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§ Dame Elisabeth Frink CH, RA (British 1930-1993)A group of seven unframed lithographs, to include: from The Iliad, 1975, published by the Folio Society, The Sea itself made way for Zeus, Hephaestus began by making a large shield, Zeus sent out an eagle with its talons in a fawn, and Diomedes let fly, but missed Dolon on purpose, and from The Odyssey, 1974, published by the Folio society, At midday the old man himself emerged and found his fat seals already there, A dark wave gathered mountain-high, and hid Tyro and Poseidon, and Not a single axe did Odysseus miss, each 24.5 x 15.5cm
Ca. 700-900 AD. Northern Europe. A beautiful silver pendant with an integral loop shaped like a bearded Viking axe head. Good condition. This type of amulet is modelled after the axe Molnia and is often seen as a counterpart to the common Mjölnir amulet. Some associate these axe pendants with Perun who was the ruler of the living world, sky and earth who used the axe to kill the snake that stole the earthly light. For more information on Viking jewellery, see Arbman, H. (1940). Birka I Die Gräber. Uppsala & Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London, 61-65.Size: L:24mm / W:13mm ; 3.4g. Provenance: Property of a London gentleman, formerly with the Parthenon gallery, previously in an old English collection formed in the 1980s.
Ca. 1000-800 BC. Celtic. A stunning bronze leaf-shaped dagger with a rounded handle. The bronze has blued with age and has a superb patina. Bronze weaponry production flourished from the 2nd millennium BC to about 700 BC when it was gradually replaced by iron. Swords, axe heads, spears and arrows were exchanged via trade and war and were discovered in both civic and ritual context. Mounted on a custom-made stand. Excellent condition, superb patina. For more information on Celtic daggers, see Stead, I. M. (1997). Celtic Art. Harvard University Press, 62-64 and Harding, D.W. (2007). The Archaeology of Celtic Art. Routledge, London, 107, 141, 195. Size: L:310mm / W:65mm ; 180g. Provenance: Property of a European gentleman, formerly acquired on the UK Art Market in the 1990s.
Ca. 900-700 BC. Koban-Caucasian Culture. A very rare bronze axe, richly decorated with geometric ornaments on the crescentic blade and a range of vertical ribs at the butt. Excellent condition; beautiful patina. The Koban culture was a tribal culture in the Central Caucasus during the transitional period from the Bronze Age to the Iron Age which produced high levels of applied art. Koban findings confirm that the Koban culture was in constant communication and exchange not only with Caucasian neighbours, but also with the tribes of the Crimea, the Northern Black Sea, Asia Minor, and especially with other important centres of bronze metallurgy - Luristan (Western Iran) and the Carpathian-Danube area (Austria, Bohemia, Bavaria). For more information on Koban axes, see Przeworski S. (1939). Die Metallindustrie Anatoliens in der Zeit von 1500-700 vor Chr., Leiden. Size: L:65mm / W:190mm ; 460g. Provenance: Property of a European collector, previously acquired from a London gentleman in 2018; formerly in the collection of R.P.T., acquired from a Brighton gallery in the UK in 1999.
Ca. 700-900 AD. Northern Europe. A beautiful silver pendant with integral loop shaped like a bearded Viking axe head. This type of amulet is modelled after the axe Molnia and is often seen as a counterpart to the common Mjölnir amulet. Some associate these axe pendants with Perun who was the ruler of the living world, sky and earth in Slavic mythology. Good condition. For more information on Viking Jewellery, see Arbman, H. (1940). Birka I Die Gräber. Uppsala & Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London, 61-65.Size: L:24mm / W:13mm ; 3g. Provenance: Property of a London gentleman, part of his family collection formed in the 1980s-2000.
