We found 6606 price guide item(s) matching your search

Weinmann (Johann Wilhelm). Phytanthoza Iconographia sive Conspectus...., vol. 2 only (of 8), Regensberg, 1739, title page printed in red & black and repeated in German, approx. sixty (only) hand finished colour mezzotint plts. of flowers, occ. spotting, several plts. loose and disbound, near contemp. speckled calf with gilt dec. spine, folio. Sold as a collection of plates, not subject to return. (1)

A large framed coloured print the port of Liverpool, engraved by J Carter, an oval framed mezzotint of a lady, framed print depicting sailing boats and a mahogany fret carved wall mirror

Robert Russell SHE TOOK HIM A BASKET MADE OF BULRUSHESmezzotint and etching17 by 13in., 43.18 by 33.02cm.

James McCreary (b.1944)FOR THOU HAST CAST ME INTO THE DEEPmezzotint and aquatint7.5 by 9in., 19.05 by 22.86cm.

A signed Mezzotint after Constable, a print of Kelp gathers plus four others.

GEORGE GRAHAM (FL LATE 18TH/EARLY 19TH C) AFTER JOHN RISING (1753-1817) POVERTY mezzotint, mounted to within platemark, 1792, 32.5 x 39cm, T Cook (1744-1818) after William Hogarth (1697-1764) Before; After engravings with margins, 1798 and c and an etching of John Wilkes by Hogarth, 1763 (4) All in modern gilt frames and in good condition, unexamined out of the frame

LEONARD RUSSELL SQUIRREL (1893 - 1979) TWO ARTIST SIGNED MEZZOTINT ENGRAVINGS `EDINBURGH FROM CASTLE HILL` 9" x 14" (22.9cm x 35.6cm) `Urquhart Castle, Loch Ness` 10" x 12" (25.4cm x 30.5cm) (2) EST 40 - 60

MEZZOTINT ON GLASS PORTRAIT OF THE COUNTESS OF ESSEX AFTER REYNOLDS MARKED PURCELL FECIT

Over-painted photograph, of a girl on a quay, signed Frank Brown, Leicester and a coloured mezzotint, signed Blackburn Hart, (2).

After Peter Lely - `The Lady Essex Finch`, 18th Century monochrome mezzotint, approx 32cm x 24cm, together with seven further mezzotints of similar interest.

After John Russell - Oval Landscape View with Two Young Ladies resting under a Tree, 19th Century colour mezzotint with additional hand-colouring, approx 45cm x 36cm, within a rosewood frame.

After John Hoppner - Portrait of Horatio Nelson, early 20th Century colour mezzotint by A. Stewart Wright, signed by the printer in pencil recto, inscribed verso, approx 64cm x 43cm.

After Joshua Reynolds - Portrait of Miss Bowles with her Pet Spaniel, early 20th Century colour mezzotint by Louis Busiere, signed by the printer in pencil recto, inscribed verso, approx 54cm x 43cm, together with seven similar colour mezzotints by Louis Busiere and Ellen Jowett.

After Joshua Reynolds - Portrait of Colonel Tarleton, early 20th Century colour mezzotint by H. Macbeth-Raeburn, signed by the printer, approx 71cm x 42cm, together with two further colour mezzotints by Macbeth-Raeburn.

J Faber after Kneller 'Portrait of The Duke of Newcastle and Earl of Lincoln', mezzotint, published 1733, 36cm x 51cm

A 19th century oversize portrait silhouette panel signed 'Aldophe', depicting Charles John Manning of Combe Bank, two further smaller unsigned silhouette watercolours depicting his daughters, further silhouette panel of a young boy, 19th century mezzotint of one of Manning's children and a similar further example marked 'T Henry Manning Archbishop of Westminster' to hand written label verso (in ornate pierced giltwood frame, each framed and glazed (6) (illustrated)

Thomas Appleton (1854-1924) After George Romney (1734-1802) `Emma Hamilton (Mistress of Horatio Nelson)` Mezzotint, signed in pencil bottom right, label verso `R Strachan & Co, Kingsbridge, Dublin`, `Henry Graves & Co, 6 Pall Mall, London`, 68 x 55cm

