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AFTER JEAN FRANCOIS DE TROY "Study of a lady reclining beside a stream, holding a garland of flowers, a mountainous lakescape beyond", coloured mezzotint by Sidney E Wilson, published by Vickers Brothers London and a companion study of "Diana the Huntress" (2)

After Sir Thomas Lawrence Thomas Campbell Engraved by Samuel and Henry Cousins Viscount Melbourne Engraved by Edward McInnes Mezzotint 30 x 22cm, 35 x 23cm each in rosewood frame: Together with four stipple engravings, by Frederick Christian Lewis Various sizes, largest 38 x 28cm (6)

Lots 721-730 are from the collection of The Estate of the Hon Christopher Lennox-Boyd Isaac Beckett, British 1653-1719- "Mrs Turner", after Sir Godfrey Kneller; mezzotint, 34x24.5cm: After Sir Peter Lely, Dutch/British 1618-1680- "Her Grace The Dutchess of Somerset", sold by Alex Browne at ye blew ballcony in little Queen Street; mezzotint, 33x24cm: Isaac Beckett, British 1653-1719- "The Dutchess of Cleaveland", after Sir Peter Lely; mezzotint, 19.5x13.8cm: James Wilson fl.1760-1780- "Mary, Lady Boynton", after Francis Coates, publ by Robt Sayer Map & Printseller No 53 Fleet Street 1st Sept 1771; mezzotint, 35.5x25.7cm: Gerard Valck, Dutch c.1651-1726- "Wilhelmus Henr D G Mag Brit Franc et Hib Rex", c.1688; mezzotint, 35x25.5cm: Andrew Miller, British fl 1739-1763- "Elizabeth Dutchess of Hamilton Brandon & C", after Francis Coates, publ by John Bowles at the Black Horse in Cornhill; mezzotint, 33.5x22.3cm: R Housman, 17th/18th century- "Miss Nancy Parsons", after R Renold; mezzotint, 35.2x25cm., (7)

Samuel William Reynolds, British 1773-1835- "The Age of Innocence", after James Northcote RA; mezzotint, 36.5x27cm: Alexander Browne, British fl 1659-1706, Publ- "Frances Stuart Countess of Portland", after Anthony van Dyck; mezzotint, 39x27.2cm: James Wilson, British fl. 1760-1780- "Miss Jones", after Catherine Read, c.1768-1771; mezzotint, 35x25cm: Richard Purcell, British fl. 1746-1768- "The Revd John Cennick", after Thomas Jenkins; mezzotint, 35x25cm: Robert Sayer & J Bennett No 53 Fleet Street 17 April 1779, Publ- "Blind Plaintiff lame Defendant Share the friendly Law`s impartial Care. A Shell for him a Shell for thee. The middle is the Lawyers Fee"; mezzotint, 36x24.5cm: Carington Bowles, Map & Printseller No 69 in St Pauls Church Yard London, Publ, 18th century- "Beau Mordecai Inspir`d"; mezzotint, 35.5x25cm., (6) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Andrew Miller, British fl. 1739-1763- "John Duke of Marlborough", after Sir Godfrey Kneller, publ by P Smith in Crane Lane and Miller on Hog Hill; mezzotint, 36.5x26cm: Andrew Miller, British fl. 1739-1763- "The Reverend Mr George Whitefield A M", after M Jenkin, publ for T Kitchin on Holborn Hill London 1751; mezzotint, 35x23cm: John Brooks, British fl. 1730-1756- "Richard St George Esq Major General in his Majesty King George the IIds Forces", after Stephen Slaughter; mezzotint, 37x27cm: James Ward, British 1769-1859- "Master Betty", after Henry Jacob Burch, publ by Paul & Dominic Colnaghi, 1805; mezzotint, proof before letters, bears inscription, 39x27cm: British School, mid 18th century- Philip Dormer Stanhope, Earl of Chesterfield"; mezzotint, 33.5x24cm: John Murphy, British fl. 1748-1820- "Captain George Farmer, Commander of his Majesty`s Ship the Quebec", after Charles Guignion, publ Feby 14th 1780 by John Boydell engraver in Cheapside London; mezzotint, 39x28cm., (6) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

