We found 6624 price guide item(s) matching your search

Richard Earlom (1743-1822) after Mario Nuzzi called Mario dei Fiori (Italian 1603-1673) A Concert of Birds Mezzotint 41.9 x 57.3cm; 16½ x 22½in (plate) Provenance: Private Collection, Salisbury

James Watson (c.1730-1790) after Sir Joshua Reynolds (1723-1792)Portrait of Samuel JohnsonMezzotint51.1 x 40.3cm; 20 x 15¾inUnframed

William Ward (1766-1826) after Thomas Weaver (1774-1843) Portrait of Thomas William Coke Esq M.P. for Norfolk, inspecting some of his South-down sheep with Mr. Walker and the Holkham shepherds Coloured mezzotint with hand-colouring laid on canvas 52.2 x 72.3cm; 20½ x 28½inProvenance: A private collection, Oxfordshire

A Collection of 18th and 19th-Century prints, drawings, and watercolours of musical and theatrical subjectsIncluding John Smith (1652-1743) after Domenico Tempesti (Italian c.1655-1737); Frontispiece for Sonate da camera by Nicolo Cosimi; Mezzotint; 24.3 x 33.6cm; 9½ x 13¼in (sheet); Unframed; Georgiana Keate (1771-1850); Edwin in the Character of Caleb; Signed and dated Georgiana Keate 1786 (lower right); Pen and ink with watercolour; 24.7 x 17.2cm; 9¾ x 6¾in; Unframed; George Cruikshank (1792–1878); The Opera Boxes During the time of the Great Exhibition; Etching; 21.9 x 26.5cm; 8½ x 10½in (sheet); Unframed; Thomas Rowlandson (1756-1827); Dr Syntax at Covent Garden Theatre; Aquatint with hand-colouring; 10.7 x 18.1cm; 4¼ x 7in (sheet); Unframed; a playbill for Paganini's Ninth Concert; 33.3 x 21.2cm; 13 x 8¼in (Unframed); and twenty-one further unframed works (26)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s

Alexander van Haecken (1701-1757) after Charles Lucy (1692-c.1736) Portrait of Gioacchino Conti Gizziello Mezzotint 43 x 28.8cm; 17 x 11¼in Unframed Together with Elisha Kirkall (c.1682-1742) after Joseph Goupy (1689-1769); Portrait of Francesco Bernardi; Mezzotint; 32.5 x 23.1cm; 12¾ x 9in; Unframed; William Dickinson (1746-1823) after Thomas Beach (1738-1806); Portrait of Giusto Ferdinando Tenducci; Mezzotint; 42 x 31cm; 16½ x 12¼in; Unframed; John Faber the Younger (c.1684-1756) after George Knapton (1698-1778); Portrait of Giovanni Carestini; Mezzotint; 37 x 27cm; 14½ x 10½in; Unframed; and twenty-four further unframed printed portraits of musical, theatrical and artistic figures (28)Provenance: Property of a former museum keeper, collected between the 1930s and 1970s

VALENTINE GREEN AFTER JOHN OPIE (1761-1807), 'THE SCHOOL' coloured mezzotint, 50cm x 61cm, in Hogarth style frame with verre eglomise slip, ink label posted verso with alterative title of 'The School Mistress'

Marie Harnett, British b.1983-Smoke, Factory Girl, 2012;hand-rocked mezzotint on Arches 88 300gsm paper,signed in pencil and numbered 35 /35, published by Alan Cristea Gallery London,in an edition 35 plus 5 AP, also British Museum 2021 (G90) 7005.8.3,image: 7.5 x 12 cm,(framed) (ARR)

Two Framed Prints: J. M. Ardell After Joshua Reynolds (1723-1792) - 'The Rt. Honourable George Lord Anson, Baron of Soberton', mezzotint, published according to act of parliament 1755, 38 x 27.5 cm, in Hogarth frame; together with Richard James Lane After Edwin Landseer - 'Lord Alexander George Russell and his Pony Emerald', lithograph, proof, 19.5 x 24.5 cm; both framed and glazed (2)

F. G. Stevenson - Two mezzotint and drypoint etchings in colours depicting Sailing barges off Venice harbour, and Chichester Canal (after J.M.W. Turner), both signed in pencil below, 39.6 x 15.2 cm, mounted and framed as a pair (2)

