14782 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

2000-700 BC, Luristan culture. Bronze axe head with a short blade, a tapering cheek, a long, cylindrical haft and a flattened, wedge-shaped butt. Bronze weaponry production flourished from the 2nd millennium BC to about 700 BC when it was gradually replaced by iron. Swords, axes, spears and arrows were exchanged via trade and war and are discovered in both civic and ritual context. An axe such as this one would have been an important symbol of rank, and have served a purpose in warfare, but also in religious contexts as axes were common votive offerings in shrines. Superb condition; beautiful patina; on a custom stand.Size: L:175mm / W:152mm ; 395g; Provenance: Important London collection of Ancient art; formed in 1970s then passed by descent.

2000-700 BC, Luristan culture. Bronze axe head with an elongated, slightly curved blade, a tapering cheek, a short, cylindrical shaft covering and a wedge-shaped butt. Bronze weaponry production flourished from the 2nd millennium BC to about 700 BC when it was gradually replaced by iron. Swords, axes, spears and arrows were exchanged via trade and war and are discovered in both civic and ritual context. An axe such as this one would have been an important symbol of rank, and have served a purpose in warfare, but also in religious contexts as axes were common votive offerings in shrines. Superb condition; beautiful patina; on a custom stand.Size: L:73mm / W:160mm ; 735g; Provenance: Important London collection of Ancient art; formed in 1970s then passed by descent.

c. 900-1100 AD. Viking age. A rare decorated iron axe head comprising a short, curved blade which is slightly downward angled, a broad cheek, reinforced pol and rounded socket. A small hook, probably to allow the user to grab and pull opponents’ shields, sits just below the cheek. The cheek is ornamented with an engraved star motif. The era known as the Viking age lasted for more than 300 years, from the late 8th century to the late 11th century. The history of the Vikings is closely linked to their role as masters of the sea. They were feared as fierce and ruthless raiders. Further information on Viking axes can be found in Arbman, H. Birka I: Die Gräber, Uppsala. Excellent condition; on a custom stand.Size: L:90mm / W:193mm ; 1.58kg; Provenance: Property of a North London professional; previously acquire on the UK/European art market before 2000.

c. 900-1100 AD. Viking age. An iron axe head comprising a short, curved blade, topped by a rounded bulge - to provide extra weight to the cutting blade - a curved cheek and reinforced, rounded socket. The era known as the Viking age lasted for more than 300 years, from the late 8th century to the late 11th century. The history of the Vikings is closely linked to their role as masters of the sea. They were feared as fierce and ruthless raiders. Further information on Viking axes can be found in Arbman, H. Birka I: Die Gräber, Uppsala. Excellent condition; on a custom stand.Size: L:103mm / W:153mm ; 630g; Provenance: From an old British collection formed in the 1990s; previously acquired in Germany.

c. 900-1100 AD. Viking age. An iron axe head comprising a curved, fan-shaped blade, tapering cheek and rounded socket. The era known as the Viking age lasted for more than 300 years, from the late 8th century to the late 11th century. The history of the Vikings is closely linked to their role as masters of the sea. They were feared as fierce and ruthless raiders. Further information on Viking axes can be found in Arbman, H. Birka I: Die Gräber, Uppsala. Excellent condition; on a custom stand.Size: L:81mm / W:175mm ; 720g; Provenance: From an old British collection formed in the 1990s; previously acquired in Germany.

c. 900-1100 AD. Viking age. An iron bearded axe head with a heavy, slightly curved blade, narrow cheek, reinforced poll and rounded socket. The cheek of the axe head is decorated with engraved dots and star motifs. The bearded axe, or Skeggøx (from Old Norse Skegg, "beard", and øx, "axe"), was common from the 6th century AD onwards in Scandinavia, but made most famous by the Vikings, who used these axes in battle to terrible effect. Bearded axes are named for the fact that the main part of the axe blade extends below the butt of the axe, creating a large cutting blade and allowing a fighter to hook onto the shields or weapons of his (or her) opponents. Further information on Viking axes in general can be found in Arbman, H., Birka I: Die Gräber, Uppsala. Excellent condition; on a custom stand.Size: L:123mm / W:195mm ; 1kg; Provenance: From an old British collection formed in the 1990s; previously acquired in Germany.

