We found 6624 price guide item(s) matching your search

* Green (Valentine, 1739-1813). To his Grace Charles Duke of Queensberry and Dover, pub. G.Willison, Oct. 22nd. 1770, mezzotint on laid after G.Willison, good dark impression, scratch letter proof before title, 605 x 425mm, together with another copy of the same image but a later state, together with Clarot (J.), Carl Erz-Herzog von Oesterreich, Vienna, 1796, mezzotint on wove after Edward Stroely, trimmed to plate mark, 695 x 500mm, with, Pether (William), Rembrandt as an Officer of the State (self portrait), n.d. c.1780, mezzotint on laid after Rembrandt, title area remains uncleaned, scratch letter proof before title, thread margins, 505 x 355mm (4)

* Green (Valentine, 1739-1813). Winter, pub. N.Drake, April 22nd. 1776, mezzotint on laid after N.Drake, good margins, proof before title and letters, 330 x 425mm, together with another copy of the same image but later state, with, Payne (G.T.), Cromwell dissolving the Long Parliament, pub. Maclure & Macdonald, n.d., c.1850, mezzotint on wove after B.West, trimmed inside plate mark, 415 x 540mm, with, Earlom (Richard), The Child Restored to his Family by the Newfoundland Dog, Plate 2. pub. Robert Laurie & James Whittle, June 24th. 1803, [but later], mezzotint after Eckestein, trimmed to plate mark and laid on later card, 480 x 615mm, with, Green (Valentine), Bayard classical engraving, pub. J.Boydell, Feb. 1st. 1774, mezzotint after Benjamin West, laid on later linen, proof before title, frayed and torn with some loss, 635 x 520mm, together with six other engravings, various sizes and condition (11)

* Green (Valentine). The Wise and Foolish Virgins, Pub. V & R Green Jan. 1st. 1795, mezzotint on wove after G.Schalcken, good margins, old fold in upper right corner, 550 x 610mm, together with another example of the same image, but a later state, with Watson (James), A Sacrifice to Hymen, pub. March 1st. 1784, mezzotint on wove after Sir Joshua Reynolds, trimmed to plate mark, 510 x 610mm, fifth and final state, With Murphy (John), Joseph’s Bloody Garment Brought to his Father, pub. John Boydell Jan. 1st. 1782, mezzotint on laid after Guerchino, good dark impression, good margins, 535 x 615mm, mounted, with one other similar (5)

* Grozer (Joseph). Morning or the Benevolent Sportsman, [and] Evening or the Sportsman’s Return, 1795, fine pair of mezzotint engravings on wove after George Morland, printed in colours with some additional contemp. hand colouring, profesionally re-margined, each approx. 490 x 610mm (2)

* Hodges (Charles Howard, 1764-1837). Bacchanal, pub. John & Josiah Boydell, August 1st 1789, uncoloured mezzotint on laid paper, by C. H. Hodges after Rubens, a good impression, with margins (except lower margin trimmed to plate mark), 480 x 605mm, together with Murphy (John), , Hiram King of Tyre, sends presents to King Solomon, pub. John & Josiah Boydell, March 1st 1790, fine uncoloured mezzotint on laid by John Murphy after Eeckhout, with margins, plate size 480 x 605mm, plus Smith (John Raphael, 1752-1812), Belisane & Parcival under the Enchantment of Urma, pub. J. R. Smith, August 25, 1782, uncoloured mezzotint after Henry Fuseli, a somewhat weak impression, with margins, plate size 455 x 560mm, and Blackmore (Thomas, c. 1740-c. 1780), Sigismonda, uncoloured mezzotint by Thomas Blackmore after Richard Cosway, on laid paper, a rich dark impression (only state), inlaid to later paper margins, and horizontally folded for album use, 380 x 280mm, plus four other late 18th-century uncoloured mezzotints after Old Masters, including Vernet, Van Huysum, etc. (8)

