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§ Salvador Dali `King of Aragon` etching and mezzotint on paper unsigned proof copy 14" x10.5" Inscribed to verso `King of Aragon` 1973 by Salvador Dali Etching and mezzotint on Regal paper 1973 Ref:: Tate Gallery London collection ref: PO 1864

After George Morland, coloured mezzotint, The First of September, Evening, figures at the entrance to a tavern, engraved by Ward, 40 x 46cm.

After H.J.L. Leathern, mezzotint, East India Steamer, Nemesis, in rough seas off the Cape of Good Hope, engraved by Reeves, published 1841, with inscription and Coat of Arms, 35 x 53cm.

(Architecture) - DART, John.- Westmonasterium, or The history and antiquities of the Abbey church of St Peters Westminster [...].London, printed & sold by James Cole, [c. 1723].2 vol. in-f° : front.-[6]-ix-xlii-195-[1], front.-[4]-146-[4]-24-xliv-xvi pp.; 4 plates (some lvs slightly browned, some foxing, dampstains at the end of vol. I).Hybrid emblazoned binding : half brown shagreen, calf boards with gilt arms, gilt ribbed spine (spines and joints renewed, boards scratched, some loss at 3 turn ins, dampstains at the back board of vol. I, upper joint of vol. I partly split, edges and corners dulled).History of the famous London abbey containing "an account of its ancient and modern building, endowments, chappels, altars, reliques, customs, privileges, forms of government [...]", preceded by a poem "Westminster Abbey" by Dart. Illustrated with 2 frontispices (1 folding), the portrait of Dart in mezzotint by I. Faber, 7 plates of the subscripters` coats of arms, 127 full-page engravings and 4 folding plates by James Cole. Text with several historiated or decorated head- and tail-pieces and decorated initial letters. # Lewine 129; # Brunet III-524. Provenance : Sir Richard Borough (1756-1837), baronet (supra libros); R.H. Alexander Bennet (emblazoned ex-libris). Histoire de l`abbaye de Westminster illustrée de plus de 130 pl. in ou hors texte. Rel. hybride (dos refait en chagrin brun, pet. us., qqs ff. lég. brunis).

(Hippologie) - BERENGER, Richard.- The History and Art of horsemanship.London, printed for T. Davies and T. Cadell, 1771.2 vol. in-4° : front.-vii-[1]-319-[4], front.-[4]-246-[2] pp.; 15 plates (very slightly browned).Contemporary binding : full blond calf, gilt decorated flat spines (lower joints partly split, corners dulled, some foxing on flyleaves).First edition of this history on all aspects of horsemanship (races, equipments, manners of riding, training...) by Berenger (1720-1782), gentleman of the horse to George III. Contains also a translation of Xenophon`s principles on the same subject and a dissertation on the ancient chariot and "its application to real service in war" by Thomas Pownall. Illustrated with 2 frontispices (the first figuring a centaur and the second in mezzotint by William Baillie showing a man trying to hold a horse), 15 plates on single leaf figuring horses having belonged to famous historical characters (Darius, Trajan, William the Conqueror...), equipements and technics of training, 1 head and 1 tail piece with a horse in a medallion.# Biogr. univ. III-699/700; # not in Mennessier de la Lance nor in Brunet. Provenance : from the equestrian library of Angelo Levi Pizzocaro (ex-libris); Il Polifilo, Milano (stamp). Édition originale de cet historique sur l`équitation. Illustrée de 2 front. dont 1 en mezzotinte et 15 pl. représentant des chevaux ayant appartenu à des hommes célèbres, des techniques de dressage et du matériel. Plein veau blond de l`ép. (qqs pet. défauts).

