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After C. Fuhr Bust portrait of a girl with a peach Hand-coloured mezzotint engraving 46cm x 38cm (oval).

After Augustus Welby North Pugin- Views of rural life, mezzotint in colours, set of six, each bearing a label Thomas Agnew & Sons, Ltd., No., 20460-6, attached to the reverse, 20x27cm., ea., approx: Charles White- 'Contemplation', after Emma Green, publ. Dec. 1st 1782, Kemps Row, Chelsea; stipple engraving: together with four further examples by the same hand, (11)

THOMAS BURFORD (18TH CENTURY ENGLISH SCHOOL) 'The Flushing of the Woodcock' Mezzotint 10.25in x 14in (26 x 35.5cms)

AFTER BEN MARSHALL 'The Sportsman' Mezzotint (engraved by George Maile) 9.75in x 7.5in (25 x 19cms)

A group of five, Including a mezzotint of William John Cavendish by Thomas after F. Grant; three portrait engravings by Houbraken, and a print of a lady signed T. Hamilton Crawford. (5)

AFTER JOHN LILLEY, ENGRAVED BY JAMES SCOTT, ANTIQUE BLACK AND WHITE MEZZOTINT, ‘His Grace the Duke of Wellington,,,’, 16" x 12"

AFTER CORREGIO, ENGRAVED BY W DICKINSON, ANTIQUE BLACK AND WHITE MEZZOTINT, ‘The Muletteers’, 14" x 19"

AFTER G MORLAND, ENGRAVED BY W WARD, ANTIQUE BLACK AND WHITE MEZZOTINT, DATED 1796, ‘No 6 – The Storm’, 19" x 15"

AFTER V WERF, ENGRAVED BY R EARLOM, ANTIQUE BLACK AND WHITE MEZZOTINT, DATED 1779, Religious figures in an interior, 21" x 17"; 18TH CENTURY BLACK AND WHITE MEZZOTINT, King George III, 23" x 14" and three further smaller portrait engravings, (5)

AFTER SIR J REYNOLDS, ENGRAVED BY V GREEN, ANTIQUE BLACK AND WHITE MEZZOTINT, ‘Miss Campbell’, 16" x 12"; AFTER SIR J REYNOLDS, ENGRAVED BY J DEAN, ANTIQUE BLACK AND WHITE MEZZOTINT, ‘Cupid in the character of a Link Boy’, 13" x 10" and three further antique black and white mezzotints, figure subjects, (5)

AFTER JOSEPH WRIGHT, ENGRAVED BY RICHARD EARLOM, MEZZOTINT, Published 1771, ‘A Blacksmith’s Shop’, 21" x 16", (trimmed)

AFTER SIR J REYNOLDS, ENGRAVED BY J R SMITH, ANTIQUE BLACK AND WHITE MEZZOTINT, ‘Lt Col Tarleton’, 23" x 15"; Together with three further antique black and white mezzotints and engravings, figure subjects, (conditions vary), (4)

AFTER SIR ANTHONY VANDYKE, ENGRAVED BY J McARDEL, ANTIQUE BLACK AND WHITE MEZZOTINT, dated 1758, ‘Rachel Countess of Southampton’; Together with a large number of further 18th/19th Century Mezzotints, portrait engravings

AFTER TITIAN, ENGRAVED BY J MURPHY, ANTIQUE BLACK AND WHITE MEZZOTINT, dated 1778, ‘Titian’s Son and Nurse’, 18" x 14"; Together with a further selection of 18th/19th Century Mezzotints and Figure Engravings

AFTER SIR G KNELLER, ENGRAVED BY J FABER, ANTIQUE BLACK AND WHITE MEZZOTINT, dated 1732, ‘Francis Godolphin, Earl of Godolphin’, 12" x 10"; Together with a large quantity of further 18th/19th Century black and white figurative Mezzotints and Engravings

ARTHUR L. COX after Rosa Bonheur, 'Oxen Ploughing', mezzotint in colours, artist's proof, pencil signed in the margin, 9 1/4" x 18 1/2".

JOHN AND ALFRED MARTIN after John Martin, 'Sadak in search of the Waters of Oblivion', mezzotint, 19 1/2" x 14".

Samuel COUSINS, signed mezzotint ‘Portrait of Mother and Child’ after T. Lawrence, 1832, 28” x 16”.