Ca. 700-900 AD. Northern Europe. A beautiful silver pendant, with an integral loop, shaped like an axe head. Good condition. This type of amulet is modelled after the axe Molnia and is often seen as a counterpart to the common Mjölnir amulet. Some associate these axe pendants with Perun who was the ruler of the living world, sky and earth in Slavic mythology. For more information on Viking Jewellery, see Arbman, H. (1940). Birka I Die Gräber. Uppsala and Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London, 61-65.Size: L:17mm / W:5mm ; 2.4g. Provenance: Obtained on the London art market in the early 2000s; formerly from the collection of an English Family, by descents from the 1970s.
Ca. 1000-1200 AD. Viking Age. An iron axe head comprising a short, curved blade, elongated cheek, lozenge-shaped poll and rounded socket. The bearded axe, or Skeggøx (from Old Norse Skegg, "beard", and øx, "axe") was common from the 6th century AD onwards in Scandinavia but made most famous by the Vikings, who used these axes in battles to terrible effect. In bearded axes, the main part of the axe blade extends below the butt of the axe, creating a large cutting blade and allowing a fighter to hook onto the shields or weapons of their opponents. Mounted on a custom-made stand. For more information on Viking axes, see Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London, 139-141. Size: L:60mm / W:160mm ; 640g. Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
Ca. 1000-1200 AD. Viking Age. An iron bearded axe head with an elongated, curved blade and tapering cheek. T The bearded axe, or Skeggøx (from Old Norse Skegg, "beard", and øx, "axe") was common from the 6th century AD onwards in Scandinavia but made most famous by the Vikings, who used these axes in battles to terrible effect. In bearded axes, the main part of the axe blade extends below the butt of the axe, creating a large cutting blade and allowing a fighter to hook onto the shields or weapons of their opponents. Mounted on a custom-made stand. For more information on Viking axes, see Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London, 139-141. Size: L:150mm / W:167mm ; 1kg. Provenance: From the private collection of an Oxford gentleman; previously in an old British collection, formed in the 1980s on the UK / International art markets.
Ca. 1000-1200 AD. Viking Age. An iron battle axe with a short, curved blade, arched cheek, and heavy, reinforced poll. The cheek is decorated with incised geometric patterns. The bearded axe, or Skeggøx (from Old Norse Skegg, "beard", and øx, "axe") was common from the 6th century AD onwards in Scandinavia but made most famous by the Vikings, who used these axes in battles to terrible effect. In bearded axes, the main part of the axe blade extends below the butt of the axe, creating a large cutting blade and allowing a fighter to hook onto the shields or weapons of their opponents. Mounted on a custom-made stand. For more information on Viking axes, see Hubbard, B. (2016) The Viking Warrior. London: Amber Books Ltd, 139-141.Size: L:95mm / W:235mm ; 1.6kg. Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1990s on the UK / International art markets.
Ca. 1000-1200 AD. Viking Age. An iron axe head comprising a short, curved blade, elongated cheek, lozenge-shaped poll and round socket. Fair condition; mounted on a custom-made stand. The bearded axe, or Skeggøx (from Old Norse Skegg, "beard", and øx, "axe") was common from the 6th century AD onwards in Scandinavia but made most famous by the Vikings, who used these axes in battles to terrible effect. In bearded axes, the main part of the axe blade extends below the butt of the axe, creating a large cutting blade and allowing a fighter to hook onto the shields or weapons of their opponents. For more information on Viking axes, see Hubbard, B. (2016) The Viking Warrior. London: Amber Books Ltd, 139-141. Size: L:68mm / W:205mm ; 950g. Provenance: From the private collection of an Oxford gentleman; previously in an old British collection, formed in the 1980s on the UK / International art markets.
Ca. 1000-1200 AD. Viking Age. A heavy iron battle axe with a curved blade, a tapering cheek, a heavy, reinforced poll and socket. The cheeks are beautifully decorated with incised linear and star motifs. Good condition; mounted on a custom-made stand. The bearded axe, or Skeggøx (from Old Norse Skegg, "beard", and øx, "axe") was common from the 6th century AD onwards in Scandinavia but made most famous by the Vikings, who used these axes in battles to terrible effect. In bearded axes, the main part of the axe blade extends below the butt of the axe, creating a large cutting blade and allowing a fighter to hook onto the shields or weapons of their opponents. For more information on Viking axes, see Hubbard, B. (2016) The Viking Warrior. London: Amber Books Ltd, 139-141.Size: L:125mm / W:225mm ; 1.1kg. Provenance: From the private collection of an Oxford gentleman; previously in an old British collection, formed in before 2000 on the UK / International art markets.
