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JAMES MCARDELL AFTER SIR JOSHUA REYNOLDS - "Lady Charlotte Fitzwilliam", mezzotint, 13" x 9", another similar; and Thomas Trotter after Sir Joshua Reynolds "Lord Morpeth", engraving, 15 1/4" X 10 1/2" (3).

ELLEN JOWETT AFTER SIR HENRY RAEBURN - The Honourable Mrs Bladdy, mezzotint in colours, published c. 1916 by Frost & Reed, 15 1/2" x 12 1/4" and one further similar "Lady Elizabeth Compton" (2).

After Corot; a set of three mezzotint engravings by C Fitzgerald, a pair of watercolours of rural mountain scenes by RJ Lugg, two watercolours by A Harvey Bell, another of a waterwheel by Ethel A Mathews, with seven other pictures and prints (15).

After George Henry Harlowe - Mother and Child on the Bank of a Stream, late 18th Century colour mezzotint with additional near period colour, approx 63cm x 42.5cm, within a carved gilt frame with pierced and foliate decoration.

Norman Hirst - Downland Landscape with Plough Team, early 20th Century mezzotint, signed in pencil, approx 22.5cm x 30cm.

Miss E. E. Milner, after Arthur Devis, Master Simpson, colour mezzotint, signed in pencil, 50cm x 39cm.

M. C. Watling (early 20th century), The edge of the wood, oil on board, inscribed on backboard, 40cm x 30cm.; together with `Peter`, crayon drawing of a spaniel signed Tim 1942, and a colour mezzotint of a girl signed Arthur Cox, both unframed. (3)

* Prints & engravings. A mixed collection of approx. sixty engravings, lithographs and etchings, mostly 18th & 19th century, including foreign topography with several plates on China, mezzotint portraits and genre scenes, portraits and military, including two large gravure plates of sea battles, both framed and glazed (approx.60)

J Watson after F Cotes, Miss Lascelles, mezzotint sold by Ryland and Bryer, 50.5 x 35cm (plate)

Petrus Aquila after Carracci, Leander Amore duce... ad Hero, engraving, 30 x 69cm (plate); with W Ward after Morland, Children Bird-Nesting, published by I R Smith, 1789, coloured mezzotint, 42 x 54cm (visible)

COUSINS (Samuel) Works of Reynolds, volume of 70 mezzotint proofs, some mounted India paper, first `Holy Family` signed in pencil but rather spotted, some leaves blank, occasional spotting or staining but generally clean, morocco gilt rubbed

Mathews`s Gallery of Theatrical Portraits a large album (the spine titled as above)" with c.375 engraved etched mezzotint and lithographed portraits including Charles and John Bannister Master Betty Colley Cibber Mrs Clive Robert Elliston Miss Farren David Garrick John Henderson Edmund Kean John Kemble John Liston Charles Macklin Charles Mathews John Moody Mrs Oldfield Mrs Siddons Henry Woodward Mrs Yates and many others after Dighton De Wilde Zoffany (a group of large mezzotints most trimmed close and with other defects) Opie Lawrence Romney Gainsborough Hudson Northcote and others a few hand-coloured or printed in colours various sizes up to 440 x 580mm. (c.17 x 23in.) corner-mounted on album leaves with contemporary manuscript notes and printed cuttings from Charles Mathews` Gallery a few items removed first few leaves working loose last few leaves with light marginal water-staining engraved bookplate of Sir John Saunders Sebright contemporary half roan edges rubbed upper cover detached large folio (600 x 460mm.) the majority published 1770-1820 compiled c.1825. ***Exhibited: Dramatic Art: Theatrical Paintings from the Garrick Club (ex-catalogue private collection) Dulwich Picture Gallery 1997. Illustrated: [James Gillray] Mrs Siddons as Melpomene sepia aquatint 1784. Despite the absence of conclusive internal evidence this is quite possibly Mathews` own collection of theatrical portrait prints; his collection of paintings and drawings was acquired by the Garrick Club in 1835. Whatever the original provenance " the present collection provides a comprehensive picture gallery of the principal actors of the Georgian stage.

`Admiral Lord Nelson`. 19th century mezzotint engraving by C. Turner after I. Hoppner, R.A. 60 x 40 cm.

