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14782 Los(e)/Seite
A Russian Gardner porcelain figure of a City Guard, 1820s, from the Magic Lantern series, 16 cm high, underglaze blue G mark and impressed 7 (or 1)Literature: GARDNER, XVIII -XIX, Porcelain Plastic Arts, From Private Collection and Moscow Museums, page 108, Chapter 4, Magic Lantern - the figure is in the collection of SMC "Kuskovo" - State Museum of Ceramics Kuskovo, Moscow.Repair to the axe hand and the axe itself may be restored. Possible glue residue on the base of the axe, and fine cracks up its length suggest previous professional restoration. Possible restoration also to right hand. May benefit from cleaning.
19th Century straw work sewing boxPossibly made by a prisoner of (The Napoleonic) war, the lid decorated with an axe, arrows and quiver, foliate designs and repeating borders, the interior of the lid is decorated with a river and town scene, enclosing a fitted interior, decorated with cornucopias of flowers, foliate designs and fletched arrows, the front panel fitted with holes for spools of thread, with bone escutcheon, and a small drawer beneath, unsigned, 21.5cm x 9.5cm high x 14cm deepOverall with signs of wear and use. Some damage and losses throughout. Some lifting in places. The two lift up doors/lids on the interior have warped slightly. No key.
An Atlantic Watershed figural pendantCosta Rica, circa 300 - 500 ADjade, pierced through the neck for attachment and with a ridge to the back,12cm high,and a Guanacaste Nicoya axe god pendant, greenstone, pierced though the neck for attachment, 13.5cm long. (2)ProvenanceBanks - Primitive Inc., Maryland, USA, 30th September 1994.Romy Rey Collection, London.
Two Atlantic Watershed Region axe-god pendantsCosta Rica, circa 100 - 300 ADjade, the smaller with a ribbed headdress and two suspension holes, the other with a single hole and a vertical rib to the back,9.2cm and 12cm high,and a nephrite axe blade pendant, 7.7cm long. (3)ProvenancePhillips, London, Antiquities and Tribal Art, 10th July 1986, lot 120 and 121, according to which all three pieces were found in the Reventazon area.Romy Rey Collection, London.
THREE DINKY TOYS FORD TRANSIT VANS, boxed Fire Appliance, No.271, type 2 casting, complete with ariel, axe, hose and ladder, unboxed Police Accident Unit, No.287, type 1 casting, with driver, two signs, two cones, ariel and radar gun, unboxed Motorway Services, No.416, type 2 casting , with roof beacon but missing signs and cones, No.271 in lightly playworn condition with only minor paint loss and wear, box base in good condition, plastic bubble damaged, other two with some paint loss and wear, damage to decals and numberplates
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 25 pounds, 2019. Royal Mint. Proof. Part of the Tower of London Collection coin series by the Royal Mint, featuring some of the stories and ceremonies that still take place here. The Yeoman Warders are the Tower's guards, dressed in their famous red uniforms.Fifth crowned head of Elizabeth II facing right; JC below; ELIZABETH II · D · G · REG · F · D · 2019 · 25 POUNDS ·. Design by Jody Clark. / Yeoman Warder in traditional uniform, holding an axe; plan of the walls of the Tower in the background, mint mark of the Tower Mint below left; TOWER OF LONDON above right. Design by Glyn Davies. Edge milled.Comes with the original box as issued by the Mint and the certificate of authenticity (COA). Diameter: 22 mm.Weight: 7.8 g. (AGW=1/4 oz.)Composition: 999.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
2nd century A.D. A solid, smooth gold ring with D-shaped hoop, oval carnelian intaglio with a bull surmounted by a star; repaired. Cf. Beutler, F. et al., Der Adler Roms. Carnuntum und der Armee der Cäsaren, Bad-Deutsch Altenberg, 2017, item 153, for type; for the Dolichenus cult see Kusseven, P., The Cult of Iupiter Dolichenus: origins and iconography, Ankara, 2007, p.120, fig.B15. 4.41 grams, 26.31 mm overall, 18.49 mm internal diameter (approximate size British Q 1/2, USA 8 1/4, Europe 18.12, Japan 17) (1 in.). Acquired 1970-2000s.Ex Abelita family collection. The bull, symbol of thunder and fertility, was an important component of the cult of Jupiter Dolichenus, to which this ring is probably connected. The god is usually represented as standing on a bull holding an axe in his upraised right hand and a bolt of lightning in the left. This bull perpetuated the connection with storms, a frequent and rather obvious identification of power and ferocity. This was a Hittite concept inherited from the Anatolians and then by the Romans. A video of this lot is available to view on Timeline Auctions Website.]
