14782 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Vier Schlüssel, zwei Pflugscharen und ein Tüllenbeil, Eisen, römisch, 1. - 3. Jhdt. Vier Schlüssel mit vierkantigem Griff und runder Öse am Ende, vorne der rechtwinklig abgebogene Bart. Länge 8,2 - 22,7 cm. Zwei Pflugscharen mit zuckerhutförmiger Spitze und Basis mit seitlich schräg einbiegender Wandung zur Befestigung an der Pflugstange. Länge 13,7 und 14,1 cm. Tüllenbeil mit oben und unten auszipfelnder Klinge mit gerundeter Schneide, hinten rechteckig geschmiedete Tülle, auf einer Seite mit Schlitz. Typ keltischer Tradition, der auch noch in römischer Zeit hergestellt wurde. Länge 9,5 cm.Provenienz: Süddeutsche Privatsammlung, erworben Ende der 90er Jahre im Kunsthandel. Four Roman keys, two ploughshares and a socket axe, iron, 1st - 3rd century A.D. Four Roman keys, two ploughshares and a socket axe, iron, 1st - 3rd century A.D. Vier Schlüssel mit vierkantigem Griff und runder Öse am Ende, vorne der rechtwinklig abgebogene Bart. Länge 8,2 - 22,7 cm. Zwei Pflugscharen mit zuckerhutförmiger Spitze und Basis mit seitlich schräg einbiegender Wandung zur Befestigung an der Pflugstange. Länge 13,7 und 14,1 cm. Tüllenbeil mit oben und unten auszipfelnder Klinge mit gerundeter Schneide, hinten rechteckig geschmiedete Tülle, auf einer Seite mit Schlitz. Typ keltischer Tradition, der auch noch in römischer Zeit hergestellt wurde. Länge 9,5 cm. Provenance: Süddeutsche Privatsammlung, erworben Ende der 90er Jahre im Kunsthandel. Condition: II -

Bronzeaxt mit Pferdekopf im Nacken, Luristan, Mitte 3. Jtsd. v. Chr. Zylindrische Schafttülle von 5,7 cm Höhe. Im obersten Teil des Nackens eine Pferdeprotome mit leicht nach unten gerichtetem Hals mit Mähne und senkrecht nach unten gerichtetem Kopf mit deutlich ausgeformten anatomischen Details wie Maulspalte, Nüstern, Augen und Ohren. Auf der gegenüberliegenden Seite in der oberen Hälfte der Ansatz der Axtklinge, die ähnlich wie bei der Pferdeprotome leicht nach unten geneigt ist, mit runder Schneide und im vorderen Teil ausbauchender Unterseite. Dunkelgrüne Patina mit partiellen Oxydauflagen. Länge 16,5 cm.Provenienz: Süddeutsche Privatsammlung, erworben Ende der 90er Jahre im Kunsthandel. A bronze axe with horse's head on the neck, Luristan, mid-3rd millennium B.C. A bronze axe with horse's head on the neck, Luristan, mid-3rd millennium B.C. Zylindrische Schafttülle von 5,7 cm Höhe. Im obersten Teil des Nackens eine Pferdeprotome mit leicht nach unten gerichtetem Hals mit Mähne und senkrecht nach unten gerichtetem Kopf mit deutlich ausgeformten anatomischen Details wie Maulspalte, Nüstern, Augen und Ohren. Auf der gegenüberliegenden Seite in der oberen Hälfte der Ansatz der Axtklinge, die ähnlich wie bei der Pferdeprotome leicht nach unten geneigt ist, mit runder Schneide und im vorderen Teil ausbauchender Unterseite. Dunkelgrüne Patina mit partiellen Oxydauflagen. Länge 16,5 cm. Provenance: Süddeutsche Privatsammlung, erworben Ende der 90er Jahre im Kunsthandel. Condition: II +

