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* Reynolds (Joshua). Death of Dido, pub. [1796], hand-col. mezzotint by Joseph Grozer [after the 1781 painting now in the Royal Collection, London], a little trimmed, approx. 43 x 58 cm, framed and glazed (1)

* Short (Sir Frank, after J.M.W. Turner, R.A.). Ehrenbreitstein to Coblenz, [1913], fine uncol. mezzotint [after the watercolour by J.M.W. Turner], on chine applied to white wove paper, signed in pencil, approx. 24 x 37 cm, together with Flatford Lock, pub. Stephen T. Gooden, 1st November 1889, uncol. mezzotint [after the painting by John Constable], approx. 34 x 44.5 cm, signed in pencil, sm. waterstain at lower margin below plate impression, both framed and glazed (2)

* Scrap Album. A large album of mounted engravings and photographs, 18th & 19th c., including octavo steel-eng. portraitsand hand-col. fashion plts., plus hunting and humorous scenes after Cruikshank, Alken, etc., larger etchings and engravings after George Morland, plus engraved portraits by Houbraken, mezzotint portraits of Simon Earl Harcourt, Sidney, Earl of Godolphin, Samuel Whitbread, plus albumen prints of European views and works of art, some removed, in all fifty leaves, a.e.g., 19th-c. half morocco, rubbed, atlas 4to (1)

English School. 11 assorted prints Portraits of Bishops of Oxford Largest 18.5 x 14 ins. John Peel (1676-1686) engraving 5 x 4.5 ins. William Talbot (1699-1715) engraving 12 x 10. Charles Moss (1807-1811) lithograph 13.5 x 11. William Jackson (1812-1815) mezzotint 17 x 13.5. Edward Legge (1816-1827) mezzotint 12 x 10. Charles Lloyd (1827-1829) mezzotint 10 x 9. . Richard Bagot (1829-1845) mezzotint 16.5 x 13. J.F.Mackarness (1870-1889) mezzotint 18.5 x 14 (torn) William Stubbs (1889-1901) engraving 14.5 x 12. Charles Gore (1911-1919) lithograph 17 x 13. H.M.Burge (1919-1925) lithograph 16 12.5. All in matching plain ebonised frames 26 x 20

William Hogarth. engraving Simon Lord Lovat 13 x 9 ins. another of Captain Coram 20 x 13 ins. and a mezzotint of Mrs Kemble after Reynolds 15 x 11 ins.

Laurie & Whittle. mezzotint The Hero Frigate entering Portsmouth Harbour 1794 9 x 14 ins.

FRANK SHORT. Mezzotint, moonlit lake, signed in pencil, 7’ x 9.75’, mounted, unframed.

EARLY 19TH CENTURY. Mezzotint by Ramberg, after Bartolozzi, ‘Esqre Thornhill persuades Olivia to elope with him’ depicting a young couple and young child with waiting carriage beyond, titled in gilt on a verre eglomise mount, image 12’ diameter, labels verso.

EARLY 19TH CENTURY. Mezzotint by Cipriani, after Bartolozzi, ‘Pomona’ , titled with verse, verre eglomise mount, image 7’ diameter, labels verso.

After Angela Kauffmann, a 19th century mezzotint, of the three Graces, in a verre eglomise mount

After G.B. Cipriani - 'Urania', mixed method monochrome mezzotint, together with a bound collection of ten mixed method prints after Rembrandt.

After Henry Liversege - 'The Weekly Register', early 19th Century monochrome mezzotint by W. Oliver, together with a collection of 19th Century prints.

*Hunt (William Holman, 1827-1910). The Lady of Shalott, fine colour mezzotint by J. D. Miller after Holman Hunt, pub. Arthur Tooth & Sons, 1909, plate size approx. 710 x 535 mm (28 x 21 ins), some damp marking and consequent discol. to lower margin, not affecting image, framed and glazed (1)

