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AFTER GERARD DOU "The Apothecary", a black and white mezzotint, AFTER G J WOOD "Leybourne Grange in Kent", coloured aquatint by William Green and assorted figural, topographical and architectural prints

Norman Hirst after Gainsborough PORTRAIT published circa 1920 mezzotint engraving, 45cm x 53cm (17.75” x 20.75”)

Mario Avati (b. 1921) Le Repas du Guerrier, Mezzotint. h: 11.25 x w: 14.50 in. Signed in graphite lower center, titled and numbered IX/XVI épreuve d`artiste in graphite lower left and dated `83 in graphite lower right.

Mario Avati (b. 1921) Les Figures de Smyrne, Mezzotint. h: 11.25 x w: 14.50 in. Signed in colored graphite lower middle, titled `Les Figures De Smyrne` and numbered `ESSAI 5/11` in colored graphite lower left and dated `83 lower right.

After William Owen, The Lovely Babe, mezzotint by S. W. Reynolds, 33cm x 37cm.

THOMAS G. APPLETON. The Soldier`s Farewell, colour mezzotint, pencil signed in lower margin, published by Henry Graves, 14 1/2 x 12 in

W Ward after J Ward, Outside of a Country Alehouse, mezzotint, and a quantity of oils and watercolours

Cutherbert Bradley 1861-1943. A mixed lot containing photographs of his works, a sample mezzotint and the first plan of a picture for the Cottesmore Hunt 1927

* George Stubbs ARA, British 1724-1806- "Death of the Doe", publ Oct 16 1804 by G Stubbs No 24 Somerset St Portman Square; mezzotint, trimmed, 39.5x49cm., (unframed)

Late 19th century continental mezzotint of a woodland scene with cottage, horseman, figures etc., indistinctly signed in pencil, 37cm x 46cm.

ANDREW HOLMES - `Midnight` - A mezzotint on wove paper depicting a starry night sky above the Millennium dome, printers proof, signed and titled to the margins, 103 cm by 45 cm.

A set of four 19th Century engravings, girls, three similar engravings, in oval frames, a mezzotint, portrait of a girl, and two etchings of cathedrals

After John Wootton - `The Father of the Turf, Tregonwell Frampton...`, late 18th Century monochrome mezzotint by J. Jones, plate size approx 54.5cm x 35cm.

PERVICAL GASKELL; an artist signed Mezzotint "Harlech Castle" and a lithograph of Fountains Abbey.

An oval framed mezzotint portrait of General Robert Blake and two others similar

George J Hart: A coloured mezzotint of mother and child signed to the margin and inscribed `printed in colour at one printing` and numbered 37

Oval mezzotint of a young lady, 52 x 43 cm

T Gainsborough Field Marshal H Seymour Conway 1721-1796 Mezzotint, 59 x 40cm

A pair of Mezzotint Engravings , circular, 13in diam in rosewood frames

After Van Dyke - Pierre Paul Rubens, a portrait, copper engraving, another, of Ludovicus Magnus, 43 cm x 40 cm, together with an 18th century mezzotint after Lelly, of two children in a garden, 36 cm x 26 cm. All framed and glazed

After Joseph Wright of Derby by John Raphael Smith - The Widow of An Indian Chief Watching The Arms of Her Deceased`s Husband, mezzotint, circa 1789, image size 44 cm x 49 cm; together with an engraving after Elstrak of Mary Queen of Scots and Lord Darnly, 29 cm x 24 cm and other printed works

After Francis Cotes by N. Green - Joseph and John Gulston Esq.,mezzotint, pub. by Sayer 1771, plate size 44 cm x 51.5 cm, together with The Benevolant Lady and The Happy Meeting, a pair of Conte engravings after Bartolozzi and Morris, first pub. 1793, later impressions, 46 cm x 36 cm (3)

After N Coypel - Le Triomphe De Galathee, engraving, image size 30.5 cm x 43 cm together with Mrs Orby Hunter, after Hoppner, mezzotint, circa 1800, 63 cm x 39 cm (2)

After Joseph Wright of Derby, An Academy, mezzotint by William Pether, 58cm x 46cm.