Zeremonialbeil der Katakombengrab-Kultur, nördlicher Schwarzmeerraum, 2. Hälfte 3. Jtsd. v. Chr. Ausgesprochen formschönes und fein zugeschliffenes Zeremonialbeil mit aufwendiger, feiner Zeichnung aus tiefschwarzem, gebändertem Jaspis. In der Aufsicht von bootsförmigem Umriss. Auf der Oberseite leicht nach oben durchgebogen, der Nacken und die gewölbte, stumpfe Schneide unten deutlich nach unten ausgezogen. Der stumpfe Nacken entlang des Randes durch eine feine Ritzlinie markiert. Davor, auf den Flanken kurz vor dem Nacken, eine bogenförmig nach hinten ausgebauchte Ritzlinie. Zwischen diesen beiden Linien ist die Oberfläche abgetragen und geringfügig tiefer gelegt, sodass eine feine Profilierung entsteht. Ein ähnlicher Effekt belebt die gesamte Fläche der Oberseite der Steinaxt. Die Außenseiten durch zwei parallel verlaufende, durch Ritzlinien begrenzte, schmale Wülste hervorgehoben. Ebenso gestaltete Wülste rings um die zentrale Bohrung und entlang der Mittelachse. Zwischen diesen schmalen Wülsten ist die Oberfläche durch aufwendige Schleifarbeit tiefergelegt, sodass die gesamte Oberfläche eine ausgesprochen feine und präzise Profilierung erfahren hat. Länge 10,5 cm.Die stumpfe Schneide, der außergewöhnliche, natürlich tiefschwarze, fein gebänderte Stein und die mit den technischen Mitteln der Zeit nur durch immensen, wochenlangen Aufwand zu erzielende feine Gestaltung der Oberfläche machen das Stück zu einem herausragenden Artefakt der frühen Bronzezeit des nördlichen Schwarzmeerraumes, das zweifelsohne für rituelle Zwecke und nicht für den Alltagsgebrauch gedacht war. Das Stück darf als ausgesprochen seltenes und formvollendetes Relikt frühbronzezeitlichen Kunsthandwerks der Region von einzigartiger Qualität gelten.Provenienz: Österreichische Privatsammlung, erworben in den 1990er Jahren aus österreichischer Privatsammlung. A ceremonial axe from the Catacomb culture in the northern Black Sea area, 2nd half of the 3rd millennium B.C. A ceremonial axe from the Catacomb culture in the northern Black Sea area, 2nd half of the 3rd millennium B.C. A graceful, finely ground ceremonial axe made of jet-black, banded jasper, with a boat-shaped outline. Slightly curved at the top, the neck and the domed, blunt cutting edge flaring distinctly downwards. A fine line incised along the edge of the blunt neck, before which a bulging incised line extending back across the flanks. The surface between these lines stripped off and made slightly deeper, thereby creating fine grooves. This process repeated on the upper surface. Slender bulging ridges, separated by incised lines, on the outsides, around the central bore hole and along the central axis. The surface between these bulging ridges has been ground down, thereby creating exceptionally fine and precise grooves over the entire surface. Length 10.5 cm. Without a doubt, this outstanding, early Bronze Age artefact from the northern Black Sea area was used for ritual purposes and not intended for everyday use; this is borne out by the blunt cutting edge, the extraordinary, naturally deep black, finely banded stone and the extremely elaborate, delicate design on the surface. The axe represents a remarkably rare and perfectly shaped relict of early Bronze Age craftsmanship in the region, the quality of which is beyond compare. Provenance: Private Austrian collection, acquired from another private Austrian collection during the 1990s. Condition: II +

Bronzeaxt mit geripptem Nacken und Tierkopf am Klingenansatz, Luristan, spätes 3. Jtsd. v. Chr. 5,7 cm hohe Schaftröhre, deren zweifach gerippter, unterer Rand im Nacken senkrecht nach unten ausgezogen ist. Im Nacken ein ca. 4 cm breites Blatt, dass mittig durch eine Rippe mit eingeritztem Fischgrätenmuster verziert ist. Direkt unterhalb des oberen Randes der Schaftröhre eine ähnliche Rippe mit geritztem Zickzack-Dekor, die jedoch knapp hinter der Schaftröhre endet. Vorne geht diese Rippe in einen vollplastisch gearbeiteten Tierkopf (stilisierter Löwe?) mit geöffnetem Maul über. Aus diesem Maul geht eine trapezoide, leicht abwärts geneigte Beilklinge hervor. Auf der einen Seite ist die Bronzeaxt mit einer dicken Schicht aus grünen Oxyden und Inkrustationen bedeckt, welche die Ritzverzierungen nur andeutungsweise erkennen lassen. Auf der anderen Seite ist das Objekt gereinigt, sodass die Ausarbeitung des Tierkopfes und der Ritzdekor deutlich wahrnehmbar sind. Intakt. Höhe 10,6 cm. Länge 18,6 cm.Provenienz: Süddeutsche Privatsammlung, erworben Ende der 90er Jahre im Kunsthandel. A bronze axe with ribbed neck and animal head at the base of the blade, Luristan, late 3rd millennium B.C. A bronze axe with ribbed neck and animal head at the base of the blade, Luristan, late 3rd millennium B.C. 5,7 cm hohe Schaftröhre, deren zweifach gerippter, unterer Rand im Nacken senkrecht nach unten ausgezogen ist. Im Nacken ein ca. 4 cm breites Blatt, dass mittig durch eine Rippe mit eingeritztem Fischgrätenmuster verziert ist. Direkt unterhalb des oberen Randes der Schaftröhre eine ähnliche Rippe mit geritztem Zickzack-Dekor, die jedoch knapp hinter der Schaftröhre endet. Vorne geht diese Rippe in einen vollplastisch gearbeiteten Tierkopf (stilisierter Löwe?) mit geöffnetem Maul über. Aus diesem Maul geht eine trapezoide, leicht abwärts geneigte Beilklinge hervor. Auf der einen Seite ist die Bronzeaxt mit einer dicken Schicht aus grünen Oxyden und Inkrustationen bedeckt, welche die Ritzverzierungen nur andeutungsweise erkennen lassen. Auf der anderen Seite ist das Objekt gereinigt, sodass die Ausarbeitung des Tierkopfes und der Ritzdekor deutlich wahrnehmbar sind. Intakt. Höhe 10,6 cm. Länge 18,6 cm. Provenance: Süddeutsche Privatsammlung, erworben Ende der 90er Jahre im Kunsthandel. Condition: II +

