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After David Constable - 'The Glebe Farm', monochrome mezzotint by David Lucas, together with a collection of 19th and 20th Century prints.

After John Constable, mezzotint, lock scene

aFTER GEORGE ROMNEY a bacchante mezzotint engraved by E Gulland published 11th June 1902 by Leggatt Bros and another print Solitude (2)

aFTER SIR THOMAS LAWRENCE R.A. mezzotint of Miss Fanny Kemble published by Arthur Tooth with blind stamp for the same engraved by T G Appleton 26 x 20 inches plate size

A Holderness Cow after G Garrard, engraved by William Ward, a coloured mezzotint first published in 1798, 45cm by 60cm

A group of assorted prints and two oval gilt metal frames, including a Baxter print of the Charge of the British Troops on the road to Windlesham, an engraving of Covent Garden, a colour mezzotint of a girl and a Vanity Fair print (qty).

Three 19th Century hand coloured engravings after Leech, King John signing the Magna Carta, King William inspecting the volunteers and another hunting print, 11cm x 15cm, framed; another similar example "The Two Strings"; a monochrome mezzotint "Docet Amor", image 20cm x 16cm. (5)

Sydney E Wilson (19th Century), potrait of a young girl, full length, wearing pink bonnet and white dress, coloured mezzotint, signed in pencil, 20" x 12 1/2", gilt frame

After F Wheatly, (late 18th Century), Eloisa meditating on St Preuxs letter, coloured oval mezzotint, inscribed, plate size 14 1/4" x 10 1/2", Hogarth frame

John Cother Webb 1855-1927- Peasants and master in a wooded landscape and figures by an inn, published 1919 by G J Howell & Co, No 26 Museum St., London; mezzotint printed in colours, a pair, signed in pencil, 39x49cm., (2)

Charles John Watson 1846-1927- 'Lincoln'; etching, signed and dated within the plate and in pencil 1896, 25x21cm. Note: provenance with W R Deighton, Trafalgar Square, London, according to label verso and original receipt dated 1908 accompanying this lot. George Willis Pryce 19/20th century- River landscape; oil on canvas, signed: Samuel Arlent Edwards 1862-1935- 'Emma Lady Hamilton', after George Romney; mezzotint printed in colours, signed in pencil: together with other 19/20th century prints after various hands, (6)

John Smith I 1652-1742- 'Mr William Congreve' after Godfrey Kneller 18/19th century, publ 1710; mezzotint, 34x27cm: J M Ardell 18/19th century- 'Thomas Holles, Duke Of Newcastle', after William Hoare, published by 'J M Ardell in Covent Garden, John Bowes & Sons, in Cornhill & Robt Sayer in Fleet Street'; mezzotint, 39x27cm: together with a large collection of mostly 18/19th century mezzotints and engravings by and after various hands to include William Hogarth, Sir Joshua Reynolds and others, (a lot)

J M Ardell late 18th century- 'Lady Ann Dawson'; published, 'Sold At The Golden Head In Covent Garden', after Joshua Reynolds; mezzotint, 38x29cm: British School 19th century- 'Robert Burns', published by Masterpiece Library, August 1895; lithograph printed in colours: together with eight other 19/20th century lithographs, etchings and photographic reproductions after various hands, (10)

William Ward ARA 1766-1826- '...Portrait of the celebrated Greyhound Snowball, late the property of Edward Topham Esq of the Wold Cottage Yorkshire..', after H B Chalon, publ Sept 1st 1807 by Random & Sneath at their Sporting Gallery No 5 Hart Street Bloomsbury Square; mezzotint, 50.5x61cm

Henry Meyer 1782-1847- 'The Right Honourable John Scott, Baron Eldon, Lord High Chancellor of Great Britain', after William Owen, publ May 1 1813 by Colnaghi & Co; mezzotint, 62.5x41.5cm: together with eleven other examples of the same or similar print, one framed, ten unframed, (12) (part unframed)

Henry E Dawe 1790-1848- 'Search the Scriptures'; mezzotint, in a good 19th century mahogany veneered frame, 33.5x26.5cm: together with five other decroative 19th century prints, four in 19th century hardwood veneered frames, (6)