George Romne Lady Derby Mezzotint engraving by Frank Sternberg (1858-1924), signed in pencil with black and gilt glazed plate, 52 x 42cm

Unknown Artist `Young Girls` Mezzotint 1849, label verso `T Alexander Hill, 12 St Andrews Square, Edinburgh`, 37 x 46cm

An overpainted glass photograph of a young lady, including coloured mezzotint `An Eignen Heerd` (2)

Charles Napier RSW `George Watson`s College, Edinburgh` Mezzotint, 14 x 20cm

A mezzotint of The Most Noble Marquis of Salisbury, after Beechy, engraved by William Say, 1803, 70 by 44cm.

AFTER GEORGE ROMNEY, 19TH-CENTURY, Emma, Lady Hamilton, coloured mezzotint mounted in oval frame with trade label for Ackerman’s to reverse. Overall measurements -- 26¼ x 22in. (66.5 x 56cm.)

A 19TH CENTURY FRENCH ENGRAVING - `Henri IV`, 27"" x 20""; a mezzotint depicting a Gainsborough style lady; five Oxford related engravings; and an oil study - The Porch of St Mary the Virgin, High Street Oxford (8)

Group of three gilt framed coloured mezzotint portraits of ladies

'Las Ramblas Barcelona' watercolour signed by Don Micklethwaite and Edwardian mezzotint of Mrs Sheridan by Edmund Wardle

Panya Vijinthanasarn, Thai b.1956- "The Third Eye"; mezzotint, signed, titled, numbered 2/10 and dated 83 in pencil, 64.7x62.5cm

H SCOTT BRIDGEWATER AND OTHERS AFTER FRANCOIS BOUCHER AND OTHERS PORTRAIT OF MADAME DE POMPADOUR AND THREE OTHER SUBJECTS INCLUDING CLIVE OF INDIA AND NELL GWYNNE, MEZZOTINT, PRINTED IN COLOUR AND AN OELEOGRAPH OF ELEGANT COMPANY AT THE DOOR OF AN ANCIENT HOUSE

After Corot: landscape mezzotint, signed C Fitzgerald, 10½" x 13", framed and glazed

A coloured mezzotint behind glass, `Shepherd, and Shepherdefs, Angling, Landskip, &c. by Chatelain. Morning. London, Printed for Robt. Sayer Map & Printseller, at Golden Buck near Serjeants Inn Fleet Street.,` R. Houston fecit, 10.5 x 14.25in (26.5 x 36cm) in a moulded ebonised wood and gilt frame.

After Francis Cotes - `The Cricket Boy`, early 20th Century colour mezzotint by L. Busiere, signed in pencil, approx 59cm x 40cm.

After John Hoppner - Full Length Portrait of Admiral Lord Nelson, early 20th Century colour mezzotint by A. Stewart Wright, signed in pencil, approx 65cm x 44cm, together with two further colour mezzotints after Hoppner.

After Sir Joshua Reynolds - `Colonel Tarleton`, early 20th Century colour mezzotint by H. Macbeth-Raeburn, signed in pencil, approx 71cm x 41cm, together with two further colour mezzotints.

After Ben Marshall - Study of a Sportsman holding a Pheasant and Rifle, early 20th Century colour mezzotint by H. Macbeth-Raeburn, approx 67cm x 40cm, together with two colour mezzotints.

AFTER CAPTAIN RICHARD B. BEECHEY. Portrait of Admiral Nelson, standing full-length on a shore, with warships in a bay beyond, mezzotint engraving, 24 x 16 in

ELLEN JOWETT. A Boy holding a rabbit, colour mezzotint, pencil signed in lower margin, Pl. 18 x 15 in; a mezzotint titled `A Princess of France`; and an engraving titled `The Banian Tree` (3)

AFTER JOSHUA REYNOLDS, `Portrait of Lord Lifford`, and eight other various engravings of 18th/19th century figures, including `Judicary`, mezzotint, 66cm x 50cm. (9)

YUKIO HIDESHIMA, `Masks`, edition 14/21, mezzotint, 22cm x 37cm.