George Maile, British fl. 1818-1841- "Miss O`Neill in the Character of Juliet", after G Dawe RA, publ by G Maile Frederick St Hampstead Road; mezzotint, 66x42cm: John Jones, British act 1745-1797- "Ms Edwards", after William Lawranson, publ May 15th 1780 by W Richardson No 68 High Holborn; mezzotint, 38x27.5cm: Phillip Corbutt, British fl 1746-1777- "Her Royal Highness Augusta Hereditary Princess of Brunswick & Lunenburg", after Sir Joshua Reynolds PRA, publ by Robt Sayer Map & Printseller near Serjeants Inn Fleet Street; mezzotint, 35.7x25.5cm: John Jones, British act 1745-1797- "Mrs Jordan in the Character of Hypolita", after John Hoppner RA, publ March 1st 1791 by J Jones No 75 Great Portland Street; mezzotint, 37.5x27cm: William Doughty, British 1757-1782- "Ariadne", after Sir Joshua Reynolds PRA, publ Dec 7th 1774 by William Doughty No 31 Charlotte Street Portland Chapel; mezzotint, printed in sepia, 38x27.2cm: Richard Houston, British fl. 1721-1795- "The Fair Oysterinda", after Philippe Mercier; mezzotint, 31.8x22.2cm., (6) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

John Dixon, British 1740-c.1811- "Henry, Duke of Buccleugh", after Thomas Gainsborough FRSA, publ June 11th 1771 by J Boydell; mezzotint, 45x32.5cm: James McArdle, British 1729-1765- Sir Edward Turner MP 2nd Bart of Arnbrosden, Oxon, after Thomas Gainsborough FRSA; mezzotint, 50x35cm: Valentine Green, British 1739-1813- "John Mantagu Earl of Sandwich Viscount Hinchingbrook", after Johan Zoffany RA, publ by V Green Salisbury Street Strand August 30th 1774; mezzotint, 50.5x35cm: Samuel William Reynolds, British 1773-1835- "The Right Honble Charles James Fox", after John Raphael, publ Jany 1st 1792 by J Brydon at his Looking Glass & Print Warehouse Charing Cross London; mezzotint, 50.5x35cm: John Jones, British c.1745-1797- "The Right Honble Edmund Burke", after George Romney; mezzotint, bears label for P & D Colnaghi & Co Ltd., London, attached to the reverse of the frame, 50.5x35.5cm: John Dean, British 1754-1798- "The Right Honble the Earl of Charlemont", after Richard Livesay, publ Dec 20 1785 by the Proprietor No 68 Newman Street Oxford Street and in Dublin by and Cornelius Callaghan Great Britain Street; mezzotint, 63x38cm., (6) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Edward Bell, British fl 1794-1807- "Horatio Lord Nelson Nelson Duke of Bronte KB", after Sir William Beechey RA, publ by Jeremiah Freeman; mezzotint, 68x43cm: Charles Turner, British 1773-1857- "Thos Wm Coke Esq", after Sir Thomas Lawrence RA, publ 14th July 1814 by J & W Freeman 2 London Lane Norwich; mezzotint, in a glazed early 19th century gilt composition frame, bears label; for Thompson, 26 St James`s Street London, 67x38.5cm: Richard Earlom, British 1743-1822- "Robert Pointer", after Samuel de Wilde, publ 1811 by Laurie & Whittle, London; mezzotint, inscribed in pencil, in a glazed 19th century rosewood veneered reverse profile frame, 45x34.5cm., (3) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Johann-Joseph Friedhoff, German 1768-1818- "Leopold I, Fürst zu Anhalt Dessau", after A Pesne, publ by Chalcographische Gesellschaft Dessau, 1798; mezzotint, 72x59cm: Valentine Green, British 1739-1813- "Death of the Chevalier Bayard", after Benjamin West, publ by John Boydell 1774; mezzotint, 62x50cm., (2) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

