We found 6624 price guide item(s) matching your search

A 19th Century Elm Windsor Rocking Chair, together with a Victorian pine plate rack, together with a machine made tapestry, 196cm by 148cm, a 19th century coloured engraving and a mezzotint after John Cother-Webb (5)

Ernest Stamp (British, 20th century), after Gainsborough, Mrs Graham, mezzotint in colours, pub.1912 by G.J. Howell, signed in pencil,19x12ins, mounted, framed and glazed.

Samuel Cousins RA, after Sir Thomas Lawrence PRA (British,19th century), Miss Macdonald, stipple engraving with mezzotint, mounted, framed and glazed.

After John Opie (British, 1761-1807), Aesculapius, Flora, Ceres and Cupid Honouring the bust of Linnaeus. Mixed engraving mezzotint and stipple. Engraved by James Caldwell. 20 x 14.5Qty: 1

An ecclesiastical mezzotint of Madonna and Child, 99 x 76cm, framed and glazed.99 x 76cm

Susan E. Jameson (b. 1944) 'Long Meg Sunset' , signed limited edition mezzotint print, 51/150. 34cm X 30cm, framed and glazed, with Christie's certificate of authentication to verso.

Framed 1793 mezzotint 'Lioness and whelps : whelped in Tower of London in 1792' by Richard Earlom (1743-1822) after James Northcote (1746-1831) - frame 58cm x 71cm ~ slight shadow lines / creases otherwise in good used condition

After I Faber, Catharine, daughter of Sir Edward Dering, mezzotint,20.5x13cm,framed and glazed;and after I Faber,Sir Jonathon Perceval,mezzotint,20.5x13cm,framed and glazed.Qty: 2

Durham Oxen. A George IV period mezzotint, engraved by Charles Turner after Thomas Weaver, dedicated to Sir Clifford Constable, Bart, of Tixall, Staffordshire, published in London by Benjamin A. Bond, 29 July 1828, scratched-letter state before 'proof' erased [as per the example in the British Museum]. 58cm by 70cm. Framed & glazed. An attractive mezzotint, slight surface wear in places, appears to be pasted down with light creases, unexamined out of frameProvenance: Discovered many years ago in Fred Hillman butcher's shop, Stafford View, on the corner of White Lion Street. Vendor's father-in-law owned the shop

‡  REMBRANDT VAN RIJN (DUTCH 1606-1669)JAN CORNELIS SYLVIUSEtching, 1633, a very good impression of New Hollstein's first state (of three), with burr-like tonal printing visible to details on the nose, printing before later rework with mezzotint rocker, on laid paper with watermark of Foolscap with five-pointed collar [cf. Hinterding K.c.2]Sheet 167 x 140 mm (6 1/2 x 5 1/2 in) (unframed)Provenance:Private Collection, NorwayLiterature:Bartsch 266; New Hollstein 124 i/iiiCondition Report: - Minor toning to upper corners from old hinging verso- Scattered minor spotting and browning, mainly only visible verso- Small margins, trimmed with thread margins, or trimmed just into plateCondition Report Disclaimer

* Thornton (Dr Robert). The Superb Lily, June 1st. 1799, mezzotint by Richard Earlom after Reinagle, printed in colours and finished by hand, large margins, slight spotting and toning, 485 x 460 mm, framed and glazedQTY: (1)NOTE:Dunthorne. Number 301. Plate II The 'Earlom Plate', state 3.