A polished Neolithic period Stone Age axe head, reportedly found near Warminster, 10cm wide, together with a flint axe head, of rough hewn form, reportedly found near Cromer, 13.5cm high. (2)

A Chinese archaistic Shang Dynasty-style mottled brown and caramel jade ceremonial axe with mythical dragon carp head and birds carved on the handle. Length 19cm. And a hardstone grey/green ruyi belt hook in the form of a reclining smiling Hotei. Length 20cm.

A small selection of white metal and hallmarked silver jewellery etc. to include a religious medallion, cufflinks, ring and axe form pencil. Gross weight 46 grams CONDITION REPORT: Generally in used condition with a degree of tarnishing, one pair of cufflinks appears to be lacking its inset stone or enamelled surface, the ring with bending etc.

Two African carved hardwood face masks and an African souvenir axe, the face masks approximately 34 cm high. CONDITION REPORT: Both masks have minor chipping. The axe is in good order.

A Republic of Congo Tribal Axe. The wooden shaft has an overall length of 38.5cms (15.125ins) with the axe head being 12.5cms (5ins) including the shank, together with an ethnic fishing spear with barbed head, overall length 103cms (40.5ins) and a Maasai spear head (no shaft) 100.5cms (39.5ins) long

dating: Late 19th Century provenance: North America, Iron-axe, slightly convex-edged head. Block of elongated shape. Handle of octagonal section, with opening, that acts as a flame for pipe. Wooden haft adorned in the upper part with iron studs. Tapering lower part and with fuse-shaped hole. Remains of leather laces. height 50,5 cm.

dating: 19th Century provenance: Indopersia, Convex-edged axe, slightly elongated downwards. Both facets engraved at the base with inscriptions (?) in Arabic and arabesques. Square handle engraved on the border and surface, partially worn. Cylindrical, wooden haft, painted in polychrome (parts missing). Grip with yellow, metal, decorated pommel. length 82.5 cm.

dating: circa 1700 provenance: Italy, Iron head with a cusp with double-edged blade of lenticular section, with small, flat wings at the base, tapering neck. Hollow small axe, pierced with drops and fine, long, dented and curled lugs, wide rear fluke, faced downwards and decorated en suite. Ferrule with small opening, decorated with finely relieved rings. Long straps. On a wooden, cylindrical shaft. height 195,5 cm.

dating: circa 1900 provenance: India, Completely in iron, with palmed, double-edged blade, with triple tip and tapering toward the base, ribbed in the center. Long, curved tang, with small rests. Quillon composed of an iron, cusped segment, inserted inside the specific hole in the blade's tang. Grip in one piece with the blade, with small fuller and pommel shaped as a small axe. Provenance: Nagaland-Assam. length 77,5 cm.