* William Ward After Thomas Weaver, PORTRAIT OF THOMAS WILLIAM COKE, ESQ. MP FOR NORFOLK, Mezzotint, published by Thomas Weaver, Shrewsbury Oct 24th 1808, 55 x 72cm; and another, After William Henry Davis, PORTRAIT OF T W COKE, ESQ AND CLERK HILLIARD, ESQ, printed by Hullmandel, 53 x 66cm (tears), in a Victorian rosewood frame (2)

ALFRED HARTLEY. Signed in pencil mezzotint on paper, atmospheric landscape 'Storm', (see verso). 15.1/4" x 9.1/2"

Turner (J.M.W.), The Harbours of England, new ed., 1877, twelve uncoloured mezzotint views, some leaves detached, orig. green morocco gilt, minor fraying to extrems., folio, together with Bobbin (Tim), A View of the Lancashire Dialect by Way of Dialogue, Burslem, 1802, some verse pasted in to verso, a few leaves soiled, contemp. cloth-backed boards, 12mo, together with Hands (John), A Brief Description of the Collegiate Church and Choir of St. Mary, on the Borough of Warwick, pub. Warwick, c.1790, contemp. calf-backed boards, 8vo, plus Wilson (H.W.), With the Flag to Pretoria, 2 vols., 1900-01, folding maps and numerous b & w illusts. after photos., orig. morocco-backed buckram gilt, some fraying to extrems., 4to, together with a mixed collection of mostly 19th century prints including a John Gould litho. entitled ‘Phaethornis Striigularis', portraits, decorative, classical, etc. (a carton)

*British & Continental Old Masters. A collection of approx. 150 mostly large-format prints and engravings, 18th & 19th c., including ten plates from Boydell's Shakespeare Gallery, a stipple engraving by J. Jones after Reynolds' Muscipula, pub. 1786, a mezzotint engraving by W. Baillie after Gerard Dou, pub. 1773, various engravings after Old Master paintings, published by Boydell, some restrike engravings after Landseer, Anstell, etc. (approx. 150)

*Etchings, etc. A collection of various late 19th and early 20th c. etchings, etc., including a large view of Royal Windsor by C. O. Murray, after Niels M. Lund, pub. 1907, six copies of a large mezzotint landscape by Frank Short, each signed, with some staining and spotting to margins, two photogravure b&w reprods. after paintings of game birds by Archibald Thorburn, each signed in pencil, an etched landscape after D. W. Leader, signed by the engraver and artist, two etchings on silk after John Pettie, a colour mezzotint by Alfred J. Skrimshaw after Turner's Fighting Temeraire, a colour lithograph of a bridge on the Thames by Cecil Aldin, signed in pencil, mounted on card, and trimmed to margins, plus three copies of an etching by Arthur Garratt, depicting Rodin at work in his studio, each signed in pencil, etc. (approx. 25)

*Portraits. Beechey (Sir William, after), ‘His Most Gracious Majesty King George the Third', pub. J. & J. Boydell, 1 December 1804, uncoloured stipple engraving by Benjamin Smith, approx. 575 x 385 mm, framed and glazed, together with Gainsborough (Thomas, after), The Right Hon. William Pitt, pub. Robert Bowyer, 4 June, 1808, uncoloured engraved portrait by William Bromley, some surface abrasions, laid down onto card, plate dimensions approx. 720 x 470 mm, and a trimmed hand coloured mezzotint of Wellington after John Lilley (approx. 520 x 405 mm) (3)

*Portraits. A collection of approx. 120 mostly 18th & 19th century engraved and mezzotint portraits, including an engraved portrait of Captain Thomas Coram by William Hogarth, 1796, a mezzotint portrait of Sir Thomas Chaloner by Richard Earlon after Van Dyck, pub. Boydell, 1778, an engraved group portrait of Charles, Prince of Wales, James, Duke of York, Princess Mary, Princess Elizabeth and Princess Anne; Children of Kings Charles I, by Richard Cooper after Van Dyck, pub. 1762, approx. twenty engraved portraits by Houbraken after Kneller and others, pub. Knapton, 1739-44, some early 20th c. colour mezzotint portraits after Old Masters, pub. Museum Galleries, c. 1923, an engraved portrait of Princess Charlotte by Richard Golding, after Sir Thomas Lawrence, pub. Colnaghi, 1822, etc. (approx. 120)