Four framed works to include: Rural Landscape (20th century), oil on canvas, signed lower left, approx. 60 x 90 cm, in gilt frame; George Sidney Hunt (1856-c.1917), Lord Nelson, mezzotint in colours, signed in pencil and blind stamped below, 'published 1921 by the Museum Galleries, 26 Museum Street, London' in print above, 12.5 x 10 cm; 20th century floral still life, oil on canvas, signed 'Paterson' lower right, 20.5 x 25.5 cm; and one other framed print After 'The Haywain' by John Constable (1776-1837) (4)

Edmund Wardle, (20th century), after, a mezzotint print, Edwardian lady, signed, 19 x 15cm, later mounted framed and glazed, and a selection of decorative prints, ladies, inc oval

Guntars Sietins (1962). 2002. Paper, mezzotint. 69.9x51.9 cm

Guntars Sietins (1962). 2007. Paper, mezzotint. 70.1x52.2 cm

V Green of London gilt framed mezzotint, published 1780, of Sir Joshua Reynolds in cap and cape, inscribed self portrait

Richard Earlom (British, 18th /earl 19th century), after Mario di Fiori, "A Concert of Birds. In the Breakfast Room at Houghton", mezzotint engraving, published 1778 by John Boydell, London, 16.5x33.5ins, framed and glazed.

William Hyde (British, 1859-1925), nocturnal landscape with church to foreground, mezzotint, 24 x 32cm, framed and glazed.

Joseph Mallord William Turner (1775-1851) The Castle above the Meadows. Etching by JMW Turner with mezzotint by Charles Turner for the Liber Studiorum. On laid paper, published Feb 1806 by Charles Turner. Label beneath from Christopher Mendez stating provenance to the sale of Turners personal collection, (Lugt 48) faint impressed stamp lower right margin confirms this. Plate size 20.5 x 29cm.

Joseph Mallord William Turner (1775-1851). Norham Castle on the Tweed. Etching by Turner with mezzotint by Charles Turner for the Liber Studiorum. On laid paper, published Jan. 1816 by Charles Turner. Label beneath from Christopher Mendez stating provenance to the sale of Turners personal collection, (Lugt 48) faint impressed stamp lower right margin confirms this. Plate size 20.5 x 29cm.

William Hyde (British, 1859-1925), coastal landscape with trees to foreground, mezzotint, 32 x 24cm, framed and glazed.

AMENDED DESCRIPTION - Valentine Green after Lemuel Francis Abbott. To The Society of Coffers at Blackheath. Mezzotint in colours. 43 x 27cm. Framed and glazed.Condition Report: Title printed to lower margin, with additional text reading 'This plate is with just respect dedicated by their most humble servant...[remaining text obscured by framing]'. Fair condition overall, with fading and staining as depicted in main photography.

Prince Leopold and Princess Charlotte, a reverse glass mezzotint, 19th century, depicting the couple in Claremont Park with Claremont visible in the background26 x 36cm

After Gainsborough, framed mezzotint engraving of a young child. 38 x 31cm approx. (B.P. 21% + VAT)

A collection of decorative 19th century printsTo include:Carden after W. Singleton, The Sheltered Peasants, and the Husbandman's Refreshment, a pair; Vivares after Hayman, Fortune Teller and another, a pair;After Cipriani, Venus and Cupid, a pair of elliptical engravings; and other various mezzotint and engraved prints58 x 42cm (22 13/16 x 16 9/16in).the largest15For further information on this lot please visit Bonhams.com

After George MorlandFox HuntingSet of fourMezzotint engravings 45.5 x 61cm (17 15/16 x 24in).4Footnotes:Provenance: Sale, Roseboro, Co Kildare, 1933 - the property of Lady Albreda Bourke, daughter of the 6th Earl Fitzwilliam of Wentworth Woodhouse, Yorkshire.The enormously wealthy Fitzwilliam family as well as holding significant Irish estates, owned Wentworth Woodhouse, the largest private house in England with almost 400 rooms, as well as a turbulent and tragic 20th century history. The last Earl Fitzwilliam was killed in a plane crash in 1948 along with John F. Kennedy's sister, Kathleen Cavendish.Further reading about the family history is in the book Black Diamonds by Catherine Bailey.For further information on this lot please visit Bonhams.com

