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Three mezzotint female portraits. After Reynolds, Anne Duchess of Cumberland mezzotint published by James Watson 1773, 69 x 45cm including margins; with Charles Turner after J B Greuze Le Baiser Envoye, mezzotint, 52 x 41cm (trimmed to plate with part loss of lettering); and another female portrait after Reynolds, (3) Provenance: Dalham Hall, Newmarket, Suffolk.

James Gillray Counsellor OP - defender of our Theatric Liberties! hand coloured etching, published 1809 by Humphrey, 34 x 24cm (max); John Martin `Satan contemplating Adam and Eve in Paradise` Book 4, Line 502 mezzotint marked `proof` to lower right corner margin, 22 x 29.5cm including margins (2) 34 x 25cm (13 x 10in) A little browned.

After L.F. Abboll (British, 18th/19th Century), `To the Society of Coffers at Blackheath` study of Georgian Golfers mezzotint, burr walnut frame, 42.5 x 30cm.

A pair of 18th century style mezzotint prints in gilt oval frames

A FOLIO OF ASSORTED PRINTS to include a tinted lithograph of `Nelson, New Zealand` by J. Needham, poor condition; a tinted lithograph of `The Little Lucy` by T. G. Dutton; eight wood engravings of `The Drunkard`s Children`after George Cruikshank, signed and dedicated by the artist on the cover, tears; engravings of `Portrait d`Hassan Pacha` and `Aborde de la Ville d`Alexandrette` by Miger after L. F. Cassas; a mezzotint of `Pointers` by W. Ward after J. N. Sartorius [see illus.]; an etching of `The Earl of Crawford and Balcarres` by G. L. Brockhurst, signed; four etchings by or after C. Meryon, M. Lalanne (inscribed), J. B. Jongkind; and a few others (a lot) ++ Very mixed conditionCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk

WILLIAM STRANG (1859-1929) HEAD OF A PEASANT (Binyon 4; Strang 15) Mezzotint, 1882, signed in pencil 26 x 21cm. ++ Generally goodCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk

NORMAN HIRST, SIGNED IN PENCIL TO MARGIN, MEZZOTINT, ""Sluish Mill Pond"", 7 1/2"" x 10 1/2

After Jacques-Laurent Agasse. (Swiss, 1767-1849). `The RHT HONBLE GEORGE PITT LORD RIVERS` in a clearing with two greyhounds, mezzotint, engraved by I. Porter, published `May 9. 1827. by M. COLNAGHI, 23 Cockspur Street, London`, 48.2 x 35.7cm in a glazed bird`s eye maple frame, the verso with a paper label for `J. C. Brown, Salisbury Street, Blandford, No. 1024`.

Jackson Simpson 'The Landing Net' Etching, signed bottom right, 16 x 24cm, together with three reproduction etchings of dogs, signed by Harry Goffey (1871-1951) and a coloured mezzotint by FG Stevenson (5)

BURNE-JONES, Edward : signed mixed media mezzotint, 390 x 225 mm, Arthur Tooth & Sons, framed & glazed, 1897.

AFTER ANGELICA KAUFFMANN. Vergil reading his Aeneid, colour mezzotint by F. Bartolozzi, Pl. 17 1/4 23 1/2 in; two early nineteenth century watercolours depicting Figures crossing a bridge, and Figures by a river; and a picture depicting two Figures, initialled SB; four (4)

*AFTER SIR GODFREY KNELLER. Portrait of Isaac Newton, mezzotint by George Smith, pl. 14 x 10 in; and three portrait caricature etchings by Robert Dighton titled ‘a View from Magdalen College, Cambridge’; ‘the major part of the Town of Portsmouth’; and ‘A

Abbott, Lemual Francis (b.1760- d.1802) "THE BLACKHEATH GOLFER" c1900 – coloured engraving of William Innes and inscribed below "To The Society of Goffers at Blackheath – This Plate is with just Respect Dedicated by Their most humble Servant Lemuel Francis Abbott" and to the lower right "Engraved by V. Green Mezzotint Engraver to his Majesty the elector Palatine – good plate mark in original frame with gilt slips overall 30.75" x 22.25". Note: This was the first golf print to be published in 1790 and pictured William Innes The Captain of The Society of Golfers at Blackheath in 1778