George White, British fl. 1684-1732- "Allan Ramsay", after William Aikman, c.1722-1740; mezzotint, 34.5x24cm: Richard Earlom, British 1743-1822- "Sir Edward Astley Bart, Representative in Parliament for the County of Norfolk and Grand of the most ancient honorable order of Gregorians in Norwich, 1771", after Benjamin West RA; mezzotint, 50.5x34cm: Henry Dawe, British 1790-1848- "The Shipwrecked Mariner", after Henry Tomson RA, publ by W F Taylor Windsor 1849; mezzotint, 45x32cm: After Jean-Baptiste Guth, French act. 1883-1921- The Crown Prince of Germany, publ by Vanity Fair, Vincent Brooks Day & Son Ltd Lith; chromolithograph, 36.5x23.5cm: British School, 18th century- Portrait of a lady, half-length leaning on a book, feigned oval; mezzotint, 25x17.5cm: A M Huffam, British act 1828-1832- Portrait of a lady, after T Harper, publ by S S Folker Brighton J Brooker 5 Southampton Row London Nov 1829; hand-coloured mezzotint, 18x14.5cm: James Scott, British b.1809- c.1889- "Horace Townsend, Late rector of Carrigaline, Co Cork", after James Mahony; mezzotint, 50.2x39cm: Henry Dawe, British 1790-1848- "The Merry Thought", after Michael William Sharp, publ November 1 1824 by W J White 14 Brownlow Street Holborn London; mezzotint, 31.5x24cm., (8) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Thomas Burford, British fl. 1710-1779- "April"and "July"; mezzotints, two, 33x23 and 33x22.5cm: William Ward ARA, British 1766-1826- "Herself the Fairest Flower", after Samuel Woodforde, published March 12 1815 by T MacDonald 39 Fleet Street; mezzotint, 35.5x25cm: W Darling, British, 18th century- "The Amorous Old Batchelor", publ July 21 1771; engraving, 24.5x19cm., (4) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Hames & Sons, 10 Rolls Buildings, Fetter Lane, Publ 1st Jany 1802- "An Emblem of Africa"; mezzotint, 23x17.5cm: Richard Houston, British act. 1721-1775- "A Storm", after Willem van der Velde, printed for Robt Sayer opposite Fetter Lane in Fleet Street; mezzotint, 25.2x35.5cm: Richard Houston, British act. 1721-1775- "A Fresh Gale", after Willem van der Velde, printed for Robt Sayer opposite Fetter Lane in Fleet Street; mezzotint, 25.2x35.5cm: William Ward ARA, British 1766-1826- "Refreshment", after George Morland, publ Nov 20 1789 by P Cornman N5 Great Newport Street; mezzotint, 17.5x22.5cm: British School, late 18th century- "Unlucky Girls" and "Mischevious Girls"; mezzotints, a pair, 16.5x21.5cm., ea., (6) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

'Love Rejected', late 18th Century mezzotint in gilt frame, another mezzotint of Miss Thompson and an oval 19th Century watercolour of a village church

Pair of framed oils, figures by a Country cottage signed F.R Offer; and a coloured mezzotint

T.Hamilton-Crawford, after Louis Pasteur The Duke of Wellington signed in pencil, mezzotint, proof: Arthur Hogg, after Sir Robert Peel signed in pencil, mezzotint, framed: Will Henderson, after Sarah Bernhardt, Carl Von Linne` moliere signed in pencil, mezzotints proof stamps (6)

Unknown Artist `Young Queen Victoria` Mezzotint, 63 x 43cm

A framed Mezzotint of the fishing fleet getting ready to sail, signed in pencil 'Henry G. Walker', 19'' x 14 1/2'' approx.

A Mezzotint of fishing boats at low tide, signed Henry G. Walker, 10'' x 8'', framed and glazed.

