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14782 Los(e)/Seite
A fine Hepplewhite period mahogany Pembroke table, the satinwood crossbanded top inlaid to the centre with a shield, an axe, a bow and a quiver of arrows above a single frieze drawer opposed by a dummy drawer on square tapering supports, height 71cm, width 48cm, depth 78.5cm. Condition report: The piece has been restored, perhaps 25 years ago.
A fine French gilt brass carriage clock Japy Freres, Beaucourt and Paris, circa 1860 The eight-day two train bell striking movement with gilt platform lever escapement regulated by unusual three-arm sprung monometallic balance applied with three axe-head shaped blued steel projections to rim, the backplate with small bell over stamped central oval trademark JAPY FRERES & CIE, EXPOSITION 1855, GRANDE MED. D HONNEUR and serial number 1055 to lower left corner, the rectangular white enamel Roman numeral dial inscribed BREVET D INVENTION S.G.D.G. to centre and with delicate blued steel moon hands, the bevel glazed gilt brass case with hinged handle modelled as entwined mermaids and strapwork panel bordered escapement aperture over decorated cavetto and ogee top mouldings, the canted angle uprights with elaborate foliate scroll cast upper and lower panels interrupted by niches containing standing silvered female figures emblematic of the four seasons, the front and sides with conforming glazed apertures and the rear with opening door, on cavetto moulded skirt base cast with further elaborate scroll tendrils and fruiting vines incorporating integral bracket feet feet, 18.5cm (7.25ins) high excluding handle. The firm of Japy Freres et Cie was founded by Frederick Japy in 1774 who set-up a modest workshop in Montbeliard as a watch and machine tool maker. Japy expanded his business rapidly and by 1804, the year he was awarded the Legion d Honneur by Napoleon (in recognition for his Brevets in horological machinery), he employed 300 people at his manufactory in Beaucourt. From 1806, he took five of his sons into partnership and the firm expanded adding buildings at Badevel and La Feschotte amongst others to become one of the largest makers of clocks in Europe. The business continued into the Twentieth century but during the inter-war period went into decline and is thought to have finally wound-up in around 1840. A detailed history of Japy Freres et Cie is provided in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development chapter VI pages 133-48.
Eleven Java shadow puppet props Indonesia polychromed leather with bamboo handles, including two kris blades, an axe, two knife blades, two birds, a tablet with a pierced inscription and three pierced fans, the highest 49cm. (11) These props are used in the Indonesian Wayang kulit shadow puppet play, offering the viewers a combination of ritual, lesson and entertainment.
A GOLD TORQUE NECKLACE, BY LALAOUNISOf brushed gold finish, hinged to the back, with axe-shaped terminals, mounted in 18K gold, with maker's mark, retailed and marked 'Mecan', inner diameter 11.4cmGreek jeweller Ilias Lalalounis was born in Athens in 1920, the fourth generation of a family of goldsmiths and watchmakers from Delphi. After studying economics and law at the University of Athens, he joined his uncle’s jewellery firm, where, apprenticed as a goldsmith, he learned the skills that were to determine his future as a master craftsman.Prompted by a passion for history, he began studying the art of his ancestors. In the 1950’s he was inspired by Greek museum artefacts and transformed them into jewellery by reviving age-old techniques while also introducing the use of modern technology. His creative aim was to convey the spiritual and symbolic link of an object to its historical past, the art of neglected techniques, such as granulation, filigree, hand-weaving and hand-hammering. Lalaounis founded the Greek Jeweller’s Association and exhibited his first collection in 1957, the archeological collection, inspired by Classical, Hellenistic and Minoan-Mycenaean art, with modern jewels steeped in antiquity. In the 1960’s, after his uncle passed away, Ilias Lalaounis started his own company. His collections, consisting of 18 and 22 karat gold pieces, were inspired by the art of many different cultures and periods. His interest spanned from prehistoric to Minoan art, from Persian to Byzantine, from Chinese art to the art of the Tudors. In the 70’s, Lalaounis provoked a sensation with his collection ‘BLOW UP,’ draping the human body in gold jewellery. He followed this by redefining new means of expression, inspired by spheres such as nature and science, flowers and biosymbols, the random movements of animal and plant cells, orbits and constellationsIn 1986 Lalaounis became the first jeweller to be honoured with the prestigious induction to the Academie des Beaux Arts et des Lettres of Paris.
70s ROCK/POP/PSYCH/ALT 45s - More cracking 7" now, 71 included, loaded with killer slices of obscure magic! Expect artists such a Paintbox, Rare Bird, Great Expectations, Geronimo, Lally Stott, Tractor (UK 93), Stephen Jameson, Listen, Writing On The Wall, Bitch, Slack Alice, Hi-Shots, Suzi Quatro, Paul Kent, Steel Mill, Merlin, Don Fardon, Thing, The Mad Hatters, Marmalade, Freddie Scott, Armando Sciascia & His Orchestra, Neil Innes, Axe and The Rattles. Condition is generally Ex to Ex+.
A collection of fossils and minerals, including various sized trilobites, mainly of Moroccan origin, Cornish type polished stone axe-head, flint scrapers etc, together with over eighty musket flints from the site of the Hull Municipal Museum in Albion Street which was completely destroyed in 1943 by a German incendiary bomb
A South African hardwood knobkerrie, with line incised bulbous end 53cm long, a native axe made from a hardwood briar with chased hand forged steel blade 42cm long, a knife with carved and pierced bone handle and nickel mounted horn scabbard 23cm overall and another knife with carved wooden handle and scabbard, 22cm overall (4)
70s UK DEMO 45s - Another monstrous collection of 7" demos with 49 here. Artists/titles include Julie Felix - Snakeskin (RAK 108), Axe (MUS 1180), Arms & Legs - Heat Of The Night (MAM 147), Curtis Knight (RCA 1950), Brutus (PUR 126), Tucky Buzzard (PUR 113), Neil Innes (UP 35639), Mungo Jerry, Consortium, CCS, Telephone, Legs, Fogg, Roy Harper, Roger Webb and Timon. Condition is generally Ex to Ex+.
The complete set of small Royal Doulton character jugs of Henry VIII and His Six Wives; 'Henry VIII', D6647, 'Catherine of Aragon', D6657, 'Anne Boleyn', D6650, 'Jane Seymour', D6746, 'Anne of Cleves', D6753, 'Catherine Howard', D6692, and 'Catherine Parr', D6751, each approx h.10.5cm (7) Condition Report / Extra Information Back of blade of Anne Boleyn's axe has been restored.Otherwise good condition.No chips, cracks or significant crazing.Not seconds.
BLIND-STAMPED PIGSKIN, 16th century binding: Symbolorum Imperatoriorum, Nicholas Reusner, Frankfurt, 1588, the first edition, in dated blind-stamped pigskin over wooden boards with holes for clasps. Figures in central panels - upper cover wielding a sword; surmounted by initials 'C.R.' miniscule text below and dated '1588', the year of publication. Lower cover with blind-stamped figure wielding axe (Est. plus 18% premium inc. VAT) (Illustrated)

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14782 Los(e)/Seite