CHARLES I AND II - STONEYWOOD BIBLEThe Holy Bible, Containing the Old Testament and the New, OT and NT titles within typographical border, lacks additional engraved title [ESTC S122140; Herbert 513], Cambridge, Thomas Buck and Roger Daniels, Printers to the Universitie, 1637; The Genealogies Recorded in the Sacred Scriptures, title within typographical border with decorative ornament, double-page map of Canaan, 2 leaves frayed at fore-margin [ESTC S124878], [Printed by Felix Kingston, 1632-1635?]; The Whole Book of Psalmes: Collected into English Metre, title within typographical border, lacks final leaf [ESTC S122393], Cambridge, Thomas Buck and Roger Daniel, 1637, bound with an incomplete Book of Common Prayer, together 4 works bound in 1 vol., contemporary embroidered binding with stumpwork design in silver thread on blue velvet, central panel with the Prince of Wales' feathers and crown within Garter badge, incorporating a banner with the motto 'Honi soit qui mal y pense' surmounted by a large crown flanked by the initials 'C.P.' (altered to 'C.R.'), and with rose and thistle at lower inner corners, embroidered palmette design outer order, spine comprising six compartments with floral embroidery in each, rebacked retaining original spine, some wear (mostly to central banner with loss of some of the lettering to the motto), rear pastedown with remnants of eighteenth century notes (including unclear mention of names Jean Erskine and 'Moire'), loosely inserted a blue silk bookmark with a design in silver and gold thread (split at centre with some loss); housed in a nineteenth century velvet-lined morocco case, covers with 3-line fillet border, gilt roll tool inner border and thistle cornerpieces, simple lozenge centre panel with circular decorative border enclosing a large device of an upturned crown, broken sceptre and axe above a banner proclaiming 'Remember', the decorative gilt spine lettered 'Holy Bible 1637. Charles Rex. Beheaded 30th Jany. 1647', with Scottish thistle and English rose devices, and the crown and axe emblem (as on cover), edges fully gilt, rubbed, small losses to leather on spine, without key and lock-catch, the whole preserved in a nineteenth century glass-panelled display case by Drew & Cadman, Holborn (signed on handle), 4to (the Bible 220 x 155mm.), sold as an association itemFootnotes:'THE BIBLE OF KING CHARLES THE FIRST USED BY HIM ON THE SCAFFOLD DURING HIS LAST MOMENTS...' - THE STONEYWOOD BIBLE, BOUND FOR KING CHARLES II, but long reputed to have belonged to Charles I, and to have been presented by him 'upon that awful occasion to Juxon, Bishop of London who assisted the devotions of his unfortunate Monarch' (manuscript note on box). The Royal Collection holds a 1638 Book of Common Prayer with an almost identical binding, described as 'bound for King Charles II when he was Prince of Wales...' (RCIN 1047677, see Royal Collection Trust website for image, noting that Queen Victoria loaned the volume to the Burlington Fine Art Club Exhibition of Fine Binding, 1891).The Bible is in an exceptionally fine embroidered binding, decorated with the emblem of the Prince of Wales and the initials 'C.P.' (altered to 'C.R.', for Carolus Rex'), and passed through generations of the Moir and Skene families (see below), during which time several narratives, recorded in The Story of the Stoneywood Bible (1949), were attached to it: 'The Bible was kept in the chest of Stoneywood [near Aberdeen]. One day it disappeared. With it went the 'luck' of the Moirs... One of the family's maid-servants was the thief... but [whilst other valuables were lost]... the Bible was secretly returned... One morning it was found under a chestnut tree near the entrance to the Moir mansion'. A further adventure is recorded in a note, probably by its nineteenth century owner James Skene, a close friend of Sir Walter Scott, pasted to the box in which the Bible is housed: '...The Bible remained in perfect preservation untill [sic] the Rebellion [of] 1745 when it was stolen, and afterwards found in the its present dilapidated state concealed in a hole underground'.In his Horae subsecivae (1858) the celebrated Scottish essayist John Burns noted 'The family of Stoneywood seem from the earliest record down to their close, to have been devotedly attached to the house of Stuart. In the old house there long hung a portrait of Bishop Juxon, who attended Charles 1. on the scaffold, and through this prelate must have come a still more precious relic, long preserved in the family, and which is now before us, the Bible which the doomed King put into the hands of the Bishop on the scaffold, with the word 'Remember,' having beforehand taken off his cloak and presented it and the insignia of the Garter to the same faithful minister and friend... We have the sacred and royal book before us now,—a quarto, printed in 1637, bound in blue velvet, and richly embroidered and embossed with gold and silver lace. There is the crown and the Prince of Wales' feathers, showing it had belonged to Charles II when prince. He must have given it to his hapless father, as the C.P. is changed into C.R.'.Further literature: Charles Roach Smith reproduced an image of the Bible in his Collectanea Antiqua (1848-1880), stating 'There is so much external evidence of the genuineness of this very beautiful and interesting relique, that no doubt that no doubt can exist to its perfect authenticity'. This image, and a version of the story, also appeared in The Illustrated London News, 26 January 1850, at which time the Bible was in the possession of Robert Skene, of Rubislaw; Illustrated (captioned 'Prayerbook of Charles I') in Felicia Skewes of Oxford. A Memoir by E.C. Rickards, 1902; A manuscript (MS. 20478), titled 'Reminiscences and notes concerning the Moir family Bible which had belonged to Charles I' by James Skene is held by the National Library of Scotland.Provenance: Bound for Charles II, when Prince of Wales; reputedly given by Charles I to William Juxon (1582-1663), Bishop of London; bequeathed by him to Patrick Scougall [or 'Scorgie'] (1607-1682), Bishop of Aberdeen, as told in The Story of The Stoneywood Bible, reprinted from The Aberdeen Press and Journal, 26 January 1949 (a copy of which is included with the lot); William Scroogie, Bishop of Argyle, whose daughter Mary married James Moir II, of Stoneywood (1659-1739) in 1683; Moir family, subsequently through the marriage of Jean Moir to George Skene (1736-1776) of Rubislaw, Aberdeen; James Skene (1775-1864); by descent to the present owners.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Austro-Hungarian Empire Late 19th Century Fine Quality Silver Figural Sculpture of a 15th Century Warrior, Ready for Battle Holding An Axe and Shield Seated on a Large Armour, Clad Horse. The Whole Raised on a Malachite Plinth of Rectangular Form. Marked 800 Silver with Makers Mark. Stands 5.75 Inches - 14.40 cms.