After Lemuel Francis Abbott (1760-1803) TO THE SOCIETY OF GOFFERS AT BLACKHEATH a circa 1910 colour reprint of the original 1790 mezzotint, mounted, framed & glazed, 89 by 63.5cm., 35 by 25in.; sold together with a framed bookplate print of Rosapenna Golf Club, Co Donegal (2) Provenance: The Abbott print was originally owned by Lord Rothermere, the owner of Associated Press including the Daily Mail, and gave it to Bill Robertson when he was editor of Golf Illustrate

AFTER JOHN HOPKINS A Tribute to the Memory of the late Vice Admiral Viscount Nelson, Coloured mezzotint engraved by Young and published by Boydell & Co. London, 4th June, 1806, 26 x 20in. (66 x 51cm.) Contemporary maple frame

AFTER THOMAS WHITCOMBE. Capture of La Nerride, Dec 21st, 1797. Coloured mezzotint by Sutherland, published by Jenkins May 1st, 1816. 8 x 10Iin. (20 x 27cm.) Framed; together with a modern reproduction in the manner of the Roux brothers entitled Fregate des Etats-Unis d`Amerique, courant au mouillage - 13 x 17in. (33 x 43cm.) Framed (2)

A group of assorted pictures and prints, including a mezzotint signed Joseph B. Pratt, two reproduction prints after Canaletto, a watercolour of boats at sea signed Lindsey, a pencil sketch attributed to Keith Vaughan of "Art Students", and a reproduction print after Durer. (6)

Robert Charles Peter 1888-1980- Classical figures; mezzotint printed in colours, signed and numbered 1/75, 43x36cm: together with other 20th century oil, watercolour and print studies by various hands, (4)

* Sir Frank Short NEA RA RE RI HRMS 1857-1945- Wooded view; etching with mezzotint in sepia, after a view in JMW Turner`s Liber Studiorum, publ. London, May 1st, 1886, by Robert Dunthorne at the Rembrandt Head in Vigo Street, signed in pencil, 23x30cm: William Wynne Ryland 1732-1783- seated man in a habit; 1793, etching and mezzotint with extensive rocker work printed in brown, on laid, after Rembrandt Van Rijn, 55x38cm: Francesco Bartolozzi RA 1727-1815- Portrait of a young man; etching, annotated proof,Bartolozzi, 54x35cm, (5) (unframed) VAT charged on hammer price

European School/Colonial School, mid 19th century- Townscape with a river in the distance; pencil and monochrome wash, 25.5x41.5cm: English School, 18th century- View of a church on a hill top with woodland; pencil, brown ink and watercolour, 18x28.7cm: English School, late 19th century- "View of Windsor Castle from the farthest point of the playing fields of Eton"; pen and black ink and wash, oval, signed with monogram and dated March 94, 12x18.5cm: Samuel Cousins RA 1801-1887- "Field Marshall The Duke of Wellington KG, First Lord of the Treasury", after Sir Thomas Lawrence PRA, publ June 1828 by M Colnaghi, London; mezzotint, 36x26.5cm: together with four hand-coloured reproduction prints of the seasons after Bartolozzi in matching Belle Epoque gesso frames, (8)

A pair of oil portraits, on canvas, together with a mezzotint portrait of a lady and two other pictures, all framed

Valentine Green (1739-1813) - Mezzotint engraving - Portrait of Charles, Earl of Romney, Viscount Marsham, Lord Lieutenant of the County of Kent and City of Canterbury, 23.5ins x 14ins (margins cropped), in Hogarth frame and glazed

A large mezzotint engraving published by Henry Graves & Co. 1870 depicting numerous Victorian politicians around a table including Marlborough, Disraeli, Walpole, Darby etc. 52 x 74.5 cms. Unframed. (1)

Sir Hubert Von Herkomer R.A., R.O.I., R.B.A., R.W.S., R.I. (1849-1914) - Portrait of a legal gentleman in robes and wig (possibly Charles Arthur Russell, Baron Russell of Killowen - Lord Chief Justice of England 1894-1900. Mezzotint engraving published by Henry Graves & Co. 1900. Signed in pencil by the artist. 40.5 x 53 cms. (1) £50-70

A collection of 18th and 19th century mezzotint, stipple and line engravings by or after Earlom, Zobel, Landseer, Hogarth, Pope, Taylor, Shelley, Smith. All unframed. (10)

After Meissonier by J. Y. Stevenson, Interior of an inn with three men seated at a table, signed in pencil in the margin, Proof Mezzotint, 22.5cm x 28.5cm (20)

