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* Etching Plates. A collection of nineteen original English and Continental copper etching plates, 17th-late 19th century, including several Dutch etchings of bible scenes, emblems, etc., a small mezzotint copper plate portrait of a man in tunic, probably 18th c., two 19th c. etched plates after Poussin and Pynacker, seven late 19th c. (or early 20th c.) English landscapes, including two harbour scenes, all by the same hand, etc., various sizes (19)
* Etchings & Engravings. A collection of approx. 175 various British & Continental etchings and engravings, 19th & early 20th c., including Bonello, Canal in Venice, Grainger Smith, Laurence Hardy, Arthur Walsh, Mediterranean coastal scene, Willie Rawson, The Dyke, James Scott, The Shrine, Scottish Memorial Chapel, Edinburgh Castle, and unsigned Legros, two mezzotint plates after Richard Wilson, published by W. B. Cooke 1824-29, a David Lucas mezzotint after Charles Tomkins, twenty-eight etched plates from George Cruikshank`s My Sketch Book, pub. 1834-36, twelve etchings of picturesque scenery around London by Jane Smith, pub. 1822, etc., some signed (many unsigned), various sizes (a folder)
* Lewis (Charles G., after Thomas J. Barker). The Intellect and Valour of Britain, pub. John Browne Leicester & Hayward & Leggatt London, 1864, large uncoloured mixed method engraving, several marginal closed tears, one progressing inside plate mark but not affecting image, 730 x 1070 mm, with another copy similar, together with Butler (Elizabeth), Scotland for Ever!, 1894,lg. uncoloured photogravure on india paper of the charge of the Scot`s Greys at the Battle of Waterloo, some abrasion to image resulting in loss, largely confined to margins, some soiling and staining to margins, 490 x 860 mm, with Bacon (Frederick), The Shot, 1851,uncoloured eng. on india paper after Richard Andsell, proof before title, 370 x 645 mm, and Faed (James), Sir James Matheson, Bart. Lord Lieutenant of Ross-shire, c.1870,uncoloured mezzotint eng. on india paper after A.F.Sutherland, 780 x 505 mm, with another copy similar, together with a further twenty-seven engravings and grauvures including portraits, sporting, genre and religion, including examples by Boydell, Bond, Webb and Wilkie, with some duplicates, various sizes and condition (33)
* Smith (John Raphael). "George, Prince of Wales, standing with Charger"? pub. 1783, [possibly later impression], hand col. mezzotint, trimmed at lower margin with loss of title and letters, repaired worm holes, occ. surface scratching, one closed tear affecting image, 610 x 450 mm, framed in dec. gilt frame, lacking glass. Not examined out of frame. (1)
Martin (John, illust.). The Paradise Lost of Milton, 1858, twenty-three mezzotint plts., occ. spotting, some insect damage to page edges, numerous repairs to text and few plt. margins, a.e.g., contemp. morocco, crude replacement spine and corner repairs, marked and some wear, folio, together with Butler (Rev. Alban), The Lives of the Fathers, Martyrs and other Principal Saints, illuminated ed., J.S. Virtue, c.1850s, chromo frontis. to each and numerous chromo plts., occ. scattered spotting, contemp. half calf, worn to joints and extrems., 4to (3)
Sir John Everett Millais Bt PRA HRCA HRI 1829-1896- "The Young Mother", publ for the Etching Club, 1857; etching, signed with monogram, inscribed and titled within the plate; etching, 14x18cm: together with one other etching by the same hand titled "Going to the Park", publ for The Etching Club, 1872; etching, signed with monogram, inscribed and titled within the plate, 18x13cm: British School, early 19th century- The Baptism; mezzotint, in an oak frame of plain form, 60.5x46cm., (3)
A pair of 19th Century hand coloured engravings after Burke and Kauffman, titled verso "Cupid disarmed by Euphrosine" and "Cupid binding Aglaia to a laurel", 27cm x 23cm oval, framed; a coloured mezzotint after Gainsborough, head and shoulder portrait of a young woman, 23cm x 18.5cm; three reproduction prints after Reynolds, "Miss Bingham", "Mrs Bouverie" and "Mrs Benwell", 21cm x 17cm. (6).