*Prints and engravings. A mixed collection of large format prints, mostly 19th century, including a hand coloured aquatint after B. Newhouse entitled ‘Military Incidents. Just join'd the Regiment' (280 x 390 mm), and a tinted litho. view of Milford Haven after J.W. Wright (390 x 620 mm), two engravings after George Morland including an uncoloured mezzotint entitled ‘The Villagers' (585 x 420 mm), plus others similar, all mounted or framed (16)

*Sports & games. Boydell (J.), Playing at Coits, late 18th century, hand coloured engraving, image size 230 x 347 mm, together with "Folgen des Spiels", 19th century hand coloured engraving of men playing cards by Geiger after Hasselwander, image size 180 x 253 mm, and Spratt (G., after), The Entomologist, hand coloured litho., approx. 220 x 150 mm, plus other prints and engravings including six mounted playing cards with fishing caricatures, three William Nicholson woodcuts of fishing and archery themes, lithographs of cock and grouse shooting after C.H. Weigall, a mezzotint featuring various country sports by J. Collet, small 18th century French engravings, original artwork, photographs,etc. (approx. 27)

I. B. Smith after Sir Joshua Reynolds Master Crewe; Lady Caroline Montagu Each mezzotint The first p. 50.5cm x 35cm The second p. 51cm x 35.5cm C. Fisher after Sir Joshua Reynolds The Hon. George Seymore Conway Mezzotint S. 50cm x 36cm (3)

'The Cricket Boy', a mezzotint in colours by L Busiere after the original by Francis Cotes, image 53cm by 36.5cm

SIR FRANK SHORT, SIGNED IN PENCIL TO MARGIN, TINTED MEZZOTINT, ‘Unloading the Hay Barge’, 6” x 14”

AFTER W BEECHEY, ENGRAVED BY T HODGETTS, BLACK AND WHITE ENGRAVING, ‘Horatio Nelson’, 11” x 9”; AFTER J REYNOLDS, ENGRAVED BY T WATSON, BLACK AND WHITE MEZZOTINT (DATED 1772), ‘Georgiana Lady Viscountess Spencer’, 13” x 10 ¾” and 1 other, (3)

M CORMACK, (ENGRAVER), EARLY 20TH CENTURY BLACK AND WHITE MEZZOTINT, Portrait of a lady in landscape, 22” x 16”, (A/F) and one other, (2)

AFTER J REYNOLDS, ENGRAVED BY SAMUEL COUSINS, BLACK AND WHITE MEZZOTINT, (DATED 1875), ‘Miss Bowles’, 14 ¾” x 11”

AFTER G MORLAND, ENGRAVED W BARNARD, ANTIQUE BLACK AND WHITE MEZZOTINT, Dated 1811, ‘The Cottage Fireside’, 22” x 18” and one similar, (2)

AFTE M A SHEE, ENGRAVED BY CHARLES TURNER, BLACK AND WHITE MEZZOTINT (DATED 1820), ‘Right Honourable William Charles, Earl of Albemarle’, 22 ½” x 14” and 4 others similar, (5)

AFTER SIR T LAWRENCE, ENGRAVED BY ARTHUR HOGG, SIGNED IN PENCIL TO MARGIN, COLOURED MEZZOTINT, ‘The gypsy girl’, 16” x 12” and AFTER MIEREVELT, ENGRAVED BY ARTHUR HOGG, SIGNED IN PENCIL TO MARGIN COLOURED MEZZOTINT, Dutch lady, 15” x 12”, (2)

NORMAN HIRST, SIGNED IN PENCIL TO MARGIN, HAND COLOURED MEZZOTINT, (published 1909), Two young children with dogs in a landscape, 19” x 16”, (mounted but unframed)

EARLY 19TH CENTURY COLOURED MEZZOTINT, A sea battle, 15” x 29”

After Francis Grant. 'James John Farquharson, Esquire', mezzotint, 33 x 26in (84 x 66cm).

