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William Dickinson after Sir Joshua Reynolds (1723-1792), Portrait of Diana, Viscountess Crosbie, mezzotint, 87.5 x 61cm overall including gilt frame

George Morland (British, 1763 -1804)'Temptation'A young woman sitting at a table under a tree in front of a cottage, on which food and drink is laid out with a basket with a board advertising 'Spice Nuts', looking up to left at a handsome soldier who makes a bow, holding a tassell in right handoil on canvas,45 x 36cm.Engraved in mezzotint by William Humphrey in 1790Provenance; Probably sold Christie's, London. May 9th 1896,William Lee, Downside, Leatherhead by 1882.Exhibited; Royal Academy London, Royal Academy Exhibition of Old Masters, 1882. No. 25 as 'The Fruit Seller'

19th century English School, mezzotint, Portrait of Sir Walter Scott, 33 x 26cm and later photo print of Robert Burns, 32 x 26cm, in matching Victorian rosewood frames

Mezzotint engraving of an 18th century game of golf with red-heeled gentlemen in a picturesque countryside made by Lawrence Josset (English, 1910-1995). Title in pencil on lower center: "The Practice Shot." Signature in pencil on lower right: Lawrence Josset. Sight size: 18.90"L x 13.90"H. Frame size: 25.75"L x 20.90"H x 1"W. Artist: Lawrence JossetIssued: c. 1960Country of Origin: EnglandCondition: Age related wear.

Leonard Russell Squirrell RWS RI RE (British,1901-1979), 'Terrington St. Clement', mezzotint, signed in pencil, 9.5x13ins, framed and glazed.

Terborch 'The Concert', colour print 54.5 x 44.5cm. Jessie R Furber signed Mezzotint 'Little Mozart'. Religious print, G. Cautley, County House scene, oil painting (4).

Geology & Palaeontology.- Mantell (Gideon) The Geology of the South-East of England, first edition, half-title, lithographed frontispiece and 5 plates, one folding, folding hand-coloured map, illustrations, plates lightly foxed, original boards, uncut, rubbed, rebacked, 1833; Thoughts on a Pebble; or a First Lesson in Geology, seventh edition, presentation copy from the author to the Hon. Mrs Thomas, 2 hand-coloured lithographed plates, illustrations, 4pp. advertisements at end, with T.Pc.s. to Michael Kerney from A.E.Ellis thanking for the loan of the work loosely inserted, 1846; The Wonders of Geology..., 2 vol., sixth edition, mezzotint frontispiece of Iguanadon by John Martin (foxed), hand-coloured lithographed map, 5 lithographed plates, 2 hand-coloured, 1848; The Medals of Creation; or, First Lessons in Geology, 2 vol., second, revised edition, 6 lithographed plates, 4 hand-coloured (the other two foxed), folding plate, [1853]; Geological Excursions round the Isle of Wight, first edition, 1847; Petrifactions and their Teachings, first edition, engraved frontispiece (foxed), 1851, plates and illustrations, all but the first original cloth, a little rubbed, some spines slightly faded, the last with defective spine (detached); and 4 others by or about Mantell including an eighth edition of Thoughts on a Pebble, 8vo & small 4to (12)⁂ The first includes Mantell's account of his discovery of a fossilised dinosaur in the Weald in 1832. This was the first armoured dinosaur recorded and which he named Hylaeosaurus.

A MEZZOTINT PORTRAIT OF THOMAS CHUBBAFTER GEORGE BEARE (act.1743-1749)a black and white mezzotint engraving by Gerhard Bockman (1686–1773), 'Mr. Thomas Chubb Aetat: 68, A:D: 1747.', in a glazed ebonised frame46.8 x 38.8cmProvenanceThe property of a collector, Stirling House, Salisbury.Catalogue NoteThomas Chubb (1679-1747) was a Deist writer, native to Salisbury. His key work 'A Collection of Tracts on Various Subjects' (1730) is illustrated in the mezzotint offered here, the spine of the book to right of the sitter bearing the title 'CHUBBS TRACTS'.

