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A FRAMED AND GLAZED MEZZOTINT OF A PORTRAIT OF JAMES BULLER, TOGETHER WITH A FRAMED AND GLAZED ENGRAVING OF A PORTRAIT OF KING CHARLES THE FIRST

A FRAMED AND GLAZED MEZZOTINT OF A PORTRAIT OF A LADY WITH A PEACOCK, TOGETHER WITH A FRAMED AND GLAZED COLOURED PRINT OF A FULL LENGTH PORTRAIT OF A LADY AND A PAIR OF FRAMED AND GLAZED ENGRAVINGS, ONE OF A PORTRAIT OF JEANNE D'AUTRICHE GRANDE DUCHESSSE DE TOSCANE AND ONE OF FRANCOIS DE MEDICIC GRAND DUC DE TOSCANE. BOTH ENGRAVED BY G EDELINK AFTER RUBEN (4)

Thomas Hamilton Crawford - The Sisters mezzotint in colours signed in pencil dated 1913, published by Alfred Bell and Co, circular 33 cms in diameter in a gilded gesso rectangular frame - 54.5 x 62 cms

A coloured Vicars Brothers mezzotint after Sydney E Wilson, Reynolds period lady, 1919, 21x13' mounted and framed

Frank Short (1857-1945) British. "Diana and Endymion" (after G F Watts), Mezzotint, 17.5" x 22". Provenance; Robert Dunthorne & Son.

J. SMITH AFTER J. RILEY - PORTRAIT OF THE RIGHT HONORABLE SIR ROBERT CLAYTON, LORD MAYOR OF THE CITY OF LONDON, MEZZOTINT, TRIMMED TO NEAR PLATE MARK, 41.5CM X 29CM AND FRANCIS GOODCHILD - THE CREEK AT KINGSWEAR, WATERCOLOUR, 36CM X 53CM, A 19TH CENTURY DOUBLE PAGED ENGRAVED MAP OF LEICESTERSHIRE BY C & J GREENWOOD, ETC

L. GRIFFIES AFTER JOSEPH FARQUHARSON - SUNSET IN A WOOD, SIGNED, OIL ON CANVAS, 77.5CM X 54.5CM AND HERBERT SEACOLE AFTER JOSEPH FARQUHARSON - SALMON FISHING, MEZZOTINT, SIGNED BY ARTISTS IN PENCIL, ANOTHER SIGNED PRINT BY JOSEPH FARQUHARSON, 82CM X 87CM ETC

Kyu-Baik Hwang, 'Weathervane,' signed, titled and numbered in pencil 1/100, Mezzotint, 17.5cm x 27.5, with original certificate from 'Christies Contemporary Art Galleries.

A 19th century hand coloured mezzotint, of a boy with a bowl

A FRAMED & GLAZED MEZZOTINT PORTRAIT OF ELIZABETH COUNTESS OF NORTHUMBERLAND, AFTER PETER LELY, ENGRAVED THOMAS WATSON 1779

A FRAMED & GLAZED MEZZOTINT OF A SHAKESPEARE SCENE AFTER FUSEH

A FRAMED & GLAZED MEZZOTINT PORTRAIT OF A LADY ANCASTER AFTER THOMAS HUDSON, ENGRAVED ARDELL

After C Long. Nelson, Trafalgar 21 October 1805, coloured engraving by C W Sharpe, 53cm x 39cm, and a mezzotint by Arthur Cox of Lady Hamilton, signed, published by Alfred Bell, 41cm x 32.5cm.

W Barnard. The Death of Nelson, mezzotint, 49cm x 63cm, another similar depiction, an engraving by Don.Orme of Admiral Nelson Boarding The Two Spanish Ships 1797, 45.5cm x 55cm, and three further Nelsonia related prints, (6).

A MEZZOTINT ENGRAVING SIGNED 'GASKELL' 37CM X26CM AND ANOTHER PRINT. R

An antique mezzotint of a lady wearing a feather cap, signed Sydney E. Wilson; a lithograph Pears advert of a girl in white dress with pink sash; together with a print of a cat, after Ralph Hedley; and another of kittens. (4)

After W J Huggins, Whampoa in China, coloured mezzotint, engraved by E Duncan and published by W J Huggins in 1835, 400mm x 610mm. together with two other coloured mezzotints after W J Huggins of the HCS Thomas Coutts entering Bombay Harbour in 1826, published by W J Huggins in 1827, (3).

Keiko Minami (Japanese, 1911-2004) Church with steeple by the sea signed lower right "Keiko Minami" and numbered 20/50 etching and aquatint 33 x 31cm (13 x 12in) Other Notes: Keiko Minami was a Japanese artist, aquatint engraver and poet. After the war, Minami moved to Tokyo to create children's books, and it was there that she met her future husband, the mezzotint artist Yozo Hamaguchi. Minami and Hamaguchi moved to Paris in 1953 where Minami began studying under Johnny Friedlaender, a pioneer in aquatint etching. Some browning around the edges.