Garden Tools - Axe etc

Hand Tools - Axe etc

Title: A pair of Dutch Delft blue and white accolade shaped dishes with floral design, 18th C.Description: Dia.: 30,7 cmÊ Ê Marked with an axe for the 'De Porceleyne Byl' workshop, Delft.Ê Ê Ref.:Ê -Asimilar but larger plate is part of the Rijksmuseum collection, inv. no.BK-NM-13296-E (link).

δ Churchill.- Fearon (Percy Hutton) "Poy". A Gesture of Economy, pen and ink cartoon, pencil caption beneath, Churchill as executioner decapitates three figures representing Transport, Mines and Overseas Trade with an enormous axe, signed, 180 x 266mm., 1927; Eat More Beef, pen and ink cartoon with shading in blue pencil, Churchill as a butcher holding a large knife rolls up his sleeves and eyes a row of anxious looking citizens hanging before him in an abattoir, signed, dated to verso, 251 x 290mm., [July 1928] (2)⁂ Of the first, Churchill as Chancellor making cuts to the departments led by Wilfrid Ashley (Minister for Transport 1924-29), George Lane Fox (Secretary for Mines 1922-24 and 1924-28) and Arthur Michael Samuel (Secretary for Overseas Trade 1924-27).δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

A JAPANESE MEIJI PERIOD CARVED IVORY AND WOOD OKIMONO OF A WOOD CUTTER, stood holding his axe aside a log, with a double gourd bottle in his hand, the underside with an inset ivory carved seal mark, 19cm high x 15cm wide

A FINE 19TH CENTURY PERSIAN QAJAR GOLD INLAID ENGRAVED STEEL AXE HEAD, with carved figures and bird decoration, 20cm x 22cm.

AN OTTOMAN ISLAMIC GOLD INLAID IRON AXE HEAD , with gold inlay of borders and calligraphy, 30cm

A JAPANESE MEIJI PERIOD CARVED IVORY OKIMONO OF A WOOD CUTTER, the man stood with his axe in front, upon a tree stump, the base with a red inset signature tablet, 20cm.

A 19th Century African Rhinoceros Horn Axe, the slender slightly curved and tapering haft, with hand forged steel fan shape blade incised with bands of crosses, the tapered tang inserted into the ovoid head, 66.5cm, approximately 320gm excluding bladeProvenance: - Hodnet Hall, Hodnet, Shropshire CONDITION REPORT: Rust pitting to blade, with small nicks to the edge. Fine splits to the haft, with areas where the hairs stick out.

A Vanuatu Dark Hardwood War Club, the angular quatrefoil head with central conical spike incised and stained red, the long cylindrical haft with animal wool wrapped grip and conical butt, 114cm, repaired; a Congo Axe, with cast iron chisel head inserted into and through the swollen ovoid head of the cylindrical wood haft, 57cm (2)Provenance: - Hodnet Hall, Hodnet, Shropshire CONDITION REPORT: . 1 - Two of the angular protrusions of the head are chipped. The haft has a spliced and screwed repair.2 - The chisel head is rust pitted. The head has a split where the chisel has been inserted. The haft is roughly hewn

Two Victorian Halberds, each with diamond section spear head, pierced axe blade and pick, long slender langets on a pine cylindrical haft, 258cm and 251cm; two Naga/Assam Spears, each with a small leaf shape blade and folded socket on a palm wood haft bound with red and black dyed goats hair and bristles; an Indonesian Palm Wood Spear and a Palm Wood Self Bow, (6) CONDITION REPORT: . Halberd blades and Naga spear heads have orange rust pitting. The palm wood spear does not have a head.

A 20th Century Zulu War Axe, the 39cm crescent shape blade with cylindrical tang inserted into the ovoid head of the light honey coloured wood haft with slightly flared butt, 88cm; a Very Similar Axe, with flat triangular shape head, 87cm (2)Provenance: - Hodnet Hall, Hodnet, Shropshire CONDITION REPORT: . Each with fine splits to haft.

A Dani, Papua New Guinea Axe, with green stone blade inserted into the heavy hardwood haft of flattened form with tapering haft, 76cm CONDITION REPORT: . Small age cracks and chips to edge of butt. Sun bleached patina.

