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Fantasy style seahorse hilted knife, a diver style knife and a sheath survival axe (3)

Tribal style wooden shafted axe with broad blade and carved detail to the head (overall length 26.5 inches)

Dutch silver mounted sewing set stamped 800, Scottish silver axe brooch by Robert Allison Glasgow 1951, hallmarked silver and silver-plated golf club cocktail sticks, filigree silver boat etc Condition Report Click here for further images, condition, auction times & delivery costs

Stone gnome with axe. (2)

Stone gnome with axe. (2)

Nephrite ceremonial gemstone axe, possible old repair to handle - 33cm long

A large axe forged from a single piece of metal, blade length +/- 7", height 26 cm, a Salters No. 2 scale dated 1941 and stamped with a broad arrow and another item.

A Late XIX Century Japanese Ivory Figure of a Gentleman Carrying a Wolf, standing on an axe beside a sack on an oval base, 16.5cm high.

An incredibly rare pre-war Gama made tinplate clockwork German Panzer Tank . Rare black version (for Panzer). Tin plate construction, with litho-printed decoration. Twin machine guns to front, and one axe remaining above the tracks. Turret moves, with access hatch to top. Tracks in original white colour, but presumed to be later (reproduction). Supplied with an associated vintage Waffen SS Panzer driver. Rare version of this famous vintage toy military tank. Measures approx: 24cm long. 

A NEOTHLITHIC AXE HEAD. 4ins long.

Dutch Delft blue and white plate, circa 1760 axe factory

A late 19th century Japanese okimono figure of a woodcutter with axe and logs on his back, red seal mark to base, height 8"

An Important Chola Bronze Figure of Siva Vinadhara, Tamil Nadu, South India, circa 12th century, the four-armed Hindu god standing with body flexed, his upper hands carrying an axe and deer, his primary hands holding a vina (now missing), with tall headdress, and a large earring in his left ear, 45.5cm (17 7/8in) high.Provenance: Collection of the Late Andrew Solomon, London, inv. no. A71. Purchased from Sotheby's London, 7 December 1971, lot 66. The original sale invoice is sold with this lot.For a larger Vinadhara figure in the Cleveland Museum of Art (Leonard C. Hanna Fund, 1971.117), see Chola: Sacred Bronzes of Southern India, Royal Academy of Arts, London 2006, no.7. See also Christie's New York, 17 September 2003, lot 26.

A JAPANESE MEIJI PERIOD SECTIONAL IVORY OKIMONO OF A STANDING FARMER, together with a fixed wood stand, the farmer bearing an axe and a basket of produce, 4.7in wide at widest point of wood base & 8.5in high overall.

A Small Bronze Figure of Ramanuja, Tamil Nadu, South India, 19th century, seated in sattvasana, his hands in namaskara mudra, his staff with square of cloth resting on his right shoulder, 3.5cm (1 1/8in) high.Provenance: Collection of the Late Andrew Solomon, London, inv. no. A74. Purchased from J. Stanley 22 January 72.Ramanuja is a historical figure, who played an important role in the bhakti devotional movement at the end of the first millenium AD. Despite its axe-like appearance, the object held in his arm is a square of cloth for filtering water attached to a staff.

A CHINESE JADE AXE HEAD, of archaic form, each side decorated in shallow relief with a taotie mask, 2.5in wide at widest point & 2in high.

A Bronze Figure of Siva, Tamil Nadu, South India, early 20th century, weighing approx. 6.35Kg,  the four-armed Hindu deity standing on a rectangular lotus pedestal, his upper hands holding axe and deer, wearing crown and tall headdress, a circular lotus halo behind his head, 41cm (16 1/8in).

Pair of swords and scabbards, Samurai sword and brass and wood axe and two others

A large quantity of pick axe handles.

[Ethnic / Aborigine Art] An early 20th Century Australian Aboriginal hafted stone axe, secured with twine and decorated with red ochre and white clay, 41 cm

Sharpes of Aberdeen Salmon Gye Landiing Net and Cassin branded climbing axe(2)

A 1939 Air Ministry aircraft escape axe

AN AFRICAN TRIBAL HARD WOOD AND METAL HUNTING AXE circa 1900, 63cm long

A Han style bird headed jade belt hook together with an axe pendant, the smokey grey stone body of the belt hook carved with ribs, the head possibly that of a crane, 9cm (3.5 in) wide, the main body of the axe blade white, barbed edges flanking the suspension hole and carved from toffee green stone, 7.5cm (3 in) wide (2)

A collection of items to include a vintage coffee grinder, shoe last, axe head, clogs etc please refer to images.

A figured walnut and banded lowboy of Queen Anne design with axe head handles, on cabriole supports, 36" wide

A new claw hammer and a new axe

A bronze age axe head

Old axe-head type weapon

A EUROPEAN KNIGHTLY WAR HAMMER OR AXE, the 12cm heavy face with profuse etched decoration composed of scrolling foliate and strapwork borders with central neoclassical flourish to one side and crowned AF initials to the other, heavy square section fluke not dissimilar to a Bec-de-Corbin, the tapering haft with flattened bun shaped pommel and heavy square section spike finial, a band of etched decoration at the top and the base of the haft matches that on the head. Fluke bent at the tip.