AFTER GEORGE ROMNEY Mrs Robinson Mezzotint engraving by J R Smith Published 1781 14 1/2 x 11 inches

Lambert Aylmer Bourke (1761-1842) A Description of the Genus Cinchona. London printed for B. and J. White 177 4to (310mm x 250mm) half title 13. mezzotint plates occasional foxing original boards spine worn in places extremities rubbed Lambert was considered by some to have been one of the most ardent and experienced botanists of his generation. He built up a renowned botanical library and a herbarium that grew to be one of the most important and valuable in Euroe. Cinchone had and indeed still has greatmedical importance as a source of quinine. Lamberts treatise is dedicated to Joseph Banks who provided information drawings and specimens which were invaluable to Lambert in producing his book. Eight of the plates were from drawings by Ferdinand Bauer one new species Cinchona Longiflora was described here for the first time. Henrey pp. 33.

English Mezzotint Portraits and their States, by Charles E. Russell, two copies of volume one, both from a limited edition of 625, numbers 302 and 332 (2)

Cooper after Wissing Carolus (Charles) II Mezzotint 35cm x 26cm

After George Morland Feeding the pigs Mezzotint s. 43cm x 58.5cm

I. Clark after H. Alken Owling Hand coloured mezzotint s. 17.5cm x 23.5cm

Bowles, an 18th century mezzotint of a widow selling her metalware

Leonard Griffith Brammer R.E. (b.1906 - ), View of the Wedgwood Estate, signed in pencil in the margin, mezzotint, 18 x 28cm.; 7 x 11in.; together with, Wedgwood Factory at Etruria, Saggar Mill, signed in pencil in the margin, etching, 20. 5 x 16cm.; 8 x 6. 25in (2). * Born in Burslem, Staffordshire, he was a pupil of M. Osborne and R.S. Austin at the Royal College of Art. Returning to Staffordshire he concentrated on producing atmospheric views of The Potteries.

After George Morland, A visit to the boarding school, colour mezzotint, by William Ward, 48x57cm.

After George Morland, The Turnpike gate, mezzotint by William Ward, 48x60.5cm.

"Royal Interest. ‘An Exact Representation of the Trial of her Majesty, Caroline Queen of England in the House of Lords’, a colour mezzotint behind glass, 10 x 13.5in (25.4 x 34.2cm) in a rosewood veneered frame."

"A 19th century mezzotint under glass, ‘Sheep Shearing,’ 10.25 x 14.25in (26 x 36.2cm)."

"A 19th century mezzotint under glass, ‘Britannia Lamenting The Death of Admiral Lord Nelson,’ 9.5 x 7.25in (24 x 18.4cm). See lot 362 for image"

"After Sir Henry Raeburn. ‘Colonel Alastair McDonnell of Glengarry, Scotland,’ a mezzotint, signed in pencil ‘H Macbeth-Raeburn’, 26 x 16in (66 x 40.6cm)."

C. Turner after I. Hoppner. Admiral Lord Nelson Mezzotint S. 63cm x 42cm

Christian Rugendas (German, 1708-1781), after Georg Philipp Rugendas, Horses being shod; A battle scene, two mezzotints, 17 x 29cm (6 1/2 x 11 1/2in) and slightly smaller, together with 'Chevaux Frises', coloured aquatint after Johann Georg Pforr (1745-1798), 25 x 20cm (10 x 8in) and 'Rubens 2d wife', mezzotint by James McArdell after Sir Anthony van Dyck (4)

Charles Howard Hodges (1764-1837), after Sir Joshua Reynolds PRA, 'A Contemplative Youth' (Master Brown), mezzotint, proof before letters, published 1786, 25 x 20cm (9 1/2 x 8in), together with an etched portrait of a lady, possibly after Sir Thomas Lawrence

After Reinagle colour mezzotint, Tulips, Thornton 1798, 17.25 x 14 ins.

Gaugain after De Koster pair of engravings, Busts of Warren Hastings and Charles John Fox, 18 x 14 ins. a similar mezzotint of Marquis Wellesley and an engraving of Guilielmus Wyndham, 17 x 13.5 ins.

Prints and engravings, mostly 19th century, incl. approx. 250. engraved portraits, some laid down mezzotint ports., many folio size, together with other prints and engravings incl. classical antiquities, European chromo. views, designs from the Grammar of Ornament, etc., various sizes (approx. 1000)

Engravings. Howitt (Samuel), The Baited Bull Broke Loose, pub. May 10, 1802, uncoloured aquatint, approx. 235. x 325. mm, together with Collings (W.), May Day in London, pub. Harrison, June 1st, 1784, uncoloured engraving by Blake, approx. 185. x 225. mm, and McLean (Thomas, pub.), New Principles, or the March of Invention, c.1820s, uncoloured aquatint, approx. 245. x 360. mm, plus others including a mezzotint of a young girl and dog (7)

