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An interesting portfolio of 18th and 19th century Old Master prints and engravings, including Giuseppe Maria Mitelli (1634-1718), after Paolo Veronese (1528-1588), The Martyrdom of St. Sebastian, Bologna? 1666], etching, 34.5cm x 51cm; Captain William Baillie (1723-1810): after Gerrit Dou, A Sleeping Woman Being Provoked by Two Men with Tobacco Pipes, [1774], mezzotint, 34.5cm x 25.5cm, cropped with loss of lettering and publication details, &, after Jan van Wyck(1652-1702), James Scott, Duke of Monmouth and Buccleuch, [1774], mezzotint, 35cm x 42cm, cropped with loss of all lettering and publication details, (2); William Dickinson, by, Catherine the Great, Empress of Russia, [London 1773], mezzotint, 41cm x 32.5cm, cropped with loss of all lettering and publication details; Simon François Ravenet (1706- c. 1764), after Richard Dalton (1715-1791), Servus cultellum acuens et auscultans, [London 1745], etching and engraving, 33cm x 37.5cm, cropped with some loss of lettering and publication details; others, including further Old Masters, anatomical studies, portraits, architecture, antiquities; etc., [collection]

Benjamin Smith (1754-1833), after Sir William Beechy RA (1753-1839), His Most Gracious Majesty King George the Third [...], Pub[lished] [...] by J. & J. Boydell [....], London 1804, stipple engraving with traces of contemporary hand-colouring, 54cm x 37cm; John Faber Junior (1684-1756), after Bartholomew Dandridge (1691-1754), His Royal Highness Frederick Prince of Wales [...], [...] Dedicated to the [...] Antient (sic) Society of Free and Accepted Masons [...], [London] 1749, portrait mezzotint, 51cm x 35cm; Christoph Leonhard Bürglin (1727-1772), by, Ferdinandus Duc de Brunswig et Lünebourg Général en Chef de l'armée alliée, Augsburg [c. 1750], portrait mezzotint, 42cm x 29cm, [3]

British Art History and Portraiture - The Brocket Hall Copy: British Portrait Painters and Engravers of the Eighteenth Century, Kneller to Reynolds, with an Introductory Essay and Biographical Notes by Edmund Gosse, LL.D., Fine Paper Copy: numbered 246/400, Paris: Goupil & Co, 1906, illustrated with full-page monochrome mezzotints engraved by Manzi, Joyant & Co., the mezzotint frontispiece coloured as issued, contemporary half-red morocco gilt over cloth, Adamesque spine of six compartments, lettered in the second and dated in the sixth, raised bands, top-edge gilt, marbled endpapers, Golden Age Armorial bookplates: Sir Charles Nall-Cain Bt [1866-1934], engraved by J.F. Badeley and dated 1930, his later bookplate as Baron Brocket, large crown folio; Gower (Lord Ronald Sutherland, F.S.A.), Sir Thomas Lawrence, with a Catalogue of the Artist's Exhibited and Engraved Works, Compiled by Algernon Graves, numbered limited edition of 190/200, F.S.A., Paris: Goupil & Co., 1900, full-page plates, contemporary half-red morocco over cloth, top-edge gilt, plain endpapers, conforming provenance and bookplates as the latter with a later bookplate: Charles A. Cain, large crown folio; Armstrong (Sir Walter), Gainsborough & His Place in English Art, with Sixty-Two Photogravures and Ten Lithographic Facsimiles in Colour, second edition, limited edition of 250, London: William Heinemann, 1899, similarly bound to the latter, marbled endpapers, Ex Libris Laurentii Currie, with Bernard Quaritch - their pencilled collation and note to free endpaper, large crown folio, [3]

3 framed and glazed mezzotint engravings by Earnest Stamp. Comprising: "The Brothers Van De Velde", "The Smoker" and "Punch". Largest frame size approx. 62.5 x 49.5cm.