After Sir Henry Raeburn. 'Lieut-General hay Macdowell', a colour mezzotint, signed in pencil by H-Macbeth-Raeburn, 26.5 x 16.5in (67.4 x 42cm). General Hay Macdowell served with the 42nd foot in the Mysure War, 1782, and commanded the Madras Army in India.

After John Constable, The young Waltonians, Oil on canvas, 70cm x 90cm.; Together with a mezzotint of the same subject by David Lucas. (2)

After J. Bristow, Monkeys merrymaking, Mezzotint by C. Turner, 27cm x 33cm.. In a rosewood frame. Best Bid

* Coaching. Herring (J.F., after), No. 3 The Royal Mail Coach, mid 19th century,. fine hand coloured mezzotint engraving, engraved by T.W. Huffam, image 550 x 760 mm, mounted (1)

[Cavendish, William, Duke of Newcastle and Saunier, Gaspard de]. A General System of Horsemanship in all its Branches, vol. 2 only, 1748,. nineteen (of 20) eng. plts., some with mezzotint shading (lacks eighth plt. from the set relating to 'Diseases incident to Horses'), contemp. mottled calf, worn on spine, folio, with other misc. antiquarian, etc., (sold w.a.f.) (2 cartons)

Whistler (James Abbott MacNeil, 1834-1903, after). Portrait of Thomas Carlyle, eng. Richard Josey, pub. Henry Graves, 1878, mezzotint, some foxing to blank margins, a little fraying to left-hand edge (outside plate mark), signed in pencil by Josey, plate size 490 x 400mm (19 x 16ins), together with Menpes (Mortimer Luddington, 1855-1938), Portrait of an old Jewish man, pub. Boussod, Valadon & Co., 1889, etching, signed in pencil, plate size approx. 630 x 470mm (25 x 19ins), plus four 18th c. mezzotints and engs., incl. Her Royal Highness Augusta, Hereditary Princess of Brunswick & Lunenburg, after Joshua Reynolds, approx. 510 x 360mm (20 x 14ins) (6)

* Osborne (Malcolm, 1880-1963). Continental landscape with castle and buildings on a promontory, uncol. etching, signed in pencil, two light vertical creases, plate size approx. 190 x 345mm (10.5 x 13.5ins), framed and glazed, together with Kemp-Welch (Margaret, late 19th-early 20th c.), On The Marsh, uncol. etching, showing a flock of sheep going through a gate, signed in pencil, plate size approx. 150 x 155mm (6 x 6ins), framed and glazed, plus Thomas (Percy, 1846-1922), Fisherman returning home, uncol. etching, showing figures returning to their cottages by the sea, signed in pencil, approx. 115 x 140mm (4.5 x 5.5ins), framed and glazed, and Sandoe (Ernest, 20th c.), Eltham, & Aylesford, Kent, together two uncol. etchings, the first signed, titled, and dated 1929, the second signed and titled in pencil, plate size approx. 95 x 160mm (3.75 x 6.25ins) and a little larger, both framed and glazed, plus four other framed and glazed landscape etchings, including a mezzotint of the Old Gravel Pits, Moseley, near Birmingham, by Frank Short after David Cox, 1901, a view entitled Falls of the Clyde at Bonnington, by C. O. Murray, etc. (9)

Greenaway (Kate, 1846-1901, after). Full-page portrait of a bonneted young girl, in fur-trimmed apparel, holding an umbrella in one hand and a dolly bag and slate in the other, pub. Thomas McLean, 1881, steel eng. with mezzotint on india paper, eng. by Thomas Lewis Atkinson, and signed by him in pencil to lower margin, with addn. pencilled signature "K. Greenaway", some marks and toning, blank margin rubbed, small oval embossed stamp to lower margin, image size approx. 420 x 250 mm, mounted (1)

A mezzotint of three cherubs sharpening their arrows within a gilt circular frame 'Drawn & Engraved by Stepond under the direction of F Bartolozzi RA engraver to his majesty.