George Townly Stubbs after Titian, Two Hounds, dedicated to the Duke of Bedford coloured mezzotint, laid onto card 15¾ x 19½in. (40 x 49.5cm.).

Richard Earlom (1743-1822), after Johann Zoffany, R.A. Colonel Mordaunt`s Cock Match at Lucknow, 1786 hand coloured mezzotint, published by Laurie & Whittle, London, 1794 18 x 26in. (46 x 66cm.), in a gilt frame with verre eglomise mount, hand drawn key verso. See Illustration.

An early 19th century mezzotint "Cottage Piety", a large black and white etching of Saint Michel by Haig and one other.

A late 18th century hand coloured mezzotint after Lemuel Francis Abbott, "To the Society of Coffers at Blackheath", depicting a gentleman golfer and his caddy, 46 x 31cm.

After John Cotter Webb: Coastal landscape with 2 girls, mezzotint, framed and glazed

AFTER SIR JOSHUA REYNOLDS PRA (1723-1792), `David Garrick Esqr`, mezzotint by Robert Laurie published 1779, framed, 37cm x 27cm.

* Johann Gottfried Haid, German 1714-1776- "Mr Garrick in the Farmer`s Return", after Johan Joseph Zoffany RA, publ by Boydell 1766; mezzotint, 43x50cm., (unframed)

Thomas Oldham Barlow, British 1824-1889- `Sir William Sterndale Bennett` after Sir John Everett Millais Bt PRA, publ by Edward S Palmer, London Oct 1876; mezzotint, stamped verso DBW, 49x38cm: Thomas Hardy, British 1757- c.1805- `Edward Miller, Mus Doct Doncaster`; stipple engraving, stamped verso DBW, 27x20cm: William Strasser, 20th century- Old man asleep with a broom; mixed method engraving, signed in pencil, musical notes in pencil under plate, stamped verso DBW, 27.5x21cm: Achille Devéria, French 1800-1857- `G A Osborne`, publ and printed by Charles Motte, Paris; lithograph, stamped DBW verso, 26.5x20.6cm: Paolo Toschi, Italian 1788-1854 and Isaac, 18/19th century- `Ferdin: Päer Parmigiano`, after Francois Gérard; engraving with etching, stamped DBW verso, 38.5x6cm (5) (unframed)

Philibert-Louis Debucourt, French 1755-1832- "La Chase au Renard- The Fox-Chase" and "Les Chiens ayant perdu la trace- Dogs having lost the right scent", after Carle Vernet, publ M Guerin Editeur rue des Francs-Bourgeois No 14 au Marais; etchings with aquatint, a pair, in matching glazed ebonised frames, 54x72cm., ea: John Cother Webb, British 1855-1927- "The Lords John and Richard Stuart", after Anthony Van Dyck, publ by The Museum Galleries; mezzotint printed in colours, signmed and numbered CCXLVII in pencil, from the edition of 300, bears label for The Museum Galleries, 30 Museum Street London WC attached to the reverse of the frame, 36x30cm., (3)

Mezzotint After Arthur S Coope R.A. Portrait of HRH The Prince of Wales Full length wearing ceremonial costume on India laid Publ, David Doig, London Signed in the margin Edward R and dated 1912 by the Prince of Wales and also signed Cope, unframed

Dorothea Wight, artist signed Limited Edition mezzotint, `Colyledon`

A 19th Century hand coloured portrait mezzotint engraving of George III after the studio of William Beechey, 8.5cm tondo, another of George III in verre eglomise and ebonized frame, and two further engravings of children and figures in small oval giltwood frames. (4)

Edoardo Gioja (1862-1936), a Portrait of Dorothy Lovatt, the future Lady Ellenborough, and a mezzotint of Edward Lord Ellenborough, framed (2)

Clifford E James after Sir Thomas Lawrence: `The Countess of Dysart`, mezzotint, signed in pencil published 1923 by James Connell & Sons, 53cm x 33cm.