A MEZZOTINT OF GEORGE III KING OF GREAT BRITAINBY CHARLES SPOONER, AFTER JEREMIAH MEYER50 x 35.4cm ProvenanceA private collection, Salisbury.

Smith after Riley, mezzotint, 'Mrs Connai Hackett', 32 x 25cm and two other mezzotints after Reynolds and Kneller

After Sir Thomas Lawrence PRA FRS (1769-1830), mezzotint engraving, Mrs Siddons, signed to the lower right margin Ellen Jowett, framed, mounted, & under glass, 38cm x 48cm, & 60cm x 70cm overall

After George Romney (1734-1802), mezzotint engraving, 'Lady Hamilton with a dog', signed to the margin Ellen Jowett, title verso, framed, mounted, and under glass, 35cm x 45cm, & 60cm x 72cm overall

John Cother Webb (British 1855-1927) after Joseph Mallord William Turner RA (British 1775-1851): 'Ulysses Deriding Polyphemus', coloured mezzotint signed in pencil pub. Museum Galleries, London 1928, 34cm x 52cm

José Pedro Croft (b. 1957)Untitled, 2004Dry point, mezzotint and aquatint on paperSigned and marked PE (state proof)Ed. 10 plus 10 AP55x75,4 cm (mancha/image)56,5x76 cm (papel/sheet)

José Pedro Croft (b. 1957)Untitled, 2010Aquatint, mezzotint and dry point on paperSigned and numbered 12/12Literature:"José Pedro Croft. gráfica/gravura 2010", Galería La Caja Negra Ediciones, pp. 32-33.99x139,5 cm (mancha/image)110x150 cm (papel/sheet)

Arthur Leonard Cox, British 1879-?- Small girl presenting cherries, after John Russell; mezzotint, signed in pencil 'Arthur L. Cox' (lower right), inscribed 'Copyright, September 1st 1922. James Connell & Sons, Limited, 47 Old Bond Street, London, and, 31 Renfield Street, Glasgow' (upper centre), bears old label on back, 27.5 x 22.7 cm:  together with a selection of framed prints, four (4) portraits and one (1) scene of Regent Street, six (6). 

John Jones 18th century mezzotint after George Romney, The Right Honble Edmund Burke, rare proof before letters, 'Engraved by J. Jones, Principal Engraver to H.R.H. the Duke of York', published December 1790, 55cm x 42cm, in glazed Hogarth frame

Giuseppe Marchi 18th century mezzotint after Sir Joshua Reynolds, Oliver Goldsmith (1728-1774), rare proof before title, published by Robert Sayer December 1770, 48cm x 35.5cm, in glazed Hogarth frame

Charles Turner (1773-1857) After John Hoppner R.A. (1758-1810) - 'His Grace the Duke of Rutland', mezzotint engraving, 63.5 x 37.5 cm, in 19th century gilt frame with moulded decoration and crown finial

Two 18th Century French Sporting Mezzotint Prints to Include: 'Cock Shooting - Chasse Aux Becassines' hand-coloured, London printed for R. Sayer & J. Bennett... 1775; and 'Partridge Shooting - La Chasse aux Perdrix', published by Thomas Burford... 1770, framed as a pair on frames of the period, frame dimensions approx. 31.4 x 41 cm each (2)

Alexander van Haecken (1701-1858) After Allan Ramsay (1713-1784) - James Francis Edward Keith, mezzotint behind glass, titled 'Portrait His excellency James Keith Lieutenant Colonel of One of the Regiments of Foot Guards and General in chief of the Armys of His Imperial Majesty of all ye Rufsias' below, 25.5 x 35.7 cm, framed

A quantity of mezzotint portraits

John Constable (1776-1837), After.Opening of Waterloo Bridge [two variant states]Mezzotint, 1831, by David Lucas, including a very fine impression of Progress Proof g/g and a good impression of the first published state, both on wove papers without watermarks, each platemark approx. 175 x 245 mm (6 7/8 x 9 5/8 in), both with very good margins (unframed)Literature:Shirley 31