Two prints: Georg Balthasar Probst (1732-1801) After A. Rooland - 'Vuë du grand Marché avec la Maison de Ville à Bruxelles' hand-coloured engraving, 41 x 31 cm, mounted, framed and glazed; Valentine Green After Lemuel Francis Abbott (British, 1760-1802) - 'To the Society of Goffers at Blackheath. This plate is with just respect. Dedicated by their most humble servant. Lemuel Francis Abbott', photogravure with colours after mezzotint published 1791 by V. Green, London, this print depicts William Innes (1760-1830) and his caddy. Innes was the captain of the Society of Golfers in Blackhealth, plate dimensions: 33.5 x 48.5 cm, behind glass in a Hogarth frame (2)

A collection of forty two prints of various subjects including botanical, portraits, mezzotint portraits, ornithological, some with empty frames, University of Cambridge, etcQty: 42

William Giller (British, 1805-1868) after Abraham Cooper, 'Daniel Haigh on Kitten', mezzotint with hand-colouring, maple frame46cm x 59.5cm

After Martin Arch Shee (1769-1850) 19th century military interest mezzotint, Major General Sir Richard Hussey Vivian, publ. London, Coenaght & Fuckle, 95 x 63cm

After Alexander Nasmyth, Engraved by James Ward (1769-1859) The Spottiswoode Ox, Bred and Fed by John Spottiswoode Esq of Spottiswoode in the County of Berwick... black and white mezzotint, published by Anthony Cardon 1804 43 x 60cm (17.5" x 23.5")

19th century mezzotint, portrait of General Lord Lynedoch, G.C.B., published 1831 by Colnaghi, unframed 81cm x 54cm

19th century mezzotint, portrait of Charles The Tenth, King of France, published 1829 by Colnaghi, unframed, 81cm x 54cm

Large Victorian Baxter Print, 64 x 44cm, together with a smaller pair, each 36 x 26cm and a mezzotint after Henry Thomson, in verre eglomise frame. Provenance: From the Estate of David Tron, Kings Road Antiques dealer

Sir Joseph Sydney Yorke (Naval Officer) aged three years by Valentine Green, published by John Boydell, after Katharine Read mezzotint, published 17 February 1772. Framed.

Hand-colored mezzotint by Henry T Greenhead (English, 1849-1926) after Sir Thomas Lawrence's 1818 oil painting of Elizabeth Countess Grosvenor. On lower part: Elizabeth, Countess Grosvenor. From the Original Picture in the Possession of His Grace the Duke of Sutherland. H.G. On lower left: Painted by Sir Thomas Lawrence. In Center: London, Published on October 1st 1891 by Henry Graves & Co. The proprietors. Publishers to H. M. The Queen and T. R. H. The Prince and Princess of Wales, 6 Pall Mall, Copyright registered. On lower right: Engraved by Henty T. Greenhead. Artist: Henry T GreenheadIssued: 1891Dimensions: 20"L x 25.80"HCountry of Origin: EnglandCondition: Age related wear. Foxing and scratches.

•Arthur Leonard Cox (1879-1961). Stable scene, artist signed mezzotint, 32cm x 40cm, and four other prints (5).

Continental school - River scene, colour mezzotint, indistinctly signed in pencil to the margin, 60 x 44cm

ROBERT SAYER & JOHN BENNETT (BRITISH 18TH CENTURY) THE LOVELY LAVINIA (PUBLISHED 1784) Mezzotint with hand-colouring 34.5 x 24.5cm (13½ x 9½ in.) Please note measurements do not include frame unless otherwise stated.

A Mezzotint of Miss Beaston, 40 x 30cm, together with another (2)

* Glass Pictures. Autumn & Winter, circa 1753-1766, a pair of reverse-glass hand-coloured mezzotint, Winter by R Houston after Wale, depicting a young woman standing to right, one hand at her throat, holding close the edges of her fur-trimmed cloak, her other hand in a small muff at waist level; a stone gateway to right, skaters and town buildings in the background to left, and Autumn by James McArdell, depicting a fashionably-dressed young woman standing to left, looking towards the viewer, hands folded and holding a basket of fruit on her left arm; men and women gathering apples in the background to right, both printed in London for John Bowles at the Black Horse in Cornhill, some browning to adhesive, both framed and glazed in matching wood frames painted black (46.5 x 36.5 cm)QTY: (2)

