We found 6626 price guide item(s) matching your search

E. Jackson Stodart after Laureince three colour mezzotints, L'Enlevement Nocturne, Le Billet Doux and Qu'en Dit L'Abbe, 15 x 12 ins. and another mezzotint of soldiers outside a tavern

Naval. Engraved portrait of Captain Sir Philip Bowes Vere Broke, mezzotint engraving by C. Turner after S. Lane, some light toning, laid down onto old board, approx. 680 x 420 mm, 19th century maplewood veneer frame (1)

Portraits. Reynolds (Joshua), 'James Paine Architect and James Paine Junr.', sold by Ryland & Bryer, late 18th century, mezzotint by Watson after Reynolds, approx. 460 x 330 mm, together with other 18th/19th century engraved portraits including historical figures from Russel's History of England, five hand coloured actors by R.Cooper, etc., various sizes, mostly mounted (approx. 35)

Scrap Album. A large album of mounted engravings and photographs, 18th & 19th c., including octavo steel - eng. portraitsand hand - col. fashion plts., plus hunting and humorous scenes after Cruikshank, Alken, etc., larger etchings and engravings after George Morland, plus engraved portraits by Houbraken, mezzotint portraits of Simon Earl Harcourt, Sidney, Earl of Godolphin, Samuel Whitbread, plus albumen prints of European views and works of art, some removed, in all fifty leaves, a.e.g., 19th - c. half morocco, rubbed, atlas 4to, together with an album of ten uncol. litho. Studies by George Morland, pub. John P. Thompson, 1800, some soling, marginal tear and repairs, old half morocco, some wear, oblong atlas folio (2)

A MEZZOTINT of 'The Horse Feeder', after Morland, another 'The Corn Bin', 18" x 22 1/2"

AFTER G DAWE, ENGRAVED BY H DAWE, ANTIQUE COLOURED MEZZOTINT, 'Prince Leopold of Saxe Coburg...', 17" x 13", A/F

SIR FRANK SHORT, AFTER J M W TURNER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE MEZZOTINT, 'Near to Venice', 9" x 14"

AFTER J CONSTABLE, ENGRAVED BY D LUCAS, ANTIQUE BLACK AND WHITE MEZZOTINT, Suffolk landscape, 22" x 19", A/F

James John Chant- 'Fairy Tales', after W. C. T. Dobson, publ. June 16th 1860 by Knoedler; mezzotint, 43x49cm: together with a quantity of larger 19th century and later prints, (a lot)

SAMUEL COUSINS after JOHN LUCAS, Portrait of Arthur, Duke of Wellington, mezzotint published by F G Moon, circa 1841, 29" x 18 1/2", in maplewood frame.

C VISSCHER (engraver), The Rat Catcher, line engraving, 14" x 12 1/2", a woodblock print, pencil signed Ezezni and number 0/60; a woodblock print pencil signed 'Ninoz Stavrowsky', a mezzotint engraving signed W A Cox, and a watercolour view of a country scene. (6)

Short (Sir Frank, 1857 - 1945). London from Greenwich, b & w mezzotint, signed in pencil, approx. 100 x 265 mm., contemp. frame, glazed, with label to verso, together with Payne (Anne, 20th c.), 'The Lynch', 1930, woodcut, signed, titled and dated in pencil, approx. 160 x 125 mm., framed and glazed, plus Norsworthy (Lenny, early 20th c.), The Estuary: Low Tide & Solitude, together two b & w mezzotints, each signed and titled in pencil, approx. 150 x 230 mm. and similar, both framed and glazed (4)

Peters (Robert Charles, A.R.E., 1888 - ). Bathers by the Sea, b & w mezzotint, signed to lower margin, approx. 325 x 500 mm. (13" x 20"), framed and glazed (1)

*Churchill (Sir Winston Leonard Spencer, 1874-1965). Full-length portrait of Winston Churchill, showing him standing in front of 10 Downing Street, holding a cigar, cane, top hat and gloves, proof mezzotint before letters, impression size approx. 660 x 420 mm, mounted on card (1)