John Downman A.R.A (British, 1750-1824)Portraits of ladiesMezzotint engravings, a set of four, ovals in gilt frames 19 x 15cm (7 1/2 x 5 7/8in).together with two 20th century European School decorative miniature portraits (6)Footnotes:Provenance: [for European School portraits] Mrs Vera Hue-Williams until sold with the contents of Woolton House, Berkshire, Sotheby's, 6 December 1993, lot 610B.For further information on this lot please visit Bonhams.com

A collection of decorative 19th century printsTo include: After George Morland, Nurse and children, mezzotint;The Fortune Teller; The Cries of London; Children feeding turkeys; The Pedlar; Rustic courtship, a pair; Children playing, two pairs;Family group, a pair; Family with donkey; Four fashion pates; A 'society beauty';and four othersthe largest: 62 x 46cm (24 7/16 x 18 1/8in)23This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Ca. 15th-20th cent. Various techniques (incl. a few mezzotints, photogr. and reproductions) and sizes.Incl. a.o.: a woodcut portrait of Seneca in his bath from Hartmann Schedel, Weltchronik (1493); portraits and documentation on Spinoza, incl. old photogr. of his statue in The Hague and the house he lived in Rijnsburg; a fine mezzotint portrait of Iacobus Thomasius by Ioh. Iac. Haid; a mezzotint portrait of Balthasar Bekker by P. Schenk; fine 16th cent. engr. portraits of Caspar Schwenckfeldius and Patrus Ramus; an engr. portrait of Iacobus Faber by Hendrik Hondius (w. text quire); and portraits of Erasmus, Hugo de Groot, Hume, Leibnitz, John Locke, Montesquieu, Newton, Pufendorf, Rousseau, Adam Smith, Socrates, Plato, Vossius and Xenocrates. (total approx. 150)

Martin (John) Paradise Lost: By John Milton, first edition in the original 12 parts, Imperial Quarto issue containing the larger set of mezzotint plates, with the complete set of 24 plates (2 to each part) as issued, platemarks each c. 355 x 255 mm (14 x 10 in), sheets c. 385 x 276 mm (15 1/4 x 10 7/8 in), tissue-guards, some scattered marginal foxing, 2 small puncture marks to both plates of part 11, not affecting image but within platemark, original roan-backed grey-blue wrappers, part 1 sympathetically rebacked, upper wrapper chipped at upper corner, part 3 spine faded with wear to foot, part 11 upper wrapper torn at head with very small loss, some light general soiling or faint spotting to covers, occasional rubbing to spine ends, untrimmed and partially unopened, the 12 parts preserved in a custom drop-back box, folio, Septimus Prowett, 1825-26.⁂ Very rare in the original parts. The mezzotint process entails a considerable application of ink on the page, often resulting in heavy foxing; but the mezzotints in this copy are remarkably clean. Publication took nearly two years, the parts issued as Martin's mezzotints were completed, the order of images not necessarily correlating with the text. The engravings were greeted with outstanding critical acclaim, prompting the release of 4 further editions by the end of 1827. The critic for The Literary Gazette proclaimed: "we know no artist, whose genius so perfectly fitted him being the illustrator of the mighty Milton; and in what we have seen of his conceptions he has more than realised the highest of our hopes. There is a wildness, a grandeur, and a mystery about his designs which are indescribably fine:- the painter is also a poet." [The Literary Gazette, April 2nd 1825].Provenance: Robert H. & Donna L. Jackson (book-label to inside of drop-back box).Literature: Campbell & Wees, 1992, nos. 26-49.