A 19TH CENTURY INDIAN TABAR AXE, 19cm crescent head profusely etched with scrolling foliage, the tapering haft with square section tapering spike finial.

A Resin figural study of the Mattei Amazon, carrying a bow and sheath and is resting on her Pelta (shield) and double-bladed axe, the original is in the Capitol Museum, Rome, H. 90cm

Two tribal club heads from Kuk Valley, New Guinea and a vintage stone-axe from Java

A stone flint of archelogical axe design

Collection of Old Iron Tools and Parts including Plough Heads, Axe Heads, Brass Blow Torch, Cutters, Drain Hopper and a Enamel Light Shade

ROBERT DONALD ELLIOTT IN THE MANNER OF GEORGE MORLAND "Country scene of a man with machete and axe leaving a house with boy and dog in tow saying goodbye to girl in doorway", oil on canvas, signed lower left

Seven axe heads G

A shipwrights axe and a French axe G

A shipwright's blocking axe 15 1/2" blade with a 4 1/2" edge and an ash handle by Henry Carter G

An axe by ELWELL and another G

A French coopers R/H side axe with dimpled blade by VERDIERE A AIGVVIVE G

A 18c R/H side axe with 8" blade wormy handle G

Three axe heads and two adze heads G+

Four froes, four adze heads and other axe heads G

An unusual large lathing axe and two other unusual tools G

An early 18c coup mark or vine axe 25" x 11" edge, some pitting G

Crete, Knossos AR Drachm. Circa 350-220 BC. Laureate head of Apollo left / Diademed youthful male figure (King Minos?), wearing drapery over his lower limbs, seated to left on a square labyrinth, holding Nike in extended right hand and sceptre with left; monogram to left, AΓEI (= gifts?) in the exergue. Le Rider, Crete, plate 35, 6 (this coin); Svoronos 88, pl. VI, 15; BMC 28, pl. V, 14 (same reverse die); Jameson 2519 (same reverse die). 4.88g, 2mm, 12h. Very Fine; old repair below eye. Very Rare, only one other example on CoinArchives. Ex Northern California Collection; Privately purchased from Freeman & Sear, 2003; Ex Numismatica Ars Classica 18, 29 March 2000, lot 189. The possible identification of the ambiguous reverse as the legendary king Minos rests largely on the youthfulness of the figure together with his being seated upon the labyrinth of Daedalos, built to house the Minotaur. Though we are all familiar with the myth of king Minos, Theseus and the Minotaur, the extent of historical fact behind this story is uncertain, and excavations of the Minoan palace complex at Knossos has revealed no such structure. The explorer Arthur Evans, during his investigations of the site in 1900-1903, prompted by the enormity of the scale and intricateness of the architecture postulated that the palace itself was the origin of the mythological labyrinth. This theory is supported by the close association of the word ‘labyrinth’, which is a pre-Greek word of Minoan origin, with the Lydian word ‘labrys’ (double-axe); the labrys motif appears frequently at the Knossos palace complex, and excavations have unearthed many ancient ceremonial double-axes among grave-goods there. Whether there is a kernel of truth to the myth we may never know, but in the critically acclaimed bildungsroman ‘The King Must Die’ (published 1958) by Mary Renault, the author constructs an archaeologically and anthropologically plausible story that might have developed into the myth, presenting the palace at Knossos of the kings who are always called Minos as the Labyrinth, the king’s son Asterion - the swarthy product of an adulterous union between his unfaithful wife Pasiphae and an Assyrian bull-dancer - as the ceremonial bull-mask wearing Minotauros (signifying heir to the throne), and the winding passages of vaults and store-rooms beneath the palace, through which Theseus must escape with the assistance of Ariadne, as the maze which he negotiates with the help of Ariadne’s thread.

Cilicia, Tarsos AR Stater. Circa 440-420 BC. Bellerophon riding Pegasos to left, preparing to hurl spear at chimaera, lunging upward at him from below / Nergal standing left, holding axe in right hand, left hand raised with open palm facing upward; NRGL TRZ (in Aramaic script = "Nergal of Tarsos") across upper field, grain ear to left, small tree to right; all in dotted square within incuse square. Casabonne Group A, Type A2; Mildenberg, Nergal, pl. 28, 5 = NAC 25, lot 201 = NAC 10, lot 253 (same obv. die); Baldwin's 37, lot 724 = Brindley Collection 213 = Lanz 48, lot 363 (same obv. die); Triton XXI, 513. 10.70g, 21mm, 5h. Very Fine; rev. die worn as usual. From the collection of D.I., Germany, purchased before 1992.