* Houston (Richard 1721-1775). Haman Condemnation, pub. John Boydell, August 24 1775, uncoloured mezzotint by Richard Houston after Rembrandt, a fine impression of the published state, with margins, some minor foxing, plate size 505 x 355mm, mounted, together with Hodges (Charles Howard, 1764-1837), The Shipbuilder, uncoloured mezzotint, proof before letters, a fine dark impression on laid, with margins, a few marks, one or two short closed marginal tears (one closed tear to upper left, repaired to verso), plate size 440 x 560mm, plus Houston (Richard, 1721-1775), The Syndics, pub. R. Sayer & J. Bennett, 20th January 1775, uncoloured mezzotint by Richard Houston after Rembrandt, trimmed within plate mark, 452 x 515mm, and, Ward (James, 1769-1859), The Centurion Cornelius, pub. Messrs. Wards & Co., April 10, 1800, uncoloured mezzotint on wove, by James Ward after Rembrandt, a good impression, margin partially torn to plate mark on right hand side, 580 x 650mm (4)

* Jones (John 1745-97, ). Mr. Henderson, pub. May 30th. 1783, half length mezzotint portrait after Thomas Gainsborough, scratch letter proof, thread margins, laid on later paper, 385 x 280mm, mounted, together with, Scott (Alexander), [Rear Admiral Sir James Clark Ross, D.C.L., F.R.S.], n.d. c.1845, mezzotint portrait, india on wove after Stephen Pearce, proof before title, facsimile signature below image, old fold and scratching affecting image, 540 x 420mm, mounted (2)

* Josey (Richard). [The Blackmoor Vale Hunt], pub. Stephen Pearce, May 17th. 1882, mixed-method engraving on india wove after Stephen Pearce, proof before title and letters, signed in pencil by artist and engraver, 610 x 820mm, with another copy of the same image with early hand colouring, together with Scott (James), [Willoughby Hurt Sitwell Esq.], pub. Henry Graves & Co., Jan. 10th 1862, mezzotint on wove after Stephen Pearce, proof before title, facsimile signature of Willoughby Sitwell in lower right margin, small margins, 610 x 790mm (3)

* Kirkall (Elisha 1682-1742). [Adoration of the Shepherds], 1724, chiaroscuro woodblock and mezzotint engraving on laid after Perin del Vaga, trimmed to printed margins and laid on later card, 420 x 565mm, together with two smaller chiaroscuro engravings on laid after L. Cheron, both male nude studies, small margins and both approx. 235 x 305mm (3)

* Landseer (Thomas). Laying Down the Law, pub. Thomas McLean. Feb. 1st 1843, mezzotint on wove, after E. Landseer, trimmed inside plate mark, several closed tears affecting image, laid on later card, 680 x 670mm, together with Wass (Charles Wentworth), The Puppy and the Frog, pub. Messrs. Fores, 1852, mixed-method engraving on wove after E.Landseer, large margins, 500 x 590mm, with one other similar (3)

* Lens (Bernard I, 1659-1725). Gulielmus D.G. Anglice Rex & ct., pub. E.Cooper, mezzotint engraving on laid, after J. Van Wyck, thread margins, 310 x 230mm, mounted on modern paper, together with Gulielmus D.G. Mag. Brit. Fran. et Hiber. Rex &c. pub. E.Cooper, mezzotint engraving, thread margins, repaired tears affecting image, 425 x 260mm, mounted, with Smith John I. 1652-1742, Gulielmus Tertius D.G. Anglice Scotiae Franciae et Hiberniae Rex &c, mezzotint engraving on laid, after Godfrey Kneller, thread margins, 345 x 250mm, together with another five mezzotint portraits of King William III, various sizes and condition (8)

* Lewis (Charles G.). [Hawking in the Olden Time], pub. Graves & Warmsley, Jan. 1st. 1842, mezzotint on india wove, after Edwin Landseer, proof after letters but before title, occ. marginal closed tears, 640 x 740mm, together with Cousins (Samuel), Return from Hawking, pub. Thomas Boys, 1853, large mezzotint engraving after Edwin Landseer, trimmed to plate mark, laid on linen, 635 x 910mm (2)