Wikingische Streitaxt mit reicher Tierstilverzierung im Jellinge-Stil, 10. Jhdt. Streitaxt mit oben und unten spitz ausgezogenen Lappen auf beiden Seiten der Schaftröhre, die im Nacken glatt und ohne Fortsatz ist. Die Klinge der Axt verbreitert sich leicht geschwungen nach oben und unten zur deutlich abgesetzten, ca. 3 cm breiten Schneide hin, die an der Basis gegenüber der Klinge nochmals verdickt ist. Die Schneide zur Unterseite hin leicht einwärts gebogen. Auf der Schaftröhre beidseitig zwei gekreuzte Hohlkehlen, eine senkrechte Hohlkehle direkt davor. Die Beilklinge sowie die Schaftröhre mit Einlegearbeiten aus Gold und Silber in höchster Qualität verziert, die exquisite Beispiele nordischer Tierornamentik im Jellinge-Stil darstellen: Auf den beiden Seiten der Klinge vom Ansatz bis zur Schneide vollflächig ein kompliziertes Geflecht aus ineinander verschlungenen Tierleibern, deren Köpfe mit weit aufgerissenen Kiefern in die Tierkörper beißen. Ineinander verbissene Tier auch im Nacken der Axt, links und rechts flankiert von Flechtband. In den Kompartimenten zwischen den Hohlkehlen auf den Seiten der Schaftröhre gleichfalls Flechtbänder. Die Unterseite der Axt unverziert, die Oberseite hingegen mit einem komplex konstruierten, langdreieckigen Flechtband. Höhe der Schneide 14,2 cm. Länge der Axt 21 cm. Oberfläche mit leichten Korrosionsnarben. Die Eisensubstanz stabil. Die Einlagen partiell mit Verfärbungen durch Oxyde auf der Oberseite, aber vollständig und ohne Fehlstellen erhalten.Außergewöhnlich schönes, seltenes und vor allem gut erhaltenes Beispiel einer wikingischen Prunkaxt.Provenienz: Süddeutsche Privatsammlung, übernommen in den späten 90er Jahren aus der Sammlung des Vaters. A Viking battle axe with lavish animal-style decoration in the Jelling style, 10th century A Viking battle axe with lavish animal-style decoration in the Jelling style, 10th century The battle axe with pointed lobes at the top and bottom on both sides of the shaft tube, which is smooth at the neck and without extension. The blade of the axe widening and curving slightly up and down to a clearly delineated cutting edge, approx. 3 cm wide, which is thicker again at the base opposite the blade. The cutting edge curving slightly inward towards the underside. Two crossed, shallow fullers on both sides of the shaft tube, one vertical groove directly in front. The axe blade and the shaft tube are decorated with inlays of gold and silver in the highest quality, representing exquisite examples of Nordic animal ornamentation in the Jelling style: on both sides of the blade, from the base to the cutting edge, is a complex network of interlaced animal bodies, the heads of which are biting into the other bodies with wide-open jaws. Another such intertwined, biting animal on the neck of the axe, flanked by a braided band to the right and left. Repeated braided bands in the compartments between the fullers on the sides of the shaft tube. The underside of the axe is undecorated; however, the upper side features a long, triangular braided band of elaborate construction. Height of the cutting edge 14.2 cm. Length of the axe 21 cm. The surface with minimal corrosion pits. Stable iron substance. Some of the inlays with discolouration due to oxides on the top, but completely preserved and without defects. Exceptionally beautiful, rare example of a Viking axe, first and foremost in good condition. Provenance: South German private collection, inherited from the collection of the consignor's father in the late 1990s. Condition: II +

RARE NATA (SAMURAI AUXILIARY AXE-KNIFE) Of the Edo Périod, with signed blade and a Horimono depicted a peacock.

Funko Pop - A group of vinyl figures from the Movies series, Dr Emmett Brown # 236, Eve Moneypenny # 695, Donatello # 1133, Nux # 512, Sark # 490, Aguilar # 379 and a special edition flocked Kong With Battle Axe # 1021. They appear Mint in mostly Good boxes with some light storage wear. (This does not constitute a guarantee) [ba-7]

A SAXONY MINER'S GUILD AXE, DATED 1678 with flat iron head of characteristic form pierced with a slipped quatrefoil and circles, and fitted with a brass button on the spike, fruitwood haft profusely inlaid over its full length with engraved bone plaques of flowers and foliage including a pair of miners kneeling in penance at the feet of Christ Crucified beneath the inscription 'INRI', named to a bone plaque Samvel Stevdel, with carved bone butt, overall lenth 84cm long. WE DO NOT POST THESE ITEMS IN HOUSE BUT CAN SUGGEST COURIERS *IT IS YOUR RESPONSIBILITY TO CHECK LEGAL REQUIREMENTS FOR SHIPPING

A Japanese polished steel ceremonial axe, for use on launching ships, with red knotted cord. 22cm long

Mixed lot of various hand tools, axe, lathe, spade etc

Thailand, Ban Chiang Period, three bronze bracelets and a hand axe, ca. 500-300 BC L. 4,5 - diam. 9,5 cm. mounted [4]

Ca. 8000 - 6000 BC. A horn axe with a slightly curved profile, and a single, drilled hole, which allowed for attachment to a handle, making it an essential and versatile tool for the early inhabitants of Europe. During the Mesolithic era, these horn axes served a variety of functions, such as hunting, woodworking, and daily chores. The tapered shape and flared butt of the horn axe provided a secure grip and precise control, which was particularly useful for chopping, splitting, and shaping wood, as well as for skinning and butchering game. The hole in the axe head allowed for attachment to a handle, which enhanced the leverage and control of the user. Size: L:140mm / W:70mm ; 260g Provenance: Property of a European collector, ex. Marcus Prill, 2007; formerly in private German collection.

Ca. 5000 - 3000 BC. A dark black stone axe, with an unsharpened blade. It has a hammer shaped butt and socketet long hole in the central part of the body. The polished axe is part of the technology that marked Neolithic life in northwestern Europe, alongside farming, pottery, and longhouses Size: 110mm x 45mm; Weight: 395g Provenance: Private UK collection, acquired from the private collection of Mr. R. Unger; previously with Parthenon gallery; acquired in the 1970s on the UK art market. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 1200 - 800 BC. A bronze socketed axe head with a circular socketing hole, a slender pickaxe-like blade, and a reverse side shaped like a stylised stag. A thick green patina has formed due to age. For similar see: Christie’s Axel Guttman Collection of Ancient Arms and Armour Part II (28 April 2004), n. 35. Size: 205mm x 90mm; Weight: 455g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.