* [Lucas (David, 1802-1881). The Watering Hole, F. G. Moon, 1834], uncoloured mezzotint on India wove, after John Constable, trimmed to neatline, 585 x 495 mm, framed and glazed, together with Baxter (George). The Gardener's Shed, The Reception of the Rev. J. Williams at Tanna, in the South Seas, the day before he was massacred [and] The Mountain Stream, circa 1860, together three 'Baxter process' colour prints, 365 255 mm, 205 x 310 mm and 370 x 270 mm, all mounted, framed and glazed, with a large chromolithograph of a young girl, possibly a 'Pears Print', in the style of John Everett Millais, trimmed to image, 685 x 440 mm, mounted, framed and glazedQTY: (5)

* Martin (John, 1789-1854). The Fall of Babylon, 1831, mezzotint with contemporary hand-colouring, 520 x 735 mm, mounted, framed and glazedQTY: (1)NOTE:The final state, with the printed title to the lower right blank margin.

* Morden (Robert). Oxford Shire [and] Warwickshire [1695 or later], two hand-coloured engraved maps, each approximately 420 x 365 mm, uniformly framed and glazed, together with Carr (J. L. publisher). Huntingdonshire, circa 1960, pictorial colour lithographic map, limited edition 137/350, some marginal spotting, sheet size 565 x 445 mm, framed and glazed, with Doyle (John). Eton College, circa 1980, colour lithographic print, limited edition 13/200, signed by the artist in pencil to the lower right, 300 x 440 mm, mounted, plus White (G.). Isaac Watts D. D. Carington Bowles, circa 1760, uncoloured mezzotint, some staining and toning, 350 x 250 mm, framed and glazed, and Bartolozzi (Francesco). Mary Queen of Scots, John Boydell, 1779, uncoloured engraving after F. Zuccheri, some restoration to the lower margin, 460 x 295 mm, mounted, framed and glazed, with Redaway (James). Eton from the Locks, circa 1850, uncoloured engraving after William Evans, 220 x 280 mm, mounted and an Owen & Bowen hand-coloured strip road map commencing at Cambridge, 185 x 125 mm, mountedQTY: (8)

Bartholomew (J. G.). The Survey Atlas of England & Wales, Edinburgh, 1903, eighty-four colour printed maps and plans (complete as list), folding map of Morecambe and Heysham tipped on to rear blank, all edges gilt, contemporary half red morocco gilt with an armorial device to the upper board, a little worn and rubbed at extremities, spine a little faded, folio, together with Black (Adam & Charles, publishers). Black's General Atlas: Comprehending Seventy Maps..., New edition..., Edinburgh, 1853, title page with near-contemporary ownership signature, engraved maps with contemporary hand-colouring, dust-soiled throughout, slight offsetting, a few maps with splits along the central fold, occasional marginal closed tears, all edges gilt, contemporary half morocco gilt, worn and frayed, folio, with The Amalgamated Press (publishers). The Harmsworth Universal Atlas and Gazetteer, circa 1910, colour printed frontispiece of flags, numerous colour printed maps, same staining and toning to the endpapers, top edge gilt, contemporary half morocco gilt, worn and frayed, folio, plus Rees (Abraham). The Cyclopaedia; or Universal Dictionary of Arts, Sciences and Literature. volume 6 (Atlas volume) only, 1820, numerous uncoloured engraved maps, hinges and joints cracked and weak, contemporary half calf, worn and rubbed, 4to, and Ambrosius (Dr. Ernst). Andrees Allgemeiner Handatlas..., Bielefeld und Leipzig, 1922, numerous colour printed maps, loosely inserted mezzotint of The Honble. Edward Albert, Earl of Powis, upper joint cracked and weak, publisher's gilt cloth, worn and stained, folioQTY: (5)NOTE:Sold as a collection of maps, not subject to return.