AFTER SIR J REYNOLDS, ENGRAVED BY J WATSON, ANTIQUE BLACK AND WHITE MEZZOTINT, Portrait of Lady in Wooded Landscape, 17" x 13"; together with three further 18TH/19TH CENTURY BLACK AND WHITE FIGURATIVE ENGRAVINGS, conditions, vary, various sizes (4)

AFTER J CONSTABLE, ENGRAVED BY D LUCAS, ANTIQUE BLACK AND WHITE MEZZOTINT, DATED 1854, "The Rainbow, Salisbury", 21" x 27"

AFTER SIR T LAWRENCE, BLACK AND WHITE ENGRAVING, "Sir Robert Wigram Bart", 16" x 14"; and AFTER SIR T LAWRENCE, ENGRAVED BY C TURNER, ANTIQUE BLACK AND WHITE MEZZOTINT, Portrait of a Lady seated on a Terrace, 23" x 14" (2)

AFTER J FARINGTON, ENGRAVED BY J C STADLER, ANTIQUE SEPIA MEZZOTINT, PUBLISHED 1793, "View of Carfax and Abingdon from White Beads Oak", 8" x 12"

Eight unframed mezzotint engravings, also a collection of unframed prints, bookplates etc (2).

After JBC Corot; two mezzotint engravings by H Scott Bridgwater "Macbeth and The Witches" and "Danse des Bergers", signed in pencil to the margin, published 1929 by the Museum Galleries, London, 38 x 48cm, glazed gilt frames.

After Michel Vincent Brandoin (Swiss 1773-1807) Elegant company in a grand interior Mezzotint by Richard Earlom published by R. Sayer August 15th 1772 47 x 56cm; 181/2 x 22in With a quantity of French and English engravings from the 18th and 19th Century some prints taken from books and reproductions and an unframed etching by Norman Wilkinson of a river with a salmon leaping all unframed + + Trimmed to plate mark a fold down the middle tatty and scuffed in some areas. Norman Wilkinson - paper very time stained from mount line out to the margins of the sheet

A mezzotint - after George Romney, Lady Hamilton as a Bacchante, engraved by Sidney Wilson, 16 x 12in., moulded gilt frame

AFTER THOMAS PHILLIPS. Portrait of Thomas Arnold, D.D., Headmaster of Rugby School, mezzotint engraving, published by J. Ryman, May 29th 1840, 16 1/2 x 13 in; a prtrait engraving of `Thomas Noris, Esq` after J. Linnell, 1837 ; and a portrait engraving by S.W. Reynolds (after T. Phillips ) depicting The Right Rev. Reginald Heber, D.D. (3)

After Sir John Everett Millais Bt PRA 1929-1896- "Pampona", by Samuel J Cousins RA, publ Oct 2nd 1882 by Arthur Tooth & Sons; mezzotint, signed by both artist and engraver, 51x37cm

After John Constable RA 1776-1837- "Salisbury Plain; The Lock at Flatford Mill"; etching and mezzotint on Chine Volant, presumably by David Lucas 1802-1881, 18x22cm, ea, held in matching silver gilt frames, (2)

* John Linnell RA 1792-1882- "The Rev F R Malthus....."; publ. by Dominic Colnaghi & Co, Pall Mall East, January 1st 1834 for John Linnell, Bayswater, mezzotint, initialed and dated within the plate, good rich impression, 45x35cm: together with other 18/19th century engravings and mezzotints by and after various hands, to include P Pontius, I.G & G. S Facius, Robert Glynn M.D, Francesco Bartolozzi RA, Mr Shone; Charles Hastings M.D and others (10) (unframed)

A PAIR OF 19th CENTURY THAMES TUNNEL PRINTS, an engraving, The Diving Bell, and an early 19th century mezzotint (4)

AN ARTIST`S PROOF COLOURED MEZZOTINT

Hawkins (Thomas). The Book of the Great Sea-Dragons, Ichthyosauri and Plesiosauri ..., Extinct Monsters of the Ancient Earth, with Thirty Plates, copied from skeletons in the author`scollection of fossil organic remains, (deposited in the British Museum), 1st ed., 1840, mezzotint frontis. by John Martin, 29 litho. plts., including one triple-folding, spotting to plates throughout, frontis. a little frayed at fore-margin with small repairs and slight loss to upper outer corner, title browned, recent morocco gilt, large folio (1)

Portrait of an 18th century lady in a landscape, mezzotint, 58cm x 36cm

Girl with a rabbit after Val Green, mezzotint published by Baydell 1772 with a companion, each image size 41cm by 33cm

Four 19th Century coloured floral prints, two others and a 19th Century mezzotint, after early master portrait painter, in oak frame

After George Morland. The Sportman`s Return. Mezzotint by W. Ward. s 48cm x 61cm. Provenance: The Estate of the late Dame Miriam Rothschild. Visit www.dnfa.com for condition reports.