William Ward, British 1766-1826- "Violante rode by Buckle...", after Henry Bernard Chalon, publ by Boydell & Co 1st March 1808; mezzotint, in a glazed ebonised moulding frame with label for P Garot (from Italy), Carver, Gilder & Printseller No 8 South Hanover Street Edinburgh attached to the reverse, 45x56cm: Francis Jukes, British 1747-1812- "View of Kelso Bridge and Abbey", after Charles Catton Jr, publ March 20 1793 by F Jukes No 10 Howland Street; aquatint, in a glazed parcel gilt and ebonised moulding frame, 45x64.5cm: Francis Jukes, British 1747-1812- "View of Mill Bank on the River Thames near London", after John Laporte, publ by Francis Jukes, 1795; hand-coloured aquatint, 43.5x59cm., (3) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

William Ward, British 1766-1826- "Sailor`s Carousing", after Julius Cesar Ibbetson, publ Aug 21st 1807 by Jas Linnell No 2 Streatham Str Charlotte Str Bloomsbury; mezzotint printed in sepia, 53x65cm: John Young, British 1755-1825- "To the most notable the Marquis of Stafford his Plate of Chevy Chase, is, with permission, inscribed by his obliged and devoted servant, John Young", after Edward Bird, publ London May 2nd 1814 by the engraver, No 65 Upper Charlotte Street Fitzroy Square 57.3x74.6cm., (2) (unframed) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Frederick Christian Lewis, British 1781-1856- "The Installation on the Musnud of his Highness the Nabob of the Carnatic, 1842", after Frederick Christian Lewis Jnr, 1813-1875, publ by F L Lewis 53 Charlotte Street Portland Place London; stipple engraving with mezzotint on wove, 65x77cm., (mounted) (unframed) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Jean Étienne Liotard, French 1702-1789- "Profil de l`Imperatrice Reine"; mezzotint, 14x12cm: W Nelson, British, early-mid 19th century- "Portrait of an Arabian Horse", after M T Ward, publ W Day 17, Gate Street; lithograph, 39x50.5cm: Jacob Demus, Austrian b.1959- View of Landscape with Trees; drypoint etching, signed, dated 1984 and inscribed 9/25 in pencil, 9.5x14.5cm: A Design for Lyon Silk Manufacture, late 19th/early 20th century, gouache, 31x26cm: Philibert-Louis Debucourt, French 1755-1832- "Pauvre Annette", publ a Paris chez Depeville, Rue St Denis pres celle aux Ours; stipple engraving printed in colours, 31x23cm: After Giovanni Battista Piranesi, Italian 1720-1778- Illmo e Rmo Sig Sig Prone Colmo Roma 20 Luglui 1748 Umiliss Divotiss Obbligatiss Servidore Giambattista Piranesi Architetto; etching, 23.5x35cm., (6) (may be subject to Droit de Suite)

Charles Hunt, British 1803-1877- "This View representing the triennial ceremony of the Procession Ad Montem, is respectfully dedicated to the Noblemen & Gentlemen educated at Eton", after G B Campion, publ Dec 1st 1838 by Ackermann & Co 96 Strand ; hand-coloured aquatint, 44x57cm: William Overend Geller, British 1804-1881- John Hunter 1728-1793, Surgeon and Anatomist, after Sir Joshua Reynolds PRA, publ 21 April 1836; mezzotint, 46.5x36cm., (2)

Jessie Furber, signed, coloured mezzotint, marine scene with artist proof stamp

The Juvenile Balloonist, early 19th century coloured mezzotint engraving published by P Dawe and dated 1801, 33x42cm, framed & glazed

A group of assorted pictures and prints, including a mezzotint of the Rt Hon John Manners after Reynolds, an engraving of a gentleman on horseback after van Dyck, a watercolour of the summer house at no.11 Walton Place, London, and others.(qty)

Sidney Ernest Wilson (1869-?) after Thomas Gainsborough RAPortrait of Mrs Hallett Signed and stamped Artist~s ProofMezzotint, published 1913 by Vicar~s Brothers30.5 x 25.5cm; 12 x 10in++Good condition