Purcell after Van Dyke: `The Children of King Charles I`, mezzotint

Smith after Moreland: `The Fern Gathers`, mezzotint

A 20th century mezzotint, signed `T Hamilton, Crawford`, together with various other prints and watercolours and two textile pictures

James Ward (1769-1859) after Sir William Beechey (1753-1839), King George III on his charger Adonis, reviewing the Third or Prince of Wales’s Regiment of Dragoon Guards and the Tenth or Prince of Wales’s Regiment of Light Dragoons, hand coloured mezzotint engraving, (trimmed and some damage), 51 x 64cm.

Dame Laura Knight R. A. R. W. S. (1877-1970), “A Southern Blonde”, signed, titled and numbered in pencil, mezzotint, 25 x 20cm, (unframed).

* NAN MULDER ENIGMA AND THE BLANKET ISLANDS both mezzotint, both signed, titled and numbered 6/35 and dated 1983 and 23/25 and dated 1984 respectively 9.5cm x 12cm and 5.5cm x 7.5 cm (2) label verso: The Scottish Gallery, Edinburgh

L Bisch after C Bach - `The Best Friend and Faithful Companion`, pair of colour engravings, 9.5" x 1..5", framed; together with 19th Century School - naval Admiral and his family, mezzotint, 10.5" x 13", oval frame (3)

CHARLES TURNER (1774-1857) AFTER SIR MARTIN ARCHER SHEE (1769-1850) The Most Noble William Robert, Duke of Leinster, Marquis of Kildare, Earl of Kildare & Ophaly Mezzotint, 73 x 46cm

SYDNEY E WILSON; an artist signed Mezzotint of Miss Cumberland, another of Mrs Catherine Clements and two other Mezzotints by Sydney Wilson.

Three framed royal prints - a seventeenth century three-quarter length portrait after van Dyke dated 1682 of Queen Henrica-Maria Borbonia, a mezzotint of Charles I & his son, and an oval engraving of Charles II, all in gilt mounts and stained frames. (3)

A third state mezzotint of Sir Peter Lely by John Smith of Covent Garden

Thomas Tompion -a photolithographic portrait. Reproduced from the mezzotint portrait engraved by John Smith after Kneller, 20th century. The likeness wearing a wig and buttoned jacket holding a watch movement in his right hand, within oval reveal and entitled Tho: Tompion. Automatopoeus to lower border and bearing inscriptions G: Kneller Eques. Pinx: and I: Smith fe: et ex: to lower margin, the image 34.5 x 25cm (13.5 x 9.5ins) approx. framed and glazed. An almost identical dial provenanced to the family of Nevil Maskelyne was sold by at Christie’s, South Kensington, Travel, Science and Natural History, 25th April 2012, Lot 70 for £4,000. The current lot appears a photographic reproduction of the famous portrait engraved by John Smith after the original by Sir Godfrey Kneller circa 1710.

Coloured Mezzotint, possibley by Tomkins `Cupid v Sapplio` Lable to verso 1824, in gilt frame, 31 x 40cm

Thomas Watson after Sir Peter Lely 'Barbara, Duchess of Cleveland', mezzotint, published 1779, unframed, 41cm x 33cm also seven other portrait engravings (8)

*CIRCLE OF WILLIAM WEBB. Daniel Haigh on horseback, hand coloured mezzotint, 18 1/2 x 24 in

A mezzotint of a young boy, signed D. Smart and a pair of prints of magpies

After Thomas Weaver: A portrait of Thomas William Coke, Esq, MP for Norfolk. mezzotint by William Ward, dated 1808 in a 19th century gilt frame