Ca. 1000-1200 AD. Viking Age. An iron axe head with a curved beard and cutting hedge, narrow circular socket, and heavy hammer end. The blade to one side and the hammer to the other side suggest its use as a multi-purpose tool. Good condition; custom-made stand included. For more information on Viking axes, see Hubbard, B. (2016) The Viking Warrior. London: Amber Books Ltd, 139-141.Size: L:77mm / W:215mm ; 430g. Provenance: From the private collection of an Oxford gentleman; previously in an old British collection, formed in before 2000 on the UK / International art markets.
Ca. 1000-1200 AD. Medieval Western Europe/Viking. An iron axe head with a curved blade, triangular cheek, elliptical shaft-hole, and short butt. The blade has remarkable decoration in the form of an inlaid gold cross. Good condition; custom-made stand included. For more information on Viking axes, see Hubbard, B. (2016) The Viking Warrior. London: Amber Books Ltd, 139-141. Size: L:70mm / W:145mm ; 485g. Provenance: From the private collection of an Oxford gentleman; previously in an old British collection, formed before 2000 on the UK / International art markets.
Ca. 1000-1200 AD. Viking Age. An iron axe head with a curved blade, triangular cheek, and elliptical shaft-hole. The profile is square at the lower edge in the classic Skeggøx or 'bearded' profile manner. The bearded axe, or Skeggøx (from Old Norse Skegg, "beard", and øx, "axe") was common from the 6th century AD onwards in Scandinavia but made most famous by the Vikings, who used these axes in battles to terrible effect. In bearded axes, the main part of the axe blade extends below the butt of the axe, creating a large cutting blade and allowing a fighter to hook onto the shields or weapons of their opponents. For more information on Viking axes, see Hubbard, B. (2016) The Viking Warrior. London: Amber Books Ltd, 139-141. Size: L:95mm / W:170mm ; 830g. Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
Ca. 1000-1200 AD. Viking Age. An iron battle axe with a short, curved blade, arched cheek, heavy, and heavy poll. An incised chevron pattern is visible on the cheek. The bearded axe, or Skeggøx (from Old Norse Skegg, "beard", and øx, "axe") was common from the 6th century AD onwards in Scandinavia but made most famous by the Vikings, who used these axes in battles to terrible effect. In bearded axes, the main part of the axe blade extends below the butt of the axe, creating a large cutting blade and allowing a fighter to hook onto the shields or weapons of their opponents. For more information on Viking axes, see Hubbard, B. (2016) The Viking Warrior. London: Amber Books Ltd, 139-141. Size: L:90mm / W:232mm ; 1.6kg. Provenance: From the private collection of an Oxford gentleman; previously in an old British collection, formed before 2000 on the UK / International art markets.
Ca. 1000-1200 AD. Viking Age. An iron axe head comprising a short, curved blade, elongated cheek, lozenge-shaped poll, and round socket. The bearded axe, or Skeggøx (from Old Norse Skegg, "beard", and øx, "axe") was common from the 6th century AD onwards in Scandinavia but made most famous by the Vikings, who used these axes in battles to terrible effect. In bearded axes, the main part of the axe blade extends below the butt of the axe, creating a large cutting blade and allowing a fighter to hook onto the shields or weapons of their opponents. For more information on Viking axes, see Hubbard, B. (2016) The Viking Warrior. London: Amber Books Ltd, 139-141. Size: L:87mm / W:215mm ; 1.2kg. Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1990s on the UK / International art markets.