Victorian oval watercolour miniature portrait of a child, in papier mâché frame, late eighteenth century oval mezzotint of a young lady and dog and one other nineteenth century tinted print - Morning Walk (3)

AFTER J. BRISTOW, 19th century school ""The Duellists"", engraved by C. Turner, mezzotint, 11.5"" x 14"", and the companion work (2)

After John Sell Cotman, Millbank on the Thames, 16cm x 24cm; and a mezzotint by Samuel William Reynolds of Caernarvon Castle, (2)

Henry Scott Bridgwater (1864-1946) after John Hoppner R.A. Miss Bingham Signed and stamped Mezzotint published 1910 by P & D Colnaghi & Co. 40 x 33cm; 15¾ x 13in ++Full margins not visible good condition

‡ Norman Hirst (1862-1956) after John Hoppner Portrait of Mrs. Susan Ghyll Signed and stamped Mezzotint 44 x 34cm; 17¼ x 13½in ++Good condition

‡ Norman Hirst (1862-1955) After Sir Thomas Lawrence Pinkie portrait of a young girl in a landscape Signed Mezzotint 51 x 33cm; 20 x 13in ++Good condition

Joseph Mallord William Turner R.A. (1775-1851) Gloucester Cathedral The Hare The Boston Stump Mezzotint 19 x 25cm; 7½ x 9¾in A number of mezzotint plates were found in Turner’s house after he died including this plate which has threetitles.Itwasneverprinted in Turner’s lifetime Sir Francis Seymour Hayden took a few impressions c.1873 and it was subsequently sold and then reworked. The source of the composition is the watercolour of 1823-6 in the Tate Gallery. ++Some time staining/damp to the margins not trimmed.

‡ Leonard Russell Squirrell R.W.S. (1893-1979) Notre Dame Paris Signed Mezzotint 28 x 41cm; 11 x 16in ++Good condition

After David Teniers Ducks on a pond Mezzotint by H. Houston printed for John Bowles 35 x 25cm; 13¾ x 9¾in With a circular stipple engraving titled Tobacco Box after J.R. Smith (2) ++1. Seems good although margins not visible 2. some spots offoxing

The Dutch Chymist: mezzotint by J Wilson after Jan Stein, 13¾" x 10"; an 18th century engraving of Robert Boyle; 2 others Physick and Isaac Newton (both a.f.); an etching of glass blowers

WILLIAM WARD, ARA (1766-1826) AFTER PHILIP REINAGLE, RA (1749-1833) THE SUPERB LILY mezzotint, hand coloured, 1799 for Dr Thornton`s Temple of Flora, laid down, 50.5 x 45cm and seven other 18th c hand coloured botanical prints, unframed (8) ++The first with some light overall staining, the other items in the lot in good condition, those hand tinted skillfully done at later date and most attractive

* Glass picture. An exact Representation of the Depositing the Body of her late Majesty Queen Caroline in the Family Vault at Brunswick, Augt 24, 1821..., W.B. Walker, c.1821, hand-coloured mezzotint-under-glass, showing a church interior with Queen Caroline’s coffin under an elaborate canopy, female attendants, guards, and clergy, printed caption below image, sl. loss to upper right corner, image size 23.5 x 35cm (9.25 x 13.75ins), framed, together with The Happy Sportsman, W.B. Walker, c.1810, hand-coloured mezzotint-under-glass, interior scene with a gentleman home from hunting swinging a small child in the air, watched by a seated lady, printed caption below image, piece missing from right-hand edge, image size 22 x 35.5cm (8.75 x 14ins), framed, plus The Stag at Bay, published John Fairburn, Sep. 15th 1794, hand-coloured mezzotint-under-glass, of a hunting scene with dogs and mounted horsemen, some surface damage, printed caption to lower margin below image, image size 24 x 35cm (9.5 x 13.75ins), framed, plus St. John, published I. Hinton, Dec. 13, 1800, hand-coloured mezzotint-under-glass, printed caption to lower margin below image, image size 20.5 x 17.5cm (8 x 7ins), framed, plus another similar of St. Mark, cracked, plus two other glass pictures, The Flight into Egypt, and Adoration of the Shepherds, both damaged, latter with loss, plus a late 18th century embroidery picture of two milk maids, minutely worked in fine black thread on silk, worn, verre eglomise mount, framed, and a late 18th century watercolour in relief of a green Turaco on a branch, framed and glazed -9