NWOBHM 12" singles and LPs to include Def Leppard, 2 x Kick Axe and Metallica 'One' in gatefold sleeve (sleeve has water damage), also Pallas and 10" clear vinyl single by Iron Maiden etc.

Various walking and mountaineering accessories, to include a walking stick with axe attachment stamped Sport, another example with an opera or field glass attachment, an umbrella walking stick with removable cover, etc., (4).

Books - The Horse: Its Treatment in Health and Disease, with a Complete Guide to Breeding, Training and Management, edited by Prof. J. Wortley Axe [...], nine-volume set; Victorian Family Bibles; Antiquarian books, etc

Lappenbeil aus Bronze. Bronzezeit, 1100 - 800 v. Chr. L ca. 17,5cm. Vollguss. Mit oberständigen Lappen, deren Hauptteil sich im oberen Drittel des Beils befindet. Leicht trapezförmige Klinge mit flachbogiger Schneide und leichten Graten. Dunkelgrüne Patina, im Nacken gebrochen. Bronze winged axe. Bronze Age, 1100 - 800 B.C. Dark green patina, broken in the neck. Provenienz: Ex Sammlung Dr. Günter Wiedner, Bayern, 1980er Jahre bis 2015. Bei Gorny & Mosch Auktion 272, 2020, 391.

Sammlung steinzeitlicher Steingeräte. Überwiegend Nordeuropa, ca. 200.000 bis 2.000 v.Chr. Verschiedene Steinsorten, darunter Flint. L 14,5cm - 7,5cm. Teilweise mit Aufklebern zu den Fundorten, darunter ein paläolithischer Faustkeil mit dem Aufkleber "St. Acheul", zwei dänische, grob behauene Beile, eine schnurkeramische Doppelaxt, drei weitere Schaftlochäxte und ein kleines Beil. 8 Stück! Alle intakt. A very interesting collection of mostly european stone age stone tools, partially flint, including a very nice axe from St.Acheul and different neolithic stone axes. Many with tags naming the findspot. About 200.000 - 2.000 B.C. Intact. 8 pieces! Provenienz: Ex Sammlung J.E., Bayern, erworben 1960er bis Anfang 2000er. In Deutschland seit vor 1983.

Sammlung prähistorischer Objekte. Darunter ein kleiner Glockenbecher (ca. 2600 - 2200 v.Chr.) aus hellem Ton mit geometrischer Ritzverzierung (FO Lonnewitz bei Riesa) (H 7,3cm), kleinere Randausbrüche, eine größere Scherbe wiedereingesetzt. Außerdem ein Kumpf mit Griffnuppe (Lausitzer Kultur) (H 9cm Dm 12cm) aus braunem Ton (wieder zusammengesetzt, aber weitgehend komplett). Außerdem ein großer Henkeltopf, Hallstattzeit, wohl auch Sachsen (H 13cm Dm 21,5cm), wieder zusammengestzt mit kleinen Ergänzungen. Außerdem eine kleine Deckelurne (H 9cm Dm 12cm), ein Steinbeil (L 18cm) und eine Webgewicht(?), L 13cm, aus Terrakotta. 6 Stück! Mit Teilen der Kopien der Korrespondenz aus den 1970er Jahren! Teile der Sammlung sind mit Papieren aus den frühen 1970er Jahren dokumentiert. Danach scheinen einzelne Gefäße 1970 im Germanischen Nationalmuseum in Nürnberg restauriert worden zu sein. Collection of prehistoric pottery, mainly from Saxonia, including a decorative little neolithic beaker from the bell beaker culture, a lausitz beaker, a Hallstatt Period vessel, a stone axe, a tiny urn and a loom weight(?). 6 pieces!VERKAUFT WIE BESEHEN, KEINE RÜCKGABE! / SOLD AS VIEWED, NO RETURN! Provenienz: Ex Sammlung J.B., Bayern, seit vor 1970.