DUKE OF BEDFORD: ... `William Duke of Bedford Marquis of Tavistock ...: ` , mezzotint portrait, by E. Lutterell, 255 x 300 mm, framed & glazed, early 18th cent. With 4 other copper engraved portraits of members of the Russell family (5)

British School: A rural idyll, coloured mezzotint published 1937, 41 x 34cm.

By and after ward ``The Citizen`s Retreat`` coloured mezzotint engraving

A COLLECTION OF MEZZOTINT PORTRAIT PRINTS comprising examples after Beechey, Gainsborough, Hoppner, Kneller, Lely, Reynolds, Rising, Romney, Titian, Vanderbank, Zoffany and many others; engravers to include Faber, Houston, McArdell, Simmons, Thompson, Turner, Watson and others; principally 18th Century British sitters, unframed ++ Generally fair condition; many trimmed

After Charles Town, Bulldogs and Badger, Mezzotint by Richard Earlom, with hand colouring, 52cm x 62cm.

Albinus (Bernhard Siegfried). Dissertatio secunda de sede et caussa coloris Aethiopum et caeterorum hominum. Accedunt icones coloribus distinctae, 1st edition, Leiden: Theodorum Haak, & Amsterdam: Jacob Graal & Henri de Leth, 1737, title printed in red and black with woodcut vignette, woodcut head-piece, tail-piece and initial, 18 pages of text, including title, three-colour mezzotint plate on fold-out page by Jan L`Admiral, with single-rule border in gold leaf, very faint library stamp to title, and top blank margin of folding plate, some light browning to text leaves, contemporary vellum, with gilt library stamp to foot of upper cover, a little soiled, with modern cloth slipcase, 4to (255 x 205mm) Wellcome II, p. 26. Cushing, A-105. Heirs of Hippocrates 842. Franklin, Early Colour Printing, pp. 41-42. Bernhard Siegfried Albinus (1697-1770), whose father Bernard Albinus was also a medical scientist and a professor of medicine at the University of Leiden, was one of the greatest anatomists of the 18th century. His most important work was the Historia Musculorum Corporis Humani published in 1734. The present short work is an examination of the structure of black or Ethiopic skin pigment identified by Marcello Malpighi (1628-1694). One of the first colour-printed anatomical illustrations ever published, being one of six anatomical illustrations produced by by Jan L`Admiral (1698-1773) for Albinus for separate publications. The painter Jan L`Admiral and his brother Jacob worked in the London studio of mezzotint colour printing inventor Jacob Christoph le Blon, although L`Admiral presented the technique as his own when he offered his services to Albinus in Leiden. (1)

India A rare Large Lithograph of Colonel Mordaunt’s Cock Match at Lucknow. A very detailed 18th Century Indian Scene 18th c mezzotint “Colonel Mordaunt’s Cock Match at Lucknow in the Province Oude in the Year 1786 – after Zoffany. Published England 1798 framed and matted 20” x 26 1/2” (from the collection of the late Frederick Hagar); along with a newspaper article about Zoffany’s painting. In Lucknow Zoffany met the main players at the court. The nominal head of the State of Oudh was Asaf-Ud-Dowlah although the governor Warren Hastings was the British representative. He commanded the power of the British East India Company and it was Hastings who commissioned the painting of the cockmatch by Zoffany. A scarce Lithograph – The original painting hangs in the Tate Gallery London – an important lithograph depicting 18th Century India.