*Lucas (David, 1802-1881). Salisbury Cathedral: Large Plate, 1837, reissued 1896, proof mezzotint on wove paper, re-issued by Henry Graves & Co. Ltd., 1896, without letters, image size 550 x 685 mm (21.7 x 27 ins), with margins, period black and gilt frame, glazed See Shirley 39. (1)

*Lucas (David, 1802-1881). Old Sarum (after John Constable), 1830, mezzotint on india laid paper, a trial proof before letters, before the reduction of the highlights on the shepherd's crook, and beyond the trunks of the trees to extreme right, image size 140 x 214 mm (5.5 x 8.4 ins), plate size 185 x 250 mm (7.2 x 9.9 ins), mounted, together with Spring (after John Constable), 1830, mezzotint on thick wove paper, a later trial proof, with the slight reduction in size, lettered below 'Spring, Painted by John Constable, R.A. Engraved by David Lucas', image size 125 x 244 mm (5 x 9.6 ins), sheet size 282 x 429 mm (11.1 x 16.9 ins), mounted, plus one other proof after Constable by David Lucas of The Young Waltonians (or Stratford Mill), mezzotint on thick wove paper, without letters, some overall soiling Shirley 8g. (3)

After Gainsbourgh, Georgiana, mezzotint; others (4)

A Victorian framed hand coloured print, signed in pencil to margin Sydney E Wilson, Sister; a Victorian mezzotint engraving entitled Mrs. Sheriden, signed in pencil to margin Elizabeth Gulland; a Victorian hand coloured engraving entitled Boy With Rabbit, signed in margin by Ellen Jowett; another (4)

Martin (John, illustrator). The Paradise Lost of John Milton with Illustrations by John Martin, 1st edition, Charles Whittingham, 1846, 24 full-page mezzotint plates by John Martin, including 18 labelled Proof, some foxing to plate margins throughout, occasional related marginal soiling, some leaves at front of volume loose, all edges gilt, contemporary olive green half morocco gilt, rubbed and some wear, with upper cover detached, and lower portion of spine missing, imperial 4to (385 x 280 mm, 15.25 x 11 ins) The large-paper edition of John Martin's illustrated Paradise Lost, first published in 8vo in 1825-27. (1)

*Young (John). Philip Affleck Esqr. Rear Admiral of the White, Commander in Chief of His Majesty's Ships at Jamaica & the Bahama Islands, 1792, mezzotint portrait after E.Penny, contemporary hand colouring, 500 x 355 mm, mounted, framed and glazed, together with Smith (J.R.). The Earl of St. Vincent, circa 1800, uncoloured mezzotint after Gabriel Stuart, trimmed to image on three margins and laid on later card, slight abrasion and worming to image, 645 x 460 mm, framed and glazed in a late 19th century birds-eye maple frame (2)

*Barnard (William). The Most Noble Lord Horatio Nelson, Viscount & Baron Nelson of the Nile..., published W.Barnard, 1806, uncoloured mezzotint after L.Abbot, some abrasion to printed surface, 655 x 410 mm, mounted, framed and glazed (1)

*Jones (John). To the Worshipful Company of Ironmongers, This plate of Rear Admiral Lord Hood is with Permission dedicated by their most obedient humble servant, 1814, mezzotint with contemporary hand colouring after Sir Joshua Reynolds, slight staining to margins, laid on later paper, 505 x 355 mm, mounted, together with Barnard (W.),The Most Noble Lord Horatio Nelson, Viscount & Baron Nelson of the Nile, circa 1805, mezzotint with contemporary hand colouring after L.Abbott, trimmed to plate mark, laid on later card, 650 x 415 mm, with Roberts (David),Interview with the Viceroy of Egypt at his Palace, Alexandria May 12th, 1839, published F.G.Moon, 1849, hand coloured lithograph, some fraying to margins, 375 x 500 mm, with one other similar (4)

*Prints & engravings. A mixed collection of approximately fifty prints and engravings, mostly 19th century, engravings, and prints including topographical views, military scenes, portraits, 'Hogarth', caricatures, mezzotint drolls, vue d'optiques and genre scenes, various sizes and condition, a few framed and glazed (approx.50)

*Dickinson (William). Molyneaux Lord Shuldham, Vice Admiral of the White Squadron of His Majesty's Fleet, published Dickinson & Watson, 1780, mezzotint portrait after N.Dance, contemporary hand colouring, 450 x 330 mm, mounted, framed and glazed (1)

A 19th century reverse glass painting, 'THE DUET', depicting two young ladies singing, in an oval cartouche with foliate decorated spandrels, together with a late 18th century reverse glass mezzotint of the Countess of Coventry, 42 x 37cm (max), both framed. (2) Provenance: From the collection of John Newall Esq.