16th century A.D. A copper-alloy war-hammer composed of ellipsoidal socket, waisted butt with shallow conical face and tapering, lozenge-section head, inlaid with a silver 'net' design. See Paszkiewicz, M., 'Polish War Hammers: Czekan Nadziak, Obuch', in The Journal of The Arms and Armour Society, vol. VIII, no. 3, June 1974, pp. 225-227, pls. LXXXI - LXXXII, for parallels of war-hammers of this type; Popov, S., ‘Late Medieval War Hammers from Vatevi Collection (Bulgaria)’ in Rela?ii Interetnice în Transilvania, Militaria Mediaevalia în Europa centralâ ?i de sud-est, Sibiu, pp.71-83, figs. 8-9, type XI. 453 grams, 18.5 cm (7 1/4 in.). Private collection of Mr M.B., Mainz, Germany, 1990s.Property of a London businessman.This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11203-186235. The name obuch is Polish and means 'the blind end of an axe', but already at the beginning of the 15th century it meant a [unspecified] war hammer. According to Polish sources of 17th century, the war-hammer could have been formed into the shape of an axe (czekan), or in the form of a thick, slightly sloping spike (nadziak), or curved like a round cracknel (obuch). A 17th century description states: 'It was a terrible instrument in the hand of a Pole..With the sabre one could cut off somebody’s hand, cut the face, injure the head, and the running blood of the adversary would calm down the rancour. But with the obuch one could cause a deadly wound without even seeing the blood, and – not seeing it – he would not calm down instantly, but would strike several times without cutting the skin, breaking ribs and bones at the same time.'
Dolman Period, 3700-3300 B.C. A very finely polished axe with square edges and convex cutting edge, in yellow-brown flint with evidence of use as a 'strike-a-light' to the butt; with old collector label '179' to face. Cf. Glob, P. V., Danske Oldsager II, Yngre Stenalder, Copenhagen, 1952, no.228, for type. 758 grams, 20.5 cm (8 in.). Acquired 1990s.French private collection before 2020.Property of a Sussex, UK, teacher.
Dolman Period, 3700-3300 B.C. A finely knapped and polished axe with convex cutting edge and square sides in a grey chert; evidence of use as a 'strike-a-light' to the butt; old collector label '162' to face. Cf. Glob, P. V., Danske Oldsager II, Yngre Stenalder, Copenhagen, 1952, no.228, for type. 805 grams, 18 cm (7 1/8 in.). Acquired 1980s.French private collection before 2020.Property of a Sussex, UK, teacher.
Dolman Period, 3700-3300 B.C. A deeply knapped and part polished axe with square sides and convex cutting edge, this edge with contemporary re-working by knapping, in grey chert; with old collector labels '186' and 'Danewerk lumb 2000' to faces. Cf. Glob, P. V., Danske Oldsager II, Yngre Stenalder, Copenhagen, 1952, no.228, for type. 767 grams, 20.5 cm (8 in.). Acquired 1980s.French private collection before 2020.Property of a Sussex, UK, teacher.
Circa 10th-4th millennium B.C. A very finely polished axe with rounded sides tapering to a pointed butt with convex cutting edge in a mottled grey-green stone with white inclusions; with a custom-made wood stand bearing a label reading 'Neolithic Polished axehead 10,000-3,500 BC. / Originally from Musee Servaire. / Condat, France. Found in Brittany, Ploemel 1970s.' in three lines. 560 grams total, 20.3 cm high including stand (8 in.). Found Brittany, 1970s.Acquired 2019 from Musee Servaire (Museum), Condat, France.Property of a Sussex, UK, teacher. The workmanship and quality in the polishing on this axe is beautifully achieved; such axes, especially when in exotic materials such as seen here, were most probably intended for presentation or ceremonial use and were widely traded.
A collection of eight Staffordshire pottery flatbacks, 19th century, to include four depicting William Ewart Gladstone, 1809-98, variously standing with one hand on a plinth or wall and the other hand on or in front of his jacket, one example with an axe leaning near his hand and a Union Jack flying behind, three bearing his name to the base, the tallest approximately 40cm high; together with a similarly designed figure of a bearded politician, indistinctly titled, 38cm high; a figure of the Irish Nationalist leader Charles Stewart Parnell, 1846-91, dressed as a Roman general and holding aloft a green cape with Union Jack and Irish harp, titled to base, 34cm high; a figure of Roualeyn George Gordon-Cumming, 1820-66, The Lion Slayer, in Highland dress, titled to base, 42cm high; and a figure group commemorating the Acts of Union 1800, featuring allegories of Great Britain and Ireland seated on land separated by waves and shaking hands, overlooked by a winged angelic figure, 31cm high (8)Provenance: The Property of the late Lord Avebury.
A small group of jewellery, comprising two gold plated Norwegian guilloche enamel tie bars, designed by Askel Holmsen, stamped '925S' and '830S', a similar tie bar and cufflink set, pair of cufflinks, designed by Ivor T Holth, stamped '925S', a/f damaged enamel, a pair of Finnish silver cufflinks, stamped '830H Q7', made in Tarku, 1969, Kulta Seppä, a Silver Jubilee pendant, Birmingham 1977, 30g, a decorative Silver Jubilee pendant, Sheffield 1977, 27g, 1950’s Scouts paddle tie bar, and a 1970s Gilwell Park log & axe tie pin, with bar and chain. (15)
A collection of Victorian white metal and silver mounted Scottish and Irish style pebble jewellery including an open wheel brooch mounted with hard stones and citrine's and amethyst's, missing one stone, an amethyst and hardstone mounted oval panel brooch, a dirk, a claymore a thistle handled sword and an axe, all with losses to hard stones or semi precious stones

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14782 Los(e)/Seite