A FRAMED MEZZOTINT TITLED "A SCHOOLBOY" after sir Joshua Reynolds, AN EDWARDIAN GROUP PHOTOGRAPH TITLED "THE MIKADO BY THE UTTOXETER OPERATIC SOCIETY FEB 08" together with a quantity of period pictures (including two on glass), A FRAMED AND GLAZED ENGRAVING BY JOHN LUCAS TITLED "ADMIRAL SIR GEORGE FRANCIS SEYMOUR", together with a framed pastel portrait of a Clergyman and A FRAMED AND GLAZED COLOURED PRINT "SPRINGTIME IN ESKERDALE" TITLED TO THE REVERSE

Assorted pictures and prints, to include after George Morland mezzotint

Tatton Winter - Avignon, colour mezzotint, signed in pencil to the margin, 24 x 35cm; and one other colour mezzotint - St Christopher's by the river (2)

M.J. Mott - Broken bowl in a tangled thread, artists proof mezzotint, 7.5 x 10cm; C. Hetherington - Winter forest, artists proof print; and a continental etching (3)

JOHN BOYDELL after JOSEPH WRIGHT OF DERBY – ‘The Forge’, mezzotint, published 1773, framed, 51cm x 62cm, frame size 63cm x 74cm, also a portrait engraving. (2)

mezzotint published by Benjamin Beale Evans 1788, 48.5 x 61.5cm

The History and Antiquities... of the Isle of Tenet in Kent, 2nd edition London 1736, 4to, mezzotint portrait frontispiece, 25 maps, plans and plates, two parts in one, contemporary sprinkled calf with wear to spine

Richard Arkwright, by I. Smith after J. Wright, mezzotint 1790, 63 x 45cm; Turner after Pickersgill, General Lord Hill, 1834, 73 x 49.5cm; David Martin, Lord Mansfield, 1775, 62 x 43cm; Charles Turner after Shee, The Duke of Leinster, mezzotint, 1804, 74 x 47cm (damaged) (4)

A FULL LENGTH PORTRAIT OF THE EARL OF LINCOLN, INDISTINCTLY SIGNED, MEZZOTINT, 50 X 32CM, IN CONTEMPORARY BIRDSEYE MAPLE FRAME

After George Morland (1763-1804). 'CHILDREN BIRD-NESTING', a mezzotint print engraved by W. Ward and published by J. R. Smith London February the 27th 1789, 44.8 x 54.4cm, together with three other prints after Morland, including: CHILDREN NUTTING and 'EVENING ON THE POST BOY'S RETURN', all in glazed Hogarth type frames, together with a pair of hand-coloured mezzotint prints after W. R. Bigg, 'THE PLUNDERING VAGRENTS' and 'THE PEASANT'S INTEGRITY' engraved by W. Barnard, in glazed giltwood frames. (6)

Oval gilt framed mezzotint 'Jemmys Return' early 20th century Christie's hand written label verso and a gilt framed watercolour signed J C Harrison 1886 of a seated elderly gentleman peeling vegetables, approx. 26 x 20cm

A mezzotint in gilt verre-eglomise frame. 9' x 12'

AR Leonard Russell Squirrell, RE, RWS (1893-1979) "The Customs House, Kings Lynn" black and white mezzotint, signed in pencil to lower margin, 21 x 31cm

Richard Earlom (British, 1743-1822), after Johann Zoffany, R.A. Colonel Mordaunt`s Cock Match at Lucknow, hand coloured mezzotint, 53 x 67cm, together with a smaller monochrome print showing naming those present at the Cock match, 28x36cm (2)

A 19th century mezzotint of Admiral Lord Nelson After Hoppner, engraved by C. Turner, 60x40cm, together with a portrait of HMS Lindon (reverse painted on glass), and various royal portraits etc (8)

After E Landseer, hand coloured mezzotint published by Henry Graves 1867, self-portrait, 42 x 32cm

Indistinctly signed in pencil to margin, black and white mezzotint, circa 1927, Barberton landscape, 34 x 42cm

After Henry Richter, engraved by H Richter/J P Quilley, hand coloured mezzotint published circa 1800 "The Tight Shoe", 32 x 46cm

After John Martin, black and white mezzotint published by J Martin, 1837, "The Flight into Egypt", Matthew Chap 11, ver 14, 29 x 45cm

A 19th century framed coloured engraving by J. Harris, The Last Change Down Coaching scene, along with an Antoine Gaymard mezzotint engraving.