Ca. AD 800 - 1100. A gold Viking pendant in the shape of an axe head decorated with triangles, set with gold intertwining finials. Size: 24mm x 11mm; Weight: 2.4g Provenance: Property of a London gallery; previously acquired at the art market in Vienna; formerly in an Austrian collection formed prior to 2000.

Ca. AD 900 - 1100.An iron battle axe with a flaring blade, heavy poll, and an oval socket. Weapons like these were multi-purpose and were a favourite of peasant levies.Size: L:75mm / W:140mm ; 540gProvenance: Private Oxfordshire collection; Formerly acquired on the European art market from pre-2000 collections.

Ca. 1500-1000 BC.A cast bronze axe head featuring a cylindrical shaft and a bearded blade that terminates in a convex cutting edge. Bronze axes were one of the most important tools during the Bronze Age, and have been found in some of the most significant archaeological sites of the era. Size: L:100mm / W:110mm ; 400gProvenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market.

Ca. 1200 - 700 BC. A bronze double-headed axe characterised by its distinctive labrys shape, which features two parallel blades that are joined at the centre. The centre of the axe has a hole through which a handle can be inserted. The term "labrys" derives from the Greek word for double-bladed axe, and the labrys type was used by many cultures in the region, including the Hittites, Mycenaeans, and Minoans. The labrys-type of bronze axe was primarily used for cutting and chopping, and its two-bladed design allowed for more efficient use than a single-bladed axe. Size: L:205mm / W:55mm ; 740g Provenance: From the collection of a European gentleman living in the UK, acquired on the EU Art Market around 2000. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 1200-900 BC.A Bronze Age bronze adze. An adze is a cutting tool similar to an axe but with the cutting edge perpendicular to the handle rather than parallel. In addition to its practical applications, the adze axe also held significant cultural and symbolic value in Bronze Age societies. It was often used in ceremonies and rituals, serving as a symbol of power and strength.Size: L:40mm / W:120mm ; 525gProvenance: Private UK collection; From an old London collection formed in the 1990s.

Ca. 1200 - 800 BC. A Western Asiatic bronze axe-head with an imposing blade extending from a lengthy neck with a down-swept blade on the reverse. The surfaces display layers of naturally-occurring patina in shades of brown and green. Size: 170mm x 85mm; Weight: 320g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.

Ca. AD 900 - 1100. A Medieval iron axe head with a short, linear blade bearing a sharpened edge. A black patina with russet areas covers the entire surface of this tool. The simplified design of this axe head suggests a utilitarian purpose though it could double as a battle-ready weapon. Size: 100mm x 210mm; Weight: 1.1kg Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.

Original vintage political propaganda poster for the 1929 United Kingdom general election - Save Britain's Coal Industry Vote Labour - featuring dynamic artwork by the British graphic designer and commercial poster artist Verney L. Danvers (Verney Lionel Danby Danvers; 1895-1973) depicting an industrial image of a miner working with a pick axe in a coal mine in black and white, the bold text in red and black on the side below set within a red line border. Published by the Labour Party. Printed by Ben Johnson and Co. Good condition, creasing, tears, minor staining. Country of issue: UK, designer: V. L. Danvers, size (cm): 76x51, year of printing: 1929.

sculpture in bone depicting a skeleton with axe - on a wooden baseSculptuur in been met de voorstelling van een skelet met bijl : "Pietje de Dood" - hoogte : 15 cm - op houten sokkel

An 18th century style Chinese ceremonial Axe, decorated with dragon, with later turned handle, L 47 cm.

A group of antique silver and white metal buckles. Featuring a Georgian repousse octagonal buckle with four flowers; a small sterling silver knee buckle marked "GB" Birmingham 1812, with George III duty mark; and a pierced work floral oval buckle marked "ID" with a Dutch axe mark. Together with two EPNS buckles - one n elongated engraved pattern single button, the other a double sided arabesque form buckle. Total gross approximate weight of non-EPNS 68.06 grams. From the single owner collection of a Norfolk lady.

A framed and mounted Watercolour depicting a basket of chopped wood and an axe with barn in the backdrop, signed T. Cross.

An Asian Yxing globular teapot impressed with dragons to/w a pair of Indian steel ceremonial axe-heads (3)

† ROBIN WELCH (1936-2019); a stoneware sculptural form on a rectangular base covered in red glaze, height 18.5cm, and a pair of larger axe forms without bases, tallest 20cm (3).Provenance: Estate of Robin & Jenny Welch.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN (2016) - Mr. Barron's (Samuel L. Jackson ) Weapon Arms, Beating Heart Jar, and Helmet - Mr. Barron's (Samuel L. Jackson) weapon arms, beating heart jar, and helmet from Tim Burton's fantasy film Miss Peregrine's Home for Peculiar Children. Barron could turn his arm into any weapon of his choosing, such as a spear or axe, and wore his helmet when participating in the medical experiment that turned him into a Hollowgast. The helmet is made of resin, and the weapon arms are made of foam, and all three have been painted to look metallic. The axe hand has an open end so the hand can be inserted, and a metal pole within for grip. The beating heart is functional, with wires protruding from the bottom that create the beating effect when connected to an electrical source. The jar has been replaced since production, and there is some paint wear on both arms, but otherwise the items remain in very good condition. Dimensions: 62 cm x 62 cm x 38 cm (24.5" x 24.5" x 15")Contains electronics; see electronics notice in the Buyer's Guide.Estimate: £1,000 - 2,000 M Bidding for this lot will end on Sunday, November 17th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th, or Saturday, November 16th.