Martin (John, illust.). The Paradise Lost of Milton. With Illustrations by John Martin, Charles Tilt, 1833, twenty-four mezzotint plts., slight marginal staining at the beginning and end, mid-19th-c hal calf, spine gilt, black leather label, marbled board sides, a.e.g., together with The Paradise Lost of Milton. With Illustrations by John Martin, Henry W. Washbourne, 1849, twenty-four mezzotint plts., contemp. full purple morocco, sides blocked in gilt and blind, spine gilt in compartments between raised bands, a trifle rubbed, a.e.g., large 8vo. A monumental work, first published in twelve parts, 1825-27. (2)

Rheims (Maurice). The Age of Art Nouveau, 1st ed., Thames & Hudson, 1966, num. b & w illusts. from photos., orig. dec. cloth, slightly frayed at head of spine, together with Knappe (Karl Adolph), Durer. The Complete Engravings, Etchings, and Woodcuts, n.d., pub. New York, c. 1965, num. b & w illusts., orig. cloth in slightly torn d.j., plus Restany (Pierre), G.H. Rothe. Master of the Mezzotint, New York, 1983, port. frontis., num. col. and b & w illusts., orig. cloth in d.j., plus other misc. art ref., mostly 4to & folio (approx. 35)

AFTER WILLIAM HENDERSON, River scene. Mezzotint engraving. 12" x 17".

After Sir Joshua Reynolds, Portrait of a gentleman seated in his library, mezzotint, 75x50cm

After Sir Joshua Reynolds, Portrait of a gentleman seated in his library, mezzotint, 75x50cm

Frank Paton- 'Every Dog has his Day', 'Not at Home', 'Rough and Ready' and 'A Meeting of the Unemployed'; etchings, each signed in pencil, 21.1x26.5cm., ea., (4): Frank Short, R.A., R.I.- 'Over the Hill'; mezzotint, signed in pencil, 14.8x20cm., (5)

European School 19th century- Figure on the steps of a chateau; watercolour, 35.5x26cm: Henry Graves & Co., 6 Pall Mall, publ. July 8th 1870; A Huntsman, mezzotint: together with two other 19th century mezzotints, one of a huntsman and his wife, and the other of a huntsman and hounds, one inscribed in pen: 'Trial Proof, Sir. J. Grant', (4)

Nicolas Visscher- 'Adam and Eve', after Gerard de Lairesse; etching, 21.5x24.5cm: Charles Turner- 'The Highland Piper', after H. Singleton; hand-coloured mezzotint, verre eglomise frame: together with five other prints and pictures, (9)

Antoine Jaymond A coloured mezzotint of a young woman 19" x 13 1/2" (48.5cm x 34cm) signed in pencil and inscribed

Francis S. Walker The Deposition of Christ, colour mezzotint, 23in x 16 1/2in (58.4cm x 42cm)

After Clarkson Stanfield, The Morning after the Wreck of a Dutch East India-man, mezzotint engraving by J Cousen, 12ins x 15ins

After James Mallord William Turner, R.A. - 'The Alcove, Isleworth', from Liber Studiorium, by Henry Edward Dawe, publ. Jan 1st 1819; mezzotint, 20.6x29cm., (unframed)

AFTER GEORGE MORLAND, ENGRAVED BY JAMES WARD, ANTIQUE BLACK AND WHITE MEZZOTINT (LAID DOWN), DATED 1793, Figures, one on horseback before a public house, 18" x 24"

After John Hoppner RICHARD HUMPHREYS, a coloured mezzotint engraved by Young, published by H.W. Billington, 1788, 55 by 42cm, 21 3/4 by 16 1/2in.

After Ben Marshall JOHN JACKSON a mezzotint engraved by Charles Turner, published by H.W. Billington, 1788, 55 by 42cm, 21 3/4 by 16 1/2in.

After John Hoppner RICHARD HUMPHREYS, a coloured mezzotint engraved by Young, published by H.W. Billington, 1788, 55 by 42cm, 213/4 by 161/2in.

After Ben Marshall JOHN JACKSON a mezzotint engraved by Charles Turner, published by H.W. Billington, 1788, 55 by 42cm, 213/4 by 161/2in.