Charles Hunt, British 1803-1877- "The Trial of `Bill Burn`, under Martin`s Act", after P Mathews, publ by Ackerman & Co London; aquatint printed in colours with touches of hand-colouring, mounted in a glazed 19th century maple veneered frame, 47x56.5cm: British School, late 19th/early 20th century- "An Irish Obstructionist"; chromolithograph, in a glazed maple veneered frame, 42.5x69cm: Charles Turner ARA, British 1773-1857- "Two Denham Oxen", after T Weaver, publ by Benjamin A Bon, 1828; mezzotint, in an oak moulding frame, 59.5x71.5cm: Henry Beckwith, British fl. 1830-1900 and others, composite pictures comprising a number of Victorian engravings on shared sheets, a pair, both bear captions in pen and ink, mounted in matching glazed moulding frames, 86x48cm., ea: After John Leech, British 1817-1864- "Mr Jorrocks (loy) `Come help! I say. You ugly brute!`", publ by Thos Agnew & Sons, London Manchr & L`pool Jany 2nd 1863; chromolithograph, in a glazed frame, 45.5x83.5cm: F Sala & Co, Unter d Linden 51, Berlin, Publ., mid 19th century- "Crossing the Ford"; lithograph, in a glazed maple veneered frame, 52.5x64.5cm., (7)

William Ward, British 1766-1826- "The Sportsman`s Return", after G Morland, publ Dec 20th 1792 by Thos Macklin Poets Gallery Fleet Street; hand-coloured mezzotint, in a verre églomisé and gilt composition frame, 48.5x62.5cm: William Ward, British 1766-1826- "No XII. The Public House Door", after G Morland, publ July 20th 1801 J R Smith King St Covent Garden; hand-coloured mezzotint, in a verre églomisé and gilt composition frame, 44.5x54cm: Daniel Orme, British c.1766-1832- "Evening or the Post Boy`s Return", after G Morland, publ Jan 1 1716 by Orme at his Gallery 14 Old Bond Steet; hand-coloured stipple engraving, in a verre églomisé and gilt composition frame, 46x58.5cm., (3) Provenance: with Thos Agnew & Sons, Manchester, according to label attached to the reverse of all three frames

After François Chereau, French 1717-1755- "La Bal Pavé"; hand-coloured engraving on wove, in a carved gilt wood glazed frame, 35.5x47cm: J F Duthemare, British fl. 1803-1848- "The Village Farrier", after P Wouwerman, publ The London Fine Art Association Holloway N; etching, mounted in a maple veneered frame, 33.5x44cm: Charles Turner ARA, British 1773-1857- "Mrs Whitmore", after F Phillips RA; mezzotint, 43x35cm: together with three 19th century glazed maple veneered framed prints and six various other framed prints, all late 19th/early20th century, various sizes, (10)

Samuel Cousins RA, British 1801-1887- "Midsummers Night`s Dream", after Sir Edwin Landseer RA, publ Jan 1 1858 by Henry Graves & Company, London; mezzotint, 63.7x91.5cm: Paul Léon Jazet, French 1848-1918- "Bataille de Wagram" and "Bataille de Iéna", after Horace Vernet, Paris, publié par Jazet and Thre Vibert Editeurs Rue de Lancry 7; etchings with aquatint on chine appliqué, a pair, 55x63cm., ea: Charles William Sharpe, British 1818-1899- "Hamlet- The Play Scene Act III Sc II", after Daniel Maclise, publ Art Union of London 1866; mixed method engraving, arched mount, 46.5x83.5cm: Frank Holl, British 1845-1888- "The Coming of Age in Olden Times", after W P Frith RA; engraving on chine appliqué , 65x96cm: Francesco Bartolozzi RA, Italian 1725-1815- "Constanta", after Rigaud RA, publ Novr 30 1799 by Thos Macklin Poets Gallery Fleet Street; stipple engraving, in a glazed gilt composition neoclassical style frame, 43x50.5cm., (6)

James McArdell, British c.1729-1765- "George Duke of Buckingham with his Brother Francis, 1636", after Van Dyck, 1752; mezzotint, 50x35.3cm: David Law, British 1831-1901- River scene with cattle watering, after Clayton Adams, issued Oct 1st 1894 by the Art Union; etching, 51x70.5cm: together with three other prints and a gilt composition glazed frame, (a/f), (6)