TOMB RAIDER (2018) - Lara Croft Stunt Costume and Stunt Pick Axe - A Lara Croft stunt costume and stunt pick axe from Roar Uthaug's action-adventure film Tomb Raider. Lara Croft (Alicia Vikander) wore her costume throughout the film as she explored the island of Yamatai, where her father had gone missing decades before. The costume was for Vikander's stunt double Fleur van Eeden and comprises a vest, undervest, green combat trousers, a leather belt, a pair of black leather boots, and three fabric wraps. The costume is intentionally distressed with stage blood, dirt and cuts.The pick axe is made of rubber with a cotton wrap around the grip. The tip of the axe is no longer present.The lot is accompanied by several production tags and two certificates of authenticity from MGM Studios. Dimensions (pick axe): 49 cm x 15 cm x 2.5 cm (19.25" x 6" x 1")Estimate: £2,000 - 4,000 Ω Bidding for this lot will end on Thursday, November 14th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 15th, Saturday, November 16th or Sunday, November 17th.

Sammlung von 18 illustrierten erotischen Werken in französischer Sprache, teils nummerierte Auflagen. 18 Bände. Meist Paris, 1807-1960. Verschiedene Formate und Einbände.Gepflegte, vielfach ansprechend gebundene Sammlung, enthält u.a.: Chansons de salles de gardes. Mit zahlreichen farbigen Illustrationen im Text und auf Tafeln. Ohne Ort, 1948. Lose Bogen im Original-Umschlag unter Original-Leinendecke im Schuber. - Desjardins. La Comtesse de Lesbos. Mit 6 farbigen Tafeln. Ohne Ort, Aux perfums de Lesbos, um 1930. Original-Kartonage. - Du Laurens, Henri-Joseph. La Chandelle d'Arras. Nouvelle édition. Mit 19 Kupfertafeln. Paris, 1807. Roter Halblederband der Zeit. - Fagus. La dans macabre. Mit blattgroßen Textabbildungen nach Sylvain Vigny. Paris, 1920. Halblederband der Zeit. - Goncourt, Edmond de. La Fille Élisa. Mit 20 Radierungen von Paul-Louis Guilbert. Paris, Briffaut, 1929. Roter Halblederband der Zeit mit Rückenvergoldung, Original-Umschlag beigebunden. - Laure, Liane. Confidences égarées. Mit 16 Heliogravuren von Dagy. Paris 1932. Original-Umschlag. - Lorrain, Jean. Monsieur de Bougrelon. Mit Tafeln und Vignetten von A. Brodovitch. Paris, H. Jonquières, 1928 (Les beaux romans). Grüner Halblederband der Zeit. - Unnummeriertes Exemplar. - Meusnier de Querlon, Anne-Gabriel.l Sainte Nitouche ou histoire galante de la tourière des carmélites. Mit 6 gestochenen und aufgewalzten Tafeln. Londres, 1830 (um 1865). Roter Halblederband der Zeit. - Musset, Alfred de. Gamiani ou deux nuits d'excès. Mit 8 Umrissradierungen (aus einer wohl umfangreicheren Folge). Brüssel, um 1915. Halblederband der Zeit. - Dasselbe. Mit 3 anonymen Umrissradierungen im antiken Stil. Sofia, Lecharmeur (Paris, um 1907). Pergamentband der Zeit. - Dasselbe. Mit 6 anonymen farbigen Tafeln. Paris, Panier fleuri, 1943. Halblederband der Zeit. - Les Nonnes lubriques ou histoires amoureuses et lascives. Tome Ier Soeur Augustin/Tome IId Soeur Emilie (von IV) in 1 Band. Mit 12 Radierungen. Paris und Amsterdam 1891. Späterer schwarzer Halblederband (Les Erotiques anglais, no. V). - Perret, Paul. Les Tableaux Vivants. 2 Bände in 1. Mit 10 radierten Tafeln. Paris (Amsterdam), 1890. Roter Halblederband der Zeit. - Piron, Alexis. Epigrammes licencieuses. Mit Textillustrationen von Lep. Ohne Ort, "Imprimé sans l'autorisation des boches", 1943. Halblederband der Zeit mit Rückenvergoldung. - Sixte, J. M. Divagations Erotiques. Mit Titel und 12 farbigen Tafeln nach Zeichnungen von Axe. Paris, ca. 1950-60. Späterer Halblederband, Original-Umschlag beigebunden. - 3 weitere Werke, darunter 2 Ausgaben der "Chansons de salle de garde". - Meist sehr gut erhalten.