* Lewis (Charles G.). Shoeing, n.d., c.1870, large mixed-method engraving on wove, after Sir Edwin Landseer, slight dust soiling, 700 x 540mm, with another state of the same image, together with Study of a Donkey’s head, 1882, mezzotint on india wove, proof before title and letters but after publication line, good margins, 555 x 460mm, with, Study of a Cart horse, n.d., c.1860, mixed method engraving on india wove, proof before letters and title, good margins, 425 x 480mm, with two other similar equestrian mezzotints, various sizes and condition (6)

* Lewis (Charles G.). The Melton Breakfast, pub. Hodgson & Graves, Oct. 1st. 1839, mezzotint on wove after F.Grant, good margins, toned overall, 565 x 800mm, together with, Simmons (William Henry), Untitled horse racing print, n.d., c.1860, large mixed method engraving, scratch letter proof before title, toned overall and laid on linen, 645 x 1020mm (2)

* Lucas (David, 1802-1881). The Lock, uncoloured mezzotint on wove, pub. F. G. Moon, June 2, 1834, some light mount staining, plate size 695 x 520mm. Shirley 35, published state i/iv. (1)

* Lucas (James G. S.). Mazeppa, pub. F. G. Harding, October 1831, coloured mezzotint by James G. S. Lucas after Horace Vernet, published state on wove, some foxing and pale toning, with margins, several short closed tears to margins, plate size 380 x 470mm, together with six other impressions of the same work, one or two trimmed within plate mark, one or two later impressions, etc. James Seymour Lucas worked in London around the middle of the 19th century as a line and mezzotint engraver of landscapes, biblical and historical subjects after his contemporaries and 18th century painters (Ian Mackenzie, British Prints, revised ed., 1998, p. 240). (7)

* Martin (John, 1789-1854). [Illustrations of The Bible, pub. Charles Tilt, 1838], twelve (of 20) mezzotint engravings, all proofs, before or with letters, most dated 1831-35, seven with handwritten presentation inscription in ink to lower right corner (generally within plate mark), from the artist John Martin to the editor of the Morning Herald: ‘Editor of the Morning Herald with the Artist’s Compts’, some light foxing, mainly to margins, a few minor marginal stains, with orig. plain wrappers, worn and det., the upper wrapper with mounted paper title inscribed (in a different hand) ‘Mezzotinto Engravings by John Martin. Presented by the Artist to the Editor of the Morning Herald’, oblong folio, sheet size 290 x 425mm. The plates present are The Expulsion, Fall of Babylon, Hall of Ninevah, Psalm CXXXVII, Moses breaketh the Tables, Joshua commanding the sun to stand still, Destruction of Pharaoh’s Host, Fall of the Walls of Jericho, Belshazzar’s Feast, Seventh Plague, The Covenant, and The Deluge. (1)

* Martin (John, 1789-1854). The Destroying Angel, pub. J. Martin, and Ackermann & Co., October 1st 1835, uncoloured mezzotint by Alfred Martin after John Martin, a good impression on wove paper of the published state, some light waterstains to edges, some light backboard staining, with margins, plate size 380 x 490mm, together with Macbeth, pub. Walter B. Tiffin, August 1st 1828, uncoloured mezzotint by Thomas Lupton after John Martin, the published state on wove, with margins, some marginal soiling, plate size 320 x 405mm (2)

* Martin (John, 1789-1854). The Eve of The Deluge, pub. James Gilbert and H. Graves, October 1st 1842 [or slightly later], uncol. mezzotint on wove, some surface wear and toning, archivally restored, plate size 470 x 670mm, together with two impressions of Belshazzar’s Feast, one uncoloured and trimmed within plate mark (some repairs and re-lined), the other a hand-coloured impression, overall browning, with margins (sheet size 620 x 830mm), plus two impressions of Departure of the Israelites from Egypt, by E. P. Quilley after David Roberts, pub. 1832 (both browned and with some wear and damage) (5)

* Martin (John, 1789-1854). Belshazzar’s Feast, pub. London, J.Martin, Mr. Ackermann, Messrs. Moon, Boys & Graves and Paris, M. Victor Morlot, 1832, mezzotint on wove, small margins, occ. marginal closed tears not affecting image, 585 x 810mm (1)