CHRISTOPHER RICHARD WYNNE NEVINSON C.R.W., A. R.A. (1889-1946) Southwark mezzotint on laid watermarked paper, with margins, signed in pencil `C.R.W.Nevinson` (lower right margin) and titled by another hand `Southwark` (lower left margin) Pl. 8 7/8in x 5 7/8in (22.5 x 15.1cm) This mezzotint ( sometimes known as `Limehouse`) depicts Thames barges with warehouse buildings beyond, 1918. The subtle tonal gradations heighten the dark mood of this industrial subject, with its evocations of grime, smog and claustrophobia. Other scarce impressions of this print are in Harvard Art Museum (Rosenberg Gift M4538), The British Museum , Yale., and The Victoria and Albert Museum, London. Nevinson worked as an ambulance driver during the First World War, but was invalided out in 1916.Later he worked for a short time at the Front as an Official War Artist. He suffered a nervous breakdown in 1918 the year `Southwark` was produced. Nevinson made three mezzotints of British subjects in 1918. .Titled `From an Office Window`; Wind; and Southwark (Limehouse) They were evidently produced at about the same time. It is unclear what at the time led him to take up what was at the time virtually an obsolete medium., though the process of print making may have given him some relief from his medical condition.`The results are probably the finest British mezzotints of this century `(Francis Carey and Antony Griffiths, Avant-garde British Printmaking 1914-1960) "Southwark, a mezzotint done in the last year of the war, draws on the lessons of Cubism while reverting tofFiguration, and the faceted handling learned from Severini. The use of toned blacks in this urban landscape is worthy of Seurat`s Charcoal Sketches". (Into the Vortex - British Avant-Garde on the eve of WWI, New York Times 2004. Souren Melikian)

ENGLISH SCHOOL, early 19th Century Partridge Shooting coloured mezzotint laid on glass, varnished 8 x 9in (20.3 x 22.8cm), A/F

ENGLISH SCHOOL, early 19th Century Saturday Night or The Reward of Industry coloured mezzotint published by W.B. Whittle, Nov 1805, laid on glass, varnished 11 x 14in (27.9 x 35.6cm), A/F

WILLIAM WARD AFTER GEORGE MORLAND (British 1763-1804) The Barn Door, hand coloured mezzotint, 1792, image size 43cm x 53cm

Leydecker (Melichor). Historia Ecclesiae Africanae Illustrata, qua Ecclesiae Africanae Origo, Status, Variaque Illius Fata & Interitus Exponuntur, 2 parts in one, Utrecht, 1690, titles printed in red and black with woodcut device, folding mezzotint portrait, folding engraved map of North Africa, occasional minor soiling, circular inkstamps to first title and front and rear, bookplate and inscriptions, contemporary vellum, manuscript title to spine, soiled, 4to. Provenance: Cardinal Manning (1808-92), presentation inscription.. (1).

CHARLES TURNER^ ARA (1773-1857) AFTER RAMSAY RICHARD REINAGLE^ RA (1775-1862) FRANCIS NOEL CLARKE MUNDY ESQR AND HIS GRANDSON WILLIAM MUNDY OF MARKEATON NR DERBY 1810 mezzotint published by the artist^ lightly browned and mounted to within the platemark^ 40.5 x 43cm A scarce mezzotint of the poet F N Mundy (1739-1815) He was notable for his polemic verse on the destruction of Needwood Forest and was one of the circle of Erasmus Darwin^ Anna Seward and Sir Brooke Boothby^ 6th Bt. His grandson William Mundy^ MP (1801-1877) was the brother-in-law of the photographer^ William Henry Fox-Talbot.

After Adriaen Van Ostade. A mezzotint Dealing with Cards, published by Orme 1814, 35.5cm x 25cm.