A Hogarth framed mezzotint engraving, The Fern Gatherers after George Morland 21' x 26'; together with an unframed canvas print of a stable interior

After Humphreys. Welch Costumes taken on a Market Day in Wales, coloured engraving, 24cm x 33cm, various other pictures, prints, bookplates, engravings, frames, etc., Venus Satirical engraving, an Unaccountable Funny Characters number 34 after Le Fevre, various other satirical prints, mezzotint, etc. (a quantity)

After Antoine Calbet. Sleeping nude, coloured mezzotint, 26cm x 31cm, and another - a pair. (2)

OXFORD MALTON (THOMAS) Views of Oxford, engraved title, mezzotint portrait of Thomas Malton by W. Barney after W. Stuart, 24 aquatint plates, 6 etched plates, half morocco over cloth by T. Aitken, upper cover tilt lettered 'Views in Oxford' [cf. Abbey Scenery 272], folio (402 x 300mm.), White & Co., and Oxford, R. Smith, 4 June 1810 Footnotes: RARE. First published in 4 parts in 1802 this expanded edition includes a title-page, portrait of the author, and 6 additional etched plates in outline. Provenance: Sir Charles Locock, 1st Baronet (1799-1875), inscribed 'Sir Charles Locock, Bart. with Capt. Malton's kindest regards, Nov. 1860' on front free endpaper. A noted obstetric physician, who in 1840 'was appointed first physician accoucheur to Queen Victoria, and attended at the births of all her children' (ODNB); Sir Manson M. Beeton; Sir Richard Farrant, bookplates. This lot is subject to the following lot symbols: • • Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium. For further information on this lot please visit Bonhams.com

[Dusart, Cornelis (1660-1704) and Jacob Gole (1660-1724)] Les héros de la ligue ou la procession monacale. Conduitte par Louis XIV, pour la conversions des Protestans de son royaume. Paris [Amsterdam?]: Pere Peters, 1691. 4to (22.5 x 16.5cm), contemporary vellum, engraved arms of the dukes of Queensberry gilt to boards, engraved title-page, 20 mezzotint roundel caricatures (of 24), engraved leaf of text ('Sonnet'), bookplate of John Erskine Esqr, Advocate, boards sprung and marked, variable spotting and soiling to contents, contemporary inscription to head of title-page, closed marginal tear to 'Le roy de France' plate, 'Le père Petres' with repaired closed tear to gutter just extending into platemarkNote: Note: Rare collection of grotesque caricatures of figures implicated in the repression of French Protestants after the revocation of the Edict of Nantes in 1685. Each portrait is accompanied by a satirical quatrain. Sold as a collection of prints.