Julius Caesar AR Denarius. Military mint moving with Caesar, 48-47 BC. Diademed female head right, wearing oak-wreath, cruciform earring, and pearl necklace; LII behind / Trophy of Gallic arms; axe surmounted by an animal's head to right; CAESAR below. Crawford 452/2; CRI 11; RSC 18. 3.83g, 19mm, 7h. Virtually as struck. Ex Auctiones 17, 7 June 1988, lot 493; Ex Leu 30, 28 April 1982, lot 265. Since the numerals behind the obverse head have long been recognized to represent Caesar's age at the time, this denarius was struck shortly after the battle of Pharsalus, where Pompey met his ultimate defeat, and Caesar became master of Rome. The reverse deliberately references Caesar's Gallic victories, rather than his recent victory over fellow Romans, the celebration of which would have been distasteful; Caesar's conduct after the battle was similarly conciliatory - he forgave the large part of Pompey's officers and army. The depiction of this female portrait wearing the corona civica, or oak wreath, however, may be a subtle allusion to his Pompeian victory. This award was granted to any citizen who had personally saved the life of another citizen; in this case, Caesar had saved the citizen-body of Rome and the Republic from further civil war.

Cn. Domitius Calvinus AR Denarius. Osca, 39 BC. Head of Hercules right; OSCA downwards behind / Simpulum, aspergillum, axe and apex; DOM•COS•ITER•IMP around. Crawford 532/1; CRI 342; Sydenham 1358. 4.22g, 18mm, 6h. Extremely Fine. From a private European collection.

Constantius II AR Ingot of 1 Roman Pound. Circa AD 337-361. Shaped like a double axe-head with flaring blades, thicker in the middle and thinner at the edges; stamped with an obverse die of Constantius II (D N CONSTANTIVS P F AVG, pearl-diademed, draped and cuirassed bust right); IVLI chiselled above / Blank; large silver plug, adding metal to raise the weight. Manhattan Sale III, 225 (also of Constantius II, and also with IVLI inscribed); for similar double-axe shaped ingots, cf. Collingwood and Wright, The Roman Inscriptions of Britain (1965), 2402.4, p. 30; cf. Guide to the Antiquities of Roman Britain (1964), p. 46, fig. 21.b.4 = BM OA.247; cf. Painter, Two Roman Silver Ingots from Kent, Archaeologia Cantiana Vol. 97 (1981), pp. 201-207. 343.45g, 117mm x 63mm (at widest point). As made. Extremely Rare, one of approximately 50 known such ingots, of which only a very few are in private hands. From a private European collection. Silver ingots like this one were used to pay soldiers and civil servants from around AD 305. The accession donative, at least between AD 361 and 518, is known to have been five gold solidi and one pound of silver per man for the rank and file (Ammianus Marcellinus, XX, 4.18). Officially, stamped ingots therefore occur fairly frequently in the fourth century, however ingots stamped at an imperial mint and bearing the emperor's portrait and titles are extremely rare; only six others are known - the Manhattan Sale example, and five all in the name of Magnentius (two found at Emona and three found at Kaiseraugst), all now in museum collections: see H.A. Cahn, Der spatromische Silberschatz von Kaiseraugst, 1984, pp. 324-329. The government department responsible for the collecting of taxes and levies was the Sacrae Largitiones, to which naturally fell the responsibility of also redistributing the gold and silver to the soldiers and officials. The Comes sacrarum largitionum "Count in charge of the sacred distributions" is possibly the IVLI named on this ingot, and the Manhattan Sale example.

Thessaly, Larissa AR Drachm. Circa 479-460 BC. Horse left, grazing with head lowered; above, cicada left / Sandal of Jason left, double axe above, ΛARISAION around from lower left; all within incuse square. BCD Thessaly I 1095 (same dies). 4.63g, 17mm, 6h. Very Fine. Very Rare. From the collection of J.T.B., United States; Ex BCD Collection, Classical Numismatic Group e337, 22 October 2014, lot 35.

A collection of stick pins to include a gold horseshoe, a white metal crescent and axe, a circular mourning example set with a cut seed pearl, turquoise enamel with seed pearls, etc (9).

A 19th century iron axe with faceted pike, length 74cm, and a steel handled pruning knife by Joseph Rodgers & Sons, length 23.5cm (2).

A Japanese Meiji period marine ivory okimono of a peasant worker, possibly a gardener, with a basket and an axe, two character marks to base height 18.5cm.

A painted religious sign, JESUS CHRIST HE IS LORD OF ALL . AXE.10-36, 61cm x 180cm, and a Mount Tabor sign. (2, AF)

Native American axe

A Resin figural study of the Mattei Amazon, carrying a bow and sheath and is resting on her Pelta (shield) and double-bladed axe, the original is in the Capitol Museum, Rome, H. 90cm

Three silver pendants on chains including a novelty example formed as a chiming axe.

Royal Scots Greys peaked cap by Hobson and Sons, size 6 3/4, also a Firemans axe stamped 'GR' the axe measures 40.5cm long Unfortunately we cannot do condition reports for this sale.