Bowles (Carrington, publisher) The Contrast, after Robert Dighton, satire on Anglo-French relations, with the thin Frenchman antagonising John Bull with the comment "Ve ave beat a you Dam-mi-na-bly", alluding to the conclusion of the American War of Independence, with Bull replying "You Lye Damnably", lettered in the margin, etching and mezzotint with full original hand-colouring, 355 x 250 mm (14 x 9 3/4 in), under glass, in 18th century frame, [1783]Provenance:Sale. Christie's South Kensington, British Mezzotints and Printed Handkerchiefs from the Collection of the Honourable Christopher Lennox-Boyd, March 12th, 2008, lot 7

Various art and architecture related volumes including Etchings and Mezzotint engraving 1892; Old England - A Museum of Popular Antiquities; Britton's Architectural Antiquities and others etc.

John Dixon, 18th Century mezzotint, A portrait of William Beckford, 13.5" x 9.5", (34.5x24cm).

Samuel William Reynolds (British, 1773-1832) after C.G. Dillon (early 19th century), Lieutenant General Sir George Don (1754-1832), Lieutenant Governor of Jersey and of Gibraltar, mezzotint by Samuel William Reynold (British 1773-1835) after a portrait by C.G. Dillon (early 19th century), published by C.G. Dillon, Jersey October 10th 1806,19th century wooden frame, 17¾ x 12¾in. (45 x 32.4cm.).. * Time stained.

Charles Turner (British, 1774-1857) after Sir Thomas Lawrence P.R.A., F.R.S. (British, 1769-1830), Sir Thomas Le Breton (1763-1831), Bailiff of Jersey (1826-1831), mezzotint by Charles Turner, published 12th November 1827 by Colnaghi & Son London, late 19th century carved wooden frame, Jersey frame makers label on reverse, 24¾ x 18½in. (62.9 x 47cm.).. * Under glass. Light time staining.

Norman Ackroyd CBE RA, British b.1938- Strathmoor Rainbow, 1972; mezzotint engraving in colours, signed, titled, dated and numbered 13/75 in pencil, 58.5 x 52 cm, (framed) (ARR) Please refer to department for condition report

After Sir Joshua Reynolds, engraved by W Dickenson, mezzotint engraving, Mrs Mathew, 59 x 38cm , un examined out of frame, prints appears laid down on board; and Countess of Harrington Lord Viscount Petersham, black and white Print; and Maria Foote

Postcards, Military, a collection of approx. 40 b/w printed cards published by the Mezzotint Co. Brighton, showing military manoeuvres, camps at Walmer, Arundel, Crowborough, Broadwater, Stobs, Newhaven etc., various regiments. Also Royal Review Edinburgh, stations, grandstand etc (mainly gd)

After J.M.W Turner, mezzotint landscape with huntsmen, 9.75ins x 13.75ins approximately, unframedPlease see further photographs.Impression mark is complete. No title or ascription

Ward after Briggs, mezzotint, Portrait of the Earl of Yarborough, 42 x 33cm, a colour mezzotint of a non-commissioned officer of the London Volunteer Cavalry by Ashby and Clint, 53 x 43cm, and three other pictures

* The Irish House of Commons, 1780. A large mezzotint engraving after the original by Francis Wheatley, published by Wilson, Hartnell & Co., [1906], on original mount, sheet size 57 x 63 cm, together with the printed 'Key' on board, some light old dampstaining, 40 x 49 cm QTY: (2)

A set of four 18th Century hand coloured mezzotint engravings emblematic of the seasons, each depicting a fashionably dressed young woman with seasonal attributes, comprising Spring, Summer, Autumn and Winter, each inscribed R. Pyle Pinx.t/Chas Corbutt Fecit/London, Printed for and Sold by Robt. T. Sayer, Map and Printseller, at the Golden Buck, near Serjeants Inn, Fleet Street', each 35 x 26cms, in glazed Hogarth style frames, some worm holes and ageing, Winter with some loss to title. (4) A Connoisseur's Collection

Frank Sternberg (b.1858), colour mezzotint, Napoleon on horseback, signed in pencil, 45 x 34cm

Will Henderson after L. F. Abbott, 'Henry Callender', a gentleman golfer, mezzotint, signed in pencil, 20" x 14".