After Thomas Gainsborough. The Morning Walk. Colour mezzotint. p. 57cm x 42cm. Provenance: The Estate of the late Dame Miriam Rothschild. Visit www.dnfa.com for condition reports.

After George Morland. Cottagers. Mezzotint by W. Ward. 46cm x 56cm. Provenance: The Estate of the late Dame Miriam Rothschild. Visit www.dnfa.com for condition reports.

After George Morland. Dog and cat. Mezzotint by J. R. Smith. p. 33cm x 38cm. Provenance: The Estate of the late Dame Miriam Rothschild. Visit www.dnfa.com for condition reports.

After George Morland. The Gipsies Tent. Mezzotint. 45cm x 56cm. Provenance: The Estate of the late Dame Miriam Rothschild. Visit www.dnfa.com for condition reports.

After Francis Wheatley. Going to Labour. Mezzotint by Richard Earlom. p. 49cm x 61cm. Provenance: The Estate of the late Dame Miriam Rothschild. Visit www.dnfa.com for condition reports.

After Rembrandt. Peasant girl. Mezzotint with hand colouring. 46cm x 35cm. Provenance: The Estate of the late Mrs Olive Pearson. Visit www.dnfa.com for condition reports.

After George Romney. James Thomas Paine. Mezzotint by J. Dean. 44cm x 33cm. Provenance: The Estate of the late Dame Miriam Rothschild. Visit www.dnfa.com for condition reports.

After James Northcote. Eagle and serpent. Mezzotint by S. W. Reynolds. p. 49cm x 61cm. Provenance: The Estate of the late Dame Miriam Rothschild. Visit www.dnfa.com for condition reports.

A group of assorted prints and engravings. Including a mezzotint of Edmundas Halley after Sir Godfrey Kneller another of The Hon. Robert Boyle Esq. A pair of hand coloured engravings of Sir Issac Newton and The Hon. Robert Boyle by Houbraken after Kneller, and others (10). Provenance: The Estate of the late Professor Rupert Hall and Mrs Hall. Visit www.dnfa.com for condition reports.

Paul Meredith, Mezzotint "Studland Bay, Dorset", depicting cottages in moonlight, signed in pencil, in black frame, 15cm x 23cm

John Frederick Jnr (1815-1907) After Herring, Feeding time, Mezzotint. After Rhead, Eton-The Chapel. Marchioness of Ailsa, photograph. Officers. Queen Victoria Diamond Jubilee, photograph. After Luke Fildes, Playfellows. After Spalding, `Sailor, Jerry, Lottery`, racehorses, Inventory No119. (6)

Pether (William) An Alchymist mezzotint by William Pether, 580 x 460mm., on wove paper, narrow margins (minimum 5mm.), slight browning with attendant exposure line outside the plate, two minor marginal tears, [Chaloner Smith 44, 4th state with title], Wm. Pether, 1775.

Herkomer (Sir Hubert von, R.A.) Ivy half-length classical maiden crowned with an ivy wreath, mixed-method engraving ("Herkomergravure"), 510 x 410mm., signed in the plate, upper right, slight browning towards sheet edges, framed and lgazed in carved ivy motif frame, [Fine Art Society], [1896]. ***A prime example of the inventive printing technique explored by Sir Hubert von Herkomer, R. A. (1849-1914), usually in collaboration with Norman Hirst (1862-c.1955). This involved creating a monotype by applying ink by hand to a lithographic stone, then producing a photogravure of the result. This he dubbed a Herkomergravure. It could then be enhanced with additional mezzotint or etching to give definition to surfaces and outlines, but the overall result remains very free and spontaneous..

Lucas after Constable. Salisbury Cathedral proof before letters, mezzotint, 570 x 700mm., trimmed within the platemark, outside the image at bottom and side, but unevenly at top, just into upper right image, mounted on board support with some repaired tears, Colnaghi gallery label on backboard, framed and glazed, [S.39], f, 1839.

Say (William) Count Platoff, Hetman of the Cossack portrait in uniform, sash, decorations, and holding hat with cockade under left arm, titled in English and Cyrillic, by W. Say after T. Phillips, mezzotint, ?proof copy, 410 x 290mm., crease upper left corner, slight spotting and surface dirt, 1814.