* McArdell (James). Cupid and Psyche, n.d., c.1760, mezzotint on laid, some professional restoration to margins, 415 x 315mm, together with The Mathematician, pub. E.Fisher and Ryland & Bryer, n.d. c. 1760, mezzotint on laid after Rembrandt, small margins, 510 x 355mm, with Daniel Lock Esq. n.d. c.1770, mezzotint on laid after William Hogarth, small margins, 350 x 250mm, with one other similar (4)

* McArdell (James). [Time Clipping Cupid’s Wings], n.d. c. 1750, mezzotint on laid after Anton Van Dyck, good dark impression, thread margins, 510 x 355mm (1)

* Pether (William, 1731-1821). A Philosopher, Dec. 1st. 1775, mezzotint on laid after Rembrandt, good margins, laid on later card, 480 x 435mm, together with, Reynolds (Samuel William), The Right Revd. Reginald Heber, D.D. Lord Bishop of Calcutta, pub. M.Colnaghi, 1827, mezzotint on wove after T.Phillips, good margins, slight spotting, 510 x 355mm, with another two copies of the same image, but different states, with, Dawe (George), Benjamin West Esq., pub. A.Robertson May 10th 1804, mezzotint on wove after A.Robertson, trimmed to plate mark with slight loss, 350 x 245mm, with another copy of the same image , but later state, with, Ward (James), Joseph Wright Esqr. pub. Messrs. Colnaghi & Co., Feb. 1st. 1807, mezzotint on laid by and after James Ward, good margins, 380 x 280mm, with another copy of the same image but later state, with, Faber (John), Anthony Sayer Gentn. Grand Master of the Masons, n.d., c.1717, mezzotint on laid after J.Highmore, trimmed to plate mark, some marginal creasing and staining, 340 x 250mm, with another copy of the same image but different state, with Pether (William), Democritus and Protagoras, pub. John Boydell, Mar. 2nd. 1778, [but later impression c.1825], mezzotint on wove after Salvator Rosa, good margins, 505 x 355mm (11)

* Pether (William, 1731-1821). Helena Forman, Wife of Rubens, pub. June 30th. 1769, mezzotint on laid after P.P.Rubens, dark impression, good margins, 505 x 360mm, together with Blackmore (John), Untitled portrait of a bare breasted woman, n.d. c.1770, mezzotint on laid after Frans Hals, good margins, 330 x 230mm, with one other similar (3)

* Pettit (John). Harley and Old Edwards &c., at the Grave of Young Edwards, pub. William Holland, May 1st. 1787, mezzotint on laid after George Morland, 460 x 560mm, together with, Ward (William), Juvenile Navigators, pub. J.R.Smith, Oct. 28th 1789, mezzotint on laid after George Moreland (sic), good margins, slight mount staining, 455 x 555mm (2)

* Phillips (George Henry). [The Cricket Match between Sussex and Kent at Brighton, 1849], mezzotint and stipple engraving on india wove, proof before title and letters, laid on linen and mounted on a stretcher, toned overall, occ. surface abrasion and small puncture holes affecting image, 670 x 965mm. One of the most famous images of a cricket match. (1)

* Phillips (George Henry, c. 1800-). The Opening of the Sixth Seal, 1830 [or slightly later], mezzotint on wove by G. H. Phillips after Francis Danby, with margins, some waterstains and discolouration to edges, one or two short closed tears and chips to edges, plate size 600 x 780mm. One of a pair of large-scale biblical scenes (the other being The Passage of The Red Sea), produced by Danby in response to the vogue for similar works by John Martin. (1)

* Phillips (George Henry, c. 1800-). The Passage of The Red Sea, pub. M. Colnaghi, January 1 1829, uncoloured mezzotint by G. H. Phillips after Francis Danby, published state, some marks and surface wear, particularly to margins, archivally restored, thread margins 600 x 860mm, together with another copy of the same work, with some stains and overall browning, lower margin trimmed with loss of second line of dedication, linen-backed (2) £100-150