Ca. 900-1100 AD. Viking. A stunning silver pendant in the shape of a Mjölnir (Thor's hammer) decorated with typical engraved triangular marks, each with three raised dots. Good condition. Thor's hammer pendants were worn as religious amulets throughout the Viking era; they were usually made of silver and hung on silver chains. Thor was a prominent Norse god and his Mjölnir is depicted in Norse mythology as one of the most fearsome weapons, capable of levelling mountains. Though generally recognised and depicted as a hammer, Mjölnir is sometimes referred to as an axe or club. To find out more about the Vikings and their art, see Graham-Campbell, J. (2013). Viking Art. London: Thames and Hudson Ltd. For more information on Viking Jewellery, see Arbman, H. (1940). Birka I Die Gräber. Uppsala and Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London, 61-65. Size: L:64mm / W:35mm; 29g. Provenance: Property of a North London gentleman; previously acquired on the UK/European art market in the 1980s.
Ca. 900-1100 AD. Viking. A stunning silver pendant in the shape of a Mjölnir (Thor's hammer) decorated with three circles and notches above and below, hanging from a circular loop. Good condition. Thor's hammer pendants were worn as religious amulets throughout the Viking era; they were usually made of silver and hung on silver chains. Thor was a prominent Norse god and his Mjölnir is depicted in Norse mythology as one of the most fearsome weapons, capable of levelling mountains. Though generally recognised and depicted as a hammer, Mjölnir is sometimes referred to as an axe or club. To find out more about the Vikings and their art, see Graham-Campbell, J. (2013). Viking Art. London: Thames and Hudson Ltd. For more information on Viking Jewellery, see Arbman, H. (1940). Birka I Die Gräber. Uppsala and Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London, 61-65. Size: L:43mm / W:17mm ; 5g. Provenance: Property of a European gentleman, formerly acquired on the UK Art Market in the 1990s.
Ca. 900-1100 AD. Viking. An impressive iron axehead with a curved blade and elliptical shaft-hole. The profile is square at the lower edge in the classic Skeggøx or 'bearded' profile. A wooden shaft would have been placed through the hole. The bearded axe, or Skeggøx (from Old Norse Skegg, "beard", and øx, "axe") was common from the 6th century AD onwards in Scandinavia but made most famous by the Vikings, who used these axes in battles to terrible effect. In bearded axes, the main part of the axe blade extends below the butt of the axe, creating a large cutting blade and allowing a fighter to hook onto the shields or weapons of their opponents. Mounted on a custom-made stand. Good condition. For more information on Viking Axes, see Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London, 139-141. Size: L:125mm / W:190mm ; 815g. Provenance: Property of a European gentleman, formerly acquired on the UK Art Market in the 1990s.
* Down (E.F.). 'Reverie', 1930, oil on canvas, depicting a gentleman asleep in an armchair with his feet on a footstool, his arms folded over a book entitled 'Chivalry', the glow of a fire on his rosy face, and a cat by his side, against an array of fantasy figures, including a knight on horseback, a monk, and shadowy figures with spears and axe, signed and dated lower right, some rubbing and surface loss, mostly to edges, 76.3 x 56cmQty: (1)
* Axe head. A Chinese archaic bronze ritual axe head, the wide flattened blade with rounded edge, the haft pierced with hole cast with roundels and lines with one large pierced hole flanked by two smaller, 13.5cm x 10cm wide together with another Chinese bronze axe head, green from verdigris, 10cm x 6.5cm, plus a Neolithic stone tool, 8cm longQty: (3)NOTESIn Chinese culture weapons such as the dagger and axe had a sacrificial meaning, symbolizing the heavenly power of the ruler.