Donald Clark, (SCOTTISH b. 1965) 'Spiral', mezzotint, signed in pencil, 5/30, and framed under glass, Open Eye Gallery label verso, 10 x 7cm, paper 25 x 28cm

After Samuel Cousins, RA, British 1801-1887- The Surprise, After Claude-Marie-Paul Dubufe; oil on canvas, 35.5 x 30.7 cm. Provenance: Private Collection, UK. Note: The present work is a copy of a mezzotint, taken by Samuel Cousins RA, after French painter Claude-Marie-Paul Dubufe (1790-1864) - see the example held at the British Museum, London [no.2010,7081.4133]. Dubufe’s larger original is held at the National Gallery, London [NG457]. The composition here directly echoes that of the print, which both display compositional differences from Dubufe’s original, notably with the background of a dark maroon and luxurious curtain a departure from the plain wall in the original. Although Dubufe was well known as a portraitist of the French aristocracy, the identity of this woman is unknown. Her state of ‘deshabille’ suggests that this picture was not intended to depict a particular person, but may instead have been based on a model. The woman's pose is based on the Medici Venus, the marble sculpture of the goddess of love made in Greece in the 1st century BC. While the sculpted Venus is nude, this woman wears a thin white blouse and brown shawl.Please refer to department for condition report

After Sir Godfrey Kneller, Bt, British 1646-1723- Portrait of Joseph Addison (1672-1719); oil on canvas, 91.5 x 71 cm. Provenance: Private Collection, UK. Note: The original Kit-Kat club portrait on canvas by Kneller, dating to c.1712, is housed in the National Portrait Gallery, London [NPG 3193]. The present work is in reverse, and was presumably taken after a printed copy of Kneller's portrait - see, for example, the mezzotint of Addison by John Simon (c.1675-1751), after Kneller, at the British Museum, London [1886,0609.15]. Addison was an essayist and joint founder, with Richard Steele, of 'The Spectator'. He was also a member of the Kitcat Club, the early 18th-century London club with strong political and literary associations. Held in an English 18th-century carved, gilded and pierced frame. Please refer to department for condition report

Evelyn (John). Sculptura; or, the History and Art of Chalcography, and engraving in copper: with an ample enumeration of the most renowned masters and their works..., 2nd edition, London: J. Murray, 1769, etched portrait frontispiece by Thomas Worlidge, folding mezzotint portrait with a small area of skinned letterpress from facing page adhered to image, front free endpaper with armorial bookplate and signature of J.G. Spurgeon and ink name stamp of E.F. Acton, contemporary calf, upper board detached and lower joint split, extremities rubbed, 8vo, together with:Evelyn (John), The Miscellaneous Writings of John Evelyn... now first collected, with occasional notes, by William Upcott, London: Henry Colburn, 1825, engraved frontispiece, two engraved plates and one mezzotint portrait plate, frontispiece and title browned, scattered spotting throughout, later endpapers, contemporary calf, rebacked, board edges worn and showing, 4toQTY: (2)

Manning (Owen & Bray, William). The History and Antiquities of the County of Surrey, 3 volumes, London: John White, 1804-14, two folding engraved maps, 84 engraved plates, including 13 facsimile Domesday plates and mezzotint portrait of Sir Henry Fletcher (mezzotint portrait shaved at top and fore margin), engraved illustrations to letterpress, numerous folding pedigrees, some toning, offsetting and scattered spotting, bookplate of Rousdon, Devon to upper pastedowns, contemporary gilt panelled and decorated brown morocco, spines and joints rubbed, folioQTY: (3)NOTE:Provenance: Sir Henry William Peek, 1st Baronet (1825–1898), founder of the Rousdon Estate, an importer of spices, tea and other groceries, philanthropist and Conservative Member of Parliament for Surrey Mid (1868-1884).Upcott pp. 1209-1216.