Gussform für ein Absatzbeil. Mittlere Bronzezeit, 1800 - 800 v. Chr. 20 x 6cm. Zwei zusammengehörige Gussformen aus Bronze für ein schmales Beil mit gerundeter Rast. Auf dem Rand des einen Stücks Fixierungszapfen, die in die Vertiefungen auf dem Gegenstück passen. Mit Kopie der französischen Exportlizenz! Dunkelgrüne Patina, ein kleines Loch, sonst sehr guter Zustand. Vgl. die Gussform für ein Randleistenbeil: H. Dannheimer, Prähistorische Staatssammlung (1980) Nr. 59. Two-part bronze casting mould for an axe. Middle Bronze Age, 1800 - 800 B.C. Dark green patina, little hole, otherwise in good condition. With French export licence (copy)! Provenienz: Ex Sammlung H.G., Frankreich; ex Gorny & Mosch München Auktion 111, 2000, ex Los 3076.

Große Sammlung antiker Objekte sowie Münzen von der Antike bis Neuzeit. 14 Glasobjekte, darunter drei schöne römische Fläschchen (H 5,2 - 12,3cm) und ein blauer Armreif (ø 6,4cm). Ein neolithisches Steinbeil (L 9,7cm). Ein römischer Silberring mit Glasstein (ø 2,6cm). 18 Objekte aus Bronze, darunter 10 römische Fibeln (L bis 6,5cm). Zwei Ushebtis aus Fayence (9,5 und 10,1cm) sowie zwei modern aufgefädelte Schmuckstücke mit Fayence-Perlen. 10 Objekte aus Terrakotta, darunter eine sehr schöne etruskische Bucchero-Schale mit Rillendekor (ø 12,4cm), ein kampanischer Glanzton-Teller (ø 14,3cm), eine spätrömische Tonlampe mit Inschrift (L 8,8cm) sowie ein Bein von einer Gliederpuppe (H 5,9cm). Münzen: ein Silberdenar der Faustina Maior, zahlreiches spätantikes AE, Silberpfennige Friedrich der Staufer, Nachahmung einer AR-Medaille von Maximilian I. Emanuel, bayerischer Siegestaler und zahlreiches AR aus Mittelalter und Neuzeit. 48 Objekte und über 200 Münzen! Large Collection of ancient object as well as coins from ancient to modern times. 14 objects made of glass like three nice small Roman bottles and a dark blue bracelet, a neolithic axe made of dark stone, a Roman silver ring with glass stone, 18 objects made of bronze incl. 10 Roman fibulae, two ushebtis made of faience, two jewellery made of faience-beads, 10 terracotta objects incl. a beautiful Etruscan with grooves-decor, a Campanian black glazed plate, a Late Roman lamp with inscription, and a the leg of a doll. Plus silver and bronze coins incl. a silver denar of Faustina Maior, several Late Roman AE, a imitation of a silver medal from Maximilian I. Emanuel and much more. 48 objects and more than 200 coins form ancient until modern times!VERKAUFT WIE BESEHEN, KEINE RÜCKGABE! / SOLD AS VIEWED, NO RETURN! Provenienz: Aus der Sammlung U.S., München, erworben zwischen 1972 und 1994.

Bronzenes Absatzbeil. Mittlere Bronzezeit, 1800 - 800 v. Chr. 16,5 x 3,5cm. Vollguss. Dunkelgrüne Patina, kleine Fehlstellen am hinteren Ende, sonst intakt. Bronze axe. Middle Bronze Age, 1800 - 800 B.C. Dark green patina, little fragments at one end are missing, otherwise intact. Provenienz: Ex Sammlung H.G., Frankreich; ex Gorny & Mosch München Auktion 111, 2000, ex Los 3076.