Housman, Catherine Three Letters to a Friend London: A. J. Valpy, 1833. First edition, 8vo, contemporary red morocco gilt, all edges gilt, 155 2 pp., 8 plates (7 engraved of which 2 hand-coloured; one aquatint), slips tipped to plates facing pp. 78 and 80 and to p. 90, rubbing to joints and extremities;Rhind, William Graeme. The Creation, illustrated by Six Engravings on Steel. London: Samuel Bagster and Sons, 1844. Second edition (same year as the first), small 4to, original cloth, xviii 399 pp., engraved frontispiece, 6 mezzotint plates depicting the stages of creation, tissue-guards, front free endpaper removed, damp-staining to binding, frontispiece and plates 5-6, old library stamp (Rake Lane Lending Library) to title-page;Anderson, J. W. The Manner pointed out in which the Common Prayer was read in Private by the late Mr. Garrick, for the Instruction of a Young Clergyman: from whose Manuscript Notes this Pamphlet is composed. London: J. Plymsell, 1797. First edition, 8vo, contemporary diced tan calf, short crack to head of front joint, spotting, half-title discarded [ESTC T171474: 9 copies in UK libraries];[Derbyshire Dissenters]. Forms of Prayer, for the Use of a Congregation of Protestant Dissenters in Belper. Belper: S. Mason, 1823. First edition, 8vo, contemporary marbled sheep, 106 pp., wear to head of spine, crack to foot of rear joint;[Hawks, Francis]. A Narrative of Events Connected with the Rise and Progress of the Protestant Episcopal Church in Virginia. New York: Harper and Brothers, 1836. First edition, 8vo, near-contemporary tan half calf gilt, 286 [2] 332 pp., gift inscription to T. G. B. Estcourt (1775-1853), member of parliament for the University of Oxford, to binder's blank, Estcourt family bookplate, half-title discarded, part 1 leaf G4 repaired;Charke, Charlotte. A Narrative of the Life of Mrs. Charlotte Charke, (Youngest Daughter of Colley Cibber, Esq;). Containing ... Her Adventures in Mens Cloaths ... Her turning Pastry Cook, etc. in Wales. London: W. Reeve; A. Dodd; E. Cook, 1755. Second edition, 12mo, contemporary half sheep, engraved portrait frontispiece, half-title, covers and frontispiece detached [ESTC T68298: 2 copies in UK libraries];and 3 others (not collated, including Thomas Newton, Dissertations on the Prophecies, 1804, 2 volumes contemporary Brasenose College Oxford prize-bindings; and Lockwood, The Western Pioneers, 1881, original cloth)Note: Note: Library Hub traces four copies only for Mrs Housman's work, a defence of the Biblical account of creation in the form of a response to two works by Scottish churchman Alexander Keith which adopted an accommodating view of Newtonian physics and recent advances in geology. Two copies traced for the Belper Forms of Prayer (Oxford and Manchester).

Peary, Robert E. The North Pole With an Introduction by Theodore Roosevelt. London: Hodder and Stoughton, 1910. First edition, deluxe issue, out-of-series copy from the edition of 500, signed by Robert E. Peary and R. A. Bartlett, 4to, later tan half calf, top edge gilt, others untrimmed, 4 photogravure plates including frontispiece, 112 tipped-in photographic plates, limitation leaf spotted and marked, tide-mark to index leaves;Ross, John. Narrative of a Second Voyage in Search of a North-West Passage, and of a Residence in the Arctic Regions during the Years 1829, 1830, 1831, 1832, 1833. London: A. W. Webster, 1835. First edition, 4to, contemporary half roan (spine and front board detached), 31 plates and maps (engraved, lithographic or mezzotint, several hand-coloured or printed in colours, one folding), errata leaf, engraved plates spotted, tear to folding map, sigs. 3Z and 4A transposed [Abbey Travel 636; Nissen ZBI 3481; Sabin 73381];Franklin, John. Narrative of a Journey to the Shores of the Polar Sea, in the Years 1819-20-21-22. London: John Murray, 1824. Third edition, 2 volumes, 8vo, modern quarter cloth, 4 folding maps, Board of Trade ink-stamps to title-pages;Cook, James. An Abridgment of Captain Cook's First and Second Voyages. London: G. Kearsley, 1788. Sixth edition, 12mo, modern cloth, iii 1-430 pp. (apparently 448 pp. called for but text ends on p. 429, the remaining leaves presumably advertisements), 8 engraved plates (some trimmed along fore edge);Scoresby, William. Journal of a Voyage to the Northern Whale-Fishery. Edinburgh: Archibald Constable and Co., 1823. First edition, 8vo, modern cloth, 2 engraved folding maps, 6 engraved plates (2 folding), damp-staining (diminishing towards centre of volume), half-title discarded, marginal extensions to title-page, pp. v/6 and final leaf, maps and folding plates laid on linen, first map with extensive closed tear and pertaining section consequently lifting from linen, short closed tear to second map;and 10 others (these not collated), including: Elisha Kent Kane, Arctic Explorations ... in Search of Sir John Franklin, 1856 (first edition, 2 volumes, original cloth); M. A. Healy, Report on the Cruise of the Revenue Marine Steamer Corwin in the Arctic Ocean in the Year 1885, 1887 (first edition, 4to, original cloth); Francis McClintock, The Voyage of the 'Fox' in Arctic Seas, 1859 (first edition, contemporary half calf, lacking folding map); and similar