* Pratt (Joseph Bishop, 1854-1910). [His Majesty King Edward VII, pub. Thos. Agnew & Sons, 1902], full length mezzotint portrait on india wove after Luke Fildes, proof before title and letters, signed in pencil by artist and engraver below image, fine dark impression, good margins, 860 x 585mm, together with another state of the same image with open letter title, together with Townley (Charles), Hans Joachim van Zeithen, Berlin 1786, half length mezzotint engraving on wove, after F.C.Cunningham, trimmed to image on vertical margins, thread margins on horizontal margins, 360 x 260mm, with, Turner (Charles), This Plate of Sir Francis Chantrey R.A. &c. &c. &c. is with permission dedicated to Lady Chantrey, pub Mr. Turner, Feb. 2nd. 1843, mezzotint engraving on wove after Henry Raeburn, facsimile signature in lower margin, mount stained, 375 x 290mm, mounted, with ome other similar (5)

* Purcell (Richard). A Jewess, n.d. c.1760, half length mezzotint portrait on laid after Rembrandt, one small repaired hole, 355 x 255mmThe engraver of this print is credited as C.Corbutt. This is a pseudonym for Richard Purcell, an Irish mezzotint engraver of portraits and caricatures who used this alternative name to conceal his identity as a plagiarist of other engraver’s plates. (1)

* Purcell (Richard). [A Tempest], n.d. c.1760, mezzotint on laid after Jules Vernet, trimmed with thread margins, 245 x 355mm, together with, Wilson (James), [Flemish Amusement], n.d. [1771], mezzotint on laid after A.Krause, proof before title and letters, some marginal fraying and creasing, 250 x 330mm, with, Unknown engraver[Flora? with a cornucopia], Jan. 28th. 1779, mezzotint on laid, trimmed to image, margins strengthened on verso, 250 x 245mm (3)

* Pym (B. & Young J.). The Stray’d Child & The Stray’d Child Restored, pub. S.Morgan 1798, fine pair of mezzotint engravings on wove after J.Ward, printed in colours with additional contemp. hand colouring, slight restoration largely confined to margins, small margins, each approx. 485 x 610mm (2)

* Reynolds (Samuel William II). ‘Dreaming’ & ‘Awaking’, pub. Giraldon Bovinet, 1830, pair of mezzotint engravings, some spotting and water staining, laid on card, each approx. 420 x 505mm, together with, Dighton (Robert), A Journeyman Parson going on Duty, [pub. Carrington Bowles], n.d., c.1790, mezzotint droll on laid, early hand colouring, trimmed inside image line with no inscription, 325 x 250mm, with Lowrie (Robert), Cotton Decks of Stanfield in Suffolk Aged 75, a Noted Breaker of Pointers, has attended New Market meetings these 30 years past, is Qualified to Hawk, Hunt &c. by the Honble. Chas. Bertley, pub. Robt. Sayer, n.d., c.1780, mezzotint on laid after John. Nost. Sartorious, old fold affecting image, some marginal staining, 260 x 355mm, with, Say (William), Lincoln Cathedral from the South East, pub. W.Brooke & Sons, Lincoln, Nov. 1st. 1829, mezzotint on wove, trimmed inside plate mark and laid on later paper, 475 x 590mm, with, Cardon (Antoine), Ann Moore, The Fasting Woman of Tutbury. Aged 58 Years, pub. Moseley & Tunnicliffe, Derby, 1812, stipple engraving on india laid, good margins, 305 x 380mm, with Dawe (Henry Edward), ”Poculum elevatum” [&] “Beviamo tutti tre”, pub. H.Dawe, 1836, pair of comic anthropomorphic mezzotints on wove after E.Bristow, some spotting largely confined to margins, each approx. 205 x 270mm, with a mixed collection of another six prints, various sizes and condition (14)

* Ryall (Henry Thomas). Pointer and Partridge, pub. May 1st. 1855, mixed method engraving on india wove, good margins, 405 x 315mm, together with Whessell (John), Parasol, The Property of His Grace the Duke of Grafton, Plate 4th. of Celebrated Running Horses, pub. Edward Orme, March 1st. 1809, mixed method engraving on wove by and after John Whessell, trimmed to plate mark, 415 x 520mm, with Whessell (John), The Hunter’s Stable with a Hackney Waiting, 1827, mezzotint on wove, trimmed inside plate mark, long closed repaired tear running into image, 375 x 490mm (3)