A Mezzotint, after Leonard Russell Squirrel, Parisian river scene and Notre Dame, signed

A Victorian style mezzotint and 2 other prints

John Smith, after William Wissing (1653-1687), (SH) PORTRAIT OF THE ARTIST WILLIAM WISSING, HALF LENGTH Mezzotint, the image oval Plate size 34 X 25cm Wissing, a Dutchman, moved to England in 1676 and worked in Sir Peter Lely's studio as his assistant. After Lely's death in 1680, he succeeded him as court painter and, in 1684, was sent to Holland to paint the Prince of Orange (later William III) and Princess Mary. CONDITION REPORT: Thunder flies under glass, foxing to image frame worn

Ship at Sea Victorian monochrome mezzotint in birdseye maple frame

Oliviero Masi, Italian b.1949- Field of poppies with farm buildings; etching with aquatint printed in colours, signed and numbered III/XXV in pencil, 50x65cm: together with seven other etchings with aquatint printed in colours by the same hand, and a further three etchings with aquatint and one mezzotint, all printed in colours, by different hands, various sizes, (12) (may be subject to Droit de Suite)

James Ward, British 1769-1859- "The Victory of Lord Duncan", after John Singleton Copley, publ by John Singleton Copely Friday 1 August 1800; mezzotint, 56x76cm: Samuel Cousins ARA, British 1801-1887- "1 May 1851", after Franz Xaver Winterhalter, publ by London Nov 6th 1852 by Colnaghi & Co 13 & 14 Pall Mall East; mezzotint, in a glazed gilt composition Empire style frame, 53x56cm., (2) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Al-Hasimi Azza, b.1950- Still life of a bust and fruit; mezzotint printed in colours, signed, numbered 66/100 and dated 1983 in pencil, 35.5x29cm: G Clark Sealy, American b.1955- "Lady Amhurst Pheasant"; screenprint in colours, signed, titled and numbered 132/150 in pencil, 56x39cm: Elaine Marshall, British, mid-late 20th century- "Greenwich Waterfront II"; aquatint printed in colours, the plate of irregular shape, signed, titled, numbered 2/50 and dated 1976 in pencil, 35x32cm: Monica Poole, British 1921-2003- "Ripening Corn"; etching, signed, titled and numbered 5/50 in pencil, 24.5x15cm: Diana Rattray, British b.1947- Trees; etching, on arched plate, signed, inscribed and dated 80 in pencil, 28x20cm: King, mid-late 20th century- Two figures; etching printed in colours, signed, inscribed and dated 1981 in pencil, 43.5x38cm: Martin Renton Ware RCA, British b.1949- "The Nineteenth Century", publ by the Irish Univeristy Press, 1972; etching with aquatint, signed in pencil, in folio, 27x20.5cm (7) (may be subject to Droit de Suite)

Kaoru Saito (Japanese, b.1931)Grow wings, signed and titled in pencil, numbered 38/43, limited edition mezzotint, 30.5cm x 31cm, and Yoshinori Yuse (Japanese, b 1947), Luminous Sea, signed and titled in pencil, numbered 58/88, lithograph, 38cm x 30cm (2).

Two Wheatley mezzotint engravings from the series `Cries of London`

Seven mezzotint engravings in ebonised frames, two watercolours by Alex Shires and eleven various pictures and prints (20)

A mixed lot of framed and glazed pictures and prints, including an Oriental silk woven cuff, an ebonised framed print after Millais, a Hogarth framed mezzotint after Hamilton, an oil on glass half-length portrait of an elderly bearded man and other items.

Edward Wardle Lady Hamilton - Emma signed, mezzotint

After Richard Dodd - `Grosvenor Square`, 19th Century monochrome mezzotint, approx 40cm x 54cm.

After Burford - `Going out in the Morning`, 18th Century mezzotint with later colour, approx 25cm x 35.5cm, within an ebonized frame, together with three prints and a watercolour.