After Thomas Musgrave Joy (1812-1866)'Admiral Sir Charles Napier' mezzotint, by W. Carlos, published London, 1848 by Henry Messon, walnut framed with gilt slipimpression 80 x 53 cm., overall 99.5 x 73 cm.Condition:Untrimmed, toning to paper. Some light spotting and bloom marks. Glass damaged with loss top right.

After Johann Zoffany, Colonel Mordaunts Cock Match engraved by Richard Earlom mezzotint with hand colouring, mounted and framedwithin mount 47.5 x 61 cm., Overall 69 cm x 82.5 cm.Condition:Overall fair condtion

LOW COUNTRIES -- BATTLE OF BERGEN 1799 -- "HET GEVANGEN NEEMEN van den Russischen Generaal en Chef Herman, in het Bosch te Bergen in Noordholland, op den 19. September van het Jaar 1799". (Amst.), J. Groenewoud Jansz., 1807. Mezzotint by J.E. Marcus after D. Langendijk. 515 x 720 mm (image size). (Dam. in places (former tears visible) and in need of restoration). NOTE:Proof print. Muller 5550-a. Sold w.a.f., not subject to return.

A QUANTITY OF PAINTINGS AND PRINTS ETC, to include mezzotint prints after Francis Wheatley signed by the engraver Edmund Wardle, reproduction print after George Morland 'The Enlopement', print after Thomas Lawrence 'Lady Peel', a print after George Romney indistinctly signed by the engraver, a still life flower study oil on canvas indistinctly signed, oil on board depicting a Collie dog signed G B Jones, watercolour of a family beside a stream initialled W.H.V., together with other assorted prints etc

WA Lambrecht - French street scene, colour mezzotint, signed in pencil to the margin, 44x60cm

Sydney Ernest Wilson (British, 20th century) 'Miss Croker' coloured mezzotint, signed to lower margin,12x10ins, blind stamped, glazed, unframed.

IR FRANK SHORT RA PPRE (1857–1945) after DE WINT, Roman Canal, mezzotint published c1904, pencil signed to the margin, 15cm x 36cm, frame size 31cm x 53cm, label verso 'Robert Dunthorpe Rembrandt Gallery'. 

After SIR HENRY RAEBURN RA (1756-1823), Colonel Alastair Ranaldson MacDonell of Glengarry (1771-1828) coloured mezzotint engraving, pencil signed "H Macbeth Raeburn", published by Dickins of London 1922, image size 62cm x 39cm, frame size 80cm x 57cm. 

After SIR HENRY RAEBURN RA (1756-1823), George Gordon, 5th Duke of Gordon, coloured mezzotint engraving, pencil signed "H Macbeth Raeburn", published by Henry Graves & Co 1929, image size 61cm x 44cm, frame size 86cm x 69cm.

A collection of nine pictures to include; after James Fade, Anna Maria Tollemache, Countess of Dysart, mezzotint on paper, 35 x 29cm; Charles Louis Lingee, Les Confidences and Le Prominade de Soir, coloured engraving on paper; Caroline Romer, Taylor Chichoga, inscribed 'C.E. Romer' (lower right) watercolour on paper, 27 x 23cm; Shiva's temple above Bangar, signed 'C.E. Romer' inscribed with title lower right, 25 x 19cm, Provenance: The Brotherton Gallery, London; Lillian Isabel Peterson Hingston (Canadian, 1881-1967) Street scene in winter, signed 'Lilian Hingston' (lower right), oil on canvas, 34 x 44.5cm; together with Albert Mead Pattison (1887-1957), Saint Georges Church, Montreal, etching 19.5 x 15.5cm (9)

The Four Seasons, a group of four reverse mezzotint prints on glass, 19th century, each with a representation of an individual season43 x 33cmGenerally, the condition is good. Surface dirt to all of them. Damage to the frames. Minor scratching and damage to the surface of ‘spring’. Wear commensurate with age and display.