Henry Meyer after P. E. Strochling Henry William, Marquis of Angelsey Mezzotint S. 69.5cm x 54.5cm In a carved wood gilded frame

FISHING - Brown (William): The Natural History of the Salmon as ascertained ... in the artificial spawning and hatching .... at Stormonfield on the Tay, lithographed frontispiece, original cloth, gilt, small, 8vo, Glasgow, 1862; Hamilton (Edward) Recollections of Fly Fishing for Salmon, Trout and Grayling, mezzotint frontispiece, illustrations, original cloth, gilt, 8vo, 1884 - together with a later edition (1885) of Scrope's Days and Nights of Salmon Fishing, frontispiece loose and 2 others. (5)

Margaret. M. Rudge- Harbour at low tide; etching, signed in pencil, 22x24.5cm: Hubert S. Percy- Venus with putti; mezzotint printed in colours, signed in pencil, 24.5x36.5cm., (2).

After Raeburn, Mrs Home Drummond, a mezzotint, 19.5 x 15.5in (49.5 x 39.4cm)

Jos. Grozar after George Morland. "The Happy Cottagers" , "The Gipsies Tent", a pair, coloured mezzotint, originally published 1824 by Z. Sweet, London, later 19thC impressions, image size 17.25" x 21.75". Contemporary black Hogarth frames.

19thC School. Bathing beauties, coloured mezzotint, oval 7.5" x 5.25", together with The Infant Christ after Marratt, steel engraving, image size 10.5" x 7.5".

Milton. The Paradise Lost, ill. John Martin, Charles Tilt 1833, 23 b/w mezzotint plates, half-calf, marble boards, (scuffed)

William Say, after Rembrandt, "A Peasant Girl", mezzotint, published 1814, 39 x 42cm.

AFTER SYDNEY E WILSON. Country family in the manner of George Morland. Mezzotint engraving. 16" x 20".

WILLIAM PETHER after JOSEPH WRIGHT of DERBY. A Philospher Giving a Lecture on the Orrery State II. Mezzotint, Published by John Boydell 20 May 1786, 48 x 58cm. Nicholson 190; Egerton Pl; Huber 1794, Wright; Huber & Martini, Pether no21; Joubert,II p349; Nagler, Wright no 9; Chaloner Smith no8; Bemrose no4; Le Blanc, Pether no39; Russell no48.

AFTER GEORGE STUBBS (1724-1806) AN ARABIAN BELONGING TO MR. GREGORY Mezzotint, probably by G. T. Stubbs, published by R. Sayer and J. Bennett, 1777, mounted to the image on three sides 23 x 34.5cm.; with an engraving of Lady Caroline Scott after Reynolds. (2)++ Stubbs with some foxing, old creases and paper discoloration; Reynolds fair

A colour mezzotint of Admiral Lord Nelson, under verre eglomise.

Rita Greig- 'Altea, January 1989'; oil on board, signed with initials, 12.3x26.5cm: After Frederick Hendrik Kaemmerer- Circus scene; mezzotint with roulette in colours, 27.4x22.3cm., (2)

Samuel Cousins- 'The Queen receiving the Holy Sacrament at Her Coronation in Westminster Abbey June 28, 1838', after Charles Robert Leslie, publ. Feby. 15 1853 by Thomas Boys, 467 Oxford Street; mezzotint, 68x116cm: Henry Thomas Ryall- 'The Christening of the Princess Royal in Buckingham Palace, Feby.10th 1841', after C. R. Leslie, publ. Feby. 15, 1853 by Thomas Boys, 68x116cm., both in matching rosewood frames, (2)

Thomas George Appleton- 'Lady Hamilton as Shepherdess', after Romney, publ. 1905 by Henry Travers & Co. Ltd.; mezzotint printed in colours, signed in pencil, 66.5x79.5cm

Williamson Dickinson - 'Diana, Vicountess Corsbie' after Reynolds, publ.sept. 20, 1779 by Dickson and Walton, No.158 New Bond Street, mezzotint, 63.5x38cm.

