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14783 Los(e)/Seite
A Kanak bamboo flute New Caledonia with incised and stained pictorial decoration of a chief's house and two smaller houses with figural roof finial, either side of a tree, with a figure hunting a bird with a bow and arrow, with three figures below, holding a staff, a club, a sceptre / ceremonial axe and a spear, three two masted ships, one with a figure at the stern and a large turtle, linear geometric decoration and a band of animals, four in an enclosure, with seven pierced holes, 72cm long. Provenance Fernand Deveze and M. Bergognon, Paris. Aguttes, Paris, 20 Nov 2009, lot 83.
Three Highlands axe heads Papua New Guinea greenstone, one with a white painted inventory number H.1011, 12cm, 15cm and 16cm long. (3) Provenance The 15cm one - James Hooper Collection, inv. no. 1011. Christie's, London, Melanesia & Polynesia Art from the James Hooper Collection, 19 June 1979, lot 2, part.
dating: Late 19th Century provenance: Indopersia, Convex-edged axe richly inlaid with silver rinceaux and leaves on both facets and with a frame on the border. Squared tip, with a knot at the base and remains of silver outlines. Block with silvered leaves. Forked and festooned beak, with silver-inlaid leaves. Iron haft with inlays en suite at the two ends. height 71,3 cm.
dating: Second quarter of the 19th Century provenance: Germany, Iron bow of flat section; fine wooden tiller, checkered in the lower part and on the stock, with engraved grooves at the guard; iron groove engraved with petals; an axe trophy, flags and other arms on the tang; trigger-guard engraved with vases and provided with finger support; flower-patterned flat guard; trigger and set trigger; front part covered with ivory. length 49 cm.
A Japanese carved sectional ivory figure of a woodcutter, Meiji period (1868-1912), standing with a bundle of sticks on a frame on his back, his left hand resting upon the handle of an axe, his right holding a branch of fruiting cherry, on a shaped oval base with tree stump, 16in. (40.5cm.) high.
An 18th century Mariaval le Jeune ivory and mother of pearl box, of rectangular form, the lid decorated with a circular mother of pearl panel carved with a seated female by a basket of fruit holding her hand out to a dove, surrounded by further engraved mother of pearl panels and stained ivory flowers, with green border, the inside of the lid engraved with a figure by a building in a landscape and signed underneath Mariaval le Jeune a Paris fecit, the underside of the base engraved with a cherub with axe by a rock with coloured flowers and leaves, inscribed avec le temps, 3.25ins x 2.25ins x 0.75ins
NS Custom Guitars Axe bass with Epiphone Limited Edition Custom Shop neck; Finish: black, minor imperfections; Fretboard: rosewood; Frets: good; Electrics: working, 1970s Gibson Thunderbird pickups; Hardware: generally good; Overall condition: good *Replica of the Peter Cook John Entwistle Axe bass
UK (ISSUED) PROG/ROCK/PSYCH 7" - STOCK ISSUES. Marvelous collection of over 140 x 7" loaded with scarce 45s chiefly from 1970 to 1974. Artists/cat. numbers include Granny (DJS 291), Nimbo (7N 45174), Bedlam (CFB-1), Jericho (AMS 883), Earth And Fire (Nepentha 6129 001),Patrick Campbell-Lyons (SOV 119), The Quiet Five (R 5273), Axe (MKS 5088), Woody (MOON 21), WIshbone Ash (MKS 5097), Budgie (MKS 5072), Smoke (F R 13484), Van Der Graaf Generator, Steve Feldman (Mooncrest MOON 11), Ducks Deluxe, Third World War (BUG 11), Mike Batt (DJS 246), Jean Jacques Perrey (VAN 1005), Wild Angels, Sun Chariot, Edgar Broughton, Juicy Lucy, Bulldog, Nazareth, Savoy Brown, Thin Lizzy, Jackson Browne, The Kinks and Humble Pie. Condition is often very well presented VG+ to Ex+.
A Regency giltwood, gesso and ebonised wall mirror, circa 1815, the rectangular plate below an egg and dart moulded cornice and tablet incorporating a 'Fasces' symbol, flanked by fluted tapering columns each surmounted by Egyptian male terms and a star, 173cm high, 107cm wide The 'Fasces' was the symbol of the authority of the Roman Republic. The group of sticks or rods bound together represents the idea of collective power, while the axe heads emerging at either side represent military strength. Provenance: Private Collection, London
A George III mahogany 'butterfly' Pembroke table, attributed to Thomas Chippendale, circa 1770, the shaped top incorporating a pair of hinged leaves, above a frieze drawer with 'axe-head handles' and a divided interior, each moulded cabriole shaped tapering leg surmounted stylised anthemion and scroll carved terminals and terminating in scroll carved feet, brass caps and castors, 70cm high, 48cm wide, 80cm deep, 100cm wide extended For a virtually identical table made by Thomas Chippendale for Paxton House, see Sotheby’s, London, Arts of Europe: Furniture and Decorative Arts, 10th November 2015, Lot 122 (£68,750). The same table is listed in a transcript of Chippendale’s account to Ninian Home for Paxton House, see Christopher Gilbert, The Life and Work of Thomas Chippendale, 1978, 2 vols, vol 1, pp.273-275. For other related examples see also Christie’s London, Important English Furniture 8thJune 2006, lot 15, sold £102,000 and Christie’s New York, 21st October 2005, lot 12, sold $102,000. For another related Pembroke table to the offered lot, see C.C. Stevens and S. Whittington, 18th century English Furniture, The Norman Adams Collection, 1989, pages 320-321. The slender channelled cabriole legs, stylised shell and volute scroll carving and serpentine shape of the tops are all features that the current and Norman Adams example have in common. The handles of the offered Pembroke conform to a design often used by Thomas Chippendale in the period circa 1770-75. In addition, evidence of an elevated level of construction along with the excellent quality of the timber suggests that the present table is possibly the work of Chippendale during this period.
Box containing two 18th century 14" white painted long case clock dials, one marked Mulligan Dolgelly, the other indistinctly Oleman, Carnarveon for restoration, a painted cast iron clock case has a man holding the dial on his stomach (now vacant), 43 cm high, a double headed axe and a wedge-wood autumnus pattern pottery
A gold Damascened axe head, probably North India/Kashmir, of typical form, with chiselled decoration of birds amongst tight foliage beneath palmettes, all within a running interwoven foliate border, the butt incised with floral decoration, the upper and lower side both with gold inscriptions. 14 cm long (see illustration).
A FINE JAPANESE MEIJI PERIOD ONE PIECE CARVED IVORY OKIMONO, of a peasant male carrying bound faggots of book on his back, a fruiting branch in his left hand and an axe in the other, the oval base signed with two characters, on a red lacquer seal, 7 1/2" (19cm) high, on an associated wooden stand

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14783 Los(e)/Seite