*Old Master prints & engravings. Dunkarton (Robert, 1744-1811?). Mary, Queen of Scots and Henry Stuart, Lord Darnley, pub. Samuel Woodburn, 1816, fine uncol. mezzotint by Dunkarton after Elstracke (1570-c.1625), trimmed to margins, approx. 300 x 235 mm, together with other 18th and early 19th c. engravings and mezzotints, including Raphael's Mistress, by Thomas Chambars, after Earlom, after Raphael, pub. Boydell, November 2nd 1765, Noli Me Tangere, by Nicolas Tardieu after Titian, Children Spouting Comedy, mezzotint by C. H. Hodges after R. M. Paye, pub. J. R. Smith, August 29th 1786, The Storm, by W. Ward after G. Morland, pub. J. R. Smith, August 30 1796, Love in Bondage, mezzotint by Earlom after Reni, pub. Boydell, 1767, plus two hand-col. engs. after Pietro Cortona by Gerardin & Bloemart, pub. Giacomo Giovanni de Rossi entitled Eodem Poculo Masinissa fidei in Romanos, libertati Sophonisba litavit, & Hostium corpora Scipio Ferro vincere voluit, Animos continenta vincere maluit, probably late 18th or early 19th c. reprints, image size approx. 220 x 310 mm, wide margins to each, Hogarth-style frames, glazed (14)

*Schmalz (Herbert Gustave, 1856-1935). Mary Magdalene, pub. Fairless & Beeforth, The Gallery of Modern Art, [1898], uncol. lettered proof mezzotint printed on India paper, image approx. 670 x 430mm, together with Cattaneo (A. Barzaghi), Lady Jane Grey, Tower of London, Feb. XII, MDLIV, pub. Fairless & Beeforth, 1887, uncol. lettered proof mezzotint printed on India paper, image approx. 680 x 230mm, plus Paton (Sir Joseph Noel, 1821-1901), The Devil and Christ in the wilderness, pub. Printsellers Association, print dated 1874, uncol. mezzotint, unlettered proof on India paper, signed in pencil to lower margin, with Printsellers Association blind stamp, approx. 520 x 685mm, and Short (Sir Frank, 1857-1945), Landscape with country lane and view beyond, uncol. mezzotint proof, printed before letters on India paper, signed in pencil to lower margin, approx. 440 x 670 mm (incl. plt. mark) (4)

*Laer (Pieter Jacobsz van, 1592/5-1642). 'Der Abend', early 18th century mezzotint by Beck printed in blue ink depicting figures in Dutch dress taling and drinking, plate dimensions approx. 270 x 385 mm, together with a similar mezzotint by Beck entitled 'Der Mittag' after D.Teniers, both framed and glazed (2)

*Laurie & Whittle (publishers). Admiral de Winter. Commander in Chief of the Dutch Fleet, in the Late Action with Admiral Lord Viscount Duncan, on the 11th of October 1797, pub. 20 November, 1797, mezzotint portrait with old hand colouring, some flaking to margins not affecting printed area, plate dimensions approx. 355 x 250 mm, together with Bowles (Carrington, pub.), The Right Honble. Sir George Augustus Elliott, Knight of the Most Honorable Order of the Bath: General of his Majesty's Forces, and Governor of Gibraltar who Defeated the Spaniards in their Attack upon that Fortress, the 13th of September 1782, pub. 9 November 1783, mezzotint full-length portrait, plate dimensions approx. 355 x 250 mm (2)

*Laurie & Whittle (publishers). His Majesty Presenting an Elegant Sword to Adml. Earl Howe as a Token of Respect for the Services Rendred his Country, in the Glorious Action with the French Fleet, on the 1st of June 1794, mezzotint with contemp. hand colouring, some browning and flaking to margins occ. just touching engraved image, approx. 350 x 250 mm (1)

*Macardel (James, c.1729-65). Sir Isaac Newton Drawn and Scraped MDCCLX..., mezzotint portrait after Enoch Seeman, plate dimensions approx. 270 x 180 mm with good margins, framed and glazed (1)

*Matteson (T. H.). Benjamin Franklin, c. 1790, uncoloured mezzotint by Henry S. Sadd after T. H. Matteson, printed by J. Neale for the New York Albion, approx. 590 x 410 mm, margins trimmed, some marks and closed tear to lower portion of image (repaired), relaid (1)

*Pether (William, 1731-1821). The Alchemist in Search of the Philosopher's Stone, pub. 1 Sept 1775, mezzotint after Joseph Wright of Derby, numerous repairs and fraying to margins, approx. 580 x 470 mm, together with a mezzotint of a draughtsman and his wife after Rembrandt (approx. 400 x 540 mm), plus one other mezzotint of two boys in a stable, all framed and glazed (3)

*Watts (George Frederick, 1817-1904). Diana and Endymion, pub. Robert Dunthorne, 1891, mezzotint and etching by Frank Short, signed in pencil by Watts and Short, approx. 460 x 560 mm, framed and glazed (1)

G.E.Ogden, early 20th century colour mezzotint, portrait of the young Charles I, and William Henderson, mezzotint, river landscape, both signed (2)