Copy of a Cromwellian period 'Lobster Tail' helmet, possibly for re-enactments, one piece skull with hinged visor with three bar faceguard, a/f, together with a reproduction axe, with wooden handle and foliate decoration, 128cm high (2)

SCOTTISH SILVER VIKING SHIP BROOCH, GLASGOW 1957 MAKER J R along with a silver axe brooch, Celtic ring brooch and two thistle broochesQty: 5

A magnificent Victorian silver sculptural trophy for the 1875 Chesterfield Cup at Goodwood won by Sir Anthony de Rothschild’s racehorse Coomassie, hallmarked Emanuel Emanuel, Old Bond Street, London, 1874, modelled by the sculptor H. Owen-Hale, formed as a cast sculptural group with a ferocious depiction of fallen warriors and two knights in horseback combat during the defeat of the Saxons by King Arthur at the Battle of Mount Badon (late 5th/early 6th century), seemingly inspired by the engraving “Defeat of the Saxons by Arthur” by Charles William Sheeres (fl. 1851-1868) published in Cassel’s Illustrated History of England, Vol.1, illustration, p.25, published by Cassell, Petter & Galpin, London, Paris & New York, 1865, with shaped oblong ebonised wood base with curved ends, the sides applied with two silver plaques, one depicting the Landing of the Saxons in Britain, the other with the treacherous slaughter of the Britons by order of Hengist, the ends each applied with a shield and spears roundel, one inscribed GOODWOOD 1875, the other WON BY COOMASSIE, one of the fighting knights lacking the head of his battle axe, otherwise in fine condition, 72cm. high, 10,285gr.Provenance: Christie’s 23rd June 1999 lot 59.Goodwood House was purchased by the first Duke or Richmond in 1697. The races on top of the downs were introduced by the third Duke of Richmond and have been an annual event since 1801, public from the year after. The main meeting that has become known as Glorious Goodwood was and is still held over five days in the last week of July. The oldest race at the meeting, the Goodwood Cup, has been held since 1812, while the Stewards' Cup was first run in 1840 and the Sussex Stake the year after.The trophy being offered here is for the Chesterfield Cup, named after George Stanhope, 6th Earl of Chesterfield and was first run under this title in 1841, although the race can be traced slightly earlier to 1839 when it was run as the Harkaway Cup. As the magnificence of the trophy would suggest it was a very prestigious race at Goodwood at this time. It is still run for today but over the years has been downgraded in importance and become a handicap race, albeit a valuable one - this year’s race sponsored by Coral was worth over £50,000 to the winner.In 1875 the Chesterfield Cup was won by the three-year-old bay filly Coomassie owned by Sir Anthony de Rothschild, 1st Baronet (1810-1876), who had also bred her at the Aston Clinton estate in Buckinghamshire. Coomassie was to win the Chesterfield Cup again the following year, although sadly not witnessed by Sir Anthony who had died in the January.The sculptor of the trophy H. Owen-Hale later worked for Copeland producing high quality work in the company’s range of Parian Ware, simulating classical marble sculpture in porcelain. He is also remembered for his public sculpture, a memorial bust in marble & granite of the architect Edward Pugin erected in Ramsgate in 1879 and can still be enjoyed today opposite the old Granville Hotel and close to the Granville Theatre.The magnificent horse racing trophies of the Victorian period offered at Goodwood, Ascot and elsewhere invariably had a strong equestrian theme but rarely in a sporting context. Instead, designers took influence from historical events or imagery romanticised through literature and the arts in general. For many years the Illustrated London News published articles and engravings of these sumptuous trophies. Indeed, the present Chesterfield Cup has a write up in the edition published 31st July 1875, p.23, with the trophy engraved and illustrated.

A collection of 40 photographic postcards of scouting interest, each set of ten cards focussing on different Scout endeavours, such as hunting, bridge-building and using an axe.

A late 17th century oak chest of four long drawers with fielded panel fronts and axe head drop handles, on bun feet, 36" wide x 21 1/2" deep x 31 1/2" high

A COLLECTION OF CHINESE CELADON JADE CARVINGS QING DYNASTY Comprising: a small bowl decorated with bosses and two chilong-shaped side handles; a basket-shaped box with a convex base and twin side handles; a fish-shaped pendant drilled for suspension below the dorsal fin; an archaistic axe blade embellished with two chilong and drilled to the side for mounting; and a small convex plaque decorated with a chilong, 12cm max. (5) Provenance: Hinton Daniell Stewart (1835-1926) of Strathgarry, Perthshire.

FOUR SMALL CHINESE JADE ITEMSMING DYNASTY OR LATERComprising: a calcified jade axe blade with an inscription; a sword fitting with archaistic designs; and two recumbent mythical animals with drilled holes for suspension, 11.1cm max. (4)OFFERED WITHOUT RESERVE. 本拍品不設底價。

A Indian axe, circa mid 19th century, the head with chiselled designs on each side, the socket formed as a shrine or turret. On it's original shaft with applied roundel decoration

A Tribal hardwood Vessel/Jug with spout, carved line designs and raised on tapered tripod supports, A/F, 7"High, and a variegated polished stone Axe Head, 8"Long.

A 19th century Sudanese, Mahdist War era war axe. Comprising of a leather covered wooden shaft, with low grade silver mounts, and a bronze axe head. Together with a Sudanese short spear from the same era. The spear has the traditional leaf shaped point, with raised central ridge. Twisted wire bindings to the mid and end sections, and and a thicker flattened length of steel wrapped around the section holding the blade to the shaft. Provenance: both items were acquired by Captain Robert Charles Couldrey of the Royal Field Artillery, who was seconded to the Egyptian army at the end on WW1, and went on to serve as the Controller General of the Sudan War Supply Board in the early 1920’s. Axe length: 75.5cm, spear length 83.6cm. Condition: some wear to each. The axe has parts of the leather covering split and coming away from the wooden shaft. The bronze axe head has an aged brown / green patina, but otherwise appears to be undamaged. The silver mounts have blackened with tarnish and are a little dented from use. The spear has a fine patina, both to the head and wooden shaft. The end section is a little rough, which may suggest that an additional section once present has broken away in the past.