* Prints & engravings. A collection of approx. 600 prints, lithographs and engravings, mostly 19th century, including British & foreign topography, mezzotint portraits, genre, architecture, religion, photographs, historical and genre, various sizes and condition (approx.600)

* Duparc (Elisabeth, circa 1720-1778). Signa. Lisabetta Du Parc detta La Francesina, 1737, fine uncoloured mezzotint, half-length portrait on laid paper by John Faber the Younger after George Knapton, published by John Faber at the Golden Head in Bloomsbury Square, 1737, plate size 328 x 226mm (12.9 x 8.9ins), sheet size 355 x 248mm (14 x 9.75ins) The French soprano Elisabeth Duparc, known as La Francesina, appeared regularly in performances of the oratorios and operas of Handel in London, including the title role in the premiere of Semele. -1

* Grassini (Giuseppina, 1773-1850). Giuseppina Grassini, in the character of Zaira, after a portrait by Madame Lebrun, published by Colnaghi & Co., London, 1806, uncoloured mezzotint, by Samuel William Reynolds (1773-1835), light spotting mainly confined to margins, central horizontal crease, 55 x 40cm (22 x 16ins), framed and glazed. Grassini was a celebrated Italian contralto and singing teacher. At different times, she was mistress to both Napoleon and the Duke of Wellington. -1

* Farinelli (Carlo Broschi, 1707-1782). A half-length portrait of the famous castrato Farinelli, 1735, mezzotint half-length portrait by Alexander van Haecken after Charles Lucy, depicting Farinelli (real name Carlo Broschi) within a fictive oval frame, with the music for Handel’s Artaxerxes resting on a ledge in front, several short marginal tears and corner creases, margins trimmed, sheet size 360 x 360mm (14.2 x 10.25ins) -1

* Kelly (Michael, 1762-1826). A half-length portrait of Michael Kelly, shown sitting in typical Regency costume holding a musical score, after a painting by James Lonsdale (1777-1839) engraved by C. Turner, published by Sams, June 1 1825, mezzotint engraving, 33 x 22cm (13 x 9ins), framed and glazed, together with Braham (John, 1774-1856), A half-length portrait of the singer John Braham, after a drawing by J. G. Wood, engraved by A. Cardon, published by John Thompson, March 25 1807, stipple engraving, lightly toned, 35 x 24cm (14 x 9.5ins), framed and glazed. Michael Kelly was famous both as a singer and for an eventful personal life; he maintained an affair with Anna Maria Crouch, who was also having an affair with George, Prince of Wales, despite being married to a naval officer. Kelly had the honour of singing at the last night of the Old Drury Lane theatre before it was demolished. In his retirement from singing he ran a wine shop. -2

* Ward (James). Mrs Billington as Saint Cecilia, after a portrait by Joshua Reynolds, published Messrs. Ward and Co., 1803 [or later], mezzotint with contemporary colour, trimmed to image on three margins, a little scattered spotting, 19th century gallery label to verso, framed and glazed, 65 x 41cm (25.5 x 16ins). Copies of this print are held at the British Museum and the Victoria & Albert Museum. -1

A Regency reverse glass mezzotint, titled First Pledge of Love, published December 1809, by I Hinton, 10 Fox and Knot Court, London, 24 x 19cm CONDITION REPORT: Some losses of paint, mainly to clothes and walls, also to border. Brown, 'gungy' film over whole picture. Surface wear to frame.