Prints & engravings, mostly 19th century, including enggravings of coins of antiquities, natural history, portraits, an attractive colour mezzotint entitled 'Animal Affection' by Bonnefoy after Miller (approx. 290. x 370. mm), a watercolour of a collie dog in profile signed and dated by H. Hyslop, 1885. (approx. 255. x 350. mm), an attractive hand coloured aquatint by D.T.Egerton, etc. (approx. 80)

AFTER JOHN CONSTABLE, ENGRAVED BY ALFRED LUCAS, ANTIQUE BLACK AND WHITE MEZZOTINT, Published 1884, Suffolk landscape with figures and boat at a lock, 21” x 26”

AFTER JOHN CONSTABLE, LATE 19TH CENTURY BLACK AND WHITE MEZZOTINT, Salisbury Cathedral, 21” x 26”

AFTER SIR THOMAS LAWRENCE, ENGRAVED BY C TURNER, ANTIQUE BLACK AND WHITE MEZZOTINT, Portrait of a gentleman, 16” x 12”

AFTER J D FRANCIS, ENGRAVED BY G T PAYNE, BLACK AND WHITE MEZZOTINT, ‘The Honourable Sir Robert Peel’ and AFTER J LILLEY, ENGRAVED BY J SCOTT, A BLACK AND WHITE MEZZOTINT ‘His Grace The Duke of Wellington’, 24” x 15”, (2), (in uniform cushioned rosewood frames)

AFTER SIR EDWIN LANDSEER, ENGRAVED BY S COUSINS, ANTIQUE BLACK AND WHITE MEZZOTINT, DATED 1856, ‘A midsummer night’s dream – Titania and Bottom’, 20” x 33”

AFTER J M W TURNER, ENGRAVED BY C TURNER, BLACK AND WHITE MEZZOTINT, ‘The Miller’, 7” x 10” and one other, (2)

AFTER J KENDALL, ENGRAVED BY C & E W TOMKINS, ANTIQUE BLACK AND WHITE AQUATINT, dated 1782, ‘View of an encampment at Fornham, near St Edmunds Bury ,,,’, 12” x 24” and AFTER NORTHCOTE, ENGRAVED BY J REYNOLDS, BLACK AND WHITE MEZZOTINT, A British General, 14” x 10”, (2)

Herbert Dicksee, Polar Bear, mezzotint, signed, 44x69cm.

"Thomas Rowlandson (1756-1827) - Coloured aquatint - “Market Place at Cambridge"", 6.5ins x 10ins, dated 1801, framed and glazed, a coloured mezzotint - “Scotch Washing"", 7.75ins x 6ins, and ten coloured caricatures by R. Cruikshanks"

AFTER WALKER AND JAMES, mythological seascape and Classical figures, two mezzotint engravings, signed in pencil. 16" x 22" & 15" x 18". (2).

AFTER W.A.COX, "The Boy Archer" mezzotint engraving, signed in pencil. 15" x 14.5".

William Ward, after George Morland, 'A VISIT TO THE BOARDING SCHOOL'; and ' A VISIT TO THE CHILD AT NURSE' Mezzotint and stipple engravings in colours, published 'Dec'r 28 1789', 44 x 55cm (2)

W A COX after SIR THOMAS LAWRENCE, Portrait of a lady with dog, mezzotint in colours, pencil signed in the margin, 14" x 11 1/2" and another similarly framed.(2)

J D MILLER after W HOLMAN HUNT, 'The Lady of Shalott', mezzotint in colours, 23 1/2" x 18".

Dame Laura Knight R.A., R.W.S., R.E. (1877 - 1970), "The Sleeping Darkie", signed and numbered 36/50 in pencil in the margin, woodcut, 25.5 x 19cm.; 10 x 7.5in. * Painter, etcher, aquatint, mezzotint and wood engraver of figure subjects and landscapes. Born in Derbyshire, she studied at Nottingham School of Art and at the Royal College of Art. She married Harold Knight in 1903 and lived in Yorkshire, Cornwall and London. Her use and combination of all the etching and engraving methods show her interest in technique.

A polychrome mezzotint, depicting the head and shoulders of a young lady wearing a red hat and grey silk shawl, dated 1930, 56cm x 43cm.

After Greenherd, Figures in a classical garden, signed artist proof coloured Mezzotint.

V Green after Lemuel Abbott The Society of Goffers Blackheath mezzotint A watercolour, engravings and reproduction illuminated 15th century horae page detail, (8)

After George Moorland - Framed Coloured Mezzotint " St James

David Lucas - 'Summer Afternoon after a Shower', after John Constable, mezzotint, 17.5 x 21.8cm: together with five other similar mezzotints by the same hand, all after constable, from the same or similar suite, (6)