Three 18th century reverse glass prints, including a mezzotint titled 'The FARM HOUSE on FIRE', signed 'L.P. Boitard Fecit', another mezzotint of a king with ermine robes kneeling at the Temple of Bacchus and an unusual reverse glass print in the form of a stained glass window with a cartouche with mythical beast masks, with figures outside a tavern eating and drinking with lead glazing bars, 45.7 x 25.7cm (max). (3) Provenance: From the collection of John Newall Esq.

A FRAMED AND GLAZED MEZZOTINT OF A PORTRAIT OF JOSIAH WEDGWOOD ENGRAVED BY S W REYNOLDS AFTER JOSHUA REYNOLDS. PUBLISHED BY R SHEPPARD, NEWCASTLE-UNDER-LYME IN 1841

A FRAMED AND GLAZED MEZZOTINT OF A PORTRAIT OF MRS ROBINSON, ENGRAVED BY J R SMITH AFTER G ROMNEY. PUBLISHED IN 1781

A FRAMED AND GLAZED MEZZOTINT OF A PORTRAIT OF A LADY WITH A PEACOCK

THORNTON, Robert John. Elementary Botanical Plates, Illustrative of the Science of Botany. London: 1810. [bound with:] A New Illustration of the Sexual System of Linnaeus vol. I. 2 vols. in 1, folio (478 x 330mm.) First work: engraved frontispiece, engraved portrait of the Queen, engraved dedication, and 74 engraved, aquatint or mezzotint plates (3 folding); second volume: engraved frontispiece, engraved title, 84 engraved, aquatint or mezzotint plates (2 folding). (Some spotting, damp-staining and light browning, a few plates to first work torn and repaired, some plates shaved with minor loss to second volume.) Contemporary calf (rebacked and cornered with old spine laid down, extremities scuffed).

Ellen Jowett (1874-?) after Sir Thomas Lawrence (1769-1830) - Mezzotint - "Mrs Siddons", 17.5ins x 14.5ins, published by Frost and Reed Ltd, 1926, signed in pencil to the margin, in gilt frame and glazed

After Angelica Kauffman (1741-1807) - Coloured mezzotint - Cupid binding Aglaia to a laurel, oval, 9.5ins x 12ins, in verre eglomise and gilt frame

A coloured Frost & Read mezzotint Ellen Jowett, Reynolds period lady and dog 1920, 20x18', mounted and framed

AFTER GEORGE SIDNEY HUNT (1856-1917) "Elizabeth Louise Vigee Le Brun, self portrait of the French artist, painted in 1790", a Mezzotint Print, signed in pencil, published in 1916 by Howell & Co., London, 34cm x 28cm in gilt glazed frame

AFTER CECIL CUTLER Portrait of King Edward VII, chroma-lithograph, 24 x 17cm; and Sydney E. Wilson after Gainsborough - 'Master Heathcote', mezzotint, 45 x 35cm (2)

After James Taylor (20th/21st century) - 'Punchy', a lion, signed artist's proof, also numbered 114/400, coloured reproduction, 22.75" x 32.75"; together with five further prints, James Taylor 'Winter's Requiem', an old mezzotint after Sir Joshua Reynolds 'Lady Caroline Price', also a pair of later reproductions after Edward Piper, scene on the Cote d'Azur and another of Venice (specially printed for G.T. Meadow with permission of Edward Piper) and a limited edition Giclee print after Jess Baskaya 'Winter trees at Locksbrook, Bath', various sizes (6)

HERBERT SEACOLE AFTER JOSEPH FARQUHARSON - SALMON FISHING, MEZZOTINT, SIGNED BY ARTISTS IN PENCIL, ANOTHER SIGNED PRINT BY JOSEPH FARQUHARSON, 82CM X 87CM ETC

*A colour mezzotint print "The three ladies Waldegrave", by Sydney E. Wilson, after Sir Joshua Reynolds, signed proof, 35 x 43cms; in glazed gilt frame; a colour mezzotint "O Venus Regina Cnidi Paphique", after Angelica Kauffman, published 1778; in glazed ebonised frame and two other mezzotints "Musick" and "Swinging". (4)

*A 19th Century mezzotint - "Black Monday or the Departure For School", by John Jones after W.R. Bigg; and "A Tea Garden", after George Morland, with hand-colouring. (2)