Ross, John Narrative of a Second Voyage in Search of a North-West Passage and of a Residence in the Arctic Regions during the Years 1829, 1830, 1831, 1832, 1833. London: A. W. Webster, 1835. 2 volumes, 4to (31.5 x 24.5cm), 20th-century blue half calf, nautical motifs gilt to spines, [6] xxxiv 740, xii 120 cxliv cii [2] pp., 50 plates and charts (steel-engraved, lithographic or mezzotint, many hand-coloured), folding map, several plates with tissue-guards, errata leaf to the main volume discarded, steel-engraved plates variably spotted and offset, occasional spotting to lithographic plates (mainly around edges), repaired closed tear to folding map, Appendix volume largely unopened [Abbey Travel 636; Nissen ZBI 3481; Sabin 73381]Note: Note: An attractive, wide-margined copy, complete with the Appendix volume, which was issued as an optional extra. The plates depict ethnographic and natural history subjects and views. 'The results of the voyage, remarkable for the length of time spent in the ice, were the survey of the Boothia peninsula, of a great part of King William Land, and of the Gulf of Boothia; the presumptive determination that the sought-for passage did not lie in that direction; and the discovery of the magnetic pole by James Clark Ross. In 1834 Ross was knighted; the geographical societies of London and Paris awarded him their gold medals, and on 24th December 1834 he was nominated a CB' (ODNB).

An interesting Worcester teabowl, circa 1770, and its prototype Chinese export saucer, Qianlong, circa 1750 The teabowl and Chinese saucer pencilled in black with the 'Provender for the Monastery', depicting a monk smuggling a lady into a monastery, the woman concealed in a large bundle of wheat carried on the pious man's back, with gilt lambrequin borders, saucer 12cm diam, together with a curious Worcester saucer painted in Dutch-decorated Chinese style, elaborate stylised floral motifs picked out in red, green and gold below a gilt lambrequin border, 12.2cm diam (3) Footnotes: Provenance Zorensky Collection, Bonhams, 16 March 2004, lot 80 (teabowl and Chinese saucer) and lot 86 (Worcester saucer) With Roderick Jellicoe A satirical, anti-Catholic mezzotint of the 'Provision for the Convent' is in the Collection of the British Museum (inv. no.2010,7081.3148). Presumably a similar print was sent to China, where the order for anti-Jacobite wares for the export market was fulfilled. The teabowl is the only known example of its type produced at Worcester. For further information on this lot please visit Bonhams.com

A folio of Old Master and later prints, 16th c and later, approx. 40, loose or pasted-in, including Marcantonio (c. 1470/82 - c. 1534) after Baccio Bandinelli (1493 - 1560), The Martyrdom of St Lawrence, second state, with the standing executioner's second stick partially-erased, n.d. [1520-30], mounted, creased, former repairs and losses, 42 x 55.5cm, by and after Thomas Frye (1710-1762), portrait of a man, from the 'Life-sized Heads series', [London, 1760], mezzotint, trimmed with loss of all lettering, further defects and losses, mounted and tipped-in, 44.5 x 33cm, by and after John Miller (1715-1790), A View of the Ruins of the City of Pæstum, s.l., n.d., engraving, trimmed and tipped-in, 33 x 43cm, Jan Sadeler I (1550-1600) after Hans Bol (1534-1593), landscape, n.d. [c. 1700], etching and engraving, mounted with some losses, 19.5 x 27cm, further engravings after Carracci, Rubens, Bartolozzi, Wilkie, etc., mounted named-views of Oxford, others, 19th calf over marbled boards, rubbed and scuffed losses Mixed condition: each sheet affected by a degree of wear, damage, loss &/or repair. Sold not subject to return.

Handcol. mezzotint w. etching by Richard Purcell after Petrus Staverenus and publ. by Robert Sayer. Ca. 1746-66. Approx. 37 x 26.5 cm. Under glass, in (broken) frame. Lettered below the image w. the title and "Cha.s Corbet fecit. / London, Printed for Rob.t Sayer, No. 53 Fleet Street." Print of a young man (perhaps a sailor) w. a pile of gold coins in his hands stands grinning towards the viewer. To the left, a woman stands at a counter, stirring a bowl of punch. Not inspected outside frame. Rare, only 1 copy at the British Museum traced.