A large framed mezzotint, after Thomas Appleton

Francesco Bartolozzi RA (Italian, 1727-1815), after G. B. Cipriani`Genius and Beauty` and `Prudence and Beauty`a pair of sanguine stipple engravingsoval, 18 x 22 cm (7 x 8 1/2 in)together with `A Visit to the Child at Nurse`, a coloured mezzotint by William Ward ARA after George Morland, and an engraving of Jerusalem from the Mount of Olives, by William Forrest after William Leighton Leitch (4)

William Doughty (c.1750-c.1780), after Sir Joshua Reynolds PRA`The Hon`ble Augustus Keppel, Admiral of the Blue`mezzotint38 x 32 cm (15 x 12 1/2 in)together with `Lady Caroline Price`, engraved by John Jones after Reynolds, `Admiral Lord Nelson` by Charles Turner ARA (1773-1857) after John Hoppner RA and an engraving of the Duke of Wellington (4)

John Douglas Miller (1860-?), after William Bouguereau`First Whispers of Love`mezzotint, signed by both artist and engraver, published 1895 by Arthur Tooth & Sons55 x 32 cm (21 1/2 x 12 1/2 in)

John Douglas Miller (1860-?), after Frederic, Lord Leighton`Summer Slumber`mezzotint, published 1898 by Arthur Tooth & Sonsunframed, 40.5 x 55 cm (16 x 21 1/2 in)together with photogravures of `Solitude`, `Farewell` and `Lachrymae` after the same artist (4)

THOMAS APPLETON Portrait of a woman Pencil signed, mezzotint.

WILLIAM HENDERSON `The Sheperdess` Mezzotint and another, `The Sisters`, after Hoppner.

AFTER JAMES SEYMOUR The Death/ La Mort Black and white mezzotint, 27 x 36cm by Birford London published June 22nd, 1787 by Robert Sayer, 53 Fleet Street

AFTER L.F. ABBOTT (C.1790) Engraved by V. Green, mezzotint engraver to his Majesty and the Elector Palatine "To the Society of Coffers at Blackheath" "This plate is with just respect dedicated by their most humble servant Lemuel Francis Abbott. Published December 1st 1791 by V. Green, No, 29 Newman Street, Oxford Street, London Blackheath Golfer with his Caddy" Hand coloured engraving, 40 x 29cm together with: AFTER NICOLAS LANCRET (1690-1743) D'Apres Monochrome engraving, 27 x 22cm (2)

Frank Short (1857-1945) - Coblentz - 17x23cm mezzotint, signed bottom right

David Lucas, English Landscape Scenery. A Series of Forty Mezzotint Engravings on Steel from pictures painted by John Constable, London Bernard Quaritch, 1855, 44cm high

`The Fisherman`s Hut,` a large Mezzotint by H Scott Bridgewater from an original by J H Corot, 19th century French, for the Museum Galleries. Labels verso.

Framed mezzotint of a young girl and spaniel, coloured lithograph, two modern framed wool work tapestries and a floral wool work coverlet (5)

Henry Dawe after G.Watson Sir Evan J.Murray MacGregor of MacGregor, Baronet coloured mezzotint 1825 73 x 43cm (plate); with a portrait after Rigaud, and another by Jan Visscher; and other smaller prints and engravings, various subjects

A Collection of prints to Include After J R Smith, mezzotint engraving of Sophia Western, 13 1/2" x 10 1/2", and 3 other classical style oval prints (4)

An early 20th Century colour mezzotint by Louis Busiere, `M`elle Le Brun as Ariel`, signed by the printer recto, titled verso, approx 46cm x 37cm, together with nine further colour mezzotints and five other prints.