Sammlung überwiegend antiker Objekte. Fragmentierter etruskischer Bronzehenkel mit Palmette (H 16,5cm). Hühnerkralle aus Bronze (L 6,2cm, Fragment). Arm aus Bronze (L 8,1cm, Fragment mit Korrosionsspuren). Kleiner römischer Bleiteller mit schönem Dekor (ø 7,2cm, kleines Loch sonst intakt). Mykenisches Webgewicht aus Ton mit Siegelabdruck (H 7,1cm, oben kleine Fehlstelle). Zwei rotfigurige etruskische Genucilla-Teller mit Frauenköpfen (ø 13,5 und 13,7cm, gebrochen und wieder angesetzt). Fragmentierte, pseudo-rotfigurige etruskische Schnabelkanne (H erhalten 16cm). Kampanischer Glanztonteller (ø 18,4cm, gebrochen und wieder angesetzt). Kleine apulische Glanztonschale (ø 9,9cm, teilweise ergänzt). Zwei etruskische Glanztonkannen (H 11,4 und 14,9cm, mit Fehlstellen). 16 teilweise antike Glas- und Steinperlen. Neuzeitliche Streitaxt mit Hammer und graviertem Dekor aus Bronze (L 13,5cm). Bronzener Fingerring mit Christus und Engel (ø 2,5cm). Silberner Fingerring 1904-1906 Herero-Aufstand (ø 2,2cm). 31 Stück! Collection of mostly ancient objects. Fragmented Etruscan bronze handle with palmette. Claw of a rooster, bronze fragment. Arm of statuette, bronze with corrosion, fragment. Small Roman plate made of lead with nice decor (tiny hole, otherwise intact). Mycenaean terracotta weight with print of a seal (top is broken). Two red-figure Etruscan Genucilla-plates with women heads (broken and reassembled). Fragmented pseudo red-figure Etruscan jug (upper part is missing). Campanian black-glazed plate (broken and reassembled). Small Apulian black-glazed cup (partially modern). Two Etruscan black-glazed jugs (parts are missing). 16 partially ancient glass and stone beads. New aged battle axe with hammer made of bronze with engraved decor. Bronze fingerring with Christ between angels. Silver fingerring 1904-1906 Herero-revolt. 31 pieces! VERKAUFT WIE BESEHEN, KEINE RÜCKGABE! / SOLD AS VIEWED, NO RETURN! Provenienz: Es Sammlung Paul Braun, Baden-Württemberg, seit vor 1989.

Herrliche Sammlung neolithischer Werkzeuge von drei Kontinenten. Darunter eine wunderschöne mesoamerikanische Speerspitze aus Obsidian (L 10,4cm), ein neuseeländisches Beil aus grünem Stein (L 6,4cm, Neuseeland) sowie eine nordhessische Klinge aus hellem Stein (L 5,8cm). 13 Stück! Alle in gutem bis sehr gutem Zustand. Beautiful Collection of Neolitic stone tools from three continents incl. nice Mesoamerican spearhead made of obsidian, axe made of green stone from New Zealand and blade made of white stone from Northern Hesse. All in good condition. 13 pieces!VERKAUFT WIE BESEHEN, KEINE RÜCKGABE! / SOLD AS VIEWED, NO RETURN! Provenienz: Es Sammlung Paul Braun, Baden-Württemberg, seit vor 1989.

Axtkopf aus dunkelgrauem Stein. Nördliches Schwarzes Meer, Neolithikum, 3.200 - 2.800 v. Chr. 12,5 x 5,3cm. Intakt. Axe made of grey stone. Northern Black Sea, Neolithic Age, 3.200 - 2.800 B.C. Intact. VERKAUFT WIE BESEHEN, KEINE RÜCKGABE! / SOLD AS VIEWED, NO RETURN! Provenienz: Ex Sammlung V.S., Berlin, in Deutschland seit 1990.

A W BARNES The Axe Bridge, Devon, signed, etching and two others (3) Condition Report: Available upon request

A 1965 Austin Champ 1/4 ton 4x4 CT light truck, registration BHW 59C: chassis number 4130, Vehicle 41 BE 30, 6/VEH/5931, 2386cc petrol engine, cast iron cylinder head stamped UNF, 16391 miles, green with canvas tilt, the body mounted pick axe, shovel , jerry can and spare wheel, together with worn spare tilt, starting handle and relevant paperwork. * Notes Inspired by The Willys Jeep the specification for a British Army light truck was issued in the 1940s, After 30 various types of prototype the Austin Motor Company was awarded the contract to supply 15,000 and the first one produced rolled off the production line in 1951. More expensive and less adaptable than the Land Rover the contract was amended and only 11,000 were eventually supplied to the British Army.

A collection of of Siamese, Chinese and other novelty clips, pins and earrings, a pair of blue faced oriental brooches and matching earclips, other similar earclips and pins with ivorine faces, an Art Deco 55mm stippled yellow metal disc brooch with raised Chinese man in coolie hat, a yellow metal and enamelled jester, figure in a turban, a pair of gilt metal rectangular plate earscrews with raised white metal oriental mask, a Balinese temple dancer fur clip, Roman warrior brooch with crossed axe and sword, lady with diamante headdressand neckline.