All approx. 6.4 x 12 cm, all signed and titled in the plate. All trimmed inside the plate mark. Incl.: (1) "Heu ou vaisseau ordinaire d'Amsterdam 'Leyde". (2) "Pescheurs de la Mer du Sud". (3) "Pescheurs qui san vont pour pescher". (4) Willem van de Velde the Younger (1633-1707) (after). "A hard gale. Representing a large ship dismasted, with others bearing away before the wind &c." Mezzotint by Richard Houston (ca. 1721-75), 25 x 31.5 cm. London, Rob Sayer, (ca. 1760). Professionally re-margined below the caption and in corners, w. sm. loss of the final letters of the caption, and w. sm. addition in pen in the right border image. Rare. -and 8 other etchings depicting ships, by Perelle, F.E. Weirotter (2x) and Friedrich Geissler (5x), all w. annotation (by the artist?) "Frederic Geissler graveur à Paris 1811" in pen verso. (total 9)

Leonard Russell Squirrell RWS RI RE (British,1893-1979), mezzotint, signed in pencil to plate margin, 7x12ins, framed and glazed.

Leonard Russell Squirrell RWS RI RE (British,1893-1979) 'Notre Dame, Paris, 1925', mezzotint on cream paper, signed in pencil to plate margin, 28x41cm, framed and glazed.

Jaques-Laurent Agsse: a framed antique equestrian mezzotint entitled 'The Wellesley Arabian' - Published by J. Watson 1825 - 43cm X 56cm

* Mezzotint Portraits. Seven Portraits, 19th century, including [Ward (George Raphael). Sir James Brooke, the First White Rajah of Sarawak, circa 1847], uncoloured mezzotint after Sir Francis Grant on India wove, signed by the engraver in pencil to the lower right, some staining, slight creasing and marginal dust soiling, 515 x 385 mm, together with another copy similar, with Cousins (Samuel). Elizabeth, Duchess of Rutland..., circa 1826, uncoloured mezzotint after G. Sanders, remarque of a ducal coronet to the upper margin, some staining and spotting, 700 x 440 mm, with another copy similar, plus another three uncoloured mezzotints of Robert Speccott Barker and Philip Pleydell Bouverie (2 copies), various sizes and conditionQTY: (7)

Martin (John, illustrator). The Paradise Lost by John Milton, 1st edition, London: Septimus Prowett, 1825-26, serialised parts I - VII, containing 14 mezzotint plates, all with tissue guards, presented as double frontispieces to each volume, some minor spotting to margins, in original pale blue paper wrappers, some minor loss of paper to spines, part I cover and plates detached, part II cover and first plate detached, part V top right corner missing on cover, each with a neat number in brown ink to top right corner, 4toQTY: (7)NOTE:A monumental work, first published in twelve parts, 1825-27.

* The Duke of Wellington. Lucas (John), Field Marshall Arthur Duke of Wellington, F. G. Moon, 1841, uncoloured mezzotint, 735 x 465 mm, mounted, framed and glazed, together with Phillips (George H.). Untitled Portrait of the Duke of Wellington, circa 1840, uncoloured mezzotint, facsimile signature to the lower right below the image, proof before title, 685 x 430 mm, mounted, framed and glazed, with Forster (F.). The Duke of Wellington, Messrs. Colnaghi, 1818, uncoloured engraving after F. Forster, 615 x 380 mm, mounted, framed and glazed, plus Burnet (John). The Dispatch. His Grace the Duke of Wellington During the Peninsular War, Hodson & Graves, 1839, uncoloured mezzotint, 685 x 465 mm, mounted, framed and glazed, with another seven similar portraits, all large format but various sizes and condition, all framed and glazedQTY: (11)

Assorted pictures and prints to include Victorian colour engraving, portrait mezzotint etc (8)

A miniature landscape picture on vellum depicting a traveller with a knapsack, in a chiselled and gilded bronze frame, 18th century, 2 3/4'' x 2 1/4'' and a late 18th century mezzotint depicting a girl with a ram, 7'' wide x 9'' high.