A TALL JAPANESE BRONZE OKIMONO MEIJI OR LATER, 20TH CENTURYModelled as a young man looking quizzical after dropping his axe over a woodpile, holding a double gourd in his other hand; wearing loose garments and a soft eboshi hat; raised on a base shaped as a rocky outcrop and signed Kozan saku for Yamamoto Kozan (1892-?), 40.5cm.

A Qajar gold-damascened steel axe with repoussé silver shaft Persia, circa 1900the steel blade of crescent form chiselled and overlaid in gold with an inscription-filled lobed cartouche to each side and bands of vegetal motifs, the butt with a further inscription-filled lobed cartouche, the silver shaft engraved and decorated in repoussé with scrolling bands of figural scenes, the pommel with a band of openwork floral scrollwork and a further figure 71.5 cm. longFootnotes:Inscriptions: dar azal jebril gofta gofta (sic) az lesan-e kerdegar, 'In eternity Gabriel said through the tongue of the Omnipotent God'; la fata illa 'ali la sayf illa dhu'l-faqar, 'There is no youth (as brave as) 'Ali, There is no sword (as sharp as) Dhu'lfaqar'; signed 'amal-e 'ali, 'The work of 'Ali'.For a comparable axe sold at Christie's South Kensington, see Indian & Islamic Works of Art & Textiles, 3 April 2009, lot 72.Important Notice to BuyersSome countries, e.g., the US, prohibit or restrict the purchase by its citizens (wherever located) and/or the import of certain types of works of particular origins. As a convenience to buyers, Bonhams has marked with the symbol R all lots of Iranian (Persian) and Syrian origin. It is each buyer's responsibility to ensure that they do not bid on or import a lot in contravention of the sanctions or trade embargoes that apply to them.This lot is subject to the following lot symbols: RR This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com

A brass shield possibly from the armoury of Hyder Ali (d. 1782) South India, 18th Centuryof circular convex form with upturned rim and applied central ring, mounted with four bosses, engraved and decorated with a central rosette surrounded by concentric bands of geometric and vegetal motifs and an inscription in Kannada, the bosses with rosettes, four suspension loops to reverse. 31.9 cm. diam.Footnotes:Inscriptions: ಹೆ || ಕೂಡ್ಲಿಗಿಹಿ ||, Hai//KodligihiThe inscription on the present lot is in Kannada, in a style dating to the 18th/ 19th century, and bears a similarity to those found on arms and armour from the Mysore Palace armoury with the Sri Krishna, for Maharaja Krishna Raja Wadiyar III (1794-1868). Krishna Raja Wodeyar III was the twenty second Maharaja of Mysore who ruled for nearly seventy years and took inventory of the armoury, marking the pieces with serial numbers and labels. These were proceeded by his name, 'Sri Krishna'. An example of a dagger with the Sri Krishna is in the Metropolitan Museum of Art, New York (Accession No. 2022.464a, b). The style of the inscription on our shield is very similar, and indicates that it was almost certainly part of the Mysore Palace armoury. The word Kodhligihi may derive from Kodli, meaning axe or hatchet, and could be the name given to the shield by the Maharaja. The 'hai' preceding this is found, often in Farsi, on other weapons associated with Hyder Ali in the Mysore Armoury. It has therefore been suggested that the inclusion of 'hai' on the present lot indicates that the shield was in the armoury of Hyder Ali, Tipu Sultan, and later Maharaja Krishna Raja Wodeyar III, who marked the piece with the inscription.Hyder Ali (c. 1720 – 7 December 1782) was a soldier who rose through the ranks of the Mysore army to the point where he was able to establish himself as de facto ruler by 1761, usurping the brothers Nanjaraj and Devraj in 1752. He fought against the British East India Company during the First and Second Anglo–Mysore Wars, and was the innovator of military use of the iron-cased Mysorean rockets. His eldest son and successor was the 'Tiger of Mysore', Tipu Sultan.For further information on this lot please visit Bonhams.com

5 flint / chalk axe heads - from Tumby Woodside, Lincolnshire

Mexico, Mezcala, three stone axe heads, 300 BC - 100 AD. one in the shape of an antrhopomorph. L. 8,3/9,6/12,3 cm. Provenance: Private collection Geert van der Zee, Leerdam. Collected in the 1960's-1970's. [3]

P.N. Guinea, Highlands, Mendi, an axe. Herewith a Central Asmat shield (top missing) L. 49 and 153 cm. [2]

Papua, Asmat, village Mberiten, carving by Komanci 1974, standing male figure with a ceremonial axe-blade, traces of white and red pigments; herewith a standing female figure with a bird's head in her hands, traces of red and white pigments. H. 80 and 68 cm. Publ.: Asmat kunst, 70 jaar Asmat houtsnijkunst, 1976, ill. 78 (for the first item)Exhibited: Volkenkundig Museum Justinus van Nassau, Breda, december 1976 - mei 1977. [2]

P.N. Guinea, a ritual stone axe blade and a stone mortar the upper rim decorated with studs, an archeological find. L. 26 and diam. 18 cm. [2]

Papua, a collection of four stone axe blades h. 14,5 - 25,5 cm. on custom made stands [4]

A GROUP OF FIVE BURMESE BRONZE FIGURES Early-mid 20th C., Depicting a dancer wearing a traditional costume, a woman carrying a charger on her head and a man cutting wood with an axe, a blacksmith and a man canoeing, on wooden circular and rectangular tiered bases 20.5cm to 22cm high Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A South American antiquitian carved stone axe head figure, possibly Mexican, in a crouching pose, 14cm high, together with another carved stone figure (2)Both are worn and marked with age. Removed from a local house clearance, deceased estate.