* Say (William, 1768-1834). Trap Ball, 1829, mezzotint on laid after H.Thomson, trimmed to plate mark, 510 x 355mm, together with McArdell (James), [Boy with Spinning Top], n.d., c.1760, mezzotint on laid after P.Mercier, original hand colouring, proof before title, trimmed to plate mark, 330 x 230mm, mounted (2)

* Say (William, 1768-1834). Belinda at her Toilet, pub. H.Fradelle, June 24th. 1824, mezzotint on laid after Henry Fradelle, trimmed to plate mark, 585 x 680mm, together with, Othello Relating the History of his Life to Brabantio and Desdemona, pub. H.Fradelle, May 15th. 1826, mezzotint on laid after Henry Fradelle, good margins, 440 x 510mm, with Turner (Charles), The Earl of Leicester’s Visit to Amy Robsart at Cumnor Place, pub. H.Fradelle, June 15th. 1826, mezzotint on wove after Henry Fradelle, good margins, some spotting, water staining and fraying, largely confined to margins, 460 x 555mm, with one other similar (4)

* Sayer (Robert & Bennett, J., pub.). Summer, n.d. c.1780 mezzotint on wove with eight lines of verse below image, professional restoration to lower margin, 505 x 355mm (1)

* Scott (James). Victoria, pub. Thomas Boys, June 28th. 1838, full length mezzotint engraving on India laid, proof before title but after letters, facsimile signature below image, some overall toning, 660 x 490mm, good near contemp. broad veneer frame with gold slip (1)

* Simmons (William Henry 1811-82). The Welcome Arrival, pub. Moore McQueen & Co. Oct. 1st. 1863, mezzotint on wove after J.D.Luard, laid on later card, trimmed inside plate mark, 555 x 690mm, with, Davey (William Turner), [The Last Sleep of Argyll], pub. Manchester and Liverpool, May 1st. 1862, mezzotint on india wove after E.M.Ward, proof before title and letters, signed in pencil below image by both artist and engraver, good margins, laid on linen, 735 x 800mm, together with another copy of the same image but later state (3) £100-150

* Smith (John I 1652-1742). Johannes Smith, 1716, half length mezzotint portrait on laid after Godfrey Kneller, 340 x 255mm, together with, Lupton (Thomas Goff), Richard Earlom Esq., pub. Hurst Robinson & Co. Successors to J & J Boydell, Feb. 1st. 1819, circular mezzotint on wove after G.Steuart, fine dark progress proof, together with another copy of the same image but a later state, 150mm diameter, with Kingsbury (Henry), James Northcote, c.1790, mezzotint on wove after P.Hoare, good margins, 275 x 220mm, with another copy of the same image but earlier state (5)

* Stacpoole (Frederick). The Offer, & Accepted, pub. Moore, McQueen & Co., Wednesday 22 August 1866, & Henry Graves & Co., Monday 27 May 1867, respectively, a pair of uncoloured mezzotint engravings on india wove, by Frederick Stacpoole after Thomas Faed, some browning and mount staining to each, adhesion staining to margins of each, plate size 730 x 525mm, together with a proof before letters of each, both signed by the artist Thomas Faed in pencil to lower margin, some toning, both backed with archival tissue, plus one other unsigned proof before letters of The Offer (5)

* Stacpoole (Frederick). ‘The Scotch Gamekeeper’, pub. Henry Graves & Co., July 1st. 1858, mezzotint on wove after R.Andsell, good margins, some spotting and staining, 795 x 600mm, with another copy similar, together with Lucas (Alfred), ’The Gillie’ & ‘The Gamekeeper’, pub. Jan. 18th. 1873, pair of mixed-method engravings, laid on card, each approx. 560 x 390mm, with Ryall (H.T.), The Keeper’s Daughter, pub. The Glasgow Art-Union [and Henry Graves & Co.], 1853, mixed-method engraving on india laid, after W.P.Frith & R.Andsell, good margins, 630 x 530mm, together with one other similar (6)