AFTER AGASSE. Horses taking their gallop; After running, aquatint and engraving by Turner, early 19th Century, image size 21 x 28cm; 18th century school - Huntsman at a gate, mezzotint, 24 x 34cm (3)

English School (19th Century) Dedham Vale oil on canvas 75 x 62cm Provenance: Boadle Catalogue, Sale, Liverpool, 1888, No.82 (as Dedham Vale by Constable) where purchased by R R Heap of Liverpool To his son, Sidney Heap Esq, Mellington Hall, Church Stoke, Montgomery, by 1888, and by descent The present painting is a copy after the mezzotint by David Lucas, after the definitive version in the National Gallery of 1828. The engraving dates from the early 1830s. Constables famous upright view of Dedham Vale was exhibited at the Royal Academy in 1828 and again at the British Institution in 1834

Kismer, Willi (1951-), German - Mezzotint with aquatint 'Highlights' - Signed artist's proof limited edition No.40/125, 46cm 72cm - A.R. - A.R.

Norman Hirst (early 20th century), Landscape; cattle watering, Two mezzotints, Both signed in pencil, The larger 30cm x 22.5cm.; Together with a coloured mezzotint after J R Smith of Morland. (3)Best Bid

English School, View of the Palace of Westminster with Henry VIII and his statesmen, Engraving with hand colouring, 36cm x 45cm.; Together with a mezzotint of a horseman and hounds signed Joseph B. Pratt. (2)

Brenton (Edward Pelham). The Naval History of Great Britain, from the year MDCCLXXXIII to MDCCCXXVI, 2 vols., 1837, mezzotint ports., eng. maps and plts., incl. some folding, occn. foxing, one leaf sl. frayed to top blank margin, hinges split, contemp. half calf, rubbed, some loss to head of spines, 8vo, together with Bingley (Rev. William) Biographical Conversations, on Celebrated Travellers, 2nd ed., 1819; Travels in South America, 1820; Travels in North America, 1821; Travels in South Europe, 1821; Travels in North Europe, 1822, eng. plts., contemp. calf, gilt dec. spines rubbed, and chipped at ends, 12mo, plus thirteen others misc. (20)

Elizabeth Eleanor Milner 19/20th century- 'Lady Elizabeth Manners', after M W Peters, publ. by G C Klackner 1928; mezzotint printed in colours, signed in pencil, 46.5x34.5cm

Johann Georg Bergmuller 1688-1762- 'Joh Elias Ridinger'; mezzotint, 39.5x27cm: Martin Elias Ridinger 1730-1781- Wildfowl and their predators, after Johan Elias Ridinger; engraving, 1770, 36.5x27cm., (2)

J.Porter after Jacques-Laurent Agasse, The Right Honourable George Pitt, Lord Rivers in a clearing with his two greyhounds, early 19th Century mezzotint engraving, plate 49.5 x 37.5cm, in rosewood frame.

James Watson after Sir Joshua Reynolds, Sir John Hely Hutchinson, Secretary of State for Ireland, and Provost of Trinity College, Dublin, late 18th Century mezzotint engraving, plate 45.5 x 33cm, in rosewood frame.

captain Baillie after Rembrandt the Three Trees etching first state; and another, a later state each 21 x 28cm; and david Lucas after Constable landscape with Windmill mezzotint, and eleven other various pictures and prints, sizes vary (14)

j Brett (19th Century) Escort of the Prisoners by Torch Light to the Bristol Jail, mezzotint 18 x 25cm; and thomas Rowbotham View of the City of Bristol (1831 Riots), lithograph 35 x 48cm (2)

john Webb (Early 20th Century) portrait of a Lady mezzotint published 1908 by Doweswell signed in pencil below 61 x 40cm; and two mezzotint portraits of Queen Charlotte and the Countess of Bute 46 x 35cm in rosewood frames (3)

samuel Cousins after Edwin Long self portrait, proof before letters, mezzotint published 1884 by the Fine Art Society Ltd., signed below in pencil, unframed 43 x 33cm (image); and wax, Carol. The Mezzotint, Thames and Hudson 1990, in dust jacket (see p.112 for this illustration)