Assorted prints to include O'Connell - Jesus Christ and a mezzotint of Lady Hamilton by Sir Joshua Reynolds (4)

J BURFORD "Horse racing" mezzotint on glass & ENGLISH SCHOOL "Death of the fox" & "Full chace" engraving under glass

A late 19th century Abyssinian hide and whitemetal mounted shield (taja):, the circular domed hide with central pointed boss, strapwork and flower head applique, the reverse with hide lining and single handle, label inscribed `Abyssinia 1868`, also together with a coloured mezzotint of Abyssinian tribesman with an example of the shield (2)

ELLEN JOWETT. (AFTER RAEBURN) A Boy holding a Rabbit, colour mezzotint, pencil signed, 19 x 14 1/2 in; a print after Rowlandson depicting Figures eating in a dining Room; and an embroidered picture depicting a cat by a book; three (3)

Coussens: A group of Itinerant Musicians, etching, together with a coloured mezzotint in a gilt frame

Thomas Tompion - a photolithographic portrait, Reproduced from the mezzotint portrait engraved by John Smith after Kneller, 20th century. The likeness wearing a wig and buttoned jacket holding a watch movement in his right hand, within oval reveal and entitled Tho: Tompion. Automatopoeus to lower border and bearing inscriptions G: Kneller Eques. Pinx: and I: Smith fe: et ex: to lower margin, the image 34.5 x 25cm (13.5 x 9.5ins) approx., unframed. The current lot appears to be a photographic reproduction of the famous portrait engraved by John Smith after the original by Sir Godfrey Kneller circa 1710.

A framed and glazed mezzotint artists proof of 'Lady Andover' by Clifford R. James after J. Hopper, blind stamped and pencil signed by James lower right 33.5cm x 26cm

Arthur Cox (engraver) : The Empress Eugenie and her maids of honour, mezzotint in colours, signed in pencil, 50 cm x 68 cm, framed. CONDITION REPORT: Fair condition.

H G Dickins (publisher) : Portrait of a lady in a white dress, mezzotint in colours, indistinctly signed in pencil, 56 cm x 46 cm, together with the companion piece, both parts framed. (2) CONDITION REPORT: Fair condition.

CHARLES H. BOUCHER AFTER W. DENDY SADLER, ETCHING, REMARQUE PROOF `Grandfather` signed by both artists in pencil, published 1909 14 1/4"" x 10 3/4"" (36cm x 27.5cm) IMAGE ALSO two other twentieth century MEZZOTINT ENGRAVINGS (3) EST 40-60

An early 20th century coloured mezzotint engraving after Van-der-velde by Randall Mason, signed in pencil bottom right, 25 x 32 cm, a similar engraving of a young girl and her dog, signed bottom right A Jaymand (?), an interior scene with cardinal examining a statue, a small early 19th century relief profile portrait in plaster of a young woman in black frame with Lowestoft framers label verso, 18 cm diameter, a pair of small black and white etchings after E Sharland of The Quay and Clifton, both signed in pencil, 10 x 6 cm approx in gilt frames, miniature printed and other portraits including example of a lady in 18th century style costume, 14 x 12 cm overall in burrwood style frame, etc

After John Martin (British 1789-1854) THE FALL OF NINEVEH, mezzotint engraving, within a card mount and moulded gilt frame, under glass. 50cm x 80cm *** Nabopolassar, a Chaldean leader, aided by Medes and northern nomads, attacked, looted and destroyed Nineveh, an event that marked the crumbling of the last vestiges of power in Assyria and established the foundations for the Neo-Babylonian Empire. Discolouration to mount and losses to frame^ dirt to underside of glass.

After Thomas Sully, Queen Victoria a colour mezzotint, published 1927 by The Museum Galleries, signed in pencil Will Henderson, limited edition of 400, framed and glazed.

After Reynolds, portrait of a lady, oil on canvas, together with a mezzotint portrait and a further collection of pictures (qty)

DAVID LUCAS after John Constable, a 19th century Mezzotint of a rural landscape, 23"" (59cms) x 202 (51cms).