William Ward, (1766-1826), after George Morland, (1763-1804), 'A Party Angling' and 'The Angler's Repast', mezzotint, 44 x 54cm each, mounted in a birds eye maple frame (2).Glass is flat but probably original.Plate marks are covered by the frame.Angling party – margin torn to left corner, heavily spotted.Angler’s repast – two large creases from title into print, several marks and discolouration to right of print by tree line and to face of seated woman, foxed.

J Cother Webb, after Catherine Read, The Duchess of Hamilton and Argyll, mezzotint, 37cm x 30cm

3 framed and glazed mezzotint engravings by Earnest Stamp.Comprising: "The Brothers Van De Velde", "The Smoker" and "Punch".Largest frame size approx. 62.5 x 49.5cm.

CHRIS COLLINGWOOD, FOR GOD AND PARLIAMENT, SIGNED BY THE ARTIST IN PENCIL, NUMBERED 556 OF 600, LITHOGRAPH, 42 X 65CM, THE BATTLE OF ISANDHLWANA, LITHOGRAPH, 48 X 85CM, AFTER LADY BUTLER, BALAKLAVA THE RETURN 25TH OCTOBER 1854, THE CHARGE OF THE 600, MEZZOTINT, 45 X 75CM AND TWO OTHERS (6)

FRAMED (OLD) AND GLAZED MEZZOTINT ENGRAVING OF GOLFING SUBJECT- GOFFERS AT BLACKHEATH, APPROXIMATELY 67.5cm x 52.5cm

Firmin Bouisset, mezzotint, Le Baiser, image 11" x 14.5", unframed

A F Hill, a pair of rural river landscapes, each signed, oil on canvas, both 31 x 46cm, together with a collection of pictures: a print after Doris Zinkeisen, an oriental reproduction print, a chromolithograph still life, a mezzotint of an 18th century nobleman, a print after Waterhouse, a print after Watteau and four silhouettes.

Britton (John). The Authorship of the Letters of Junius Elucidated: Including a Biographical Memoir of Lieutenant-Colonel Isaac Barre, M.P., London: Printed for the Author, 1848, double-page mezzotint frontispiece (slightly spotted), title with vignette illustration with central flap revealing engraved portrait, front free endpaper inscribed "To Henry Wright Esq. with the author's kind regards, Mar 19/50", and tipped-in letter from the author to Henry Wright, upper hinge split, original dark green cloth with blind blocked decoration to boards, slim 8vo, together with [Hort, John Josiah] , The Horse Guards, By the Two Mounted Sentries, London: J. & D.A. Darling, 1850, 11 of 12 hand-coloured lithograph plates (including frontispiece, lacking cover image of The Horse Guards), scattered spotting, front blank endpaper with ownership signature Mathew W. Wilson, XIth Hasars 1849, and with ink stamp M.W.W Ablington Fairford to front free endpaper, contemporary green half calf, with ownership name of M.W. Wilson to upper board at spine edge, some fading, slim 8vo, plus Hamilton (Augusta) , Marriage Rites, Customs, and Ceremonies, of all Nations of the Universe, London: Chapple & Son, 1822, engraved portrait frontispiece, some toning, original cloth, faded, 8vo, and other miscellaneous books, including history and theology etc., mostly 19th century publications (Qty: a carton)

* Caricatures. A mixed collection of sixty caricatures and cartoons, mostly 19th century, etched and engraved British, French and German caricatures by Bunbury, Alken, 'mezzotint drolls', George Cruikshank, Charles Williams, Tregear (publisher), Dighton, James Sayers and Gillray (later plagiarised Irish editions), many with contemporary hand colouring, various sizes and condition (Qty: 60)