William Ward, British 1766-1826- "Violante rode by Buckle...", after Henry Bernard Chalon, publ by Boydell & Co 1st March 1808; mezzotint, in a glazed ebonised moulding frame with label for P Garot (from Italy), Carver, Gilder & Printseller No 8 South Hanover Street Edinburgh attached to the reverse, 45x56cm: Francis Jukes, British 1747-1812- "View of Mill Bank on the River Thames near London", after John Laporte, publ by Francis Jukes, 1795; hand-coloured aquatint, 43.5x59cm., (2)

Thomas Oldham Barlow RA, British 1824-1889- "The House of Commons 1860", after John Phillip RA, publ London January 17th 1865 by Moore McQueen & Company Limited 25 Berners Street Oxford Street and Thomas Agnew & Sons, Manchester and Liverpool; mixed media mezzotint on chine collé, 58x74cm Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd Note: An edition of this print is part of the National Portrait Gallery`s collection, Reference: NPG D1396

Samuel William Reynolds, British 1773-1835- "Sir Joshua Reynolds, President of the Royal Academy, Member of the Imperial Academy at Florence, Doctor of Laws of the Universities of Oxford & Dublin and fellow of the Royal Society", after C F von Breda, publ March 20 1796 by S W Reynolds No 6 Rolls Buildings Fetter Lane; mezzotint, 50x35cm: After Thomas Gainsborough, British 1727-1788- "Georgiana Cavendish (née Spencer), Duchess of Devonshire"; stipple engraving laid down on canvas, in a glazed gilt moulding frame, 67x43cm., (2) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

James McArdell, Irish 1729-1765- "Rubens with his Wife and Child", after Peter Paul Rubens; mezzotint, 51x35.5cm: Samuel Cousins RA, British 1801-1887- "The Duchess of Rutland", after Sir Joshua Reynolds PRA; mezzotint, signed proof, 69x43cm: William Pether, British 1731-1821- "Rembrandt`s Wife in the Character of a Jew Bride", after Rembrandt, publ by J Boydell Engraver in Cheapside London 1760; mezzotint, 39x27cm., (2) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Samuel William Reynolds, British 1773-1835- "The Rt Honble Sir George Grey Bart GCB", after Francis Grant ARA, publ Oct 2nd 1850 by Paul & Dominic Colnaghi & Co 13 & 14 Pall Mall East; mixed method engraving, 81x51cm: Ferdinand Jean de la Ferté Joubert, French 1810-1884- "James Brownlow Gascoyne-Cecil, 2nd Marquess of Salisbury KG", after Eden Upton Eddis; mezzotint, 65x42cm., (2) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

James Ward, British 1769-1859- "The Victory of Lord Duncan", after John Singleton Copley RA FAA, publ Aug 1st 1800 by J S Copely George Street Hanover Square; mezzotint, 65x80cm: Charles George Lewis, British 1808-1880- "Playing-Fields during the Eton Montem", after W Evans of Eton, publ June 1st 1852 by J Hogarth 5 Haymarket; mixed method engraving, 67.5x83cm: William Henry Simmons, British 1811-1882- "The Trial of Thomas Earl of Strafford in Westminster Hall, 1641", after William Henry Fisk, publ May 30th 1846 by Thomas Boys XI Golden Square Regent Street; mixed method engraving, 70x94.5cm., (3) (part unframed) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

William Ward, British 1766-1826- "And it came to pass that David wrote a Letter to Joab and sent it by the hand of Uriah", after Ferdinad Bol, publ Jan 1st 1792 by A C de Poggi St George`s Row Hyde Park; mezzotint, in a 19th century gilt composition frame, 47x56cm: Edward Fisher, Irish 1722-1781/82- "Reddere Personae scit convenienta cuique", after J Reynolds, publ by Edward Fisher at the Golden Head the South Side of Leicester Square, John Boydell Engraver at the Unicorn in Cheapside and E Bakewell & H Parker Printsellers in Cornhill opposite Birchin Lane London; mezzotint, 43x50.5cm: James Ward, British 1769-1859- "The Alpine Traveller", after John Northcote RA, publ Aug 1st 1804 by John Jeffryes Clapham Road; mezzotint printed in colours, in a verre eglomise frame, 59.5x44.5cm: Charles Turner, British 1773-1857- "The Right Rev. Henry Ld. Bishop of Norwich", after Sir Martin Archer Shee PRA, publ Jan 17th 1820 by Messrs Freeman & Sons London Lane Norwich; mezzotint, in a glazed reeded ebonised frame, 53.5x38cm., (4) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Jacob Matthias Scmutzer, German 1733-1811- "W A Princeps a Kaunitz Comes a Rittberg; engraving, 55x39cm: J Clarot, French, 18th century- "Le Petit Poliçon", 1798, after G Sckalken; mezzotint, 33.5x26.5cm., (2) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