Military, History & Politics. Saxe (Field-Marshal Count [Maurice]), Reveries, or Memoirs upon the Art of War, first English edition, London: J. Nourse, 1757, 40 plates engraved by Isaac Basire on 34 sheets, one or two repairs, one or two stable tears, the odd foxed spot, contemporary calf, split, holding, but with some movement, bumped and worn, 4to, Otway (Captain Joseph, translator), Turpin's Essay on the Art of War, volume II only, first English edition, London: A. Hamilton, for W. Johnston, 1761, 21 engraved folding plans and maps only, contemporary speckled calf, 4to, M'Cormick (Charles), Memoirs of Edmund Burke [...], second edition, London: Lee and Hurst 1798, portrait mezzotint, contemporary calf, upper-cover detached, further faults, contemporary bookseller's ticket: J. Gill, Booksellers, Wakefield, 4to, The Annual Register 1771, London: J. Dodsley, 1772, contemporary calf over marbled boards, 8vo, etc., (5)  Provenance: 1st: 1) Mutilated contemporary Chippendale armorial bookplate. 2) Octavius Sturges/Sept. 11/1847; ink MS inscription. 3) Thomas Francis Fremantle, either the 1st Baron (1798-1890) or 2nd Baron Cottesloe (1830-1918); Golden Age armorial bookplate to pastedown.

After Sir Thomas Lawrence (1769-1830), a mezzotint engraving, 'A Portrait of Sarah Siddons', signed Ellen Jowett (engraver, 1874-1933) to the margin, framed and under glass, 60cm x 70cm overall

After George Morland - 'The Fern Gatherers', hand-coloured 18th century mezzotint (48 x 47 cm). Glazed gilt frame.

Leonard Russell Squirrell RWS RI RE (British,1893-1979), 'The High Mill', mezzotint,signed in pencil to plate margin, 25x32cm, framed and glazed.

Leonard Russell Squirrell RWS RI RE (British,1893-1979), mezzotint, signed in pencil to plate margin, 7x12ins, framed and glazed.

A pair of colour mezzotint roundels, in verre eglomise mounts and gilt gesso frames, the plates 17cmD, the frames 30x30cm overall

After Morland, 'A Tea Garden', colour mezzotint in gilt gesso frame, the plate 34x44cm

An early 19th century colour engraving by Freschi c. 1808, in verre eglomise mount, 32x23cm; together with one other colour mezzotint, 34x28cm

A 19th century mezzotint of Sir John Jervis, Earl of St Vincent, engraved by Charles Turner after William Beechey, 64 x 42cm

Admiral Lord Nelson, Hand-coloured mezzotint William Barnard, After Lemuel Francis Abbott, Admiral Lord Nelson, Hand-coloured mezzotint, framed. The frame measures 69cm x 50cm

YOZO HAMAGUCHI (JAPANESE 1909-2000) BRUSHES AND MELON - 1955 Mezzotint, 27/50, signed and numbered in pencil to marginDimensions:the sheet 48cm x 38.5cm (19in x 15.25in), unframed

William Pether, after Thomas Frye - His Most Sacred Majesty George III King of Great Britain, and Charlotte, Queen of Great Britain, a pair of tondo 18th century mezzotints, diameter 18cm, both within gilt frames, together with Robert Field, after George Romney, 'Charles, Duke of Richmond', late 18th/early 19th century mezzotint, 25cm x 19cm, within a gilt composition frame, and one further engraving, 'Le Duc de Wellington' (Duke of Wellington). Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Richard Houston - Half Length Profile Portrait of John Gunning, wearing a Miniature on a Ribbon around his Neck, set between two sets of six circles labelled with the Virtues to left and Vices to right, mezzotint circa 1760, 13.5cm x 22cm, together with the copper printing plate, framed as one within a gilt frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

John Bowles (publisher) - 'Charlotte, Queen of Great Britain &c, &c', late 18th century mezzotint, 36.5cm x 26cm, within an ebonized and gilt frame, together with an etching by Richard Dighton, 'The Father of the Corporation of Oxford Omnibus Carus'. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A portrait of Rowland Viscount Hill, circa 1854-1876mixed method mezzotint, seen standing full length with a sabre hooked over his left arm, a plumed helmet to his side and dressed in military uniform, printed by George Sidwell Sanders and published by Thomas Cranfield, titled below the portrait 'title in open letters, and 'Lord Lieutenant and Custos Rotolorum of the County of Salop / Lieu't Colonel Commandant of the North Shropshire Yeomanry Cavalry. // Presented by the Officers Non Commissioned Officers & Members of that Corps, A.D. 1854. // Catterson Smith Esq, R.H.A. // Published by T. Cranfield, 115, Grafton St. Dublin. // George Sanders', framed, overall dimensions 92cm x 66cmThe original painting from which this print is based is currently held in the Shrewsbury Museum.Condition:Some staining and small creases to print. Losses to edges and moulding of the frame.