AFTER JOHN HOPPNER Sir Ralph Abercrombie, Knight of The Bath, mezzotint, published by John Jeffryes, 12 1/4" x 10", and five further mezzotints of military officers to include Admiral George Pocock, The Right Honourable Lord Viscount Cathcart, Sir Samuel Hood, The Right Honourable George Brydges Baron Rodney, and Lieutenant General Thomas Graham (6)
AFTER GODFREY KNELLER Spencer Compton, Earl of Wilmington, mezzotint, 13 3/4" x 9 3/4", two further mezzotints after Kneller of Sir John Vanbrugh, and The Right Honourable William Pulteney, together with six further mezzotints including Edmund Burke, Anna de Morton Comitissa, and Miss Charlotte Fish, after Joshua Reynolds (9)
After Angelica Kauffman and Richard Cosway - A pair of late 18th Century sepia toned engravings of Classical Subjects by Francesco Bartolozzi, and a group of mostly 19th Century engravings to include the Prince of Wales and his Family, a mezzotint portrait of William Pitt after William Hoare, etc.
ELIZABETH OF BOHEMIA: (1596-1662) Queen of Bohemia, daughter of King James VI & I of England, Scotland and Ireland. Sister of King Charles I. A.L.S., Elizabeth, one page, 4to, 15th May (1660?), to 'My Lord'. Elizabeth states that she is sending her correspondent's letter again, so that he will see he was mistaken, and assures him of her friendship. She continues to refer to Rupert, who 'has not bene well since he came into his quarter....onelie he was a little weak, as soone as he can he will be in England where I wish myself, for this place is verie dull now, for there is verie little compeanie...' With blank integral leaf. VG Prince Rupert of the Rhine (1619-1682) Soldier, Inventor and amateur artist in mezzotint, son of Frederick V and Elizabeth Stuart.
AFTER C AMYO, LATE 19TH CENTURY CHROMOLITHOGRAPH, A Young Boy Scolding a Cat, 24" x 17"; and AFTER J ROMNEY, ENGRAVED BY H SCOTT BRIDGWATER, SIGNED BY THE LATTER TO MARGIN, BLACK AND WHITE MEZZOTINT, "Mrs Michael Smyth", 16" x 14" (A/F); and AFTER F TAYLOR, ENGRAVED BY E G HESTER, HAND-COLOURED ENGRAVING DATED 1883, "Gillie and Deer-Hounds", 17" x 25" (3)
FRED SLOCOMBE, SIGNED AND DATED 1886 TO THE IMAGE, BLACK AND WHITE ETCHING, Rural Street Scene with Figure, Horse and Cart, by Cottages, 13" x 18"; AFTER G SANDERS, ENGRAVED BY J RICHARDSON JACKSON, BLACK AND WHITE MEZZOTINT, PUBLISHED 1848, "Admiral Sir Charles Rowley Bart", 12" x 9" (A/F); and AFTER G WRIGHT, HAND-COLOURED PHOTOGRAVURE, Hunting Scene, 7" x 11" (3)
Wollaston, M., The Religion of Nature delineated..., sixth edition, London 1738, 4to, portrait, contemporary calf, gilt spine, rubbed, lacks lettering piece, together with [Jortin. J.], The Life of Erasmus, London 1758, volume 1 only, 4to, mezzotint portrait, 19th century half calf, The Book of Common Prayer, Cambridge, Baskerville, 1760, large 8vo, contemporary red morocco, worn and loose, g.e., Burder, S., Oriental Customs, or an Illustration of the Sacred Scriptures ...., second edition, London 1807, two volumes, 8vo, contemporary calf, slightly worn, and thirty-five others, theology, etc (40)
RICHARD EARLOM (1743-1822) AFTER JOHN ZOFFANY, RA (1733-1810) COLONEL MORDAUNT'S COCK MATCH mezzotint, partly coloured at later date, published by Laurie & Whittle 12 May 1794, 53 x 68cm, maple frame ++Some general light time staining and handling marks, the hand colouring probably later 19th or early 20th c and quite restrained
LAURIE & WHITTLE, PUBLISHER - ADMIRAL SR HORATIO NELSON KB GIVING THE COMMAND OF HIS SHIP THE VANGUARD TO CAPTN BERRY..., aquatint, coloured in a contemporary hand, published, 12 November 1798, 35 x 26cm; an early 19th c mezzotint under glass of The Noble Admiral LORD NELSON Falling in the Arms of Victory (2) ++The print with some light brown even discolouration, the mezzotint under glass in good condition with some localised disturbance/loss, attractive
Bury (Lady Charlotte) - The Three Great Sanctuaries of Tuscany, Valonbrosa, Camaldoli, Laverna, London 1833, illus after Rev Edward Bury lacking frontis; portrait frontis and six mezzotint views, plate five detached, some time staining, original cloth with Morocco label on upper cover, spine mostly gone.
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6624 item(s)/page