After Thomas Henwood, British 1797-1861- "The Procession of the Lewes Bonfire Boys, Nov 5th 1853"; hand-coloured lithograph, 30.5x49.5cm: William Ward Jnr, British c.1800-1840- "The Right Honble C W W Wynn, MP", after Sir M A Shee PRA, publ August 1835 by Messrs Colnaghi & Company 33 Cockspur Street Charing Cross; mezzotint, in a 19th century glazed maple veneered frame, 37x28cm: George Cruickshank, British 1792-1878- "A Very Good Man, no Doubt, but a Bad Sailor", publ Margate August 21 1845; etching, 23.5x16.5cm: British School, early 19th century- "His Most Gracious Majesty King William the Fourth"; engraving, 28.5x22.5cm: British School, late 19th century- "The Celeban Black Baboon"; chromolithograph, 16.5x10.5cm., (5)

John Brunsdon ARCA, British b.1933- "Gordale Scar"; etching with aquatint printed in colours, signed, titled and numbered 139/150 in pencil, 44x58cm: Mary Ford, British b.1944- Still life by a window; lithograph printed in colours, signed, numbered 12/200 and dated 79 in pencil, 61x51cm: Michael Blaker, British b.1928- "The Bridge at Flatford"; hand-coloured etching, signed within the plate, signed, titled and numbered 11/200 in pencil, 27.5x36.5cm: Ilana Richardson, British, late 20th/early 21st century- "Cool Veranda"; screenprint in colours, signed, titled, numbered 37/200 and dated 82 in pencil, 55x64cm: Alyson Stoneman, British b.1948- "Autumn Evening, Lamorna"; mezzotint printed in colours, signed, titled and numbered 82/200 in pencil, 36.5x42cm: Deirdre Morgan, British b.1933- Courtyard and fountain, Morocco; lithographs printed in colours, two, both signed and numbered 76/195 in pencil, 40.5x30cm., ea: Lilan Richardson, British, late 20th/early 20th century- "Sens Interdit"; screenprint in colours, signed, titled, numbered 38/225 and dated 87 in pencil, 55x45cm: Francois Ledan, Fanch, French b.1949- "Square G Baty" and Tour Eiffel; lithographs printed in colours, two, both signed, one numbered 23/200 and the other 72/200 in pencil, 59.5x79 and 79x59cm., respectively: Mario Fellani, Italian b.1934- Portrait of a woman seated at a table; lithograph printed in colours, signed and numbered 122/200 in pencil, 57x67cm., (11) (may be subject to Droit de Suite)

Sydney E. Wilson: a Mezzotint 'Viscount Althorp' after Sir Joshua Reynolds, image size 14 1/2'' x 11 1/2'' approx.

A 19th century mezzotint of a lady and two children in style of Gainsborough signed in pencil 50 x 34cm

Dugdale (William). The Antiquities of Warwickshire Illustrated; from Records, Leiger-Books, Manuscripts, Charters, Evidences, Tombes, and Armes, 1st ed., pub. Thomas Warren, 1656, EXTRA ILLUSTRATED, containing port frontis. and fifteen engraved plates and maps as called for (mostly engraved by Hollar), numerous engravings to text throughout, with much additional engraved material bound-in including maps of Warwickshire by Charles Smith, Richard Blome, Bowen/Kitchin, Seller/Grose, an Ogilby road map of Oxford to Coventry, three large engraved Kip views, an aquatint etching after Sandby of Kennilworth Castle published by Boydell, a mezzotint of Shakespeare’s bust by William Ward, two small Buck views, and several others, title relaid, some of the additional prints also relaid or with fold tears, contemp. mottled calf, modern reback, folio. Upcott p. 1247. (1).