AFTER JOSEPH WRIGHT OF DERBY - 'AN IRON FORGE', uncoloured mezzotint, published by J. Boydell 1778, framed, 60 x 74 cm including frameConditionReport:Close cut and laid down, foxing to paper margins, losses to frame edges.Not inspected out of frame

AFTER JOSEPH WRIGHT OF DERBY - 'A PHILOSOPHER GIVING A LECTURE ON THE ORRERY', a framed mezzotint published by J. Boydell 1768, 57 x 67 cm including frame

AFTER JOSEPH WRIGHT OF DERBY - 'AN HERMIT', a framed mezzotint published May 14th 1770 and sold by Wm. Pether in Great Russell Street, Bloomsbury, 76 x 61.5 cm including frameConditionReport:Close cut, foxing, probably laid down. Frame has losses to edges and is cracked

AFTER JOSEPH WRIGHT OF DERBY - 'A PHILOSOPHER GIVING A LECTURE ON THE ORRERY', a framed mezzotint published by J. Boydell, 59 x 73 cm including frameConditionReport:Small creases and scratches, heavily foxed on margins, losses to frame edges

A FRAMED MEZZOTINT "AN HERMIT" AFTER JOSEPH WRIGHT

A FRAMED MEZZOTINT TITLED "A SCHOOLBOY" after sir Joshua Reynolds

A 18TH CENTURY FRAMED MEZZOTINT TITLED "REMBRANDT"

SAMUEL COUSINS MEZZOTINT AFTER EDWIN LANDSEER - A FARM SCENE WITH MILKMAID WATCHING A MAGPIE, signed in pencil, print area 72 X 61 cm

ENGRAVED BY F. STACPOOLE AFTER R. COLLINSON, a coloured lithograph entitled 'Absorbed in Robinson Crusoe' together with a James Ward coloured Mezzotint - Mrs Billington as St Cecilia after sir Joshua Reynolds

AFTER ABRAHAM COOPER - a mezzotint entitled 'Charles Brett's White English Setter, Sam in a Moorland Landscape', 48 x 62 cm including frame

MARTIN (JOHN)MILTON (JOHN) The Paradise Lost... With Illustrations, Designed and Engraved by John Martin, half-titles, 24 mezzotint plates by John Martin, slight dampstain throughout volume 1, some spotting and occasional dampstains in volume 2, contemporary green morocco gilt, g.e.., rubbed, large 8vo (260 x 175mm.), Septimus Prowett, 1827This lot is subject to the following lot symbols: •

WEINMANN (JOHANN WILHELM)Phytanthoza iconographia sive conspectus aliquot milium... Plantarum, arborum, fruticum, florum, vol. 1 (of 4), FIRST EDITION, title (in Latin) printed in red and black, text in alternate Latin and German, letterpress pp.53-200 only, 150 engraved and mezzotint plates (numbered 126-275, one folding) printed in colour and finished by hand after Ehret and others, occasional spotting and browning, contemporary calf, spine gilt tooled with morocco, lettering labels [Dunthorne 327; Great Flower Books, p.151; Nissen BBI 2126], folio (395 x 240mm.), Regensburg, Hieronymus Lenz, [1734]-1737, sold not subject to returnThis lot is subject to the following lot symbols: •

[WRIGHT (THOMAS)An Original Theory or New Hypothesis of the Universe... and Particularly the Via Lactea], FIRST EDITION, lacking all before p.9, final leaf of text, subscribers list, and contents leaf, 32 engraved plates (of which 2 folding and 8 with mezzotint), every leaf remargined at gutter, recent half calf reusing earlier boards and spine [Norman 2265], 4to, [for the Author, and sold by H. Chapelle, 1750]This lot is subject to the following lot symbols: •

William Pether (1738-1821), after Joseph Wright of Derby (1734-1797) 'A PHILOSOPHER GIVING A LECTURE ON THE ORRERY' Mezzotint, published by J. Boydell, 1768 image 44.5 x 58cm

Herbert Thomas Dicksee RE (1862-1942) 'THREE LITTLE KITTENS' Oval image, original mezzotint engraving on wove, signed artist's proof, edition of 300, one state only, published by Frost & Reed, 1903, with blindstamp Pl.25 x 35cm Provenance: The Bryan & Valerie Steele Collection.