SIR FRANK SHORT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE MEZZOTINT, DATED 1904, Unloading the hay barge, 6" x 14"

AFTER SIR T LAWRENCE, ENGRAVED BY S COUSINS, HAND COLOURED MEZZOTINT, 'Boyhood's Revrie', 15" x 11"

AFTER SIR WILLIAM BEECHEY, ENGRAVED BY R EARLOM, ANTIQUE BLACK AND WHITE MEZZOTINT, DATED 1806, 'The most noble Lord Horatio Nelson...', (trimmed and laid down), 17" x 13"

AFTER J WYKE, ENGRAVED BY J SMITH, ANTIQUE BLACK AND WHITE MEZZOTINT, Deer hunting, 9" x 11" and AFTER L HEMSKYRKE, ENGRAVED BY I BECKETT, ANTIQUE BLACK AND WHITE MEZZOTINT, 'Betwixt a subtle priest and cursed wife..', 9" x 7", (2)

AFTER SIR W BEECHEY, ENGRAVED BY T HODGETTS, ANTIQUE BLACK AND WHITE MEZZOTINT, 'Lord Nelson', 11" x 8" and AFTER H T RYALL, ENGRAVED BY M CLAUDETS, ANTIQUE BLACK AND WHITE ENGRAVING, DATED 1843, 'Wellington', 8" x 6", (maple framed), (2)

AFTER THOMAS WEAVER, ENGRAVED BY WILLIAM WARD, ANTIQUE BLACK AND WHITE MEZZOTINT, DATED 1808, 'Portrait of Thomas William Coke Esq, M. P. for Norfolk', 21" x 28", (in swept maple frame)

SIR FRANK SHORT, BLACK AND WHITE MEZZOTINT, 'Moonlight on the Bure', (see old label verso), 11" x 15"

Prints & engravings, 18th/19th century, topographical, portraits, fashion,. and miscellaneous material, incl. a mezzotint portrait of Mr Pine after Hogarth, approx. 360 x 260 mm, a tinted litho. view of Abbotsford, approx. 290 x 400 mm, a late 18th century engraved view entitled 'A View of the Ruins of Persepolis', approx. 320 x 600 mm, etc. (approx. 120)

Wakefield (Gilbert). Silva Critica: sive in Auctores Sacros Profanosque Commentarius Philologus., 5 parts in 1, Cambridge, 1789-[1795], separate title to each part, early 20th c. morocco with gilt presentation notice applied to upper board reading "From the Library of the Revd. Samuel Bache 1804-1876, Presented by His Family 1912 to the Bishop of Birmingham and His Successors in Perpetuity", with accompanying letter of presentation dated 1 April 1912 and with a two page letter written by Gilbert Wakefield loosely inserted into volume, thick 8vo, together withMemoirs of the Life of Gilbert Wakefield, B.A. Late Fellow of Jesus College, Cambridge, Written by Himself, 1792, mezzotint port. frontis., slightly damp stained, contemp. calf, worn and boards detached, 8vo (2)

Constable (John). English Landscape Scenery: a series of forty mezzotint engravings on steel, by David Lucas, from Pictures painted by John Constable, pub. Henry G. Bohn, 1855, forty mezzotint engs., very faint water staining to lower margins, extensively extra-illustrated with modern colour reprods. of Constable's works, later red cloth, spine partly defective, folio (1)

J. West after J. F. Herring, J. F. Herring's Farmyard, lithograph, s. 51 x 51 cm, J. K. Sherrin after Sir Joshua Reynolds, Sir Joshua Reynolds, etching, p. 29.5 x 24 cm, and C. Hunt after J. F. Herring, Van Tromp, hand coloured mezzotint, s. 51 x 60 cm

Charles G. Lewis after F. Grant, The Melton Breakfast, hand coloured lithograph, p. 54.5 x 79.5 cm, J. Harris after J. F. Herring, The Flying Dutchman, hand coloured mezzotint, p. 55.5 x 77.5 cm, and Philip Thomas after John Goode, The Old Berkshire Hunt, photographic print, s. 51 x 64 cm

Arthur L. Cox after George Morland, Two rural landscapes with figures, each coloured mezzotints, each signed in pencil by the printmaker lower right, each s. 30 x 37 cm, a large coloured mezzotint depicting a family group, p. 55 x 37 cm, and two photographic prints depicting hunting scenes, each circular diameter s. 15.5 cm