* John Martin, British 1789-1854- "The Eve of the Deluge", publ Thomas Boys Jan 1 1844; mixed-method engraving with mezzotint, 47x69.5cm

* David Lucas, British 1802-1881- "The Rainbow, Salisbury Cathedral", after John Constable RA, publ June 4th 1877 by J F Revell & Sons 153 Euston Road London; mezzotint, 60x68cm (unframed)

Gérard Edelinck, Flemish/French 1640-1707- "Jacobo Magna Britanniae et Walliae Principi", after François de Troy; engraving, 45.2x41.2cm: Isaac Beckett, British 1653-1719- "Carolus DG Ang Sco Fra et Hib Rex", after Anthony van Dyke publ by I Smith at the Lyon & Crown in Russell Street Covent Garden; mezzotint engraving , 33.5x24.5cm: Charles Louis Simonneau, French 1645-1728- "Henriette Marie de France", after van der Werff; engraving, 31x18.5cm: together with three mezzotints of portrait subjects, 17th/18th century, one of Princes Charles Stuart and the other two in matching oval gilt composition frames bearing label for Walter Jones, Designer & Manufacturer Artistic Photo Frames Screens Overmantles &C 196 Sloane St London SW, 33.5x23.5 and 28x22.5cm., ea: F G Stevenson, British, early 20th century exh 1910- Baby Stuart, detail from "The Children of Charles I", after Anthony van Dyke, publ 1908 by Harry C Dickins 26 Regent St SW; mezzotint printed in colours, 25.5x19cm., (7) (may be subject to Droit de Suite)

John Watts, British act. 1776-1780- "Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy", after Sir Joshua Reynolds RA, publ July 18th 1780 by John Boydell, London; mezzotint, 45.7x33cm., (unframed)

Terry Willson, British b.1948- "Self Portrait"; lithograph printed in colours, signed, titled and numbered 89/100, 80x61.5cm: together with seven further prints by the same artist including another lithograph printed in colours entitled "Portrait of Lynda", signed, titled and numbered 90/100, 80x61.5cm, three mixed technique mezzotints with hand-colouring, "Classical Poses a and b", "c and d", "g and h", each signed, titled and inscribed, `Exhibition Copy`, ea. 27x34.5cm, a mezzotint "From the Action at the....", signed, dated `79 and inscribed `artists proof`, 34x55.5cm, two screenprints in colour, "Anonymous Portrait no.5" and "no.6", signed, dated `80 and numbered 12/150 and `artists proof` respectively, ea. 99.5x77.5cm, (8), (unframed), (may be subject to Droit de Suite)

Three mezzotint portraits.

THOMAS HAMILTON CRAWFORD The plough. Mezzotint. Signed. 17.5 x 23.5cm. Together with three black and white etchings and two prints.

SILVANI Industrial landscape. Charcoal. Signed and dated `64. 49.5 x 55.5cm. Also a print after Sir Joshua Reynolds, the Earl of Mansfield, and a mezzotint of a girl, signed.

* Dean (John). [Lady Elizabeth Herbert], pub. Jany. 1st. 1779, uncoloured mezzotint on laid after Sir Joshua Reynolds, scratch letter proof before title, good margins, slight mount staining, 505 x 360 mm, mounted, together with Watson (Thomas), The Right Honble. Elizabeth Lady Melbourne & the Honble. Peniston Lamb, pub. W.Shropshire & T.Watson, Feby. 10th. 1775, uncoloured mezzotint after Sir Joshua Reynolds, thread margins, 620 x 380 mm, mounted, plus [Fisher (Edward)], [Lady Sarah Bunbury Sacrificing to the Graces, 1766], uncoloured mezzotint on laid after Sir Joshua Reynolds, trimmed to image, 595 x 370 mm, and [Dixon (John)], Her Grace Mary Duchess of Ancaster and Kesteven, pub. W.Ryland & H.Bryer, n.d., c.1790, uncoloured mezzotint after Joshua Reynolds, 615 x 385 mm, mounted, framed and glazed. (4)