Coloured mezzotint after Samuel Abbott, 'To the Society of Golfers at Blackheath' 38 x 30cms (foxed)

*Golf. Cox (W.A.), Colour mezzotint of a golfer and his caddy, pub. Gainsborough Galleries, Liverpool, 1923, signed in pencil, approx. 430 x 310 mm, framed and glazed (1)

Fuseli (Henry). Lectures on Painting, Delivered at the Royal Academy March 1801, printed for J. Johnson, 1801, oval engraving on the title-page, engraving of Michaelangelo by William Blake at the end, text browned, some damp-staining, orig. boards, worn and stained, edges untrimmed, 4to, [Bentley 459], together with Opie (John), Lectures on Painting, Delivered at the Royal Academy of Arts ... to which are prefixed, a Memoir by Mrs. Opie, and Other Accounts of Mr. Opie's Talents and Character, Longman, Hurst, [etc.], 1809, mezzotint portrait by S. W. Reynolds, offset, some text browned, orig. boards, worn, edges untrimmed, 4to (2)

C CORBUTT AFTER JOSHUA REYNOLDS, "Miss Greenway", mezzotint, 14"x 9 3/4" and assorted other prints and drawings, all unframed

AFTER WHEATLEY A tea party oval mezzotint 12 1/2 x 15 1/2 inches a set of four portrait prints and other watercolours and prints (qty)

AFTER R EDMONSTONE, ENGRAVED G H PHILLIPS, ANTIQUE BLACK AND WHITE MEZZOTINT, ‘The White Mouse’, 14” x 16”, (in swept rosewood veneered frame), (A/F)

AFTER HENRY PIDDING, ENGRAVED BY THE SAME, ANTIQUE BLACK AND WHITE MEZZOTINT, ‘Massa Out, Sambo Werry Dry’, 12” x 10” and AFTER AMICONI, ENGRAVED BY G CHILD, BLACK AND WHITE ENGRAVING, ‘M’st Ye Ha’some Golden Pippins’, 12” x 7”, (2)

AFTER J D FRANCIS, ENGRAVED BY G T PAYNE, BLACK AND WHITE MEZZOTINT, ‘The Honourable Sir Robert Peel’ and AFTER J LILLEY, ENGRAVED BY J SCOTT, A BLACK AND WHITE MEZZOTINT ‘His Grace The Duke of Wellington’, 24” x 15”, (2), (in uniform cushioned rosewood frames)

Ralph Hedley 29 1/4in. x 24 1/4in. (74.5 x 62cm) A portrait of J.G. Wilson and his son A.A. Wilson, at Staindrop Hall, with the Oxford 100 Yards Cup Signed and dated 1903; Sold together with a framed photograph and an unframed mezzotint, each depicting the same subject as the painting above.. NB: Staindrop Hall, home of the Luxmoore family is situated in Staindrop Village, County Durham and was inherited by J.G. Wilson, a Durham solicitor under the condition that his family changed their surname to Luxmoore. Wilson was a friend and patron of Ralph Hedley and purchased many of his pictures and items of carved furniture. He owned around thirty Hedley paintings at the time of his death in 1929. J.G. Wilson and his son A.A. Wilson were both talented sprinters, though J.G.W. was the better of the two. They were both at Oxford and J.G.W. won the 100 yards three years in a row, once in the record time of 10.0 seconds (at the time possibly a world record as international running hardly existed in 1870).

William Pether (1738-1821), after George Garrard, A scene in a farrier's yard, coloured mezzotint, published 1787 by T. Simpson, with label of Arthur Ackermann verso, plate size 48 x 61cm (19 x 24in)

A mezzotint of three French ladies by V Green after Reynolds, 37 x 46cm, framed.

A George III curled paper panel with central mezzotint of a child within a floral scrolled shield and floral borders 20 x 14 ins.

Sir Frank Short (1857-1945) unframed mezzotint Extensive landscape signed in pencil 16 x 25 ins.

An early 19th Century mezzotint, Dicky Dickinson, Governor of Scarborough-Spaw, 8" x 6", mounted in gilt frame.