Felling axe marked Brades

A carved flint axe head, possibly Neolithic, length 13cm

Rotationsalbum A. Foerste’s Patent, ab 1878Wechsel-Album für Berufsphotographen, die es leid sind, das umsonst ihre Ausstellungsbilder verschwinden. Höhe 33 cm, Der Text aus Photographisches Wochenblatt 1878, S. 128: "… hat ein speculativer Yankee ein Album construiert, das auch in Deutschland Eingang gefunden … aus einem eleganten Mahagonikasten, der in seiner horizontalen Querlinie von einem Bock gestützt wird, und sich mithin um seine horizontale Axe dreht. Die Bilder befinden sich, je vier Stück zusammen, unter Opticscheiben parallel zu der Vorder- und Hinterwand des Kastens, der ihrer zweiundfünfzig enthält. Bei jeder Drehung des Kastens rutschen die beiden oberen Bilder in Holzschienen hinunter, und bieten so dem Auge des Beschauers zwei neue Ansichten. Durch fortgesetztes Drehen werden dann successive alle 52 Bilder sichtbar; sie sind ferner nicht zu beschmutzen und können nicht ohne Wollen ihres Verfertigers in fremde Hände fallen, da der Kasten durch ein Schloß die Bilder vor derartigen Heimsuchungen schützt." Mit einigen Cartes de Visite gefüllt, eine "Optic"-Scheibe mit Sprung, sonst gut erhalten. Zur Geschichte der Portraitphotographie ein wichtiges Ausstellungsstück. Start Price: EUR 280 Zustand: (3/3)A. Foerste’s Patent Rotating Album, 1878 onwardsChangeable album for professional photographers, containing cartes de visite, one glass panel cracked, otherwise well-preserved, ht. 33 cm. – References: "Photographic Weekly", 1878, p. 128: "... a speculative Yankee has constructed an album that has also found its way into Germany... from an elegant mahogany box that is supported by a trestle in its horizontal cross line and thus rotates circa its horizontal axis. The pictures are located, four at a time, under glass panes parallel to the front and back wall of the box, which contains fifty-two of them. With each rotation of the box, the two upper pictures slide down on wood rails, thus offering the viewer two new views. By continuing to rotate, all 52 pictures become visible one after the other; they cannot be soiled and cannot fall into the wrong hands against the will of their maker, since the box has a lock to protect the pictures from such afflictions." – An interesting patent device in the history of photography. Start Price: EUR 280 Condition: (3/3)

Taylor of Liverpool - mid 19th century 8-day Oak and Mahogany longcase clock with a swans necked pediment and brass ball finial, with a square hood door beneath flanked by turned pilasters, trunk with a short crossbanded door and raised panel on a square plinth raised on bracket feet, painted dial with matching geometric spandrels including depictions of conche shells, Roman numerals, makers name, axe moon disc and calendar aperture, dial pinned via a false plate to a rack striking movement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 210cm  Length/Width: 48cm  Depth/Diameter: 23cmCondition Report:Pendulum suspension broken.

A Mughal Deccan koftgari 'tabarzin' saddle axe, late 18th/early 19th century, the watered-steel blade with a convex cutting edge, bordered on each side with rosettes and a lion hunting a buffalo, the haft overlaid with spiralling gilt foliage above a fluted column and further spiralling scrolls, 62cm long For a similar example, see The Wallace Collection, accession number OA1615. The tabarzin, also known as the 'saddle axe', is a type of traditional axe associated with Persian, Indian and Central Asian cultures. Its name comes from the Persian word for axe, 'tabar', and it was historically used as both a weapon and a ceremonial object. Known for its distinctive design and craftsmanship, often featuring intricate decoration and metalwork, the tabarzin was commonly used in the Safavid and Qajar periods of Persia, as well as in parts of the Mughal Empire in India. Shipping Disclaimer: Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country. Condition ReportThe axe head 14.5cm wide and 4cm deep.Just beneath the axe head on the shaft, slight lifting to metal banding, evidence of a possible repiar. Rubbing to the gilt present and the watered steel blade slightly degraded in areas. PLease see additional images for reference. 

An Indian Deccan ceremonial koftgari axe, possibly 17th century, the crescent-shaped blade decorated with oval cartouches of flowers to each side, surmounted with the head of an ibex with possibly ruby inset eyes, the haft with further banded scrolling decoration, terminating in a peacock-shaped handle to a fish pommel, 71.5cm long Thought to have been exhibited: Samina Inc, Asia Art Week, New York, 9-18 March 2017. Ceremonial axes in Mughal India were a significant part of the court culture, symbolising power, authority and prestige. These axes were not just practical weapons, but also objects of art, meticulously crafted and adorned to reflect the status of their owners. Made from finely crafted steel, gold, silver and precious stones, often they also featured intricate engraving, inlay work and ornate designs. Shipping Disclaimer: Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country. Condition Report16cm wide 4cm deep

A collection of hand tools to include hand rivet guns with consumables, hand staple gun, bow saw, axe, carpenters hand saw's, Parkside pneumatic paint gun, Blue Point pneumatic wrench and an Empire spirit level.

CHINESE CELADON JADE AXE NEOLITHIC PERIOD 新石器時代 青玉斧flares slightly towards the softly bevelled, rounded cutting edge, with two hafting holes pierced from one side near the butt, the stone of a variegated pale celadon and white tone mottled with olive-green 20cm high  Formerly in a private English collection 前英格蘭私人舊藏