys-Y-Maengwyn, and wife of Aethelstan Owen of Rhiwsaeson and Ynys-Y-Maengwyn.The attribution is a traditional one. Few biographical details are known regarding Francis Meheux. He is said to have been born in Dover in 1644, and practised as a mezzotint engraver as well as an artistProvenance: The sitter's family,by descent

Group of assorted hunting prints after Richard Jones, mezzotints, together with another mezzotint, study of figures fighting in an interior, and a landscape. (6)(B.P. 24% incl. VAT)Inv. 88; 89; 87; 85; 84; 86.

EARLY TWENTIETH CENTURY COLOURED MEZZOTINT 'LOOKING IN', OF A MAN READING A NEWSPAPER, 21" X 16" FRAMED AND GLAZED

(19th Century School) 'A young lady holding laurel standing by a pillar, oil on board, 24 x 17cm ; an olegraph of a boy on a veranda and an 18th century reverse painting on glass of a lady and a mezzotint after Stubbs (some A/F) (4)

*Salvador Dalí (Spanish, 1904-1989)KING OF ARAGON Etching with mezzotint printed in colours, 1971, signed and numbered 10/250 in pencil, published by Christie's Contemporary Art, London, on their watermarked wove paper, with full marginssheet 67 x 51cm, unframed *Artist's Resale Right may apply to this lot.

A late 18th century mezzotint of Mrs Mills, and a framed print of Thomas Exmewe

W & J Davey after Barnard, 'WE PRAISE THEE O GOD',an oval engraving mounted in a shaped oak oval frame, image 45cm high andAfter J. Reynolds,'THE GIRL WITH THE WIDE BRIMMED HAT READING A BOOK',mezzotint mounted in a gilt frame, image 48cm high (2)