*Leonard Squirrell (1893 - 1979), signed mezzotint - 'Notre Dame, Paris', 27cm x 40cm, framed. N.B. This print was awarded gold medal at the 1925 International Printmaker's Exhibition, Los Angeles

Four Small Hand Tinted Natural History Engravings by A. Fullerton & Co London & Edinburgh, 6 ins x 7¾ ins (15 cm x 19.5 cms). A 19th century Mezzotint of a woman and two children feeding a nanny & kid goat outside rural cottage 7 ½ ins x 9¼ ins (19 cm x 23.5 cms), in a rosewood veneered frame 11½ ins x 13 ins (29 cm x 33 cms). And an 18th century issue Map; 'The Palatine of Chester' by Robert Morden' 14 ins x 16¾ ins (35.5 cm x 42.5 cms).

A Collection of Small Framed Portrait Prints: A monochrome engraving of Syrian Maid by F H Pickersgill ARA. A Victorian mezzotint of a young girl wearing a frilled bonnet and spectacles sat in an armchair knitting 6 ins x 4½ ins (15 cm x 11 cms), in a decorative gilt frame. An oval black & white engraving by Joseph John Jenkins (1811 - 1885) after John Wood of a young woman holding a letter to her breast in a decorative gilt frame 9 ins x 7½ ins (23 cm x 19 cms). A pair of engraving by William Edwards; after a self portrait by Reynolds, and Grinling Gibbons by Sir G Knellor 7 ins x 5¾ ins (18 cms x 14.5 cms) in elaborate beaded gilt frames. And a pair of head and shoulder portraits of young women in beaded oval frames 5 ins x 4 ins (13 cm x 10 cms).

A Framed Mezzotint of Georgiana Duchess of Devonshire sat reading a book beneath a tree, 19¾ ins x 16 ins (50 cm x 41 cms), in an oval mounts and decorative swept frame.

Fred Miller Exh: 1886-97 - Stormy Landscape - Mezzotint 15.1/2”x 19.1/2” inscribed to margin, with two Mezzotints by Samuel William Reynolds 1773-1835

TWO 18TH/19TH.C.NAVAL MEZZOTINT VIEWS OF MARINE BATTLES, ENGRAVED BY R.SMART. 47x61cms.

AFTER SIR JOSHUA REYNOLDS. A PORTRAIT OF OMAI, A NATIVE OF THE ISLAND UTIETEA, A MEZZOTINT ENGRAVING. 82x38cms.

Girl with tambourine after Frith - 19th century mezzotint.

John Smith [1652-1742] after Sir Godfrey Kneller- A portrait of Mary of Modena:- mezzotint engraving, sight size 34 x 24.5cm, together with engravings of Marie Jeanne Becu by Thomas Watson, Henrietta Maria de Buade Frontenac, Madame de Montmort by Claue Mellan and Queen Charlotte by Thomas Frye. [4]

PICTURES AND PRINTS, to include Lucy Dawson Scottie Dog print, pencil signed Joseph Kirkpatrick, figure on horse Mezzotint, pencil signed Randall Mason fishing boats print etc (17)

(3) 19th Century Prints, to include: Vases, engraving, 13" x 7-1/2" sight, 22-1/2" x 16-3/4" overall, Apples, hand colored mezzotint, unframed; Krestel or Windhover, hand colored engraving, unframed , Property from the Estate of Daniel Dietrich, II

After JLE Meissonier, "The Vicar's Wine", mezzotint engraving, by T Hamilton Crawford & a companion, a pair

'Cries of London', set of four early 20th Century mezzotint engravings after Francis Wheatly 50cm x 37cm and a set of 19th Century hand coloured engravings of Cothele House Condition Report Click here for further images, condition, auction times & delivery costs

A MEZZOTINT ENGRAVING OF A LADY AND A PORTRAIT OF SOPHIA WESTERN (2)

AFTER JOSEPH HIGHMORE (1692-1780) "Samuel Buck and Nathaniel Buck", Richard Houston Sculp, printed for Robert Sayer, London 1774, mezzotint, 9" x 12.75" (plate)

Charles or Philip Corbutt (pseud. of Richard Purcell, fl. 1746-1766), The Right Honble. Richard Lord Howe, Commander in Chief of his Majesty's Fleets in America, published by John Morris, Rathbone Place, 10th Novemeber 1777 London, mezzotint, 37cm x 27cm

Valentine Green (1739-1813), after Lemuel Francis Abbott (c.1760-1802), The Right Honble. the Lord Hood, Admiral of the Blue, And Commander in Chief of His Majesty's Fleet in the Mediterranean, Published by L.F. Abbott [,] Caroline Street; Bedford Square [, London] Decemr: 1st; 1795, proof state (ms. pencil inscription to margin), mezzotint, 64cm x 40cm