After Joseph Zoffany (British 1733 - 1810) - Colonel Mordaunt's Cock Match at Lucknow in the Province of Oude in the Year 1786 at Which were Present Several High and Distinguished Personages', by R Earldom, coloured mezzotint, framed & glazed, 59 by 46cms; together with a coloured engraving after Alken ' A Sporting Tandem', 34 by 23cms (2).

"Snaffles" Charles Johnson Payne(1884-1967)"A Sight to Take Home and Dream About",pencil signed,mezzotint, published by Messrs Fores Ltd,51 x 68cms, framed.

BRENTON, Edward Pelham - The Naval History of Great Britain, from the year MDCCLXXX111 to MDCCCXX11 : 5 volume set. Mezzotint portraits, lithograph plates, maps and tables. xxvii;(i) - 505; (i). xv; 505. xxi; 531; 576; xiii;483. Lacks three leaves of Directions to the binder,but otherwise complete Nineteenth century half tan calf with contrasting morocco labels, extra gilt within compartments. * Attractive set.(5)

AFTER JOHN EVERETT MILLAIS 'FOR THE SQUIRE' A MEZZOTINT PRINT, engraved by George H. Every, the mount has cut apertures bearing pencil signatures of Millais and Every, label for Thomas Agnew & Sons verso, approximate size including frame 67cm x 54cm, together with a Hans Hering pen and ink sketch depicting a landscape with letter or poem verso, a signed Heaton Cooper print with personal inscription verso 'To Jennifer with all good wishes for Christmas 1948, from all the Heaton Coopers', an etching by Tianey Timec depicting a water buffalo, a small early 20th century painting on wood depicting a religious figure, late 19th century handmade needlepoint picture etc (box and loose)

After John Cother Webb (1855-1927) coloured mezzotint engraving, figures in a Grecian landscape, bearing JLNC blind stamp lower left, signed in pencil to margin lower right, published 1929, within a card mount and gilt enriched ebonised frame, under glass 38cm x 51cm & 62cm x 73cm

Street (J) Mysterious Japan 1921; A Collection of Rare Old Chinese Porcelains Collected by Sir W. Bennett Catalogue 1910; Wilson - Engravings in Mezzotint; De - Savouries a la Mode 1896 and one other (5)

John Faber Jr (c.1695-1756) after Thomas Hudson, portrait of James Bradley, mezzotint, 39x28cm; and portrait of George Frederick Handel c.1749, 37x26cm (2)

C Spooner after Hogarth, self portrait, mezzotint c.1749, 36x26cm

John Faber Jr (c.1695-1756) after Ramsay, portrait of Sir Richard Hoare, mezzotint, 35x25cm

James McArdell after J Willis, 'The Right Honourable Philip Lord Hardwicke', mezzotint c.1750s, 40x28cm

After John Hoppner, mezzotint of Lord Nelson, the plate 64x41cm

A pencil signed mezzotint after E.M.Hester of Mrs Stevenson, published as a limited edition by Alfred Bell 1915, frame size 51 x 56cm.

‡ MEZZOTINT ENGRAVINGS & WATERCOLOURS, comprising Leyton Forbes, watercolour - thatched cottage with summer flower garden, signed, 29 x 50cms, together with two mezzotints by W.A.Cox and T.Hamilton Crawford - 'Edwardian Beauties', signed in pencil, both approximately 52 x 43cms (3)