Royal Mint Tower of London Coin Collection brilliant uncirculated 2019 UK £5 coin in The Yeoman Warders presentation pack. Part of the Royal Mint Historic Royal Palaces collection in its original unopened packaging. The third coin in their set of four Tower of London series, the coin features a Yeoman Warder in his iconic uniform holding an axe, in front of a wall in the Tower of London. The Tower of London mint mark appears on the bottom right of the coin. When placed together the four coins in the series create a plan of the Tower of London. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Royal Mint Tower of London Coin Collection brilliant uncirculated 2019 UK £5 coin in The Yeoman Warders presentation pack. Part of the Royal Mint Historic Royal Palaces collection in its original unopened packaging. The third coin in their set of four Tower of London series, the coin features a Yeoman Warder in his iconic uniform holding an axe, in front of a wall in the Tower of London. The Tower of London mint mark appears on the bottom right of the coin. When placed together the four coins in the series create a plan of the Tower of London. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Royal Mint Tower of London Coin Collection brilliant uncirculated 2019 UK £5 coin in The Yeoman Warders presentation pack. Part of the Royal Mint Historic Royal Palaces collection in its original unopened packaging. The third coin in their set of four Tower of London series, the coin features a Yeoman Warder in his iconic uniform holding an axe, in front of a wall in the Tower of London. The Tower of London mint mark appears on the bottom right of the coin. When placed together the four coins in the series create a plan of the Tower of London. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Somerville (E. OE.). Slipper's ABC of Fox Hunting, 1st edition, London; Longmans, Green, and Co., 1903, 20 full page colour plates, guttering crack, loose binding, some light toning & marks, publishers original illustrated cloth, boards & spine heavily rubbed & marked, large 4to, together with other early to mid 20th-century equine & sporting reference, including Pastime With Good Company, by G.D. Armour, London: "Country Life", circa 1930, large 8vo, The Horse, Its Treatment in Health & Disease, 9 volumes, by J. Wortley Axe, Lonon: Gresham Publishing, 1906, uniform green cloth designed by Talwin Morris, 4to, mostly original cloth, some in dust jackets, fair/good, 8vo/4toQty: (2 cartons)
A crudely worked lead cross inscribed 'Death to ye King' with axe and block, height 7cm, also a piece of wood from a beam found in the ruins of Hubbard Grange when Charles II stayed for breakfast courtesy of the Pendrell family and a small dagger with scroll quillion and turned hardwood handle, blade 12cm. Provenance - From the Clive Sherwood collection Lydia Ash House Bromsgrove.
Twenty seven Britains hollowcast toy soldiers, Set 1542 New Zealand Infantry comprising twelve Infantrymen Marching Soldiers, Set 1631 Canadian Governor General's Horse Guards comprising Mounted Officer on a Prancing Horse with Extended Sabre Arm and four Mounted Troopers, Set 2148 Canadian Fort Henry Guards comprising Officer with Drawn Sword and eight Guardsman at Shoulder Arms, Set 2177 Fort Henry Guard Band Fifer and Set 2182 Fort Henry Guard Pioneer Standing Holding Axe, some repainting. (27)
A George I walnut, crossbanded and featherbanded toilet mirror The arched plate within a gilt gesso slip and moulded frame flanked by uprights surmounted by brass urn finials, the stepped base with two short and a long drawer with axe head handles on small later turned bun feet, 43cm wide, 21cm deep, 70cm high.
A gold-lacquer small single-case inro19th centuryThe vertical rectangular body with a kinji ground lacquered in relief with a bundle of brushwood with a large axe on one side and a foliate maple branch on the other, illustrating Taketori monogatari (The Tale of the Bamboo-cutter), in gold and coloured takamaki-e, the cord runners of silver, simulating bamboo and the interior of roiro, lacquered in togidashi maki-e with maple leaves on a stream; inscribed in an oval reserve Kansai. 5.4cm (2¼in) high.Footnotes:リザーブ設定無し養老の滝図蒔絵印籠 銘「寛哉」 19世紀Provenance: purchased from T. Wingrove, 1980.Wrangham collection, no.1475.The Edward Wrangham Collection of Japanese Art: Part IV, lot 193.www.bonhams.com/auctions/20493/lot/193/Lot to be sold without reserve.For further information on this lot please visit Bonhams.com

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