* Stacpoole (Frederick). [Crossing the Tay], pub. Henry Graves & Co. May 1st. 1860, mixed method engraving on india wove after Frederick Tayler, good margins, toned overall, 655 x 930mm, together with Scott (James), Sportsmen Halting at a Highland Bothy, [1856], mezzotint engraving after Frederick Tayler, good margins, toned overall, laid on thin card, one small closed tear to image, 600 x 900mm (2) £150-250

* Stubbs (George). Eclipse, the property of Capt. O’Kelly, was got by Mask when in the Possession of Mr. Wildman.... pub. Laurie & Whittle June 4th. 1804 (but later impression, c.1949), mezzotint on wove, 250 x 350mm, mounted with, Giller (William C.), Painter, A Celebrated Retriever the Property of E.Chimery Esq., pub. W.Raddon, Dec. 1st. 1827, mezzotint on wove after A.Cooper, good margins, 305 x 345mm, with Turner (Charles), Mr. Saml. Chiffney, 1807, mezzotint on wove, printed in colours, thread margins, 465 x 320mm, with two others similar First item described. George Stubbs, The Complete Engrave Works, Lennox Boyd, Dixon & Clayton, no.144. (5)

* Turner (Charles). This Portrait of Thos. Wm. Coke Esq. M.P. for the County of Norfolk, is Humbly Dedicated to the Agriculturists of the United Kingdom by their obedt. Servts. J & W Freeman, 1814, full-length mezzotint portrait after T. Lawrence, trimmed inside plate mark and laid on later card, 680 x 420mm, together with Thos. Willm. Coke Esq. M.P. for Norfolk, 1819, half-length mezzotint portrait after T.Laurence, dec. engraved mount border, good margins, occ. spotting, 485 x 360mm (2)

* Turner (Charles). To the King’s most Excellent Majesty, this print of the late Admiral Sir Richard King, Bart., Vice Admiral of the Red and Commander in Chief at the Nore, is with his Permission most humbly dedicated, 1835, half-length mezzotint portrait on wove after T.Saunders, good margins, 505 x 355mm, together with Smith (John), The Right Honble. Sr. George Rooke Vice Admiral of England &c. Admiral and Commander in Cheife of Her Majesties Fleet &c. and one of Her Majesties most Honourable Prive Council, 1704, half length mezzotint portrait on laid after M.Dahll, narrow margins, 345 x 260mm, with, Faber (John), The Honble. Sr. Charles Wager Knt., Admiral of ye Blue Squadron of his Maj.ties. fleet & one of ye Lds. Commiss.rs. of ye Admiralty &c., 1732, half length mezzotint portrait on laid after T.Gibson, good margins, 350 x 250mm, together with another six half length portraits of British Admirals, occ. duplicates, various sizes and condition (9)

* Turner (Charles). The Recruit, pub. Edward Orme, 1803, mezzotint on wove, printed in colours, after John Eckstein, good margins, 530 x 410mm, together with Green Valentine, To Sir Peter Parker Bart. Vice Admiral of the White. This Representation of the distressed situation of His Majesty’s Ships Hector and Bristol when Dismasted in the Great Hurricane Oct. 6th 1780, pub. Wm. Elliott April 30th 1784, mezzotint on laid, after Lieut. Willm. Elliott, printed in colours with additional near contemp. hand colouring, small margins, 280 x 400mm, with another copy of the same image (but later state), and two other similar, various sizes and condition (5)

* Turner (Charles). [The Marlborough Family], Oct 24th 1815, large mezzotint on laid after Sir Joshua Reynolds, proof before title but after letters, narrow vertical margins, 840 x 670mm (1)

* Turner (Charles). ‘Shot’, pub. R.Ackermann March 1st. 1831, fine mezzotint on wove after J.S.Cooper, printed in colour and heightened with body colour and gum arabic, good margins, 690 x 495mm (1)