A Bartolozzi mezzotint, in a burr wood frame, and a 19th century watercolour of an archway

NAPOLEON FRAMED ARTWORK, 19TH CENTURY. Comprising six vintage images of Napoleon at different stages of his life and printed in various techniques including mezzotint engraving and etching, each contained in a finely and professionally matted and glazed frame. Featuring a massive bust portrait engraving after the full length image by David titled "Napoleon Le Grand," contained in a fluted gilt frame with linen liner, overall 37 inches x 29.25 inches (94 x 75 cm). Other framed images include Napoleon amidst burning ruins, overall dimensions 28.25 inches x 24.25 inches (71 x 61.5 cm), Napoleon on horseback, outside dimensions 25.5 inches x 19.5 inches (65 x 50 cm), Napoleon in an interior scene, outside dimensions 16.5 inches x 18.5 inches (42 x 47 cm), Napoleon at Fontainebleau after the painting by Delaroche, outside dimensions 17 inches x 14.25 inches (43 x 36 cm), and Bonaparte 1st Consul, overall 12.75 inches x 10.5 inches (32 x 27 cm).

AFTER J NORTHCOTE, ENGRAVED BY W SAY, BLACK AND WHITE MEZZOTINT (PUBLISHED 1805 BY THE ENGRAVER), “S T Coleridge Esq”, 13” x 11”

AFTER J REYNOLDS, ENGRAVED BY J R SMITH, BLACK AND WHITE MEZZOTINT (PUBLISHED 1783 BY J R SMITH), “The Honourable Mrs Stanhope”, 18” x 13 ½”

AFTER J REYNOLDS, ENGRAVED BY F BARTOLOZZI, BLACK AND WHITE MEZZOTINT (PUBLISHED BY E M DIEMAR 1786), “The Honourable Miss Bingham”, 8” x 6 ½”

A 19th Century mezzotint, titled The Blind Begger of Bednell Green, framed

A Samuel Cousins mezzotint, portrait of a girl and a cat, framed

A Samuel Cousins mezzotint, portrait of a girl and a dog, framed

An 18th Century mezzotint, titled The Right Hon`ble Lady Jane Halliday, Sister of the Earl of Dyfart, framed

AFTER L S ABBOTT "To the Society of Goffers at Blackheath", study of golfer and caddy with windmill in background, coloured mezzotint engraving by V Green

FRANK SHORT (1857-1945) (After George Frederick Watts). BLACK AND WHITE MEZZOTINT ENGRAVING. `Love`s Death`. published by Robert Dunthorne, 5 Vigo Street, London, May 1st 1900. and signed in pencil by the artist and the engraver. 22 1/2" x 10 3/4" (57cm x 27cm).

Various prints including Napoleon After Meissonier and a John Smith mezzotint after Kneller

After Sir Joshua Reynolds. The Ladies Waldegrave, mezzotint by G.S.Shury, London published April 1876 by J.Noseda, 109 Strand, W.C., the reverse with Leggett Brothers labels, 27 x 30¼in (68.5 x 76.8cm)

After Snyders & Long John. A Game Market, mezzotint, Richard Earlom sculpt., published by John Boydell, 19 x 26¼in 48.2 x 66.5cm) and The Fish Market after Synders & Long John. (2)

After John Singleton Copley R.A. (1738-1815). `A Youth Rescued from a Shark in Havannah Harbour`, a coloured reverse glass mezzotint published by Valentine Green, London, 1779 and sold by Joseph Staton, Parliament Street, London, 17¾ x 23¾in (45.4 x 60.3cm), in a carved giltwood frame, the verso with titles and publishers details. Provenance: From the collection of American and Canadian pictures formed by the late Peter Winkworth.

J. W. Hay - A pencil study of three tousling putti, pencil and crayon shading, signed, 15 x 15 cm to/w a 19th century mezzotint of Flora, 29 cm diam (2) Condition Report Drawing good condition, mezzotint with spotting all over

Charles Turner: a mezzotint 'Rivers of England', believed to be verified by the Albert Museum.

Richard Houston after J Reynolds - `Miss Kitty Fischer`, black and white mezzotint, inscribed, 12.5" x 8.5", framed

THELMA HILLS - BEACH SCENE, CANVAS BOARD, A LITHOGRAPH BY AUGUSTUS JOHN,SELF PORTRAIT 1957, PROVENANCE BOUGHT BY THE LATE OWNER FROM GOLDMARK GALLERY, UPPINGHAM AND A MEZZOTINT OF BURY POMEROY CASTLE, FROM TURNERS LIBER STUDIORUM