A COLLECTION OF PICTURES AND PRINTS including a mezzotint after Raeburn, another similar, a modern sampler, photographs (inc. signed Sacha Distel) and other items

After Anne Killegrew (1660-1685), rare mezzotint of Venus and Adonis, second state of five, published by E. Cooper, 24.5cm x 34cm, inscribed verso, unframed

18th century black and white mezzotint by and after J. R. Smith, "Les Deux Ami", circa 1778, Mrs Smith and Mrs Prothero, 25cm x 20.5cm, in glazed gilt frame

After Francis Cotes (1726–1770), mezzotint, Portrait of Paul Sandby, publ. 1763, 41 x 29cm

Reynold Henry Weidenaar (American, 1915 - 1985) "Bridge Builders: Mackinac Straits" Mezzotint - 1956 Pencil signed and titled lower margin. Image Size: 12.75 x 7 in. Overall Framed Size: 21.25 x 15.25 in. Framed behind glass.

A mezzotint engraving signed in pencil by John Cother Webb 33cm x 33cm.

MARTIN (John) artist: Milton's Paradise Lost, 24 mezzotint plates 7.5 x 10.5 inches, in broken binding / incomplete text, L., 1850 [as a collection of plates].

Richard Earlom (1743-1822) After Claude le Lorrain - Two mezzotint engravings in brown ink, 'From the Original Drawing in the Collection of the Duke of Devonshire', published 1774 by John Boydell, Cheapside, 25.5 x 21 cm each, framed (2)

Two Gilt Framed Prints to Include: 'Charles II from a painting in Bridewell Hall by Sir Peter Lely', and After Thomas Burke - reproduction print of a mezzotint in colours, oval framed, 35 x 28 cm (2)

TWO BOXES AND LOOSE PICTURES AND PRINTS ETC, to include a William Monk (1863-1937) etching signed to the lower margin, approximate size 20cm x 30cm, a watercolour a harvesting scene against a hilly backdrop signed and dated H.J.B. Brown 1941, a winter watercolour landscape signed D Adamson, together with a John Downman mezzotint print 'Mrs Payne', topographical prints, reprints of Vanity Fair and Cries of London prints, picture frames etc

After Thomas Hamilton Crawford (1860-1948), a mezzotint engraving, A half length portrait of a young brunette lady in period dress, signed to the lower right, framed, mounted, and under glass, 45cm x 55cm, and 75cm x 85cm overall

A satirical print by Bowles and Carver after Collet, 'Reynard's Last Shift', published 1779, hand coloured mezzotint in a 1920s Hogarth Frame, 16" x 12"..

GEORGE SYDNEY HUNT (B 1855) THOMAS HAMILTON CRAWFORD (1860-1948) AND OTHERS AFTER VARIOUS ARTISTS PORTRAITS AND FIGURE SUBJECTS Fifty-six mezzotints, printed in colour, all signed by the engraver in pencil, published by The Museum Galleries, 1921-29, 40 x 30cm (some smaller). Each mezzotint titled and signed.Portraits include Napoleon, Cromwell, Charles Darwin, Charles Dickens and Marie Antoinette amongst others.Mostly in good condition with just finger spoiling. A minority with more excess damage.

Miss E Milner after Thomas Gainsborough -  Framed coloured mezzotint portrait of Prince Adolphus Frederick, Signed and Stamped, 9.5"x 12.5", framed 20" x 25" overall

Pictures - Peak Forest North, black and white photograph engine 1948 with driver, stoker and team; 1930s wool work, cottage, D M Martin 1933; mezzotint print etc (4)

A Sidney E. Wilson mezzotint portrait study of Mrs Musters

Two boxes of Books to include titles: The Mezzotint, The Early Stuart Masque, Thomas Holcroft and the Revolutionary Novel and Poetic Localities also includes The Songstress Of Scotland, London 1871 and Three Books On The Catalouges of Greek Sculpture, amongst others.