A 19th century polychromatic mezzotint of the death of Admiral Nelson on his flagship H.M.S. Victory on The Battle of Trafalgar, within an ornately carved frame. H.49cm W.76cm

LATE 19TH CENTURY ENGLISH SCHOOL - Broadway, watercolour, signed in pencil with initials and dated 1891, 24cms x 34.5cms together with limited edition mezzotint ""Early Morning in the Piazza - Orta"" 55/75, 24cms x 35cms (2)

SAMUEL COUSINS AFTER GEORGE RICHMOND - MRS ELIZABETH FRY, MEZZOTINT, MAPLE FRAME

After Jean Baptiste Camille of Corot (19th century French school), 'Macbeth and the witches' and 'the bent tree'. Each signed by the engraver, H.Scott Bridgwater to the lower right, information to verso, mezzotint on paper. H.37cm W.44cm

Sidney E Wilson: `Princess Charlotte`, colour mezzotint, signed by the artist

Tom Phillips, British b.1937- “A Humument”; screenprint in colours, signed and numbered in pencil, 65x42cm: Tom Phillips, British b.1937- “The Composer Schoenberg”; lithograph with screenprint in colours, signed and numbered 4/75 in pencil, 47.5x52.5cm: Anthony Deigan, Irish b.1945- “III”; dry point etching with aquatint printed in colours, signed, dated '69 and numbered 47/75 in pencil, 9x25.5cm (oval plate): Riko Debenjak, Slovenian 1908-1987- Untitled abstract; etching with aquatint printed in colours, signed, dated '61 and numbered 57/95 in pencil, 31x49cm: Terry Wilson, British b. 1948- “Torso and Progressive States”; mezzotint printed in colours, signed, titled and numbered 4/20 in pencil, 45x33cm: together with two further etchings with aquatints by the same hand entitled “Dance Position I” and “Dance Position II”, ea. signed and numbered 47/50, ea.61.5x36cm, (7), (may be subject to Droit de Suite)

Sir William Nicholson NEAC RP, British 1872-1949- "The Library, Christchurch", publ Nov 1905 Trafford Gallery; lithograph printed in colours, signed in pencil, 28x36cm: Thomas Malton, British 1748-1804- "The Sessions House for the County of Middlesex", publ Nov 30 1799 T Malton; hand-coloured engraving; 26.5x33cm: Samuel William Reynolds, British 1773-1835- "To-Night" after A L Egg, publ Ackermann & Co; hand-coloured mezzotint, 43x35.5cm: together with a small quantity of other engravings by and after various hands, (a lot)

John Keyse Sherwin, British 1751-1790- The Right Honble William Pitt First Lord of the Treasury Chancellor of the Exchequer &c, after Thomas Gainsborough, publ 15th June 1789 by J K Sherwin No 67 New Bond Street and R Wilkinson No 58 Cornhill; copper engraving, in a glazed Hogarth style frame, 49x34cm: Thomas Hodgetts & Sons, British act 1801-1840- Prince Charles Edward, after Louis Tocque; mezzotint, in a glazed ebonised moulding frmae, 28.5x20cm: Robert Field, British 1769-1819- Charles, Duke of Richmond, after George Romney; mezzotint, bears inscription within the plate, in a glazed ebonised moulding frame, 25.5x19cm., (3)

A parcel lot of framed prints to include Hand-tinted mezzotint of William Innes and caddy, engraved by Valentine Green, from the painting by Lemuel Francis Abbott, inscribed `To the Society of Goffers at Blackheath. This Plate is with just Respect. Dedicated by Their most humble Servant, Lemuel Francis Abbott.`, pair of colour lithographs, the driver and guard of 1832, pair of coloured etchings by H ALKEN of a bull tossing a man and men watching a dog fight, Le Blond print, and two SIMON DREW limited editon prints.

A 19th Century coloured mezzotint in the round depicting two young girls, in the round, mounted in glazed gilt gesso frame.

Frances Seymour Haden 'A Salmon Pool on the Spey' Mezzotint and two others, and three owl prints (6)

A Wedgwood Watteau tea set, and a coloured mezzotint, Prince Charles Edward (box)

FRANCIS PLACE AFTER GERALD SOEST Portrait of Richard Thompson Dealer (1659-1693), Auctioneer and Publisher, mezzotint, publishes by Pierce Tempest, circa 1693 26 x 21cm