A Victorian sampler; Pictures - a watercolour, Farmyard; a 19th century mezzotint; etc (5)

ENGLISH SCHOOL.` Wishing a happy New Year to Grand Papa`, coloured mezzotint , laid on glass, varnished, with defects,14 x 10 in a/f

ENGLISH SCHOOL.` Domestik Employment-Needlework` coloured mezzotint, by Richard Houston, printed by Rob Sayer, laid on glass, with defects,varnished,14 x 10 1/2 in sold a/f

ENGLISH SCHOOL. Maria, Countess of Waldegrave, coloured mezzotint, varnished, laid on glass, 14 x 10 in sold a/f

ENGLISH SCHOOL. Mary annointing Jesus`s Feet, coloured mezzotint,laid on glass, varnished, 16 x 14 in a/f; two other prints laid on glass depicting religious subjects; and a Print on glass titled `The Prodigal Son in Excess, (severely cracked) (4) sold a/f

Henry Macbeth-Raeburn RA, Scottish 1860-1947- `King George VI in Highland Costume`; hand-coloured mezzotint, signed in pencil and inscribed `proof in progress`, 64x40.5cm: together with four further prints by the same artist `The McNab`, publ. 1918 by John Dewar & Son; hand-coloured mezzotint, 64.5x38.5cm: `English Colonel`, publ. 4th Sept 1928 by Henry Graves & Co Ltd; hand-coloured mezzotint, signed in pencil, 66.5x41cm: `John Hope, 4th Earl of Hopetoun`; hand-coloured mezzotint, 65x46.5cm: `Colonel Tarlton`, publ. 1932 H C Dickson; hand coloured mezzotint, 65x40cm, (5), (may be subject to Droit de Suite)

Frederick R Fitzgerald, British exh 1897-1938- A Norwegian fjord; watercolour, signed, 27x38cm: Francesco Bartolozzi RA, Italian 1727-1815; "The Lady Prker", after Holbein, publ Nov 16 1793; stipple engraving 38x26cm: Allan Whitehead, British b.1940- Sailing barge moored along a shoreline; watercolour, signed, 11.5x16cm: E M Hester, British, late 19th/early 20th century- "Simplicity", after Sir Joshua Reynolds PRA; mezzotint printed in colours, signed in pencil, 12.5x10cm: Diana Marsden, British b.1943- "High Street, Aldeburgh"; pen and black ink and wash, signed and titled, 19.5x13.5cm: A E Shaw, British Provincial School, late 19th century- Old houses in a city street; watercolour, signed and dated, 27x18cm., (6) (may be subject to Droit de Suite)

* Richard Earlom, British 1743-1822- "Roses", after Robert John Thornton MD, published by Dr Thornton October 1st 1805; hand-coloured mezzotint engraving, 49x37cm. VAT charged on the hammer price.

Cornelis Dusart, Dutch 1660-1704- "The Months, January"; mezzotint, trimmed to plate mark, 20x15.3cm:

Terry Willson, British b.1948- "Landscape Fragments No 9"; etching with aquatint, signed, titled, dated 1974 and numbered 9/20, 29.5x29.5cm: together with seven further prints by the same artist including two etchings with aquatints from the same series entitled "Landscape Fragments No 10" and "Landscape Fragments No 8", both signed, titled and inscribed in pencil, 35x31.5cm and 44x59.5cm, four other lithographs printed in colours entitled "Theatre of the Absurd No 3", "Theatre of the Absurd No 2", "Self Portrait" and "Portrait of Lynda"; each signed titled and numbered, various sizes, and one mixed technique mezzotint depicting screaming heads, signed and inscribed `3rd State Proof 1/1` in pencil, 30x43cm, (8), (unframed), (may be subject to Droit de Suite)

Terrance Warren, British b.1948- "A Window on Venice"; a suite of three etchings with aquatints, each signed and inscribed A/P, titled on wraps, 14.7x11cm: Martin Leman, British, b.1934- "Cornish Memories I"; etching with aquatint, signed, titled, dated `87 and inscribed A/P in pencil, 15x15cm: together with one mezzotint and three lithographs by the same hand entitled "Panda", "Rosie", "Hill Street Blues" and "Good Companions", all printed in colours, signed, titled and numbered in pencil, various sizes: Bob Saunders, British b.1945- "Purbecks"; screenprint, signed, titled, inscribed 139/175 and embossed with publishers blind stamp, 18.5x22cm: together with a further screenprint by the same artist from the same series entitled "Clevelands", signed, titled, inscribed 139/175 and embossed with publishers blind stamp,18.5x21cm, (10), (may be subject to Droit de Suite), (unframed)