CHARITY LOT SUPPORTING OUR 2023 NOMINATED BENEFICIARY TENOVUS CANCER CARE LARGE SELECTION of artwork and books to include, 19TH CENTURY CENTURY CONTINENTAL SCHOOL oil on canvas - old testament scene of standing male and kneeling female with smoke ascending from a fire, unsigned, 39 x 29cms, OBEDIAH HODGES (Welsh, 1873-1938) gouache on board - three exotic birds perched on leafy branches and flying overhead, signed and inscribed 'Guilote Mexican', and a companion similar inscribed 'Uraca, Mexican', handwritten labels verso, 53 x 18cms (2), WALTER ASHWORTH (1883-1952) oil on board - 'An Italian Landscape', cowherd with two cows in an Alpine landscape, signed, titled on label verso, 35 x 24cm, ALWYNNE BOWEN (Welsh, 20th Century) oil on canvas - landscape with farm and outbuildings, entitled verso 'The Little Fields of Lleyn From Braigh-y-Bwll', signed, dated 1975, 50 x 75cms, THREE OILS ON BOARD, Mediterranean scenes, two signed 'R. Witchard', 55 x 90cms, 47 x 59cms, and 45 x 53cms (3), ANDREW CLEMENT VERSTER (South African, 1937-2020) etching – lady in chair, signed and dated ’72 in pencil, 73 x 54cms, C M CRUTTENDEN (English 20th Century) oil on board - still life of flowers in a vase and vegetables, JOHN CLEAL (South African, 1929-2007) pen and ink sketch - Mumbles Pier, GEORGE KILIBARDA (Welsh, b. 1954) limited edition (4/5) colour print - busy city park scene, W WARD coloured engraving after an original painting by George Moreland (1763-1804) - entitled 'Juvenile Navigators', JOHN COTHER WEBB (British, 1855-1927) coloured mezzotint - mother watching her children at play, signed in pencil, STANLEY ORCHART (born Stanley James Orchart - British, 1920-2005) print - entitled 'Butlers Hard, Hampshire', THOMAS G APPLETON (British, 1854-1924) two coloured aquatints - Fruit Seller and Family Group, TWO MONOCHROME PAINTINGS ON GLASS, MOIRA HUNTLY (b.1932) watercolour - 'Farm Nr. World's End', COLIN BITHELL (Contemporary) limited edition (57/160) lithograph - opera singer Sir Bryn Terfel, limited edition (623/850) colour print - paddle steamer 'Cardiff Queen', leaving pier head, Cardiff, dated 1956, J LEWIS STANT Rembrandt Guild artist's proof etching - titled in pencil 'Llewellyn's Cottage, Beddgelert', signed, 24 x 32.5cms, GROUP OF EPHEMERA / PRINTS ETC including a framed printed portrait of composer Edvard Grieg, WRAXALL (NATHANIAL W.) The History of France, 3 vols., 1795, contemp. full calf gilt, 4to, selection of Miller's Antiques hardback books ETC

Yozo Hamaguchi (1909 Hirokawa/Japan - 2000 Tokio)'Lemon and cherries in blue glass', Farbmezzotint auf Velin BFK Rives, 1959, 19,5 cm x 19,5 cm Plattenmaß, 38 cm x 28,5 cm Blattmaß, signiert, 132/150 nummeriert, Papier leicht gebräunt, leicht knickfaltig, partiell leicht fleckig, Literatur: Wvz. Chuokoron Bijutsu Shuppan 74, Nantenshi 12Yozo Hamaguchi (1909 Hirokawa/Japan - 2000 Tokyo)'Lemon and cherries in blue glass', coloured mezzotint on Velin BFK Rives, 1959, 38 cm x 28,5 cm sheet dimension, 19,5 cm x 19,5 cm plate dimension, signed, 132/150 numbered, paper slightly browned, slightly creased, partially slightly stained, Literature: Cat. Rais. Chuokoron Bijutsu Shuppan 74, Nantenshi 12

Turner, Liber Studiorum, ploughing, mezzotint by Thomas Lupton, Eton second plate, Finberg 79, plate 17cm x 26cm, mountedGeneral slight paper discolouration and some foxing in the margin and a few fox marks in the image, mount foxed and discoloured

Turner, Liber Studiorum, ploughing, mezzotint by Thomas Lupton, Eton second plate after alterations re-printed by Rawlinson, 1 of 15 copies, plate 17cm x 26cm, mountedEven paper discolouration