* Genre. Stacpoole (Frederick), The Scotch Gamekeeper, pub. Henry Graves & Co. July 1st. 1858, uncoloured mixed method engraving after R.Andsell, slight surface abrasion and creasing to image, slight toning, 780 x 605 mm, together with Egan (James), A Baronial Hall in the Olden Time, pub. F.G.Moon, Dec. 1st. 1841, uncoloured mezzotint after G.Cattermole, slight spotting largely confined to margins, 660 x 820 mm, with Scott (James), C.J.Radcyffe Esq. Master of the South Dorset fox-hounds, pub. Stephen Pearce, May 1st. 1875, uncoloured mixed method engraving engraving on india wove after S. Pearce, some staining and spotting to image, slight creasing to margins, 580 x 730 mm, plus two proof engravings before title and letters both signed in pencil by artist and engraver, with three others similar, various sizes and condition. (7)

* Historical genre. Burnet (John), The Trial of King Charles the First in Westminster Hall, Jany. 27th 1649, pub. Hodgson & Graves, Jany. 30th. 1841, uncoloured mezzotint on wove, some spotting and staining largely confined to margins, occ. marginal closed tears, 660 x 825 mm, together with Hall (John), Oliver Cromwell dissolving the Long Parliament, pub. B.West, J.Hall & E.Woollett, April 5th 1789, uncoloured engraving after B.West, several marginal closed repaired tears not affecting image, some spotting and dust soiling largely confined to margins, 490 x 620 mm, plus Young (John), To the Most Noble Marquis of Stafford, This Plate of Chevy Chace is with Permission inscribed..., pub. May 2nd. 1814, uncoloured mezzotint after Edward Bird, occ. marginal repaired closed tears, slight spotting and staining, 575 x 745 mm, and Say (William), Mary Queen of Scots and her Secretary Chatelar, pub. Colnaghi & Co. Dec. 1st 1823, uncoloured mezzotint after Henry Fraddle, some spotting and staining largely confined to margins, 585 x 680 mm, with three other large similar chromolithographs, aquatints and mezzotints, various sizes and condition. (7)

* Portraits. A mixed collection of approx. 110 engravings, mostly 18th & 19th century, engraved, etched and mezzotint male and female portraits, including examples by Rogers, Martin, Watson, Marmore, Turner, Barney, Daniell, Giller, Bartolozzi, Smith, Houbraken, ‘Vanity Fair’, Vertue, Cardon, McCardell and Landseer, various sizes and condition. (approx.110)

* Prints & engravings. A mixed collection of approx. thirty prints and engravings, mostly 18th & 19th century, mezzotints, engravings and lithographs, with portraits, music & music covers, genre, military, topography and classical, including Grozer (J.), Abraham Newlands Esq. Chief Cashier of the Bank of England, pub. J.Grozer, Aug. 20th. 1795, coloured mezzotint after George Romney, trimmed to plate mark, 485 x 355 mm, with Lamotte (Alphonse), La Source, pub. Paris, 1883, uncoloured line engraving after E.Munier, 410 x 180 mm, and Gardiner (W.N.), Della Crusca, pub. T.Philipe, July 1st, 1797, uncoloured oval stipple engraving after S.Harding, slight dust and finger soiling largely confined to margins, 305 x 205 mm, with another twenty-seven similar. (approx.30)

* Ward (James). His Majesty Reviewing the Third or Prince of Wales’s Regiment of Dragoon Guards & the Tenth or Prince of Wales’s Regiment of Light Dragoons, n.d., c.1815, uncoloured mezzotint after Sir W. Beechy, 575 x 665 mm, framed and glazed, together with Heath (James), The Death of Major Pearson, pub. John & Josiah Boydell, April 25th. 1797, uncoloured engraving after John Singleton Copley, slight staining, 650 x 820 mm, occ. closed tears, laid on later linen and attached to a later wooden stretcher. (2)

* Ward (William). The Romps, pub. W.R.Bigg, May 1st. 1796, uncoloured mezzotint after W.R.Bigg, 490 x 615 mm, verre églomisé mount, framed. (1)