1913 mounted signed mezzotint 'The Calmady children' (Emily 1818-?1906 & Laura Anne 1820-94) by John Cother Webb (1855-1927) after Sir Thomas Lawrence (1769-1830) - size 52cm x 54½cm (20½"x21½") together with a 1916 mounted signed mezzotint 'The Gower family' (the children of Granville Leveson-Gower, 1st Marquess of Stafford 1721-1803) by Herbert Stodart after George Romney (1734-1802) - size 54½cm x 52cm (21½"x20½")

A gilt framed oil on canvas depicting a child, approx. 21 cms x 7 cms; together with a gilt framed mezzotint, approx. 14 cms x 17 cms. Est. £20 - £30.

AFTER GEORGE MORLAND, figures in a woodland clearing 'the Woodcutter', published 1779 by D. Orme & Co., mezzotint on paper, framed and glazed, 45 x 56 cm, together with WILL HENDERSON. Study of two golfers, signed in pencil lower right, mezzotint on paper, framed and glazed, 58 x 42 cm (2)

Swiss dwarf.- Mezzotints.- Gole (Jacob) Jaen Worrenberg / Hans Worrenberg, mezzotint and etching, on laid paper with indistinct watermark, sheet 250 x 185 mm. (9 7/8 x 7 1/4 in), trimmed to or just within platemark, small pin hole in the upper left, minor rubbing, unframed, [1675-1724]; together with four other mezzotints, including two by Gole portraying 'Federico III' and 'Monsieur le Mareschal de Villeroy', and a fine but slightly damaged copy of 'S. Maria Magdalena' after Charles le Brun, various sizes, all unframed, 18th century (5)

A well framed portrait mezzotint of a lady, 24 x 20 cm

JAMES FAED (1821-1911) AFTER SIR FRANCIS GRANT, PRA (1803-1878)  PORTRAIT OF THE DUKE OF PORTLAND  mezzotint with margins, 67 x 48cm, maple frameGood restored condition, not laid down, faint treated stain, in modern acid free window mount and what is probably the original 19th c maple frame with later gilt slip

Early 19th Century English school - Coloured mezzotint - Half-length portrait of the Prince Regent with garter star, after Richard Westall (1765-1836) 8ins x 6.5ins - Coloured mezzotint - "A boy angling", 9.25ins x 12.25ins, published by Boydell, and mezzotint of three putti and goat, 6.75ins diameter, all in gilt frames with verre eglomise glazing

A BOX OF PAINTINGS AND PRINTS ETC, to include a watercolour and pen drawing by Edward Cowie, dated 1976, continental oil on canvas, watercolour paintings of exotic birds by J.Lyon dated 1881, two aquatint etchings of scenes in the Philippines, framed landscape prints, mezzotint by P.Hampden Hart together with various other prints etc

Jacob de Later (printmaker; active c.1680 - 1728), Amoril thinks of Cliander, mezzotint, 44 x 34 cm , after Willem Schaak (1680 - 1726), 'Amoril denkt aan Cliander' one impression in the Rijks Musuem. Very cery rarehttps://www.rijksmuseum.nl/en/collection/RP-P-1908-486

Oval gilt framed mezzotint 'Jemmys Return' early 20th century Christie's hand written label verso and a gilt framed watercolour signed J C Harrison 1886 of a seated elderly gentleman peeling vegetables, approx. 26 x 20cm

Mark Balakjian (b.1940), 'For an Uncertain Departure', signed, inscribed and dated, mezzotint, 7/50, 29.5cm by 35cm

Martin (John).- The Paradise Lost of John Milton, 24 mezzotint plates by John Martin, light foxing to margins, damp-staining to lower margins, contemporary aubergine morocco, gilt, extremities rubbed, g.e., royal 8vo, 1853.