Xavier Degans, French b.1949- Vase of lilies; mezzotint printed in colours, signed, titled, numbered 166/175 and dedicated in pencil, 63x47cm: Sarah Dunton, British b.1952- "The Dove"; etching with aquatint printed in colours, signed, titled and numbered 7/40, 14x12cm: together with a further etching printed in colours by the same hand entitled "Neoclassical Spring": Christopher Penny, British b.1947- "Ruined Croft"; etching with aquatint printed in colours, signed, titled, numbered 34/200,40x30cm: Arthur Byrne, British b.1947- "Garden 4", lithograph printed in colours, signed, titled and numbered 55/200, 29x21.5cm: together with seven further contemporary prints and watercolours depicting various scenes by different artists including examples by Annie West and C Penny and two mezzotints printed in colours depicting still life subjects with apples, various sizes, (17) (may be subject to Droit de Suite), (unframed)

* Martin (John, 1789-1854). Bridge over Chaos, mezzotint on laid paper, a proof of the small plate version of Paradise Lost by John Milton, printed by J. Lahee, and published by Septimus Prowett, 1826, a good dark impression in good condition, with thread margins, plate size 193 x 267mm (7.65 x 10.6ins), framed and glazed with William Weston Gallery label to verso, together with The Appearance of the Arch Angel Michael, mezzotint on laid paper, a proof from the small plate version of Paradise Lost by John Milton, printed by Chatfield & Co., and published by Septimus Prowett, 1826, a good strong impression in very good condition, trimmed to margins, plate size 192 x 270mm (7.6 x 10.6ins), framed and glazed (2)

* Baskett (Charles Henry, 1872-1953). The Collier, uncoloured aquatint, captioned and signed to lower margin, plate size 17.2 x 30cm (6.75 x 11.75ins), framed & glazed, together with The Mill on the Downs, mezzotint, signed and captioned to lower margin, plate size 20.2 x 33cm (8 x 13ins), framed and glazed, with Browning (S.M., fl.1920-1950), ‘The Wallasey Float, Cheshire’, etching, signed and captioned in pencil to lower margin, plate size 16.5 x 25.2cm (6.5 x 10ins) (3)

Hand-tinted mezzotint `Mrs Mills` after Engleheart in dec. gilt frame, published London Dec. 18th 1786 size approx. 34cm x 44cm

AFTER G ROMNEY, ENGRAVED BY W DICKINSON, ANTIQUE BLACK AND WHITE MEZZOTINT, “Edmundus Law ……”, 18” x 14”; together with four further Figurative Antique Black and White Engravings (5)

AFTER REMBRANDT, ENGRAVED BY CAPT BAILLEE, BLACK AND WHITE ETCHING, “The Three Trees” (late state with storm and lightening added in mezzotint), 8” x 11”

AFTER EUGENE ISABEY, ENGRAVED BY D LUCAS, ANTIQUE BLACK AND WHITE MEZZOTINT, PUBLISHED 1836, “The Return to Port”, 19” x 26”

DANIEL A WEHRSCHMIDT, SIGNED IN PENCIL TO MARGIN, ANTIQUE BLACK AND WHITE PHOTOGRAVURE, (Published by S Hildesheimer 1897), Young Lady Playing Piano, 22” x 17”, unframed; plus EDWARD J POYNTER, ENGRAVED BY T HAMILTON CRAWFORD, SIGNED BY BOTH IN PENCIL TO MARGIN, BLACK AND WHITE MEZZOTINT, “Duke of Northumberland”, 24” x 15”, unframed; together with FOLDER CONTAINING SIX PENCIL SIGNED ENGRAVINGS/MEZZOTINTS, INCLUDING NORMAN HIRST, Female Portrait Studies, all unframed, assorted sizes (8)