* Turner (Charles, 1773-1857). John Robison L.L.D., Professor of Natural Philosophy in the University of Edinburgh half length mezzotint portrait after Henry Raeburn, 510 x 360mm, framed and glazed in good 19th century stained wood frame, together with, Jones (John), 1745-1797, Joseph Edmondson Esq, Dec. 22nd., 1787, half length mezzotint portrait after T.Beach, on laid with good margins, 510 x 355mm, framed and glazed, with Ward (James), 1769-1859, The Honorable Henry Erskine, pub. A.Lawrie, mezzotint portrait after Henry Raeburn, good margins, 510 x 355mm, framed and glazed in good 19th century stained wood frame with gold slip, together with another five similar portraits, various sizes and condition (8)

* Turner (Charles, 1773-1857). Mr John Jackson, pub. C.Turner, May 19th 1810, mezzotint portrait on laid after B.Marshall, small margins, partially strengthened on verso with linen, 640 x 455mm, together with, Mr. John Jackson, pub. C.Turner, April 14th. 1821, half-length mezzotint portrait on laid, some surface spotting and staining, good margins, 360 x 255mm. Two unusual portraits of the bare-knuckle prize fighter John Jackson Esq. (2)

* Turner (Charles, 1773-1857). ‘Hebe’, pub. Alex. Smith, Feb. 13th. 1817, mezzotint on wove after Huet Williams, printed in colours, small margins, 505 x 340mm, with another duplicate image but an uncoloured proof impression before title and letters, tipped on to later card, together with ‘Venus’ [and] ‘Luna’ pub. R.Ackermann, June 2nd. 1809, two mezzotint engravings on wove after Huet Williams, Venus with orig. hand colouring, good margins, 300 x 235mm, with another uncoloured duplicate image of Venus (4)

* Turner (Charles, 1773-1857). Walter Scott Esq., pub. R.H.Cromek, Jan. 18th. 1810, mezzotint on laid after Henry Raeburn, small margins, slight marginal toning, 540 x 375mm, together with another copy, but trimmed to image with loss of publication line and laid on later paper (2)

* Turner (Charles, 1773-1857). His Highness Prince Blucher of Wahlstadt, General Field Marshal of the Prussian Armies....., pub. R.Ackermann, 1st. August 1815, mezzotint portrait after C.Back, trimmed inside plate mark, 630 x 520mm, framed and glazed (1)

* Turner (Charles 1773-1857). The 2nd. Marquess of Londonderry, [1822], full length mezzotint on laid after Sir Thomas Lawrence, proof before title and letters, good margins, some marginal closed tears just affecting plate mark, 820 x 540mm, together with another two later states of the same image, with Sanders (George), Bernard Edward Howard Duke of Norfolk, K.G., pub. Thomas Mclean, May 2nd. 1842, full length mezzotint on wove after H.W.Pickersgill, slight spotting and creasing to margins, 730 x 480mm (4)

* Turner (Charles 1773-1857). Hawking, pub. Alexander Finlay, 24th October 1816, mezzotint after J.Howe, dark impression, slight spotting and mount stained, laid on modern card, 560 x 630mm, together with a preliminary etching of the same image (2) £200-300

* Turner (Charles 1773-1857). ‘Going Out’, ‘Coursing’ & ‘The Death’, pub. R.Ackermann, Jan. 1st. 1821 [but later impression, c. 1835], three (of 4) mezzotint engravings on wove after Richard Jones, printed in colours, good margins, slight spotting, 385 x 500mm (3)

* Ward (William). The Farmers Stable, pub. Thos. Macklin, Jan. 1st 1792, colour printed mezzotint on laid, after George Morland, some spotting to margins, 485 x 615mm, framed and glazed (1)

* Ward (James, 1769-1859). A Poultry Market, pub. Messrs. Wards & Co. May 1st 1803, uncoloured mezzotint engraving on laid, by and after James Ward, margins strengthened on verso, 490 x 615mm (1)

* Ward (James, 1769-1859). [George III on his Charger Adonis, 1800, ] mezzotint on laid after W.Beechey, proof before letters and title, good margins, laid on later paper, some spotting largely confined to margins, 655 x 550mm (1)