A box of rock climbing equipment, boots, helmet, ropes, axe, folding camp cot in carry bag

Ganesha. Bronze. 19. Jh. In paryankasana auf einem flachen Lotos sitzend, die rechte Haupthand in mudra, in der anderen einen Haken, in den entsprechenden Nebenhänden Beil und Schlinge.H 9,4 cmProvenienzPrivatbesitz, Köln A copper alloy figure of Ganesha. 19th century Seated in paryankasana of a flat lotus flower, his proper right hand in mudra, the left hand holding an elephant hook, in the other hands an axe and noose.Height 9.4 cmProvenancePrivate property, Cologne

Mokhfia Plat à semouleMaroc, Fès, vers 1800Plat creux sur étroit piédouche, en céramique peint d'émaux bleu de cobalt, jaune, vert et brun manganèse sur fond blanc, décorée de trois médaillons circulaires autour d'un axe triangulaire et de palmettes. Bords à croisillons et semis. (Cassé collé). D. 28 cm ; H. 14 cmA Moroccan polychrome pottery dish, Fez, circa 1800Provenance : Collection de Madame S., France, avant 1960

Grand miroir qajarIran, XIXe siècle Sur pieds et axe central pivotant, en acier gravé à l'acide, incrusté d'or en koftgari. Le miroir et le piédestal sont circulaires à bord polylobés ornés d'arabesques et de fleurons, et d'inscriptions persanes en kufic sur les côtés. Des personnages se divertissants (danseurs, musiciens…) animent le décor.A Qajar engraved and gold-damascened watered steel mirror, Iran, 19th centuryOf cusped circular form with hinged door and decorated with engraved designs and silver and gold-damascening on a domed foot, the lobed and circular mirror case and hinged raised lid engraved with courtly scenes.Oeuvres en rapport : Miroir Qajar conserve au British Museum, Londres, n° d’inventaire: 1967,0718.1

A VICTORIAN BRASS SKELETON CLOCK OF GOTHIC DESIGN, single fusee movement, anchor escapement, bell with axe head striker, fret cut chapter ring with Roman numerals, on flattened bun feet, mounted on a velvet and ebonised oval base with a damaged glass dome, height of clock only 35cm approximately, with pendulum and key, clock winds and ticks, not striking on the hour, Provenance came from a relative Thomas James Veale, Clockmaker at 28, Onslow Road, Southampton  Condition Report  As per condition inn description - clock winds and ticks, not striking bell on the hour. Hands are rusted. Glass dome is badly damaged.

Bone Sculpture in the figure of a Man Holding a Machete and an Axe on a wooden stand. Height including stand 23 cm.

North American Indian style pipe axe, the engraved steel head with double edged point with central heart shaped pattern, the wooden tapering shaft with inlaid metal detail (overall length 60cm)

Swedish hand axe with well figured walnut shaft and damascus steel head with tan leather belt carrying sheath

A silver bodied 'Battle Axe' fountain pen, with engraved floral decoration, inscribed, Chester 1902; a Shaeffer pen, two further silver cased fountain pens and a propelling pencil (5)

A Swiss mountaineering ice axe 94 by 30cm, mid 20th century, together with a pair of Halcyon split glass driving goggles, BS4110. (2)

Thomas Earnshaw of London - a fine gold pair cased pocket chronometer, London 1800, having a signed and numbered 403 white enamel dial with Roman numerals, subsidiary seconds dial, gold hands, with heart tipped hour hand, the screwed down movement with gilded full back plate, signed and numbered 403/2625, spring detent escapement plain balanced cock, two arm bi-metallic balance with wedge shaped weights, limiting bars and timing screws, blue steel helical spring, white sapphire end stone, cylindrical pillars, chain fusee, signed and numbered Thos. Earnshaw Invt. et Fecit, London No. 403 6th Sort 2625 London plain gold inner and outer cases both hallmarked London 1800 and with maker’s mark TC with axe above incuse for Thomas Carpenter, gross weight 94.1g (includes glass), outer case dia. 60mm, the whole housed in associated walnut watch caseCondition report: In running order.Crease to outer case, not split or thinning though.Screwed to inner case with single screw at 1 and 7 o’clock on outside of case.

Austrian ice axe by Stubai with wooden shaft L83cm and three carabiner by the same maker - Condition Report

Lego Professional Certified Set of 30 St Mary Axe, The Gherkin. Limited Issue. Unopened. Rare. Note: We are always happy to provide additional images for any lot listed in addition to enhanced condition reports. Please email us or send a direct message via the link on the item page.

Axe, Cleaver, Saw and Other Tools in XIX Century Pine Box, 68cm wide.

Brazilian Hardwood Inca Style Tourist Axe: together with similar mask