MANNER OF JAMES STEPHANOFF A Ceremonial Pageant, Eton Mezzotint 23.5in x 33.5in (59.5 x 85cms). Unframed

AFTER VAN DYCK Lord John and Lord Bernard Stuart Mezzotint 20.25in x 14.75in (51.5 x 37.5cms)

JOHN COTHER WEBB (1853-1927) Morning refreshment Mezzotint Signed in pencil 20.5in x 24.5in (52 x 62cms)

After Sir Thomas Lawrence - Miss Croker, mezzotint by Edmund Wardle, signed by Wardle, limited edition, in decorative gilt frame, 26cms x 21cms

After Stanfield, a colour print of a harbour scene, another similar, and a mezzotint, of a recumbent lady (3)

AFTER JOHN HOPPNER RA (1758-1810) Children bathing mezzotint engraving by James Ward published 'April 1st, 1799 by Ward & Co at Mr Say's' with margins trimmed to plate on three sides, laid down with surface dirt and general discolouration 21 1/4 x 17 1/2in (53.9 x 44.5cm)

NICOLAAS VERKOLJE (1673-1692) Two Nude Women lying in a Landscape, mezzotint, second state publ. Gerald Valk, slight stain in corner of one margin, collector's no 4843 in ink on verso (weselly 31 ii) Pl 5 1/2 x 8 1/4in (13/9 x 20.9cm)

After W Peters, Portrait of a lady, mezzotint by W Dickinson, 26x19cm.

*William Henderson- Portrait of a golfer, full length standing, in 18th century attire, publ. September 1st 1916 by Vicars Brothers, 12 Old Bond Street, London W1; mezzotint printed in colours, signed in pencil, bears Fine Art Trade Guild blindstamp, 54.5x36.5cm

George Townley Stubbs Horses Fighting Mezzotint Third state of five before re-engraving Published 1788. p. 47.5cmx 60cm Literature: Lennox Boyd, Clayton & Dixon, Stubbs Prints, no. 81, p. 200.

Bartolozzi after Holbein - mezzotint, head and shoulder portrait of Sir Thomas Moore; and four other prints, various, 45cm x 32cm (Sir Thomas Moore)

Dillon after Reynolds - mezzotint, full-length portrait of Lieutenant General Don; a mezzotint after Morland, 'Selling Cherries'; an etching by Marion Rhodes; and one other coloured print, 44cm x 35.5cm

Bayly - a hand-coloured plan of the City of Canterbury; Alfred J. Skrimshire - mezzotint, children with pets, signed; and another mezzotint, 33.5cm x 42cm (Canterbury);40.5cm x 31.5cm (mezzotint)

After Cecil Aldin - coloured print, 'Leave Us a Bit'; two other prints of dogs; oil on canvas - still life of roses; a mezzotint; and three other pictures.

J. Cother Webb, Coloured Mezzotint after Turner "The Ship Wreck", signed in pencil in gilt frame, 38cm x 52cm

AFTER JOHN HOPPNER, ENGRAVED BY CHARLES TURNER, ANTIQUE BLACK AND WHITE MEZZOTINT, published 1833, Vice Admiral The Honble Sir Henry Blackwood, Bart, KCB GCH, (one of Nelson’s Band of Brothers), 10" x 8", mounted but unframed

AFTER SAMUEL LANE, ENGRAVED BY CHARLES TURNER, ANTIQUE BLACK AND WHITE MEZZOTINT, published 1816, ‘Captain Sir Philip Bowes Vere Broke Bart’, 23" x 14", mounted but unframed

AFTER GEORGE ROMNEY, ENGRAVED BY SAMUEL WILLIAM REYNOLDS, ANTIQUE BLACK AND WHITE MEZZOTINT, published 1811, Sir John Orde Bart Admiral of the White, (succeeded Parker as Commander in Chief on the Baltic after Copenhagen), 12" x 10", mounted but unframed

EDWARD BELL, (ENGRAVER), ANTIQUE BLACK AND WHITE MEZZOTINT, published 1799, ‘- Captain George Westcott ‘ (killed at the Battle of the Nile), 10" x 8", mounted but unframed

JOHN FAIRBURN, (PUBLISHER), ANTIQUE HAND COLOURED MEZZOTINT, published 1798, ‘Baron Nelson, of the Nile; and of Burnham Thorpe in the County of Norfolk ‘, 14" x 10"

AFTER HENRY SINGLETON, ENGRAVED BY JAMES DANIELL, ANTIQUE COLOURED MEZZOTINT, published circa 1797, ‘Admiral Nelson boarding the St Joseph February 14th 1797’, 17 ½" x 22"

H. SCOTT BRIDGWATER The Storm - after Gustave Corbet pencil signed mezzotint 43cm x 53cm.

"John Shepherd, the famous highwayman", by White, after Thornhill, mezzotint; a group of mainly 18th century portrait mezzotints and engravings; and various prints (qty)